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Music: DISTURBED
L-R: Moyer, Donegan, Draiman, Wengren.
"Everyone has a struggle in life, and the question is do you allow yourself to be overcome by it or do you master it with unified strength and power.
This is exactly what the music was meant to do, to transcend your normal world, to make you more than what you are, to make you set down your burden for a while.
Feel powerful, feel invincible, feel indestructible; believe' in something as opposed to believing in nothing; spread 'the sickness, infect the world."
David Draiman, opening line to D.O.D.

Disturbed is a four-piece Chicago Alternative Heavy Metal/Hard Rock band formed in August 1996. Released in 2000, their debut album The Sickness both shot them into stardom and earned them a devoted fanbase called the Disturbed1s. The band made a name for themselves after playing second stage of the Ozzfest tour in 2000, headlining the U.S tour in 2001 alongside the likes of Slipknot, Linkin Park and Marilyn Manson, and then again as a headliner in 2003. In 2001, they created their own tour (a small event at the time), the Music as a Weapon tour taken from a lyric in the song Droppin' Plates (abbreviated as MAAW), including acts throughout its existence such as Drowning Pool, Alter Bridge, As I Lay Dying, Chevelle, Flyleaf, Chimaira, Trivium, POD, Nonpoint, Stone Sour, Lacuna Coil, In This Moment and Killswitch Engage. On September 17, 2002, they released their second album, Believe, which went straight to #1 (see below) and was lauded by critics as the album that broke them from the Nu Metal tag that plagued The Sickness. Years later in 2006, the single Down with the Sickness would be certified Gold, then Platinum in 2009.

After MAAW II's last show in Chicago, they fired bassist Steve 'Fuzz' Kmak for "personal differences" that they've yet to fully explain. He was replaced with current bassist John Moyer, formerly of the Texas Industrial act The Union Underground, who played bass for the album Ten Thousand Fists, becoming a full member during the band's subsequent tour in support of the album. The Ten Thousand Fists album also marked the band's second straight-to-#1 with the song Stricken becoming their second Gold single in 2008. Released on June 3, 2008, Their fourth album Indestructible debuted at #1, was fully self-produced, and won them their first Grammy nomination for Inside The Fire (which became their third Gold single). During the Indestructible tour, Disturbed participated in the first ever Mayhem festival alongside Slipknot, Dragonforce and Mastodon, going on to become one of the largest metal festivals in the United States. This tour also marked the most elaborate production quality and sheer scale and that the Music as a Weapon tour had ever seen, leading them to rechristen it the "Music as a Weapon festival".

The band's fifth effort, Asylum, which the band has touted their strongest body of work yet, was released on August 31, 2010, giving the band some of the best critical approval they've ever seen. Recently the band (or their manager) has become obsessed with festival appearances, playing the Uproar tour with Avenged Sevenfold, going straight to Taste of Chaos with Papa Roach and Buckcherry afterwards, has embarked on their MAAW Fest V with Korn, then it's off to their second Mayhem fest appearance with Godsmack and Megadeth, which still doesn't account for one-day events.note  After playing Mayhem and four dates in South America, the band will be taking an extended hiatus, with no continuation of band activities projected anywhere in the near future. On November 8, shortly after announcing the hiatus, the band released The Lost Children, a compilation of their all the non-album material written over the course of their career.

In 2012-13, during the course of their hiatus, Moyer joined Super Group Adrenaline Mob, Draiman started an Industrial Metal project known as Device with song-writing handled by himself and Geno Lenardo of Filter, and Donegan started writing with Dan Chandler of Evens Blue, culminating in Fight or Flight, which he invited Wengren to drum for.

Don't expect to nail down their actual genre very easily, as debates continue to this day — they're generally seen as "something heavy metal and probably some hard rock" (you can blame the ambiguity on their Alt Metal tendencies). Try not to mention them and "nu metal" in the same sentence at any point to anyone — it isn't worth it. For all intents and purposes, they're a rock group.

