Prototype had escort missions, which are already widely hated by pretty much everyone. It wasn't so bad early on, defending thermobaric tanks and such, but the escort mission immediately before Elizabeth Greene's boss fight would likely cause broken controllers. One pump vehicle pumping BloodTox veeeery slowly and wave upon wave Leader Hunter's who just sprint straight for it and smack it with AoE's until there's not even a bolt left. Wonderful.
The racing side missions, where the player has to move through a variety of waypoints in order, under a particular par time. Fair enough on its own, but the mechanics of the player movement tend toward going very fast, but also being very imprecise. Moving through a tiny waypoint when you overshot your target because you were moving too quickly feels like Fake Difficulty.
In ActRaiser your god avatar has a set number of spells per level attempt. That's right, not per life, per level attempt- you don't get your magic back when you die. If you use all your magic against a boss but just fail to defeat it, then your only choices are to work out a way to beat it without magic or to lose all your lives and start the level from the beginning again. Although the unresponsive controls and mediocre collision detection were pretty bad problems, the magic issue stuck out as both clearly deliberate and plain mystifying.
Worse, you had to manually equip spells through a fairly terrible interface before going into the level, every single time.
Ōkami has the digging minigame. It is a timed event which requires you to dig by using your brush powers to remove certain obstacles while you escort a companion whose life mission it seems is to walk into every time reducing object possible. Add to this that on the Wii version, the brush controls only work half the time. Also, certain actions such as blowing your companion over gaps or shooting them up with water spouts only work if your timing is absolutely dead on, and even then he will tend to walk right off the edge you just popped him up on, making you start again. Thankfully, there's only two times it's necessary and they're the easiest ones.
And even worse, drawing lightning bolts. And it's extremely hard to aim them.
Ōkamiden has its own, which is both simpler and far more pervasive: Ink doesn't regenerate if you picked Old Hand way, back on the title screen, which is the game's Hard Mode. This will cause you an enormous amount of pain during certain boss fights, particularly King Fury. It doesn't help that because of the difficulty names (Greenhorn and Old Hand), it's an easy mistake to think they're asking if you want a tutorial, but it's actually a difficulty select. If you chose Greenhorn, ink DOES regenerate, but only after you've run out of ink, making this not so much a scrappy mechanic as an added challenge. The real mechanic is the aforementioned not realizing it's a difficulty select in the first place.
The Information Gathering missions from the first Assassins Creed game, so much that the first order of business for Assassin's Creed II was taking them out and replacing them with a more natural mission system.
As the page image so eloquently illustrates, the vanishing blocks that are found in nearly every single game are utterly despised by gamers. Even the sound they make pisses retro gamers off to this very day.
Mega Man 7 and Mega Man 8 forced you to beat four of the robot masters first before you could go after the next four. Mega Man & Bass took this Up to Eleven with an odd system that unlocked new stages depending on which ones you beat prior. Saying this mechanic was unpopular would be an understatement.
The Mega Man Homepage: (On 8) Once again, you must tackle four Robot Masters at a time. (Why does Capcom keep doing this?)
The removal of charging and sliding in Mega Man 9 and 10 is a bit of a Base Breaker, with some not appreciating the removal of long-standing mechanics to make the games more like Mega Man 2.
Ride Chaser levels (X4 and X5 especially). Walls that block you come out of nowhere, the damn things aren't very responsive anyway, and maybe a second to respond to changing terrain, bottomless pits, and the aforementioned walls. Significantly less scrappy in X8, but still annoying.
The Ride Armor sequence in X5 (Mattrex's stage, part 2) could be avoided, and good thing, because it's built around the fact that the Ride Armor can withstand the lava (whereas the also-robotic main characters cannot). You take the Ride Armor (and its not-displayed health bar) deep into the lava itself, and if it gets destroyed, you die and go back to the beginning. The sequence ends with having to ditch the Ride Armor in the lava; you have to jump and eject yourself from the Ride Armor (hold "Up" and press the jump button) at the peak of that first jump. The slightest slip-up kills you and sends you back to the beginning. Considering that the route you can take to avoid this is a Shout-Out to Mega Man 2, and this is the only level in X5 that the Ride Armor appears in, why is the Ride Armor here at all?
