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Series: The Armstrong And Miller Show
The Armstrong and Miller Show is an English sketch comedy series starring the eponymous double act of Alexander Armstrong and Ben Miller. The duo originally broke into British television with a series entitled simply Armstrong and Miller, which ran from 1997 to 2001 on Paramount Comedy and Channel 4, whereas the newer series began six years later in 2007 and aired on BBC1. The third series of The Armstrong and Miller Show ended in December 2010.

Comparisons to That Mitchell and Webb Look are inevitable, as both shows starred a double act, ran during similar time periods, and were slightly renamed versions of earlier sketch shows. In contrast to Mitchell and Webb, however, Armstrong and Miller do not have readily apparent character archetypes (layman/boffin, straight man/indignant man, et cetera).

Famous Running Gags from the series include:
  • A pair of WWII RAF pilots who speak like modern teenagers (Isn't it? Standard.)
  • Striding Man, who evidently has a need for a great deal of unimportant information.
  • "Origin Of" stories depicting cavemen who invent or discover modern ideas such as job interviews and acceptance speeches.
  • Several sketches in which a man has a perfectly amicable conversation with several people, wishes them goodbye, leans over a desk microphone, and says in his best Bond villain voice, "kill them".
  • Brabbins & Fyffe, a parody of Flanders and Swann.
  • A series of vox pops in which a man describes his quirks or mental illnesses, ending with "and that's why I became a teacher."
  • Parodies of 1970s public information films note  giving useless or dangerous advice.
  • "Enlightenment, with Dennis Lincoln-Park", in which Miller plays a TV historian who has been entrusted to view some rare and precious object... despite the fact that he is horrifically accident-prone.


Tropes present in The Armstrong And Miller Show:

  • Affectionate Parody: Lots. Flanders & Swann, Austen novels, The Hairy Bikers, Jeeves & Wooster, not to mention plenty of one-off sketches.
  • Benevolent Boss: Played For Laughs. The head of MI6 is this, often to the point of hindering operations that threaten national security. He once interrupted a terrorist interrogation so the staff could present the agent with a birthday cake.
  • Beware the Nice Ones: The "kill them" sketches. Plus Miranda and Pru, the owners of Dandylion's cafe in the first series, who are perfectly pleasant (in a bitchy sort of way) when talking to each other, but every sketch ends with them attacking the customers.
  • Butt Monkey: Declan.
  • The Cameo: Morten Harket (lead singer of A-Ha) of all people turns up in the Farmer's Market Song ('cause his name rhymes with "market", geddit?)
    • Their Comic Relief sketches include a cameo by Mitchell and Webb ("Kill them!"), and another by Geoffrey Palmer as a senior RAF officer, who manages to set our heroes straight on a couple of points by lapsing into their vernacular.
  • Big "NO!": Happens in one of the sketches featuring the man who, when out shopping, acts out disastrous events featuring his family and the new purchase.
  • Brownface: In the sketch about the pirate who misses his old lifestyle, Armstrong plays a woman of unspecified tropical origin.
  • Captain Oblivious: Roger, who walks in on his wife and his boss before or after they have sex — or in an otherwise-compromising position — and he always manages to be convinced that nothing is going on between the two of them.
  • The Cast Showoff: Armstrong's great musical talents are frequently put to use in the show.
  • The Cat Came Back: Jilted Jim, the lonely man who keeps bothering the same couple on their honeymoon.
  • Covert Pervert: Fyffe, apparently. He and Brabbins don't bother hiding the fact that the reason for his umpiring a group of young female tennis players is not actually his love for the game.
  • Country Matters: Subverted only due to Curse Cut Short in the form of the censor at the end of the foreigners' song in an early Brabbins and Fyffe sketch.
  • Curse Cut Short: A lot of Brabbins & Fyffe's songs end this way, with a hasty cut to the Test Card.
  • A Date with Rosie Palms: Brabbins and Fyffe's "Knocking Out a Crafty One."
    • In one of the caveman sketches a teenage boy's mother tells his father the boy has been "sharpening his spear".