To the group's credit, they're one of the few bands in history to release four straight-to-#1 albumsnote  in a row on the Billboard 200 (Believe, Ten Thousand Fists, Indestructible, Asylum), the others being Dave Matthews Band (at five releases since Before These Crowded Streets) and Metallica (everything after The Black Album, making for five). These groups have yet to release an album that breaks this streak, giving them a chance to push the envelope further. Disturbed also happen to be the youngest band to do this. In other words, don't underestimate the Disturbed1s.
Related Acts:
  • Brawl (Fuzz, Donegan, and Wengren)
  • Vandal (Fuzz and Donegan)
  • Loudmouth (Donegan)
  • The Union Underground (Moyer)
  • Soak (Moyer)
  • Adrenaline Mob (Moyer)
  • Device (Draiman)
  • Fight or Flight (Donegan, Wengren)
  • Various Chicago heavy metal/hard rock groups

Members:
  • David Draiman - Vocals
  • Dan Donegan - Guitar, Electronics, Keyboard
  • Mike Wengren - Drums, occasional programmingnote 
  • John Moyer - Bass, Back-up vocals

Former member:
  • Steve "Fuzz" Kmak - Bassnote 

Discography:

Videography:
  • Meaning Of Life (M.O.L.) - 2002, March
  • Music as a Weapon II - 2003, 2004note 
  • Indestructible in Germany - 2008, Nov
  • Decade Of Disturbed (D.O.D.) - 2010note 

Other popular songs:

Not to be confused with The Mentally Disturbed or Disturbed Doves.

    open/close all folders 

Disturbed Provides examples of:


    Live Performance 
Also see the Disturbed Character Sheet
  • Audience Participation Song: The band likes to modify songs to encourage this trope, such as Deify and Down with the Sickness.
  • Berserk Button: Draiman hates it when audience members refuse to stand up in concert (they don't necessarily have to mosh). In general he'll call people out for visibly not paying attention, like playing video games during the show. You've been warned.
  • Big Rock Ending: Not uncommon.
  • Catchphrase: Draiman ends every concert with "Say our name with us now, my brothers, my sisters, my blood", followed by "We Are! Disturbed!" (Audience Participation included).
  • Great Balls Of Fire
  • Large Ham: Draiman; see for yourself.
    • Incoming Ham: The intro they created for the Asylum tour works like this: The band takes the stage playing Remnants, with a video of a comatose Draiman being carted off in an ambulance playing on the mega-screen behind them. His heart monitor becoming a Flatline, a doctor jabs him in the chest with an adrenaline shot (which marks the beginning of Asylum). He immediately awakens laughing like a madman, fights off the doctors, bursts from the ambulance doors in time with the "Release me!" lyric, goes running down the street and walks through a set of asylum doors to appear on-stage to start singing. If you couldn't tell by his presence in the scene that he was going to run away with it, you might have Genre Blindness.
  • Medley: MAAW IV saw Disturbed create one using Hell, Shout 2000, Criminal and Deify. For the Uproar tour they created one based on The Sickness using Fear, Meaning of Life, Numb and Voices.
  • Milking the Giant Cow: One of Draiman's major features during performance.
  • No Indoor Voice: Draiman again, but it's to be expected at a show like their's.
  • Refuge in Audacity: At some point during the Indestructible tour one of the members of Killswitch Engage dared Draiman to change some of the lyrics to Land of Confusion. He went with it, and it's become a concert staple ever since:
    There's too many men and not enough pussy, making too many problems
  • Rousing Speech
  • Shout-Out: To The Silence of the Lambs, multiple times (with occasional lines from The Exorcist popping up): early into their career before performing Stupify, they would play a clip of Buffalo Bill's famous line:
    "YOU DON'T KNOW WHAT PAIN IS!!"
  • Surprisingly Gentle Song: Darkness
  • Spiteful Spit: Because it's customary that the opening act must go through hell: during their first tour of Europe opening for Marilyn Manson on the Paris date, the audience - already cheering "Manson! Manson!" - started spitting at the band in unison for the first 5 songs.
    "It was raining spit, you couldn't avoid it; it was falling on your clothes, on your face; I'd open my mouth up to scream..."
  • Spotlight-Stealing Squad: In the truest spirit of the term "co-headliner", MAAW V (for the first time in the tour's history) has Korn finishing several dates near-equal to the dates in which Disturbed closes. Yes, Korn has far more longevity and success, but it must be awkward to visitors who came to see Disturbed's personal festival only to have them say "And now for Korn".
  • Subdued Section: They like to use this in certain songs that didn't originally contain one.