There's also Zero's "nosedive" attack in X6 that's activated by pressing "up" and "attack" at the same time. There's also the fact that the "Up" button is used to grab ropes as well. If you're in the habit of holding "Up" when jumping along horizontal ropes situated over spike pits and whatnot, a single enemy in your path can make you accidentally trigger Zero's diving attack, sending you back to whatever obscenely-placed checkpoint you're forced back to. Even worse, for the Anniversary Collection, the developers were planning on changing the controls for the attack to prevent the above issues from happening, but they were barred thanks to the existence of the Maverick Hunter X game; yes, because they were expecting to build a series out of it, and change the controls when they got to that game, the Anniversary Collection version of X6 got gypped out of having this particular scrappy mechanic taken out. What?!
X5 had random Reploids in a few levels, who were meant to be hostages and could be rescued simply by touching them, as they reward you with an extra life and a (usually minor) health refill. This was their only use, and in a game where you get unlimited continues anyway, their helpfulness was a little questionable. Altogether, though, not too scrappy. X6 put sixteen of these hostage Reploids in each level, and some of them give you upgrades with no in-level indication of who gives what--or indeed, anything. That's... annoying. X6 also introduced these Goddamn Bats called Nightmares (the floating tentacled things that drop souls required to use the aforementioned upgrades on a character, in itself another Scrappy Mechanic). They can fly through walls, commonly appear in packs, can revive themselves if you don't pick up the souls they drop, and...oh yeah, they can possess and disfigure the hostage Reploids, sometimes even ones that are offscreen. Needless to say, any hostage that gets possessed and has to be destroyed never comes back, making any upgrades they may have had Lost Forever.
X6 flip-flopped a little on the subject of how easy it should be to thwart a Nightmare from possessing a hostage. On one hand, any hostage within range would draw the Nightmare's undivided attention, and you could shoot them in the back as they slowly flew toward the hostage if you were feeling that risky. On the other hand, some Nightmares are very cruelly placed, to the point where one Nightmare in particular is directly on top of a hostage Reploid.Yes, this means you could lose a Reploid before you can even see him.
The Nightmare System in X6 would cause changes to certain levels if you went there from a certain other level. The levels in X6 are aggravating enough, but certain Nightmare System changes could render them nigh-Unwinnable (good luck trying to get past the first avalanche section in Blizzard Wolfang's level with X/Zero copies attacking you constantly.)
X7 would have been bad enough even if its targeting system worked as intended.
Then we get the ranking system in the Mega Man Zero series. In Mega Man Zero 2 and 3, you HAVE to have at least an A rank in a stage to obtain a special weapon from the boss. To get high ranks, you must go through the stage quickly, taking little damage and defeating many enemies. Yes, all of those at once. Zero 4's special weapons depended on another factor unrelated to the ranking system and were therefore much easier to get, but the game then introduced, if anything, an even Scrappier Mechanic: item recipes. By putting together specific combinations of chips dropped by enemies, you could make powerups that let Zero double-jump, walk on spikes, charge up faster, etc. The problem is, you have no way of knowing whether or not any particular combination will actually do anything until you put them together, aside from a few recipes that can actually be received in the game. You'll just have to use trial and error for most of them, and doing that will use up those chips. Heaven help you if you tried that with one of the chips dropped by an enemy that only appears in one of the non-revisitable stages. And of course, there's no indication in the game of how many recipes there are either...or even how many chips you need for any of them (given that they can require anywhere from 2 to 4). Combine Guide Dang It, Trial-and-Error Gameplay, and potential Lost Forever and you have an incredibly frustrating gameplay mechanic.
Cyber-Elves were a pretty nifty and fairly heavily advertised addition to the Zero series, granting all kinds of special abilities. Except that the game punishes you for using them by placing a permanent penalty on your rankings. Later games would only have a few Cyber-Elves that penalized you, and Zero 4 changed the system entirely by giving you only one Cyber-Elf that you can upgrade and downgrade as much as you want, and you only get penalized for making her too powerful (and the limit is raised continuously as you progress through the game.)
