Gojira is a Technical Death Metal
band from France. Originally called "Godzilla", they changed their name to Gojira for legal reasons.
Gojira plays a technical and rhythmic style of heavy metal with precision drumming, unusual rhythm patterns, and start-and-stop riffs. Gojira has also been known to incorporate textured atmospheric elements and instrumental songs into their music, whilst employing progressive and uncommon song structures rather than standard verse, chorus, verse songwriting. The vocal style is varied, ranging from the screamed style often employed in extreme metal, with the death growl style predominantly used in death metal, in addition to clean vocals and higher screams. At times, death metal growls and clean vocals are mixed to create an aggressive but melodic effect. Lyrically, they have a strong environmental theme, centred on man's reckless disregard for nature and its potentially apocalyptic consequences.
- Joe Duplantier (vocals, rhythm guitar)
- Mario Duplantier (drums)
- Christian Andreu (lead guitar)
- Jean-Michel Labadie (bass)
- Terra Incognita (2001)
- The Link (2003)
- From Mars To Sirius (2005)
- The Way of All Flesh (2008)
- L'Enfant Sauvage (2012)
Tropes that apply to Gojira:
- Album Title Drop: The Way of All Flesh has one within the first 40 seconds of "Adoration for None." The line it's heard in is, "Destined to rule my life, and go the way of all flesh."
- Death Metal
- Dude Looks Like a Lady: Mario, back in the band's early days, looked quite feminine.
- Genre-Busting: While leaning towards tech death, they have been associated with thrash metal, progressive metal and groove metal. The progressive elements have generally increased on each album they have released, to the point where L'Enfant Sauvage is probably more prog than tech.
- Green Aesop: Their main lyrical focus.
- Long Runner Lineup: Type I - the band has had the same lineup for more than ten years.
- Instrumental: "The Wild Healer"from L'Enfant Sauvage.
- Loudness War: It's modern death metal. This is pretty much expected. It's far from the worst example of the trope in modern death metal, but The Way of All Flesh comes in at DR6 and is somewhat clipped, for example. The vinyl edition of at least The Way of All Flesh is better, apparently being separately mastered and not suffering from very much, if any, clipping.
- Mohs Scale of Rock and Metal Hardness: Generally a 9, sometimes an 8 or a 10, though some passages of their songs go noticeably lower.
- Mondegreen: From 'The Axe': "I REACH FOR ANTON MERCER!"
- Also, from 'Backbone', you get: "ENDLESS LUNCHABLES!" and "PORN IS ON ITS WAY!"
- Within the first thirty seconds of "Yama's Messengers": "INFECTED ASS RATS STARING AT ME!"
- "Vacuity" also gives you, "THE CELERY TURNS TO DUST!"
- Sibling Team: Joe and Mario Duplantier are brothers.
- Signature Style: Rhythmic Technical Death Metal songs featuring heavy use tremolo picking, Nu Metal influences and double-kick triplets that sing about ecological themes.
- Space Whale: From Mars to Sirius is about these, and features one on the cover.
- Those Two Guys: Jean-Michel and Christian.
- X Meets Y: Pantera meets Atheist meets Soulfly meets Tool.