The Faceless is a California progressive death metal band. Characterized by their eclectic sound, tendency to change their approach with each album, and near-constant turnover
, they exploded out of the gate and quickly became one of the biggest names in tech, and while band turmoil may be an issue, it hasn't done much of anything to sink them.
Formed in Encino, California in 2004 by Michael Keene (guitars, clean vocals) and Brandon Griffin (bass), the band quickly welcomed in Brett Batdorf on drums, though the vocalist situation was a little more volatile. Various shows occurred in spite of this, and in 2005, the band began work on an EP and released a live demo to tide people over until then. By this time, the lineup had grown to include Derek Rydquist (vocals), Steve Jones (guitar), and Michael Sherer (keyboards), though Batdorf left immediately after recording his drum tracks. The band had since decided to turn the EP into a full album, and so they drafted various drummers to do session work on the remaining tracks. It worked, and Akeldama
was released in November of 2006 on Sumerian Records to quite a bit of acclaim. Sherer departed sometime after, though 2007 finally brought with it a stable drummer in the form of Lyle Cooper. A fair amount of touring followed, and the band was finally getting their feet under them. They began work on a second full-length after this, and Planetary Duality
the result, coming out almost exactly two years after Akeldama
. This proved to be their breakthrough, as they had shed the deathcore trappings of their first album in favor of a fairly unique spin on technical death metal. Lots and lots and lots of touring followed, and things stayed quite stable until Griffin left in 2010, with Jared Lander quickly jumping in to take his place. That year also brought a spot on the Summer Slaughter Tour along with various other tours, but the prospect of a new album was beginning to loom. Come 2011, and Rydquist had quit, with Geoff Ficco of Kamikabe taking his place. A pre-production version of "The Eidolon Reality", a new track, quickly showed up on YouTube
; additionally, Lander left sometime around then as well, with bass extraordinaire Evan Brewer filling the spot.
As one could guess, more touring occurred, and another lineup change occurred in 2012 when Jones departed and Wes Hauch took his place. The new album was still slowly creeping along, and come August of that year, it had finally dropped. The reaction to Autotheism
. Some praised it for expanding on the progressive elements of Planetary Duality
, while others decried it as pretentious, derivative nonsense that ripped off a ton of bands rather than doing anything new. It still sold very well, however, debuting at #50 on the Billboard 200 and resulting in a whole lot more touring. 2013 brought nothing out of the ordinary with it, which is to say more touring and a lineup change. Cooper was the one who left this time, though the fans weren't too upset about the introduction of young hotshot Alex Rudinger in his place. The rest of the year was uneventful, and 2014 is looking like more of the same with the exception of Hauch departing to join a reforming Glass Casket. It's unknown what will follow, but given their status, they'll probably do okay no matter what.
- Nightmare Fest (2006) - live demo
- Akeldama (2006)
- Planetary Duality (2008)
- Autotheism (2012)
The band contains examples of the following tropes:
- Concept Album: Planetary Duality (about The Reptilians) and Autotheism (about the process of self-realization).
- Creative Differences: Cooper's explanation for his departure.
- Deathcore: Akeldama. They later shed it with Planetary Duality.
- Development Hell: Apparently averted with Autotheism; its conception wasn't particularly difficult or arduous, just long. The heavy touring probably caused most of the delay.
- Epic Rocking: "Emancipate" takes the cake at 7:20, though "Deconsecrate" and "In Solitude" aren't far behind at 6:39 and 6:27, respectively.
- I Am the Band: Michael Keene.
- Lead Bassist: Griffin and Brewer are both Type A examples, with Brewer doubling as a Type C due to his well-known instrumental solo career.
- Loudness War: A HUGE problem throughout their career, particularly on Planetary Duality, which had a notoriously poor production in regard to the drums.
- Mohs Scale of Rock and Metal Hardness: Soft 10/very hard 9 on their first two albums, hard-ish 9 on Autotheism.
- New Sound Album: Several:
- Planetary Duality shed the deathcore elements of Akeldama and increased the technicality to compensate, in addition to toning down the keyboards.
- Autotheism toned down the technicality and played up the progressive rock influences, in addition to giving the clean vocals far greater prominence.
- One of Us: Rudy is an avid gamer; as a matter of fact, he took over Conquering Dystopia's Facebook page in the middle of a tour to ask for 3DS game recommendations, stating that all he had was Pokemon X and that he would be willing to guestlist anyone willing to bring him a new game.
- Pintsized Powerhouse: Alex Rudinger is not a very big guy. He's also one of the most celebrated up-and-coming drummers in metal.
- Prima Donna Director: Between the band's high turnover, his known perfectionist tendencies, and statements from former members, Keene definitely seems to be one of these.
- Progressive Metal: Autotheism
- Religion Rant Album: Autotheism is this at its core.
- Revolving Door Band: Blink, and there will probably have been some sort of lineup shift in that time. The Planetary Duality era was the only time when they didn't have a huge problem with this.
- Sexophone: On "Deconsecrate" thanks to Sergio Flores, aka the "Sexy Sax Man".
- Soprano and Gravel: Employs a dual-vocal setup, with Ficco (and Rydquist before him) handling harsh vocals and Keene handling cleans.
- Start My Own: Rudy started the instrumental metal project Conquering Dystopia with Jeff Loomis, Keith Merrow, and Alex Webster.
- Technical Death Metal: Akeldama (coupled with deathcore) and Planetary Duality (a straightforward example).