Music: Marina & the Diamonds

Soda pop, soda pop here I come
Straight to number one

Marina Lambrini Diamandis (10 October 1985), better known by her stage name Marina & the Diamonds (yes, it's just one person), is a Welsh singer-songwriter. Signed to 679 Recordings, she released her debut album, The Family Jewels in Febuary 2010, her second, Electra Heart, in April 2012, and her third, Froot, in March 2015. Electra Heart went to #1 in the UK and Ireland.

Her stage name, "Marina & the Diamonds", consists of Diamandis' first name and the translation of her surname which means "Diamonds" in Greek. Although "The Diamonds" is often mistakenly believed to refer to her backing band, it in fact refers to Diamandis' fans: she explains this on her Myspace page by saying "I'm Marina. You are the diamonds."

Diamandis' musical style ranges from keyboard-based ballads to more up-tempo New Wave-style songs with full band backing.


  • Mermaid VS Sailor (2007)
  • The Family Jewels (2010)
  • Electra Heart (2012)
  • Froot (2015)


  • Album Title Drop: In "Bubblegum Bitch":
    "Welcome to the life of Electra Heart!"
  • All Just a Dream: The entire music video of "Shampain", possibly triggered by eating a burger.
  • Alter Ego Acting: One of the major themes of "Electra Heart" is the Archetypes: Su-Barbie-A, Homewrecker, Primadonna, and Teen Idle. Marina assumes these personas throughout the album as she explore the negative aspects of each. The last track, "Fear and Loathing", discusses the trope the most, with lines like, "Got different people inside my head I wonder which one that they like best."
  • Ambition Is Evil: Word of God says that "Electra" is her meditation on the negative effects of fame and fortune.
  • Anti-Love Song: "Electra Heart" is based on the assumption that girls who are massive bitches rarely get hurt in love.
  • Arson, Murder, and Jaywalking: "Teen Idle" has this line, "I want blood, guts, and chocolate cake." The "chocolate cake" bit is changed to "angel cake" later in the song, but the trope still stands.
  • Author Appeal: Feminism, romance and sex — in an ironic way.
  • Badass Boast:
    • "Bubblegum Bitch":
      I'll chew you up and I'll spit you out
      'Cause that's what young love is all about
      So pull me closer and kiss me hard
      I'm gonna pop your bubblegum heart
    • "Can't Pin Me Down" is an extended boast that no one can make her less than what she is.
      You can't call my bluff
      Time to back off, motherfucker.
  • Be Yourself: "Hypocrates".
  • Break Up Song: "Lies" and "Homewrecker" and "I'm A Ruin"
  • Broken Ace: A recurring theme in in her second album.
  • The Casanova: Female version in both "Homewrecker" and "How To Be A Heartbreaker".
  • Character Magnetic Team / Ragtag Bunch of Misfits: "I Am Not A Robot"
    You've been hanging with the unloved kids
    Who you never really liked and you never trusted
    But you are so magnetic, you pick up all the pins...
  • Dark Reprise: The songs on Electra Heart aren't very lyrically upbeat to begin with, but the acoustic versions could be considered the Dark Reprise of the original ones. "Lies" is the best example of this, as the more upbeat pop version can be considered a kind of 'moving on' song, while the acoustic version sounds like hurt, bitterness and ongoing agony.
  • Downer Ending: Marina seems fond of these:
    • The Electra Heart era ended with the titular persona's death.
    • Froot goes through many stages of a breakup, but ends with "Immortal", which is emotionally crushing.
  • Driven to Suicide: "Living Dead" and "Teen Idle".
  • Dying Alone: Feared in "Teen Idle".
    I wish I wasn't such a narcissist
    I wish I didn't really kiss
    The mirror when I'm on my own
    Oh God, I'm gonna die alone.
  • Eagleland: "Hollywood" is a satire of the American Dream. As Marina puts it, "I'm obsessed with the mess that is America!" The music video has a lot of typical American imagery. Commentary on the theme is also the crux of her "Electra Heart" persona.
  • Eagleland Osmosis:
    Hollywood infected your brain
    You wanted kissing in the rain
  • Fangirl: Britney Spears was Marina's muse for Electra Heart.
    "Britney Spears is a big influence. Huge. I think people thought I was joking about that for a long time. But when I was a teenager there was a genuine connection with this sweet girl who also had this very sexual side that people didn't really want to accept. Oh my God! And it was her idea! This is the thing — Britney is really smart. And in the way that she inspired "Electra Heart," if you step back from all the cynical stuff, it actually focuses on the idea of innocence being mixed with darkness. For some reason I really like that combination. I suppose because you don't really connect innocence with darkness."
  • Femme Fatale: Who her ex is dating in "Better Than That".
    She's the apple of everybody's eye
    With an angel voice, devil in disguise
  • For the Evulz:
    They call me homewrecker, homewrecker, I broke a million hearts just for fun...
  • Friends with Benefits: "Lies" and "Starring Role"
  • Hates Being Alone: "Blue"
    No, I don't love you
    No, I don't care
