Nightmare Fuel: Pet Sematary

  • One example in particular would be Zelda, especially the second scene she's in.
    • Also, the story Jud tells of Bill Baterman, who buried his son in the burial ground, and everything that followed. Doubles as Nausea Fuel in places.
    • King waited a year after finishing this manuscript before submitting it to the publisher because he was so horrified by what he had written. Stephen King scared himself with this story.
  • "Mommy, I brought you something!"
    • From the movie: "I'm at Jud's, Daddy. Will you come over and play with me? First I played with Jud. Then Mommy came and I played with Mommy. We played, Daddy. We had a awful good time. Now I wanna play with you."
  • Pascow losing his brains on the carpet...then coming back to haunt Lewis.
  • A more prosaic example, when Louis mulls over resurrecting Gage.
    Do you want to resurrect a zombie from a B-grade horror picture? Or even something so prosaic as a retarded little boy? A boy who eats with his fingers and stares blankly at images on the TV screen and will never learn to write his own name? What did Jud say about his dog? "It was like washing a piece of meat." Is that what you want? A piece of breathing meat?...Did he believe it would be impossible for him to love Gage even if Gage had to go on wearing diapers until he was eight? If he did not master the first-grade primer until he was twelve? If he never mastered it at all?
  • The bit where Louis is walking through the swamp, alone, at night, and there is something else just out of sight.
  • Pet Sematary: Especially the scenes involving Zelda's drawn-out death and Gage being hit by the truck. What's interesting about the Gage scene is that it was based on a real-life incident involving King's young son. Fortunately, King's son didn't get squished by a truck and fell over before he could get to the road. The cat getting hit is also creepy/sad, and based on another true incident. The real-life cat also died.
    • Louis' second trip through the swamp and up to the burying ground. He feels a presence behind him, and he describes how he imagines it to look, but that doesn't make it there. And that freaky, bifurcated-horned face thing. shudder
    • Any scene of the film featuring Zelda was terrifying beyond words. The fact that Zelda was played by a deformed-looking man might be part of what makes her appearance so traumatic.
  • In Jud's flashback to the story of Timmy Baterman, after Timmy is resurrected. At one point, he's squatting in the yard and holding what looks like a small girl's leg. Now, that might be a doll's leg, but it looks pretty bloody at the stump.
  • The sheer fact that the burial ground ressurects those buried there. That doesn't sound too wrong, if it didn't bring them back as something inhuman and evil with Ax-Crazy tendencies. Even animals aren't spared. Poor Church. Poor Gage
  • Honestly, the reason Pet Semetary might be the most horrifying tale of King's, beyond all that's listed here, is the suggestion buried in all the events that occur: the idea that if you gave human beings, ESPECIALLY parents, the power to raise the dead, no matter how much they were warned of how badly it could go wrong, no matter what evidence they were shown, they would be too weak to resist. Forget Humans Are Bastards, that goes all the way to Humans Are Fundamentally, Horrendously BROKEN On Some Level, and that our only saving grace is that in real life there is no way to raise the dead. Because if there was...
  • The ending of the movie. Louis is simply waiting in his kitchen playing solitaire as he waits for midnight, and as it does...the door opens slowly and in enters Rachael, completely decaying and covered in dirt. She only says "Darling.." as Louis begins to make out with her, to which she slowly grabs the knife on the table and...we only hear Louis scream and a bone crunch. What makes this scene so disturbing is the sheer unnerve-like nature it has, complete with the Soundtrack Dissonance. The Smash to Black doesn't make it any better.