    Father: Oh... now he a man!
  • Deliberately Monochrome: The RAF pilots sketches. Isn't it.
    • Also, the Brabbins & Fyffe and public information film sketches all use deliberately desaturated colour.
  • Discriminate and Switch: The couple who's elderly German and English grandparents meet for the first time, are set up as ex-military and begin bickering over the war, only to forgive each other and agree to let the past rest. It's when the topic switches to who was more responsible for the breakup of Katie Price and Peter Andre's marriage, that the fistfight breaks out.
  • The Dog Bites Back:
    • Declan, the Butt Monkey of the Striding Man sketches, is the one who escorts him from the building after he's fired.
    • Gordan Ramsay's staff beat him to death in response to his endless criticism in a one-off sketch.
  • Dude, Not Funny!: invokedParodied in a set of sketches in series 3. A character will have a slapstick accident and, while they're trying to regain their composure, Miller will walk into view, look into camera and say "This isn't funny, but it actually happened to a friend of mine, so ..."
  • Fish Out of Temporal Water: A common setup;
  • Foreshadowing: The fountain that appears in the the title card of the Enlightenment sketches is actually the final artifact destroyed by Lincoln-Park.
  • Funny Background Event:
    • In The Critical Factor, the losing contestants are brutally executed while the presenter (Miller) talks to the round's winner.
    • Fyffe is often seen drinking or taking drugs while Brabbins introduces their songs.
    • This is the entire point of the "exam proctor" sketches.
  • Genre Savvy: In the later "Enlightenment" sketches, Dennis Lincoln-Park seems at least partly aware that he's in a setting where priceless relics can be destroyed with the slightest touch, and takes exaggerated care when handling them. Not that it helps in the slightest.
  • How Do You Say: Used by the man in the Parisian café when he speaks to British tourists.
    • Strange Syntax Speaker: Having gotten so used to speaking French after emigrating from England, as a result, he now speaks English using both the "wrong" (reversed) syntax and uses literal translations of phrases.
  • Inventing The Wheel: Played For Laughs. In "The Origin Of ..." sketches, there are plenty of cavemen but they don't invent the wheel. Instead, they invent things like small talk, unusual baby names and hairdressing. It's as much a joke about modern life as it is about the cavemen.
  • Jerk Ass: Quite a few, spread throughout the sketches.
  • National Stereotypes: Brabbins and Fyffe's "Foreigners".
  • Kill It with Fire: One of the losing contestants in The Critical Factor is executed by being knocked out, having petrol poured all over him, and a match struck.
  • No Celebrities Were Harmed:
    • Dimitri from the first series, a take on Chelsea football club owner Roman Abramovich.
    • Brabbins & Fyffe, very clearly based on Flanders & Swann.
    • Gordon Ramsay in a one-off sketch, in which he's beaten to death and served to the customers of a restaurant.
    • The Hairy Bikers in a series of sketches in which their middle-class inclinations keep getting the better of their attempt to demonstrate food found in the wild.
  • The Oner: the "Enlightenment" sketches.
  • Oop North: The Geordie window cleaner.
  • Our Vampires Are Different: Played for laughs, obviously. A pair of old-fashioned vampires try to get virgin blood as if they're "on the pull" but are often beaten or outwitted by modern Twilight-inspired vampires.
    Pharius: Since when could vampires do that?
  • Picky Eater: A Fish Out of Temporal Water at a raucous Tudor feast. The only thing he finds he can eat is an apple... which he spits out because he doesn't like Braeburns.
  • A Pirate 400 Years Too Late:
    • Parodied this in a sketch which involves random people getting press-ganged by the Royal Navy into joining the "South Harbour Club Patrol" after buying t-shirts reading exactly that. And if that concept isn't 18th century enough, then Somali pirates attack South Harbour... by firing audible cannon broadsides.
    • In series 3, an actual pirate in the stereotypical style is now living the life of a middle-class house husband. He longs to return to the old life, but his wife is insistant that he doesn't.