    Lyrics/Themes 
  • Abusive Parents: Down with the Sickness' child abuse segment is a metaphor for "mother society" beating down the freaks.
  • Amoral Attorney: Innocence.
  • And I Must Scream: The ending of Asylum has the narrator, who finds himself entering the "asylum" of his lost loved one ("now it's dragging me into your grave") finishing by saying "I will get to join you in time" with a voice screaming "Without you!", meaning that he'll now be staying in the asylum without the one thing he came for.
  • Anguished Declaration of Love: Sickened.
  • Author Vocabulary Calendar: The words 'terrible', 'hell', 'dark' (or 'darkness'), 'sacrifice', 'pain', 'alive', 'death' (or 'dead'), 'hate', and 'hatred' are just a handful of the words the band says at least once an album.
  • Badass Boast: Indestructible is basically one long boast (a sense of confidence was the intention during the writing process). It's quite charming, really.
    • Also "I'm Alive".note 
    • "Warrior", to levels of extremity that manage to out-boast all of these.
  • Better to Die than Be Killed/Death Seeker: Criminal.
  • Blatant Lies/Sarcasm Mode: When asked about the meaning behind Meaning of Life, Draiman said "To encourage existential thought". Yeah, right.
  • Calling the Old Lady Out: Down with the Sickness, though not literally; the rant is metaphorical as explained above.
  • Cluster F-Bomb: Down With the Sickness; Liberate is a minor version (even though the word "motherfucker" appears 16 times, counting stanza repetitions, most of the lyrics are pretty swear-free).
  • Concept Album: In truth, Draiman has said he thinks the Rock Opera and the concept album is either dead or isn't possible in the age of the single (digital downloading takes convenience in the place of thematics). That being said, most of the albums can be interpreted as having an overarching theme.
    • The concept behind The Sickness was of course "Sickness": the sickness of your thoughts and psycology (Voices, Meaning of Life), your loved ones (Stupify, The Game, Numb), your environment (A Welcome Burden, Conflict, Violence Fetish) and the sickness of the beasts that inhabit society along with the sick society that created them (Down with the Sickness). The album says "No matter how you try to bring me down (Fear, God of the Mind) I am what I am (Droppin' Plates, Want) and you'll never change that (Down with the Sickness again)".
    • The concept behind Believe was of course "Belief": Belief in your passions (Rise), belief in your vices (Intoxication), belief in your justice (Liberate, the title track) and belief in your evil (Breath, Devour). It asks the listener to find something to care about and shout "I'll stand through whatever you throw my way (Prayer) no matter how much it may hurt (Remember, Mistress). I've chosen my path, I'm at peace with it (Bound, Awaken) and I'll always walk forward through it (Darkness).
      • Ironically, the title-track is just nearly anti-belief.
  • Contemplate Our Navels: Just about the entirety of Believe has this theme.
  • Cosmic Plaything: The Curse.
  • Crapsack World: Common theme in their music.
  • Curb-Stomp Battle: This Moment.
  • Darker and Edgier: Indestructible, according to the band. Lyrically, very much so; Draiman's string of bad luck inspired much of the work.
    • If the name wasn't already an indication, Asylum seems to have out-dimmed Indestructible; with topics ranging from the Nazi Holocaust, corrupt attorneys, miscarriage, global warming, bad relationships and overall deep depression to fantastic/mystical songs about werewolves and succubus demons, it's no sunshine-and-rainbows record.
  • Dark Is Not Evil/Superpowered Evil Side: This seems to be the theme of the chorus to 'The Night'
