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History Recap / TheNostalgiaCriticS6E6

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* ReReleaseSoundtrack: The review featuring the Music/{{Commodores}}' "Easy" (when the Cat is shown in a dress and riding a swing) and Borodin's ''Nocturne in D'' (when Critic is at a loss for words at the following scene and goes to stare at a sunset) got it [[ScrewedByTheLawyers a copyright claim]] when uploaded on [=YouTube=] (to the point where the swing shot was cut on the [=YouTube=] upload). When the review was re-uploaded as an "original edit" in January 2024, both songs were replaced with different (presumably [[ClumsyCopyrightCensorship royalty-free]]) instrumental tracks (thus reinstating the swing shot).
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Correcting name.


** For every instance of {{demographically inappropriate humour}}, [[Series/SesameStreet Count Von Count]] enumerates how many times Dr. Seuss "rolled in his grave" (eight for the Cat's "dirty hoe", then becomes nine for Conrad's attempt to spell the acronym of the "Super Hydraulic Instantaneous Transmission" car).

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** For every instance of {{demographically inappropriate humour}}, [[Series/SesameStreet Count Von Count]] enumerates how many times Dr. Seuss "rolled in his grave" (eight for the Cat's "dirty hoe", then becomes nine for Conrad's attempt to spell the acronym of the "Super Hydraulic Instantaneous Transmission" Transporter" car).
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* [[invoked]]UncannyValley: Both Critic and Evilina are horrified by the Cat and the Things. Peter Soulless, however, thinks it's just making sure they accurately resemble the art style. The Critic points out that things like that might look cute in cartoon format but are just creepy in real life.

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* [[invoked]]UncannyValley: [[invoked]]UnintentionalUncannyValley: Both Critic and Evilina are horrified by the Cat and the Things. Peter Soulless, however, thinks it's just making sure they accurately resemble the art style. The Critic points out that things like that might look cute in cartoon format but are just creepy in real life.
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Up To Eleven is a defunct trope


* BrokenAesop: The Critic thinks the film's message (A little rule-breaking is fine as long as it doesn't get out of hand) doesn't work because Conrad comes across as a BrattyHalfPint taken UpToEleven, and Sally is [[ControlFreak the other extreme]] also taken UpToEleven, rather than normal kids.

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* BrokenAesop: The Critic thinks the film's message (A little rule-breaking is fine as long as it doesn't get out of hand) doesn't work because Conrad comes across as a BrattyHalfPint taken UpToEleven, up to eleven, and Sally is [[ControlFreak the other extreme]] also taken UpToEleven, up to eleven, rather than normal kids.
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* SomeAnvilsNeedToBeDropped: This is the Critic's InUniverse opinion of the original book's message, partially because it's such a rare message for children to hear in the first place. However, as noted in BrokenAesop, it doesn't work in the film because the kid's personalities are too extreme for them to seem like real children.

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