    I just want to be held when I'm scared.
  • Hope Spot: "Fear and Loathing" in Electra Heart.
  • Humans Are Bastards: Pretty explicitly in "Savages".
  • I Am the Band: There's no band. Marina is a solo artist. The "Diamonds" are her fans.
  • Inferiority Superiority Complex: "Oh No!"
    I feel like I'm the worst, so I always act like I'm the best.
  • Insult Backfire: "Homewrecker".
  • Intercourse with You:
    • "Froot". Marina is also very welcoming for it.
    • In "Blue" she wants to "do it one last time."
  • The Lad-ette: The personality Marina assumes in "Girls", which is mostly a Take That against shallow femininity.
  • Lonely at the Top: A moral to take away from Electra Heart.
  • Lyrical Dissonance:
    • "Oh No!" sounds like a happy New Wave song, but is lyrically about Marina becoming the very person she loathes to be— a Stepford Smiler pop star.
    • Any of the more uptempo songs on Electra Heart ("Bubblegum Bitch", "Primadonna", "How to Be a Heartbreaker", "Radioactive") are lighter in music while hosting dark, ironic lyrics.
  • Madonna–Whore Complex: Discussed in "Teen Idle"
    "It's like a formula that no one can refuse. I remember seeing an interview with Madonna in the '80s and she was talking about how everyone is so attracted to the whole virgin/whore complex. And that is exactly Britney — she mixed those elements so perfectly."
  • Ms. Fanservice: The video to "Froot" has Marina dressed as a Golden Age of Hollywood actress, quite similar to Rita Hayworth. The fans were very impressed.
  • The Muse: Britney Spears inspired the Electra Heart project.
  • New Sound Album: The Family Jewels was a 80's throwback. For Electra Heart, Marina took it down-tempo and into more mainstream pop.
  • Non-Appearing Title: "Mowgli's Road". The song is about being conflicted over which path to take, much like how Mowgli from The Jungle Book has to decide if he would rather stay in the jungle with his animal companions or join his fellow humans.
  • Ode to Intoxication: "Shampain", of the sarcastic variety, as indicated by the punny title.
  • Parental Issues:
    • "Bad Kidz".
    • "Scab and Plaster".
  • Pun-Based Title:
    • The Family Jewels. Her family name is a kind of jewel.
    • "Shampain"
  • Precision F-Strike: In "Can't Pin Me Down."
  • Pun-Based Title: "Shampain" and "Hermit the Frog".
  • Real Women Don't Wear Dresses: "Girls" has a lot of this.
  • Recap Episode: The music video for "Electra Heart", the final part of the music video series for the eponymous album. It also symbolizes how Electra's life went by before "dying" as Marina ended promotion at the same time for the album with a tweet saying "Goodbye, Electra Heart!".
  • Rich Bitch: Embraced in Electra Heart.
    "Electra Heart is based on the assumption that girls who are massive bitches rarely get hurt in love".
  • Rock Star Song: "Buy The Stars", "Hollywood", "Are You Satisfied?", "Girls", "Valley of the Dolls", "Teen Idle", "Primadonna", "State of Dreaming", "Bubblegum Bitch" and possibly more, due to Marina being fond of this trope.
  • Shout-Out: "Dear Diary" and "Soda Pop" by Britney Spears get a shout out in "Bubblegum Bitch".
  • Spoiled Brat: The lyrics in "Primadonna Girl" sound like as if it where based off the thoughts of a Bratty Teenage Daughter with lots of cash and way too much popularity.
  • Spoiled Sweet: Considering Electra Heart is basically ABOUT Britney Spears and she's a sweetheart, it applies.
  • Spoken Word in Music: The verses in "Homewrecker".
  • Stepford Smiler: "Starring Role", "Lies"... much of Electra Heart, really. And "Oh No!" as well.
  • Take That:
    • "Sex Yeah" criticizes how women tend to be oversexualized by history and the media, and how it impedes women from embracing their sexuality as they want to.
    • "Savages" is one to all of humanity and how it acts like it is any better than animals.
  • Three Minutes of Writhing: Genderflipped/parodied with the video for "How to Be a Heartbreaker". It's common to see music videos featuring a clothed male artist and scantily clad female dancers, but this video surrounds a clothed Marina with men in Speedos.
  • Unusual Euphemism:
    Boys and their toys and their six-inch rockets...
  • Villain Song: Several songs on Electra Heart, particularly "Bubblegum Bitch", "Homewrecker" and "Radioactive".
  • Visual Pun: In the music video for "Oh No!", while Marina is singing "I just wanna change" repeatedly, a line of coins briefly pop up.
  • Woman Scorned: Most of Electra Heart, as she has mentioned in a few interviews that one of the main themes is rejection.
  • Xtreme Kool Letterz: "Bad Kidz".
  • Yandere:
    • Of the possessive kind in "Starring Role".
    • A rather strange case with "Better Than That", in which Marina is mad that her ex has lowered themselves to someone beneath them. However unlike most songs in this vein it subverts the slut-shaming mindset.
  • Your Cheating Heart: "Homewrecker" is a little unusual as being a Villain Song sung from the perspective of a compulsive heartbreaker, explaining (if not excusing) her way of thinking. Or perhaps it's just the song of a desperate wannabe Femme Fatale.