    There can be no better way of knowing
    In a world beyond controlling
    Are you going to deny the savior
    In front of your eyes
    Stare into the night
    Power beyond containing
    Are you going to remain a slave for
    The rest of your life
    Give into the night
  • Deal with the Devil: Dehumanized.
    • Also Inside the Fire, where the devil is offering to take him to live in hell with the girl he loves who killed herself.
  • Demonic Possession: Deceiver, Haunted.
  • Department of Redundancy Department: The Curse contains this little gem.
    "No hope for the hopeless".
  • Despair Event Horizon: Breathe (for the victim, not the narrator), Darkness, The Infection and Asylum (which is about being driven to insanity by the memory of a lost loved one).
    • Supposedly David's lyrics for the Asylum album were so dark, even for a guy who's not known for his light and fluffy sentiments to begin with, that Dan was honestly worried David was approaching this point in Real Life.
    • Of course, the cover of Land of Confusion is just as despairing as the original version.
  • Determinator: "Indestructible", "I'm Alive".
  • Downer Ending: Just about every song on The Sickness has some hostile outcome, though ambiguous as to whether this is a bad thing.
    • Otherwise there's Breathe, Guarded, Forgiven, Inside the Fire, Asylum and My Child (the last three the most obviously so).
    • Stricken, Overburdened and The Infection are more about the outcome of a Downer Ending.
  • Driven to Suicide: Inside The Fire.note 
  • Filk Song: The Asylum B-Side song Old Friend is about Dexter, which Draiman is supposedly a fan of. He confirmed this himself on his Twitter.
  • Flanderization: Lyrically the majority of the songs used to cover themes of anger, disenchantment, annoyance at society, hatred and violent malice until Draiman started noticing that people were using these songs as work-out tunes and adrenaline-pumpers (the military in particular taking to this). He's started capitalizing on the band's natural talent for making these recently by writing more combat-oriented anthems of death, starting most obviously with Indestructible and This Moment.
  • Green Aesop: Another Way to Die.
  • Grief Album: Believe, most notably Darkness.
  • Hearing Voices: Voices, Deceiver.
  • Heavy Meta: Rise.
  • Hot-Blooded
  • "I Am" Song: Indestructible, Perfect Insanity, Divide, and vaguely I'm Alive.
  • In Love with Your Carnage: Violence Fetish.
  • Intercourse with You: Meaning of Life, though probably one of the most twisted examples listed.
  • Jekyll & Hyde: Sacrifice is said to be inspired by this trope.
  • "Join the Army," They Said
  • Like a Badass out of Hell: Hell.
  • Loners Are Freaks: Divide.
  • Love Martyr: Façade.
  • Lyrical Dissonance: Breathe is a tranquil tune about stalking a helpless prey and whispering to them while they die.
  • Madness Mantra: "I wanna get psycho" in Meaning of Life and "I think I'm losing my mind... lost my mind" in Perfect Insanity.
  • Malicious Slander: Innocence, 3.
  • Manly Tears: Rise.
    "I cannot stop this pure emotion / falling from my eyes."
  • Meaningful Name: 'The Lost Children', a collection of Disturbed's works that the public never saw.
  • Miscarriage of Justice: Innocence, 3.
  • Mondegreen: In "Inside the Fire," does he say, "Devon, no longer living" or "Devon, one of eleven"?
    • In "Warrior", it sounds like he's saying "So suicide now" instead of "So decide now". He also at one point sounds like he's saying "I am a weapon of immense ability" instead of "Invincibility". Really, both of them work.
  • Money Song: Avarice.
  • Mook Horror Show: The refrain of "Indestructible" has the line "From the other side a terror to behold."