Mega Man Legends gave you a digger's license which served to Railroad you in the direction of the plot and would be upgraded as the story progressed. The sequel decided to instead make you take a Digger's Exam: A timed level with a very strict time limit with a weapon loadout that pushed you about as close to a No-Gear Level as the game could get, making for a mind-numbingly difficult run. Not only were the tests mandatorynote While you could take them early, sooner or later you'd reach a mandatory to explore ruin that was above your grade, but all the enemies in every ruin upgraded to more powerful versions of themselves every time you passed an exam.
The Devil Bringer Nero uses annoys some fans of the series in that it is overpowered and that combat becomes more of a one-hit God of War button pressing sequence rather than dishing out the combos... but the problem with Nero is that his move list is limited and thus to deal major damage you usually have to use the Devil Bringer.
While revving Nero's sword up to power up his strikes has no downside and revving it in time with his attacks automatically powers up the next attack instead of having to rev it 3 times, it's Scrappy Mechanic to a degree in case you're not a fan of hitting one of the shoulder buttons in time with every attack, especially since revved up attacks have different timing and thus require you learn both of them if you wish to master EX-Acting and MAX-Acting all attacks. If you don't, your variety of attacks will be a lot more limited, mostly because Nero can't get any new weapons like Dante can.
What's that, player? You spent all of Devil May Cry 3 getting used to the new Style mechanic, which was incredibly useful and allowed adaptability depending upon your personal play style? And you also quite like the Devil Trigger ability, which has been a part of the series since the first game, which is useful for a worst-case scenario or for dealing a bit of well-needed extra damage to a tough enemy or boss? Well then, I'll just remove both the Style and Devil Trigger mechanics around the halfway point during the fight against the penultimate boss, and if you don't like it, you can deal with it!
There is not much love for the underwater sections in Devil May Cry 1 or 2 either. To elaborate, the 1st game had at least two first-person underwater sections. In these bits you controlled like a tank, can't use devil trigger, can only use the needle gun, and the enemies had way more movement. It gets worse on Dante Must Die if you can't kill enemies fast enough. The 2nd game had a lot of Lucia's missions underwater (in 3rd person this time) that played even worse and one of the missions end in a boss battle that's underwater.
The removal of certain iconic moves such as taunting and, most importantly, a hard lock-on function. The latter makes the aim for guns, grapples and dash attacks a bit dodgy. This also makes dash attacks like Stinger harder to execute, as you have to tap the left stick in a direction twice instead of simply holding it towards the enemy you're locked on.
Special weapons are split into two classes. Several enemy types are immune to one class or the other, which some players felt limited their weapon options in combat.
The rating system rewards you for the damage you make rather than the variety from your combos, although the length of time a style grade remained before disappearing or lowering was significantly shortened in a patch.
The Devil Trigger was significantly buffed, with some seeing it as a Game Breaker, due its use of Bullet Time and a tendency to throw any non-boss enemy helplessly into the air. Others dislike it because it only serves a single function instead of adding variety to combat like in the previous games in form of additional attacks and because filling the gauge to use it takes so long that you can only use it 1-2 times per level at most.
The platforming sequences are sometimes seen as unnecessary or too easy, or Padding when replaying missions for points.
Some of the best equipment and rune words in Diablo II were restricted to players on the ladder, a harder version of the game on Battle.net with a finite amount of time to find the ladder-only itemsnote Every 6 or so months, the ladder resets. All ladder characters from that season are permanently booted and lose the ability to find ladder-only items but get to keep whatever they found. Players who wanted a slower-paced game, preferred single-player, or didn't have reliable Internet access were out of luck.
Many people dislike the fact that only ten auctions per account are allowed on the gold auction house — if you have alts or play AT ALL you will quickly exceed that limit, and combined with limited on character and joint character inventory it can be a pain. As a result, most gear you find is turned into Vendor Trash because it will take up too much space. That gear sells for so little, and giving it to the blacksmith to turn into items for him is pointless as most blacksmith items are terrible.
The Real-money auction house also gets a lot of grief, since it lets players substitute real-world money for competence at actually playing the game.
Prior to patch 1.0.8, the Guide Dang It nature of the Auction House: Since only adjustments to base stats were listed, you needed either pencil & paper or a third-party site to figure out whether the item you were considering would actually be an improvement.
