"They donít just jump the shark, they go back and beat the shark to death, then chop itís body into chum to attract more sharks! Which is cool. Heh. Chopped sharks."
— Jarry's Kid, explaining the recent plot twists in Guilded Age
"Yup, the shark had its slippers on, was relaxing on the couch, now it's hurriedly getting dressed while his wife shrieks at him, 'I thought you weren't doing jumps this late anymore!'"
"This prompts Kirk to make what I believe is the first Star Trek fart joke. Hard to believe that three films prior he was battling a villain who quoted Melville, and now is an inch away from 'pull my finger.'"
"Iím no expert, but if a car had been flying around in space would you really be able to start its engine again? Who thinks up this crazy shit—oh yeah Brannon Braga! Imagine the pitch meeting. ĎOkay, so Voyager is cruising through space where they come across an old truck hanging in space and when they get it on board they pick up an SOS signal in Morse code from a nearby planet where Amelia Earhart is chilling out!í Any reasonable person would do their best Alan Sugar impression and say Ďyouíre firedí, but no, they jumped all over it and in a way you have to kind of admire that they did. However as we head into a season that flaunts some outrageous concepts (yeah, Tom and Janeway lizard babies, Iím looking at you) this is a warning that this show is about fall off the rails...Amelia Earhart is a step too far into insanity for me — I understand the idea was to team up two strong female explorers, but the million hoops of logic it bypasses to get them together is extraordinary. There seems to be an expert on Voyager to fill in the gaps of every possible plot contrivance, and so we learn Paris loves cars and Janeway is au fait in Earhartís story. Given that one set of aliens abducted Voyager and another set abducted Earhart and friends, does that mean there are aliens taking people all the time and Janeway is going to discover all manner of confused 20th Century mysteries in her time? 'Captain weíre picking up a distress call from an ocean planetÖitís the crew of the Marie Celeste!í"
"There is a longstanding and not particularly interesting debate over what the killing blow for the classic series was. I say it is uninteresting because it is, quite frankly, supremely easy to answer: Warriors of the Deep finally gave a story so bad that not even the fans could defend it (itís telling that Doctor Who Magazine didnít even bother running a review of the story) that gave open ammunition to Michael Grade. The Twin Dilemma cripples the incoming Doctor so that he is essentially never, ever going to be able to win the public over. And then Trial of a Time Lord botches the last throw of the dice, failing to bring a restored show that anybody can be excited about and tout as the triumphant relaunch of Doctor Who."
"Itís hard to watch The Twin Dilemma these days without getting a sense that weíre watching the show commit a form of suicide."
—Darren Mooney on Doctor Who, "The Twin Dilemma"
"Sliders had a five season run, a series about four characters 'sliding' through parallel worlds in the hopes they can once again find their own. After one or two really good seasons exploring alternate history, evil doubles, and the paths not taken, each new slide that didn't get them attacked by evolved neanderthal Kromaggs started taking them to 'Dinosaur World' or 'Twister World' or, god help us all, 'Zombie World.'"
"The lesson to be learned from all this?
Is there one?
I mean, you ever heard the story about the snake? 'Bitch, you knew I was a snake.'
This is television. You can't expect it not to break your heart. If you expect greatness, pretty generally, you will be thwarted, just like in other mediums.
What is rare, however, is a show to start so well and devolve to this level on so many facets of its creation and execution."
Matt: Jump the shark! Jump the shark!
Pat: I don't wanna jump the shark! ...Aw, we jumped it.
"We've established that Renegade 3 didn't so much jump the shark as repeatedly jump up and down on the shark whilst screaming 'Look at me, I'm Mr. Jumpy Sharko!'"
— Dr. Ashen
"It's inevitable - everyone's got a bad one in them, and any artist that doesn't die young will eventually run out of steam at some point. They get old, they get complacent. No one can keep the fire burning forever, it happens. But until the end of my days, I don't think I will ever, ever see such a shocking drop in quality as this. You remember in Space Jam where aliens secretly stole the talent from NBA stars and suddenly those players completely sucked? I can only assume something similar happened to Eminem in 2004 because I can't come up with a single better explanation for what happened to Slim."
"Let me make one thing perfectly clear: this is not jumping the shark. I'll repeat that again. This is not jumping the shark. Oh, no, no, no, no. (Beat) This is jumping the shark, coming back, shooting it in the balls, raping it, EATING ITS FLESH, CONSUMING ITS SOUL, MOUNTING ITS HEAD ON THE WALL, AND THEN DOING THE SAME THING TO TWELVE MORE FUCKING SHARKS JUST TO BE SAFE!"
"They did a bunch of jumps over a wall and a cruise boat but missed some sharks and didnt jump them (ITS AN INTERNET THINGY)"