->''"If we could all sing like we wanted to, we'd all sound like George Jones."''

George Glenn Jones (September 12, 1931 April 26, 2013) was, to say the least, one of ''the'' most important CountryMusic singers of all time, and given his influence on a large number of ''very'' important rock-and-roll singers, was arguably one of the most important pop singers as well. Active from the early [[TheFifties fifties]] to his death in 2013, he has had an incredibly fruitful career that includes nearly 170 single releases in all. He is widely regarded as one of the most skilled and distinctive vocalists in country music history, and is considered by many country music artists and scholars to be the greatest ever.

Among all of his songs, "He Stopped Loving Her Today", a song written about his break-up with his then-wife Tammy Wynette, is often cited as the best country music song of all time. (Ironically, its only real competition for the title is "Stand By Your Man" a song Tammy Wynette wrote about her relationship with Jones). Others, such as "A Good Year for the Roses" and "The Grand Tour", have attained legendary status in country music canon.

Jones first recorded for Starday Records in the 1950s, followed by [[ChannelHop stints]] on Mercury, Creator/UnitedArtistsRecords and Musicor. He was no stranger to the troubles that often plagued A-list musicians in his time, either. By 1968, he began drinking heavily and missing shows. His marriage broke up, but he soon wed fellow singer Tammy Wynette, with whom he would record a large number of duets. A dispute over the label's rights regarding duets between the two led to him jumping ship for Wynette's label, Creator/EpicRecords, where he would stay from 1971 until 1990.

This change in labels also shifted him to a more ballad-oriented sound, with which he would stick. After he and Wynette divorced, Jones started hitting the bottle and cocaine, causing him to miss more shows and earn the FanNickname "No-Show Jones." He went to rehab, but it didn't do much until 1983; nonetheless, the hits kept coming until the end of the decade. By 1990, a switch to MCA brought a couple of critically-acclaimed albums but no hits. By the time he moved to Asylum Records in the end of the decade, his traditional sound was highly out of favor against the crossover-happy sound still present today. Nonetheless, Jones left a massive influences on the neotraditionalist acts of the eighties, and his songs are widely recorded to this day. In terms of influence and lasting impact, he is arguably the second most important male country artist after Music/HankWilliams.

George Jones passed away on April 26, 2013 after being hospitalized for over a week for a fever and irregular blood pressure.

!!Tropes present:
* AdvertisedExtra: On Shooter Jennings' "4th of July" he sang a few bars of "He Stopped Loving Her Today" at the end, and still received chart credit despite his part being cut out of the radio edit.
* BreakupSong: "He Stopped Loving Her Today" is one of the best examples out there. The breakup is because [[spoiler:the male in the song died]].
* CallAndResponseSong: The last chorus to "I Don't Need Your Rockin' Chair" has ten other country stars echoing Jones's lead.
* CerebusRollercoaster: He interestingly alternated back-and-forth between lighthearted and serious phases in his career. After scoring his first #1 hit with the uptempo "White Lightning" in 1959, he abruptly switched to serious ballads ("The Window Up Above", "Tender Years", "She Thinks I Still Care"). Then by the mid-60s he went back to more jivey material ("The Race is On", "Love Bug"), only to get back into ballads by the TheSeventies, starting with "A Good Year for the Roses". After Billy Sherrill took over as his producer, Jones stayed with the more serious material, with a new added element of {{Melodrama}}, but also did jokier things like "Nothing Ever Hurt Me (Half as Bad as Losing You)" and "Her Name Is". By the latter half of TheEighties he was mainly releasing heartwarming and comical songs as singles. In a lot of ways it seemed like the instability of his personal life found its way into his music.
* DestructoNookie: The lyrics to "Leavin' Love All Over The Place" celebrate it:
-->''The lady at the rooming house''
-->''Served our eviction notice yesterday.''
-->''While we were pickin' up our clothes''
-->''She started screaming somebody's gonna pay.''

-->''She said it takes a dozen carpenters''
-->''To fix the broken bed and drapes''
-->''But we just never learned to love''
-->''Without leavin' love all over the place.''
* DualMeaningChorus: Played with on "The One I Loved Back Then". Both choruses refer to the same thing, and the dual meaning is achieved through misdirection (the other person in the song thinks that the chorus is referring to a woman, not a car).
* HillbillyMoonshiner: "White Lightning" is told from the POV of the moonshiner's son.
* IHatePastMe: "Choices":
-->I've had choices since the day that I was born\\
There were voices that told me right from wrong\\
If I had listened, no I wouldn't be here today\\
Living and dying with the choices I've made
* LondonEnglandSyndrome: His duet with Tammy Wynette, "(We're Not) The Jet Set", has the couple recounting their travels to Rome (Georgia), Athens (Texas), and Paris (Tennessee).
* LongRunner: Around 60 years.
* LoveIsADrug: "Tennessee Whiskey".
* MassiveMultiplayerCrossover: "I Don't Need Your Rocking Chair" had Music/VinceGill, Mark Chesnutt, Music/GarthBrooks, Travis Tritt, Music/JoeDiffie, Music/AlanJackson, Pam Tillis, T. Graham Brown, Music/PattyLoveless, and Music/ClintBlack participating in a [[CallAndResponseSong call-and-response]] at the end.
* RefrainFromAssuming: No, it's not "Hotter Than a Two-Dollar Pistol." It's "The One I Loved Back Then (The Corvette Song)."
* SoundEffectBleep: "Her Name Is..." uses notes on a clavinet to self-censor ("Her name is [note note note] / Her eyes are [note]..."). Longtime producer Billy Sherrill has often said the blanks referred to ex-wife Tammy Wynette.
* SpokenWordInMusic: "The Ceremony" (with Tammy Wynette) features an uncredited pastor conducting a wedding ceremony, and "The Telephone Call" features dialogue from Jones's stepdaughter Tina.
* VocalEvolution: His voice became warmer and richer over the years, reaching its peak in TheSeventies and TheEighties. By TheNineties, he had begun to sound older and more weathered. Jones also told ''Billboard'' that he noticed that after quitting smoking in 1999, his voice became higher again, and he could no longer hit the low notes in "The One I Loved Back Then", but he could sing some of his earlier songs more easily.