Enrage timers were near-universally loathed by the fanbase. Ostensibly put in to discourage farming of elite mobs and bosses in higher difficulties, it makes killing said mobs and bosses impossible for under-geared players playing solo, as once the said timer activates, it's almost a guaranteed death. Fortunately, they were eliminated in a patch.
Blizzard's announcement that the game was online-only, even for single player, did not go over well.
It introduced a new combat engine, Renbu (which means "Endless Dance"), which no longer limited attacks to a simple string of striking attacks as they could go on infinitely at any time (Including the newly implemented string of charge attacks). As your Renbu level increased, more attacks (striking and charge) are added to your attack string. However, the only way to increase your Renbu level is by constantly attacking enemies (raising your chain counter), but that's not the worst of it. Your Renbu gauge can decrease by either not raising (or starting) your chain counter (Making this very frustrating in escort missions) or by taking heavy damage from enemy attacks.
With the right abilities, renbu gague loss was mitigated. The real problem with renbu was that it was a fine idea on paper but not in play on higher difficulties. On higher difficulty levels, it's not uncommon for one of the fifteen or twenty mooks to hit you during a combo, breaking your momentum. Some characters could easily recover; but other characters' movesets (such as Dian Wei and Xiahou Dun) felt so uncomfortable to play with on higher difficulty settings that they were outright unusable.
The reception for this was so bad Renbu was removed completely from the EmpiresExpansion Pack in favor of upgrading the weapons themselves to give more elaborate combos. Simplifying of the upgrade system is common for the Empires side games in order to allow more focus on the kingdom management aspects, but this is the first time a core battlefield mechanic was completely excised between a numbered release and the expansion.
Dynasty Warriors 2 had some enemy generals gaining powerups after standing back up from being knocked down. The battles were still winnable, but this really dragged some of them out, particularly when Liu Bei or Cao Cao was the commander. He could literally be the last man standing, with hostile forces swarming around him, and it'd still take 6 minutes to finish him off. No surprise Koei dropped this like a bad habit.
Bike riding in Tomb Raider Legend gets a large hatedom for being the worst part of the game.
Likewise, the kayak in Tomb Raider 3. Vehicle sections are welcome most of the time, but the kayak handles just a little too realistically to be fun having to navigate lethal rapids and waterfalls full of deathtraps with. There were some points with the kayak where it was impossible to proceed without taking heavy damage from the traps and falls.
The tightrope walk sections in Tomb Raider Chronicles would count too. Lara can easily fall off if you fail to regain her balance and crossing is sometimes based on luck. Since Lara losing her balance is randomized, you could wind up spending more time readjusting than actual tightrope walking.
The poison mechanic in Tomb Raider III and The Last Revelation. Once you were poisoned, you'd gradually lose health and the only way to cure it was by using your vital health kits. What made this worse was most enemies that could poison you either traveled in groups or were hidden from view.
The game has an infamous Wall Jump, which requires the player to roll-jump towards a wall and hit the opposite direction on the control pad, before pressing the jump button a millisecond later. This takes hours to perfect and is needed to escape a certain area, and to collect all the powerups.
The Shinespark jump from Super Metroid allowed Samus to store energy from the Speed Booster and use it to make a super-jump. It was a difficult but manageable technique that wasn't used very much. Someone on the development team must have loved the jump and thought this was a shame, so it's used way too often in Zero Mission, which wouldn't be so bad if these jumps didn't require the player to stop the jump and re-store the energy. Admittedly, this is only for optional powerups, but 100% completionists will quickly learn to loathe the Shinespark. For their rejoice, Zero Mission and Fusion took away one supremely scrappy element of the Shinespark: unlike in Super Metroid, those games don't actively damage you for using the move (which was a baffling decision in the first place in what is overall an excellent game). Looks like someone on the development team decided that it wasn't so hot to penalize the player for doing a move that they'd absolutely need to master in order to score 100%. Another thing that was vastly improved in the sequels over the original game is how the move is done: in the original, you needed to be in midair to use it, the diagonal version required you to use one of the shoulder buttons to perform it and there was a high chance that either the horizonal or diagonal version would come out as the vertical version instead. In the sequels, all you need to do after storing energy is hit jump and hold a direction you wish to travel.
