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Music: The Strokes

The Strokes are an American alternative rock band. The band's members are Julian Casablancas (lead vocals), Nick Valensi (guitar), Albert Hammond, Jr. (guitar), Nikolai Fraiture (bass guitar) and Fabrizio Moretti (drums and percussion). They were one of the four bands that were supposed to "save rock and roll" (specifically, Alternative Rock radio) for the new millennium along with The Vines, The White Stripes and The Hives. Out of those four, only these guys and The White Stripes are really remembered fondly by fans of The Strokes.

The band was formed in 1998, but the members have known each other since childhood. They released a few EPs that got them recognition and which launched a massive bidding war between record labels. Finally, the band settled with RCA and released their Magnum Opus Is This It in 2001.

Then...well, it's a bit hard to explain what happened from there. Their next two albums, Room On Fire (2003) and especially First Impressions Of Earth (2006), are not as highly regarded as the first. Many fans theorized that Executive Meddling was involved, but the truth likely lies in the fact that they set the bar so high with the first album.

The band went on hiatus after the disappointing reception of First Impressions Of Earth, just to come back in 2011 with a new album titled Angles. The album has gotten very mixed reviews from critics, showing a step up from First Impressions Of Earth but still not a return to form for them. The band released their fifth album Comedown Machine in March 2013, to a predictably mixed reception.


Tropes:

  • Album Title Drop: In "Reptilia": "The room is on fire, as she's fixin' her hair...".
  • Celebrity Is Overrated: Room on Fire opens with "What Ever Happened", opening with the lines "I want to be forgotten / And I don't want to be reminded".
  • Darker and Edgier: First Impressions of Earth.
  • Epic Rocking: Averted. Their longest song, "80's Comedown Machine", falls seconds short of eclipsing the 5-minute mark.
  • Fading into the Next Song: The reverb of "Happy Ending" fading into the crackle of "Call It Fate, Call It Karma". (Comedown Machine)
  • Garage Rock: Is This It and Room on Fire were easily two of the biggest albums to come out of the garage-rock revival.
  • Gratuitous Panning: Done to an extent, predominantly with Nick Valensi's guitar mixed in the right channel, and Albert Hammond, Jr.'s in the left, although occasionally this is inverted.
  • Intercourse with You: "Alone, Together" drops not-so-subtle hints of this.
  • Long Runner Lineup: The band was formed by Julian Casablancas, Fabrizio Moretti, and Nick Valensi in 1998. Nikolai Fraiture was then added on bass, and lastly joined Albert Hammond, Jr. as a second guitarist in 1999. The lineup hasn't changed since.
  • Lyrical Dissonance: "Someday".
  • Lyrical Shoehorn: "Barely Legal": "For the record, it's between only you and I"; "Machu Picchu": "I'm just tryin' to find a nice place for you and I". A grammatically-incorrect slant rhyme in both.
  • Metal Scream: Julian Casablancas has fun with screaming parts, live and on record.
    • "I said just TAKE IT OR LEAVE IT, AND TAKE IT OR LEAVE IT..."
    • In "Ize of the World"; "YOUNG ADULTS TO MODERNIZE" in the first chorus, and "FURY TO TRANQUILIZE" in the second.
  • The Rival: The Hives were their rivals for a few years, but they quickly went in a different direction. The Vines and The White Stripes could count as well.
    • They refused to play onstage with The Hives and The Vines at the 2002 MTV Video Music Awards.
  • New Sound Album: Angles (and, to a lesser extent, First Impressions of Earth.) Comedown Machine may also qualify, expanding further upon influences shown on Angles, albeit more consistently.
  • New Wave: Heavily present on Angles, especially in the songs "Two Kinds of Happiness" and "Games".
  • Non-Appearing Title: A lot. Angles only has one song ("Taken for a Fool") where the title appears as written.
  • Perishing Alt Rock Voice
  • Precision F-Strike: "Yeah, they were just two fucks in lust" in "Meet Me in the Bathroom".
  • Retraux: Also doubling as Something Completely Different, the final track on Comedown Machine, "Call It Fate, Call It Karma". Well-described in an NME track-by-track guide of the album:
    "...it's also got an eerie, last-foxtrot-at-the-Overlook-Hotel thing going on, with a plonking bass piano motif, gooey Alvino Rey guitar and a wax-cylinder crackle running throughout. It sounds like it's been beamed in from the 1940s. Which is not something I thought I'd ever say about a Strokes song, but there you go."
  • Self-Backing Vocalist: Julian Casablancas has experimented with this a bit since First Impressions of Earth, particularly on Comedown Machine, on which several songs feature multiple vocal tracks (often one in his signature croon, and another in falsetto, something he seems to have grown fond of more recently.)
    • Averted on Angles, with Nick Valensi and Albert Hammond, Jr. singing backing vocals on a few songs.
  • Stop and Go: "Last Nite" and "Hard to Explain".
    • And on Angles, "Gratisfaction."
  • Title Only Chorus: "Is This It", "Take It or Leave It", "The End Has No End".
  • Too Soon: After the September 11, 2001 terrorist attacks, the band removed "New York City Cops" from the American track listing of Is This It, due to the lyric "New York City cops/they ain't too smart"note . It was replaced with the b-side "When It Started" (except on the US vinyl version, which retains the original track listing. To add to the creepy factor, the US Vinyl version was actually released on 9-11... take a minute to let that sink in).


The RamonesGarage RockThe White Stripes
She Wants RevengePost-Punk    
Joss StoneTurnOfTheMillennium/MusicSugababes
Strawberry Song OrchestraAlternative IndieSt Vincent

alternative title(s): The Strokes
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