  • Murder Ballad: Breathe, as mentioned in Lyrical Dissonance.
  • The Notable Numeral: The Asylum B-Side 3 was written about the West Memphis Three, told from their perspective. Draiman had expressed a desire to donate it somehow on their behalf rather than release it conventionally, which the band did eventually over their website, asking for dollar donations to get the song. The proceeds go towards the defense fund of Damien Echols.
  • Person of Mass Destruction: "Indestructible" and "Warrior".
  • Please Don't Leave Me: Stricken, in a sense; it's about a person who came into the narrator's life, bringing nothing but problems. The narrator stuck by them despite it, but they ultimately left without explanation. The narrator seemed to be in love with the person, but is conflicted on whether he wants them back, or can let them go.
  • Protest Song: Many, mostly from Ten Thousand Fists. Draiman's later said that he no longer sees the meaning of these since they rarely cause an effect.
  • "The Reason You Suck" Speech: Fear. Apparently the song is meant to be told from the perspective of the victim.
  • Religion Rant Song: Prayer is a type one.
    Let me enlighten you
    This is the way I pray
  • Revenge: Hell.
  • Rhyming with Itself
  • Rockstar Song: Monster, though it's actually a subversion. It's more along the lines of a rant about how being a rockstar kind of sucks.
  • Sanity Slippage Song: They're called Disturbed. They have tons of these.
  • Shoo the Dog: Guarded, though presented critically.
  • Smite Me, O Mighty Smiter: The concept behind Prayer.
    "It's not very godly for a God to inflict pain and suffering on his people to elicit a response. I would hope that God wouldn't be that petty. But if that's what is happening and you're inflicting pain and suffering to get me to return to the flock, bring it on. There's nothing that you're going to do to me that's going to change my conviction or change my path".
  • Split Personality Takeover: Implied at the end of Sacrifice.
  • Stepford Smiler: Façade.
  • Succubus: Serpentine, which is about the sort of manipulative women who use their sexual prowess to prey on vulnerable men seems to portray them as this.
  • Survivor Guilt: If Remnants is to be interpreted as the last moments of the loved one's life as they died, the narrator's line about "No remnants were ever found of it" probably means that he's the only one who knows about her death.note 
  • Take That: Never Again has a piece of its chorus directed at Mahmoud Ahmadinejad.
  • Take That, Critics!: Droppin' Plates. FYI, "Plates" is an old studio term for hit records.
  • Tautological Templar: In "Overburdened" Hell is overburdened with Knight Templars who don't understand why they are being sent there. Subverted when the narrator seems to make a Heel Realization mid verse:
  • This Is for Emphasis, Bitch!: "Droppin' Plates"
  • True Companions: References to camaraderie are a common theme. Rise and I'm Alive shoot to thought.
  • Übermensch:
  • The Unfettered: Divide.
  • The Virus: Haunted.
  • We Have Ways of Making You Talk: 3.
  • Welcome to My World
  • Witch Hunt: 3.
  • Wolf Man: The Animal.
  • World War II: "Never Again" is mainly about the Holocaust.
  • You Are Worth Hell: Inside the Fire. Arguable since it's Based on a True Story, which indicates that the protagonist didn't commit suicide.
  • Your Soul Is Mine: Inside the Fire. And how! The Devil (who's also the narrator) is ranting and raving, screaming temptation at the grieving Draiman... ouch...
  • You Will Not Evade Me: Run.
    "You really don't know how long I've waited for your destruction, I'm telling you you just can't get away."