The first two games are good games, with just an unfortunate implementation of a Scavenger hunt toward the end. The first Prime game isn't all that bad, since you can collect the required artifacts throughout the game, with only one unavailable until the endgame (And even then, it's only located two rooms away from the spot where the endgame really starts). The second game, however, is horrible: you must have the Dark Visor to begin acquiring the keys — a few also require the Light Suit, which is approximately 95% of the way through the game.
The third game has it too (GFS Valhalla and the Energy Cells). They just integrated it more skillfully with the main adventure, and you don't need all of the Cells to complete the game. In addition, a simple speed trick on the Valhalla allows you to skip two more cells in the Aurora Chamber; if you're just looking for bare-bones completion, you needn't go out of your way at all for Corruption's scavenger hunt.
It should be noted that while you can snag a few of Prime 2's artifacts as soon as you get the Dark Visor, about 2/3s of the way through the game, if you're going for a full logbook you can't get a single one before snagging the Light Suit and visiting the room in Dark Aether where the artifacts must eventually be taken at least once, or else you'll miss out on one Lore scan per artifact obtained for a total of nine.
Even Metroid hacks have been known to imitate the Prime series' scavenger hunts. Super Metroid Redesign sends you in search of twelve well-hidden Chozo guardians, some of which are inaccessible until the right conditions obtain. The worst is a tube in Maridia which, unlike all other tubes of that design, can't be broken by Power Bombs; instead, it breaks when you defeat Ridley (halfway across the planet).
While Metroid: Other M wisely stowed away with the idea of a third-act scavenger hunt, it introduced the Concentration-based health system. In every other Metroid game, enemies would drop health (and missile) boosts when you killed them, keeping you topped up on-the-go. Other M does away with this completely; the ONLY ways to restore your health at all are through save stations (which function here as recharge rooms as well, similar to those in the Chozo Ruins and Mothership in Zero Mission), and through a new technique called Concentration. At any time, you can point your Wii remote upwards and hold A to replenish your missiles fully, but with health it's trickier: you can only restore health when you're so low that a few more hits will kill you, and to do it you need to perform the technique while standing still and unable to defend yourself for a few seconds. Now, where are you most likely to run your health low enough to be allowed to use this technique? In heated battles where the enemy won't exactly sit around while you're trying to heal. And even then, it only gives back 99 units of health at first - you can find upgrades that increase how much you can get back, but you need to go out of your way for them. It turns the entire game into a Nintendo Hard endurance test. Though, one supposed players should have expected something like this from the same development team that brought us such fair and reasonable entities as ALPHA-152.
Other M's "Pixel Hunts". There are several scenes where the player is locked and immobilized in a first-person viewpoint until they spot some background detail. Unfortunately, such details were almost all extremely difficult to notice, from a splotch of green blood in a grassy area to a brown caterpillar in a dark brown room. These moments killed the flow of the game and often became a Guide Dang It. Worse still, the final boss is one of these, and can kill Samus in a matter of seconds.
In a broad sense, the "Authorization" mechanic, in which, instead of losing all upgrades at the start and gradually replacing them as time goes on, Samus gets the use of various aspects of her suit "authorized" over the course of the game. So expect to be trudging through deadly lava for a good fifteen minutes, before Mission Control finally allows you the environmental protection of the Varia Suit that you already have. The mechanic so flew in the face of basic logic, that the idea that Samus and her commanding officer are in an abusive relationship seemed to be the only logical explanation.
The original Metroid features a punitive health system wherein, no matter how many energy tanks you had when you died, you start back off with 30 health units. Want another chance at the thing you died at? Better spend time laboriously farming enemies for 5-point health units. Later titles in the series wisely kicked this mechanic to the curb without a second thought.
Aerial levels in Drakengard are, sadly, half the game. They start off all right, but then the enemies gain homing attacks. Every last one of the enemies, that is. You have homing shots yourself (albeit weaker than non-homing) and a magic-attack "bomb," but in order to gain all the weapons, you have to clear several aerial missions without using the magic attack and under strict time limits. It doesn't help that you can't "hover" (this was fixed in Drakengard 2), making aiming a game of luck, and that you turn so very slowly.
