: A Romance Arc
ends up outshining the main plot.
- Straight: A mystery novel spends three rather long chapters on a Love Triangle between Bob, Alice and Claire that it could have spent on the Whodunnit.
- Exaggerated: The Whodunnit plot is mentioned once at the beginning, and then the Romance Arc takes over, and the mystery is never solved, or for that matter, mentioned again.
- Downplayed: Bob develops a relationship with Alice, but the relationship is only touched upon briefly.
- Justified: The story actually is a Romance Novel.
- Inverted: A Romantic Comedy ends up throwing aside the relationship between Alice and Bob in favor of a largely unrelated story about Alice's adrenaline-fueled career as a spy.
- Double Subverted:
- Those chapters focusing on the Alice-Bob-Claire Love Triangle kind of end up distracting from the Whodunnit plot for awhile.
- The UST is every bit as distracting as an actual romance arc would be, if not moreso.
- Parodied: A bit of IKEA Erotica that covers three whole chapters is treated as the most important part of the whole story.
- Zig Zagged: ???
- Enforced: "Hmm...I should develop the Alice-Bob-Claire triangle more...I want the audience to keep reading, and hey, romance is tantalizing."
- Lampshaded: "One chapter of sleuthing, seventeen chapters of schmoopiness."
- Invoked: Bob starts seeing Alice during the course of sleuthing.
- Exploited: ???
- Defied: Bob breaks it off with Alice before things get too serious, telling her that he doesn't want her to get caught up in all this.
- Discussed: "Get rid of the Alice-Bob-Claire triangle, and it's still a pretty decent murder mystery."
- Conversed: "Is this a sophisticated mystery novel, or a piece of fluffy Chick Lit?"
- Deconstructed: As a general rule of thumb, if the plot is something other than romance, then the focus of the story should be on whatever the main plot is about. Otherwise, the story suffers too much Padding, and the audience might come down with Arc Fatigue or Ending Fatigue.
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