Harry Chapin (1942–1981) was an American folk rock musician and philanthropist in the 1970s and early '80s, and creator of such famous songs as "Cat's in the Cradle" and "Taxi." He was killed in 1981 in a traffic accident while on his way to a free benefit concert he was giving, although he may have already been dead; the autopsy and his driving patterns, which caused the accident, are consistent with him having suffered a heart attack behind the wheel.
Harry's work provides examples of:
- Age Progression Song:
- "Cat's in the Cradle" goes from the birth of the narrator's son to his adulthood.
- "Dreams Go By" is about a couple who puts off their dreams until they're too old to dream anymore.
- "The Rock" is about a man who spends his whole life averting disaster.
- "I Don't Want to Be President" goes through the life of a person from his youth to the point where he becomes President.
- Anthropomorphic Personification: The "she" of "She Is Always Seventeen" is basically one of these for the youthful idealism of The '60s.
- Assimilation Academy: "Flowers Are Red" is about a young child being punished for making his flowers all red and the effect this has on him. In it, the kid is forced to sit in a corner until he believes that "Flowers are red, and green leaves are green. There's no need to see flowers any other way than the way they always have been seen."
- Audience Participation Song: Live performances of "30,000 Pounds of Bananas" had the audience joining along in the choruses of the song.
- Based on a True Story:
- "30,000 Pounds of Bananas" was inspired by a real truck crash.
- "Sniper" is loosely based on Charles Whitman's shooting spree at the University of Texas in 1966.
- "Mr. Tanner" is based on a concert review Harry read in The New York Times.
- Black Comedy: "30,000 Pounds of Bananas" is a humorous song about a truck driver who loses control driving down a hill and is decapitated in the ensuing crash.
- Cassandra Truth: "The Rock"
- Caustic Critic: "Mr. Tanner"
- Dan Browned: "She Is Always Seventeen" features this verse:In 1963, Black and White upon the landShe brought me to the monuments and made us all join handsAnd scarcely six months later, she held me through the nightWhen we heard of what had happened in that brutal Dallas light
- Don't Fear the Reaper: "Corey's Coming" could be interpreted this way.
- Downer Ending: Most of Harry's works. It's most apparent in "The Day They Closed the Factory Down" and "Cat's in the Cradle".
- Dying Town: "The Day They Closed the Factory Down"
- Eagleland: "What Made America Famous?" is about the tension between type one and type two - it describes a mild type two, but ends with a plea to make the country a type one.
- Exactly What It Says on the Tin: "Sequel" is, in fact, a Sequel Song to "Taxi".
- Generation Xerox: The narrator of "Cat's in the Cradle" laments that his son ends up just like him. He's arguably wrong about that, though, as his son IS taking time out to help his sick kids.
- I Will Wait for You: "Corey's Coming" is about a man who waits his entire life for an old flame to return to him. She finally shows up—at his funeral.
- Last Note Nightmare: "30,000 Pounds of Bananas" ends in an elongated scream.
- Live Album: Several, most notably 1976's Greatest Stories Live, which is his best-selling album.
- Loners Are Freaks: "Sniper" deconstructs this. The titular sniper admits when we hear his thoughts that being shunned and treated like a freak for being a loner is what drove him to his rampage.
- Looking for Love in All the Wrong Places: "A Better Place to Be"
- Lyrical Dissonance: "30,000 Pounds of Bananas" is a cheerful, up-tempo song and a crowd-pleasing favorite... about a real life fatal truck accident. Originally intended to be serious, until Chapin realized how hard it was to keep a straight face while singing about a man being killed by bananas. Note
- Morality Ballad: The vast majority of Harry's songs are this.
- Murder Ballad: The aforementioned "Sniper".
- Non-Appearing Title: The word sniper never appears in "Sniper."
- Perspective Reversal: "Cat's in the Cradle" is all about one.
- Reality Subtext: Harry admitted that he wrote "Cat's in the Cradle", which was based on a poem by his wife, after his son was born while he was out on the road.
- Revised Ending: The Greatest Stories Live version of "30,000 Pounds of Bananas" has two:Yes, we have no bananas
We have no bananas today
Yes, We have no bananas
Bananas in Scranton, P A
- andA woman walks into her room
Where her child lies sleeping
And when she sees his eyes are closed,
She sits there silently weeping
And though she lives in Scranton, Pennsylvania
She never, ever eats bananas
Not one of thirty thousand pounds of bananas
- "Salt and Pepper" averts its namesake trope, although the title is accurate - just differently interpreted. The "Salt" is a retired sailor (i.e. an "old salt") and his wife, "Pepper", is infamous for her hot temper.
- Singer Songwriter
- Step Up to the Microphone:
- John Wallace, the bassist in Chapin's backing band, performs the second part of the "Taxi" bridge ("Baby's so high that she's skying...") in a falsetto voice. He also performs the "part" of the title character in "Mr. Tanner", singing the chorus of "O Holy Night" in his natural baritone overlapping with Harry's singing of the actual chorus.
- "Let Time Go Lightly," which can be heard on the Greatest Stories Live album, was written and performed by Harry's brother Steve, who was the band's pianist. Harry's other brother Tom, also a guitar player, would frequently sing parts of songs during the live shows.
- During live performances of "Circle", Harry would insist that everyone from other members of the band all the way to the road crew sing a stanza of the song, partly as a novel way to showcase the people who made his band operate, and also to encourage Audience Participation, insisting that anyone and everyone is able to sing the song.
- Take That!: in Harry's introduction of the second ending of "30,000 Pounds of Bananas" above:Since it was a country song, maybe I could write a country ending - something about motherhood, since the song already had a truck in it...
- "She Is Always Seventeen" includes a line about "nineteen seventy-five, when the crooked king was gone..."
- Two First Names: John Joseph, the protagonist of "Corey's Coming."
- Villain Protagonist: "Sniper" takes about as sympathetic view of the shooter as possible, but he still shot dozens of people.
- Chapin specialized in this: "WOLD" is about a guy who dumped his wife and family and then turns up eight years later, expressing no concern at all for how the kids are doing or what his absence did to them - he just wants to talk about himself, and for good measure he hints at his ex that he wants her back. (She's smart enough to decline.) "If My Mary Were Here" is about a guy who calls his ex in the middle of the night to whine about how the woman he dumped her for has now dumped him, and he invites himself to her place. Then, of course, there's "Cat's in the Cradle."
- Wham Line: The end of "The Mayor of Candor Lied".
- When You Coming Home, Dad?: "Cat's in the Cradle" is the trope namer, and a unique case, in that the story is being told by the distant father.