The 2 player mode is cruel enough to force both players to restart a section if either one runs out of lives. Most of the time, the surviving player will be low on lives and be the one to run out next time. The Angry Video Game Nerd and Kyle Justin ranted about this long before reaching the eleventh stage, which has an out-and-out bug that makes it impossible in 2 player.
As if the game weren't hard enough already, you can't turn off the friendly fire in the game (though you could in later Battletoads games), making it extremely easy to punch/kick/headbutt your ally in co-op by accident. This really, really sucks in the descending level (level 2), where your toad will turn into a wrecking ball and instantly kill any enemy or friend who is even roughly parallel to him, simply because you pressed the attack button.
It has Dark Side Mode, which is randomly activated by uncontrollable spinning slots that appear after killing enemies. Of course, it has a tendency to trigger after you've already finished killing all of the enemies in a room... and it cancels when you open doors/gates to proceed to the next one. Only one of these is stored for later use when the player chooses, as it instantly kills all enemies on screen... but because it awards extra money for not using it when you beat the level, it's even scrappier, as most players simply leave it and take the money.
The entry fees, and by extension, the job and assassination minigames in the first game also count, even if they are justified when you find out that Sylvia was a con artist and was manipulating almost every assassin in the game. The player basically has to grind large amounts of money to unlock the next rank match, and therefore advance the story, and the repetition was the single-biggest complaint about the first game. People were glad when they ditched the whole concept in Desperate Struggle.
Desperate Struggle also readjusts the Dark Side Mode - now it comes up a lot more often, and even if your luck is bad, there's an extra, manually-activated version if you can avoid getting hit too often.
Comix Zone had the rather infamous quirk that hitting inanimate objects removed a tiny sliver of your health bar...then forced you to break things this way to progress, unless you managed to figure out where every single hidden grenade or pack of dynamite is and use those instead.
It is a fun little game about a small mech with a drill for arms. In certain circumstances, death will simply send you back to the start of the room with a little less health. If you lose a fight enough times, you're given the option to spend 50 "chips" to Continue. Otherwise, you're booted all the way back to the opening screen. Not even the menu, the cutscene you get when you boot up. And when you load your save, if you saved in a boss room, you have to sit through the entire pre-boss cutscene. Every. Single. Time.
There's also the Drill Missile. Inside are platforms with little electric orbs on them. Two different types, in fact; blue orbs that move at a steady pace, and pink ones, which move like they're on crack. There are also elevator platforms that flip over to reveal their electric underside. And it's timed. Fail the extremely precise timing challenge, and you get booted out and have to start the mission again. And you will.
Blast Corps has the Backlash, a dump truck. A clumsy drive combined with its unique method of building destruction (powersliding so its flatbed hits buildings) make every level where it's required a pain. It's also in the running for "most common vehicle in the game", and certainly has the most levels devoted to it.
Sadly, a big part of the gameplay of Fragile Dreams: Farewell Ruins of the Moon falls into this: The weapon you use can break at any time, you have a very limited capacity to carry things with you and to see certain objects you have to come back to a save point. The battle system is kind of scrappy too; even if there are different kinds of weapons and each of them has a decent selection the player is limitated for the whole game to a single combo. This is the reason why the game is more an emotional experience than a gaming one and therefore the player should specially focus on its story, characters, art and symbolism.
Castlevania II Simons Quest had the day and night mechanic which many people hated, mostly because it made everything take twice as many hits, the towns unsafe and the slow-as-hell unskippable text box stating the obvious to pop up. There was also the grinding to get hearts and running back to town just to get an item.
Castlevania: Dawn of Sorrow's Magic Seals are a good example of how implementing a part of the system's capabilities isn't always a good idea. In order to finish off the boss, you have to draw a particular seal using the DS's stylus, or the boss regains a portion of their health. While simple at first, it gets frustrating as you're forced to use more complicated seals as well as less time to finish drawing the seals and most of the later bosses (Gergoth, Death and Abbadon in particular) are simply a nightmare to fight, particularly if you slip up. At least the bonus Julius mode didn't force this on the player again.
