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Nightmare Fuel: Ge.ne.sis.
  • From The Lamb Lies Down On Broadway, the Lamia, the Slippermen (again!), and Doktor Dyper.
  • "Snowbound" certainly qualifies for this trope. A method of "waste management" that would have done Tony Soprano proud.
  • "The Day The Light Went Out", the B-Side to "Many, Too Many", also available in Genesis: 1976-1982. See also: The End of the World as We Know It.
    When they went to bed that night no one would have believed
    That in the morning, light would not be there
    The dark hung heavy on the air like the grip of a jealous man
    No place was there known to have been spared
    Then panic took control of minds and fear hit everyone
    The day the light went out of the daytime sky.
  • "Mama". Mechanical drum machine? Check. Ominous music? Check. Big drumming finale, like in "In The Air Tonight"? Check. Phil almost doing a Metal Scream? Check. Phil's Evil Laugh? Check. Stalker with a Crush Clingy Jealous Guy lyrics that would make Sting proud? Check. Is there a HONF bingo?
  • There's also the thief trapped forever in a disembodied state in "Home by the Sea", the global disaster and "beautiful river of blood" from "Domino" - for a band so many people think of as pretty light and fluffy, the Collins-era Genesis had a shitload of really chilling lyrics.
  • The twisting, loud, deathly melodies at the end of Entangled, played on mellotron and a warbly synthesizer, particularly as the song's lyrics concern a patient's discussions of mental illness with a psychiatrist, definitely count on their own.
  • "The Knife", about a soon-to-be dictator rallying his followers.
    I'll give you the names of those you must kill
    All must die with their children
    Carry their heads to the palace of old
    Hang them high, let the blood flow
    Now, in this ugly world
    Break all the chains around us
    Now, the crusade has begun
    Give us a land fit for heroes, NOW!
    • The remastered edition for the 2007 Tour Edition of Turn It On Again: The Hits manages to be even worse, with Gabriel's voice now distorted in a way that sounds as though he's talking through a megaphone as he says the following:
    Some of you are going to die... martyrs, of course, to the freedom that I shall proviiiiiiide!
    • The ending: "We have woooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooonnnn!!!"
  • Steve Hackett has an instrumental track on his debut solo album, Voyage Of The Acolyte, sandwiched in between two gentle pieces, called "A Tower Struck Down". It is an aggressive, increasingly chaotic and dissonant piece with persistant, distorted electric guitars and analog synths, a sound effects Jump Scare in the middle, and the sound of a Hitler rally of "Sieg Heil"s at the end. Sweet dreams, kiddies.
  • The puppets used in "Land of Confusion." That is all.

FutretNightmareFuel/MusicPeter Gabriel

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