  • Poirot Speak: The main trait of the Miller character who hangs out in a Parisian café. Although a native of Reading, he has lost fluency in English since moving to France six months ago, and consequently speaks with an English accent and French syntax. Later taken Up to Eleven when he meets a fellow Brit who has lived in Germany for two months:
    Man: My train goes not, so I must a nearby street reasonable price young man hostel find.
  • Politeness Judo: Jim takes advantage of the honeymooning couple's politeness and sympathy in order to leech their time (and alcohol).
  • Potty Emergency: Brabbins & Fyffe's "Train Song" (aka "Have you ever had to take a shit on a train?")
  • Rant Inducing Slight: One sketch has a newly married couple heading to their new home when the wife mentions they're passing a place she used to visit with an ex-boyfriend. The husband remains silent and withdrawn for the next fifty years, before finally echoing the comment, moments before dying.
  • Running Gag:
    • "...I accidentally bit him on the nose. Quite hard."
    • "Kill them."
    • Miranda and Pru starting a fight in Dandylions Cafe, which always ends with the same guy getting thrown out of the window.
      Miranda: Pru, It's kicking off!
    • "Shit... I forgot to put the bins out."
    • [singsong] "Can you lend me twenty euros?"
  • Serious Business: In one sketch, a supervillain is behind a shop that sells pots at their full price while claiming that they are half price. Disgusted by this diabolical scheme, his former partner says that he is "the closest thing to pure evil I've ever seen."
  • Sesquipedalian Loquaciousness: The point of the Regency-era ball sketches, in which the upper-class attendees seduce one another using very sophisticated descriptions of the extremely graphic sexual acts they would like to perform.
  • Shown Their Work: As noted in the DVD extras, the team took great pains to ensure that their period-sketches were accurate. In "How Many Hats" this extended as far as working out exactly what year this show would have taken place in, and finding a period appropriate picture of Princess Margaret for the ending.
  • Society Marches On: Much to the chargrin of Pharius and Horschstadt, who preferred the 18th century.
  • Spit Take: In one of the "Enlightenment" sketches. Not from surprise, but because Lincoln-Park has just drunk some foul-tasting home-made communion wine. Unfortunately he does so in front of some candles, and the ignited alcohol incinerates a priceless holy relic.
  • The Stinger: Every episode ends with one, typically the finale to a sketch already shown in the episode. In the last episode of the first series, for example, a producer turns the "Kill them" line on the two stars after the wrap up for the series.
  • The Unfunny: Miller tends to play these roles.
  • Visual Pun: In one sketch, a man who's been taking certain pills he ordered off the internet receives a giant statue of a rooster. Also overlaps with Stealth Pun, because it's never actually described as a huge cock.
  • Walk and Talk: A recurring sketch features a man striding purposefully down endless corridors, The West Wing style, while underlings duck in and out delivering him assorted pointless trivia.
  • We Are Experiencing Technical Difficulties:
    • Several Brabbins and Fyffe sketches cut to the Test Card note  when they start getting too filthy to broadcast. Usually this is used as a Curse Cut Short, although a song beginning "The loveliest thing about teenage girls..." is cut off before it can go any further.
    • "How Many Hats" ends this way when the panellists start attacking their fourth (Miller) for calling them out on the ridiculously obvious/pointless nature of the game. The annoucer cuts to a period-accurate picture of Princess Margaret.
  • Wham Line: invokedThe point of a series of sketches in which couples describe their relationship to the camera. They end with one of the saying something which would ruin relationships normally, such as one partner being described as a managing director, and the other as a Nazi sympathiser.
  • Vulgar Humor:
    • Played With. The dentist from the first series is the sketch that produces the most Squick of the number that the two do, discussing highly disgusting activities or very graphic sexual practices in great detail. However, the humour doesn't come from the vulgarity, it comes from Miller's expressions and the fact that the dentist has his fingers in the patient's mouth the whole time.
    • Brabbins & Fyffe, being a filthier take on Flanders & Swann, is another Played With example. They're incredibly dirty but their songs remain very classy and witty. Before they're hit with the impromptu censor, anyway.
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alternative title(s): The Armstrong And Miller Show; Armstrong And Miller
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