The worst offender is Magic Seal 4. Due to a glitch, it won't cancel when player makes a mistake or runs out of time (the only way to cancel is to stop drawing seal), yet making the seal unfinishable upon either happening. It may take a while before player notices what's wrong.
Defeating the Balore boss gives you to Balore soul, which can only be used in two rooms in the entire game, including the room you found it in.
Lollipop Chainsaw: The Chainsaw Blaster's auto targeting takes a lot of flak for jerking the camera around where ever the closest zombie is near you. This is remedied though since you can go into options menu anytime to switch to manual aim (which works way better). Some of the mini games count too, and failing them will make you lose a life, ruining your no death run. The mini-game that practically everyone hates is Zombie Baseball, due to three reasons:
1. It's a glorified escort mission that involves getting Nick around the baseball diamond three times. Nick goes somewhat at a snails pace and wastes time celebrating EVERY TIME he makes it to a base.
2. Nick is pretty much a Glass Cannon and can only take about 4 or 5 hits at most.
3. If you left the auto aim on, this section pretty much becomes a Luck-Based Mission. As mentioned earlier, the scrappyness is reduced somewhat since you can turn off auto aim anytime. Though many first time players did not know about manual or auto aim.
Sly's "ledge jump". To elaborate, if you land on the very edge of a platform and jump, Sly will kick outward away from the platform. True you gain more air than a normal jump, but that's a moot point since it's much easier to use his paraglider for that. Most often you tend to activate it by mistake when you jump to a far ledge, making Sly jump blindly towards the camera and most likely into the Bottom Less Pit you just jumped over.
Murray missions in general. Since Murray lacks pretty much every sneaking skill of his allies, he's reduced to lumbering through levels and taking enemies on head-first. Because of this, he tends to get the crappy mini game levels such as the much abhorred Murray Games.
The Clue Bottles in the fourth game. The first game's linear levels made them fairly easy to find, but the sprawling areas in Thieves in Time make them absolutely miserable to track down even with a walkthrough. One of the obtainable bonus items, the Clockwerk Eye, alleviates this by marking the bottles on your mini-map, but you don't get it until well over halfway through the game, and to acquire it, you have to find all the clue bottles in one of the levels.
Also in Thieves in Time, one of the developers apparently loved the side-scrolling camera angle. Often when you try to make your way across a wire or a set of tricky jumps, the camera will re-orient to a side-scrolling perspective which roughly doubles the difficulty of said tricky jumps. It's particularly scrappy since if you actually wanted that camera angle, it would be very easy to just orient it that way yourself if the camera didn't abruptly jerk around.
Also in Thieves in Time are the controller-tilt mechanics that serve to stink up the otherwise fun hacking levels and contribute to the scrappiest part of the Murray Games mentioned above.
The Amazing Spider-Man 2 has the Hero/Menace meter. At first glance, it seems similar to those seen in other games, like Red Dead Redemption, but the way it's handled turns this from a promising mechanic to an annoying one. The game has side missions showing on the map for a few minutes, and completing them before they disappear makes the meter go to the "Hero" side. How does the meter go into the "Menace" side, you ask? Well, it has to be by committing acts of cruelty, like attacking civilians, or destroying property, right? Well, no. The meter goes down by not doing the side missions. That's right, you're called a "Menace" not by doing something wrong, but by failing to do a few more right things than all the ones you are constantly doing. Well, it's popularly known that Uncle Ben died due to Peter's inaction, so maybe the game design is simply enforcing the theme of responsibility. Alas; late in the game the number of side missions that show up is so large, that several of them will disappear at the same time. That means that you might be completing a side mission and your meter will still go down, since several missions disappeared in the time it took you to complete one, so even if Spider-Man is doing is best, he's still a "menace" because he's not preventing every crime in New York City at once.
It's worth adding that the Hero/Menace meter is not just for decoration. If you go to the "Menace" side you'll be attacked by a task force, which will make your progress a chore. You'll be forced to grind a lot of the side-missions just to keep them from attacking you, and considering that every time you end one of them you're forced to hear a news report about it that gets old really fast, it will be extremely tiresome.