A popular late '70s-early '80s Forensic Drama about the eponymous Quincy, ME (Jack Klugman) and his work handling cases in an LA coroner's office. Arguably created the Forensic Drama genre that became so popular many years later.The show began as an entry on The NBC Mystery Movie before being shifted into a full-fledged series in its own right, and enjoyed a lengthy run (1976-1983). The basic formula had Quincy working on a corpse whose death had been ruled an accident or suicide. In each episode he would find something strange in the autopsy which would lead him to suspect murder. Quincy would then start sleuthing, inevitably picking up on clues the police missed. He'd eventually find enough evidence to force the always-clueless cops to re-classify the death as a homicide, at which point Quincy would expose the identity of the killer.During his time solving suspicious suicides and uncovering evildoers, Quincy was assisted by loyal Lab Rat Sam Fujiyama (Robert Ito) and was constantly at odds with both Lt. Monahan (Gary Walberg), who resented Quincy's meddling, and Dr. Asten (John S. Ragin), who resented all the overtime hours Quincy and Sam racked up.
Always Murder: Usually true, but averted in "Semper Fi" about a young soldier who dies on night manoeuvres. Quincy: "Your son didn't fall, and he wasn't thrown. He jumped."
Also averted in "Murder By S.O.P." with the town doctor who knows the true identity of this week's murderer. He's killed in a car accident which is a genuine car accident.
Averted again in "The Hope Of Elkwood," where a cross-country running coach was accused of working his star pupil to death. The judge threw out the involuntary manslaughter charge on grounds of the specifics of the crime not matching the definition of the charge, only to have the guy sued for wrongful death. It finally turned out that the Body of the Week had a small tumor on his adrenal gland, making his C.O.D. natural causes exacerbated by training for his next race.
Author Filibuster: Some episodes should obviously just be called "Jack Klugman's Soapbox".
"A Good Smack In The Mouth," about child abuse, gives co-teleplay and story credit to guess which cast member.
An episode where a college student dies in a hazing incident ends with a scene where, out of nowhere and with no prior setup, Quincy is suddenly giving a graduation speech at an unnamed college. His entire speech is about how terrible fraternity hazing is: which is all well and good, but would probably be more useful if he were giving it to a bunch of people who were NOT about to graduate.
Lampshaded in the late season episode that introduced his new love interest, later to become his wife. She recognized him as the hot dogging coroner who was always incensed about some issue, only to have forgotten about it a week later, when there was some new issue that he was incensed about.
The Bad Guys Win: "Scream To The Skies" - following a hearing convened in the wake of an air crash into the sea in which many people die due to the airline not having life rafts (because they weren't legally required to carry them), the airline in question brings a defamation suit against Quincy - "You've just been gagged" - which stops him from continuing his safety crusade.
Chuck Cunningham Syndrome: Lee Porter, Quincy's love interest in the initial movie-length episodes, disappeared without a trace when the show switched to an hour-long format.
Cool Car: Well, unique at any rate. It's a hearse that says "CORONER" across the back. Danny hated it when Quincy parked it outside the bar.
Corrupt Corporate Executive: While Quincy runs into quite a few of these, one of the later seasons had a memorable aversion. When a executive learned that his company's poor waste disposal practices had caused a fatal accident, told Quincy that, while his lawyers had informed him he held no legal responsibility, he still felt a moral responsibility to assist in solving the crisis.
"Into The Murdering Mind" may well share the honours, with a touch of The Bad Guys Win thrown in for good measure (it's implied that the guy who's murdered all but one member of his family will be going after his mother as well when - not IF - he gets out of the clinic he's sent to...).
This is played for laughs during the opening. Quincy is performing an autopsy as some rookie police officers observe. They all pass out, but all we see are the tools used and the cops dropping.
Heroic BSOD: One episode dealt with child abuse as Quincy tried to determine which parent was beating the kid. When he found out it was the father, who had taken his son off to a fishing trip and intended to beat his son further, Quincy tracks them down and completely loses it, almost strangling the father as he ranted on about how horrid the act of child abuse was. Quincy only snapped back to sanity when the child begged Quincy not to hurt his father.
Houseboat Hero: Quincy is that much cooler because he lives on a boat.
Kavorka Man: Two words that leap to mind to describe Quincy physically are "craggy" and "wizened", also, he cuts up dead people for a living. He's never lacking for skimpily-dressed 20-something female company, though.
The Mafia/Yakuza: One Body of the Week, an LAPD organized crime detective, was the victim of a yakuza assassin. The oyabun was trying to work out a deal with The Mafia to buy black market guns for his operations in Japan.
The McCoy: This describes Quincy to a T. He's impulsive, emotional, very humanistic, and frequently argues with more logical characters.
No Name Given: Played utterly straight. It's never mentioned — not even by his girlfriends — though a business card gives his first initial as "R".
Officer O'Hara: Lt. Monahan mentions his Irish grandmother from time to time.
Poorly Disguised Pilot: "The Cutting Edge," the final episode of the series, barely features Quincy (the other regulars don't appear at all) and focuses instead on a surgeon who specializes in state of the art surgical techniques. No points for guessing it was meant as a spinoff.
Replaced the Theme Tune: The Mystery Movie episodes had a more businesslike (though still optimistic) theme tune; the more familiar theme came along when the series debuted and was edited onto the shortened versions, but the original is still heard over their end credits (although the "guy on the landscape with the flashlight" background is replaced with the big Q, and the credits themselves are changed - they're white instead of yellow, and instead of "Mystery Movie Theme: Henry Mancini" there's "Theme: Glen A. Larson and Stu Phillips").
The Seventies: Some of Quincy's clothes are typical of seventies fashion in all its horrifying glory.
Shared Universe: With BJ And The Bear, believe it or not - the Poorly Disguised Pilot "The Girls Of Hollywood High" has the PDPs' stars visiting his place of work. Asten and Sam appear but not the main man, understandably given the episode was scripted by both shows' co-creator Glen A. Larson (see Absentee Actor above).