    Media/Fan-base 

    Music/Music-related 
  • Audience Participation Song: Land of Confusion, Stupify, Ten Thousand Fists.
  • Bad To The Bone: Any time the familiar drum opening or staccato howl from Down with the Sickness is heard in a film, something violent is probably going to happen.
  • Bilingual Bonus: Draiman will sometimes slip Hebrew phrases into some of his works, such as "Tefached" in the bridge of Stupify, and "Elochai / Bury me tonight" in Pain Redefined. These translate to "Be afraid" and "My God" respectively.
  • Cover Drop: "You will remember the night you were struck by / the sight of / Ten Thousand Fists in the Air!".
  • Cover Version: Shout by Tears For Fears into Shout 2000, Land of Confusion by Genesis, Midlife Crisis by Faith No More,note  spearheaded by Chi from the Deftones which Mike Patton put a stop to because he doesn't want there to be FNM tribute for some reason. There's two versions of the song floating around the internet, one with Fuzz on bass that leaked onto and was floating around file-sharing sites for years and a 2008 remix that many thought would be a B-Side to Indestructible but which ultimately appeared officially on Warner Records' Covered: A Revolution In Sound, Living After Midnight by Judas Priest and most bizarrely I Still Haven't Found What I'm Looking For (ISHWILF) by U2. They also covered/remade Jim Johnstone's theme for "Stone Cold" Steve Austin into "Glass Shatters".
  • Dark Age of Supernames: Most songs that aren't Adjective Nouns (Violence Fetish, Ten Thousand Fists, Perfect Insanity, Sacred Lie), The X of Y (Meaning of Life, Sons of Plunder, Land of Confusion), or The Something (The Game, The Night, The Curse, The Infection, The Animal) are likely single word titled. This fits in with Draiman's cryptic lyrical style, so he's generally being very blunt when a song name is a phrase (I'm Alive, Just Stop, Leave It Alone, Never Again, Another Way to Die, Inside the Fire, Pain Redefined, etc.)
  • Dramatic Thunder: Haunted.
  • Epic Instrumental Opener: Asylum and Remnants, which begins with several serene electronic sounds, moving into a subdued acoustic section which leads into a minute of 80's-inspired guitar euphoria and then after a quiet sustain (and heavy bass galloping) becoming the radio-ready Asylum, a 7-minute, 2-part song (the band's longest to date).
  • For Doom the Bell Tolls: Haunted, Serpentine.
  • Getting Crap Past the Radar: "All I wanted was just one FUAWK / One tiny, little, innocent FUAWK".
  • Heartbeat Soundtrack
  • Hidden Track: The band had hoped that their U2 cover would be this, but since iTunes generally splits up hidden tracksnote , this was spoiled weeks in advance.
  • Howl of Sorrow: Draiman's animal noises could be interpreted as this depending on the context. Oddly missing from The Animal.
  • In The Style Of: All of their covers that aren't by metal or hard rock bands. "Putting our stamp on it" they call it. In Wengren's words:
    Interviewer: Do you all weigh in when you cover a song?"
    Mike: Absolutely. It’s just something that’s fun to do. It’s like a tension release, really. We spend months at a time focusing on creating new material. Once we’re comfortable with the bulk of the material and we know that we almost have a record ready, then we will lay back a bit and have some fun, and that’s what those covers are. We get to see what we can do with somebody else’s song. It’s usually a band that we have a lot of respect for and have been heavily influenced by, like Faith No More or Judas Priest, or it’s a band that we feel has had a great hit from the past and we can try and do a 180 on the song and put our own spin on – and not get crucified for it.
  • Last Note Nightmare
  • Laughing Mad: Inside the Fire.
  • Loudness War: Asylum has noticeably squashed playback when entered in a sound editor.
  • Metal Scream: Enough; probably the closest thing to a death growl Draiman will ever get, the other being his scream in Crucified.
  • Mohs Scale of Rock and Metal Hardness: A 6½. Yes a 6½. It fluctuates here and there, but is always firmly rooted at a half-way point (see the hard rock/heavy metal ambiguity note above).
  • Mondegreen: The people at Rock Band who charted Indestructible mistook the lyric "Their opponent had to be invincible" for "Their opponents tend to be invincible". They did it again with their chart of "The Animal" in having the lyric be "Ticking bomb in the glimmer of this tainted moonlight" instead of "Taking form in the glimmer".
  • Mood Whiplash: This is how the band describes the soft, mournful opening and subsequent blast of guitars in Another Way to Die: "Give them a gentle caress on the cheek before smacking them in the face", in their words.
  • Motor Mouth: Not as fast as some of the other examples, but just try to understand the lyrics to Liberate's opening verse, Fear's vocal bridge, or Meaning of Life's shout segment without reading them beforehand.
  • Non-Appearing Title
  • Power Ballad: They've recently turned Remember into one.
  • Precision F-Strike: The Sickness had prominent cussing nearly the entire track through, then Believe left it out with the exception of one song (Liberate). TTF has only a single swearing song (Sons of Plunder) which is itself a Precision F Strike. Indestructible and Asylum are more balanced, and the swearing that's there isn't as pronounced.
  • Rated M for Manly: Just try to deny it.
  • Refrain from Assuming: Meaning of Life as "Get Psycho" and Conflict as "Enemy" (the latter contains the word "Enemy" 52 times).
  • Self-Backing Vocalist: Played live, Moyer has to do his best Draiman impersonation.
  • Self Plagiarism/Suspiciously Similar Song: The so-ah! noises in Glass Shatters are a rather blatant redux of the noises in Voices. Possibly justified in that Disturbed didn't actually compose the song, simply performing it in their own style without much flexibility.
  • Scatting: The Game's scat section most notably, along with Down With The Sickness and This Moment's more contained screams (yet Draiman swears that there are actual words to some of it).
  • Soprano and Gravel: By the same person.
  • Spoken Word In Music
  • Subdued Section
  • Surprisingly Gentle Song: Two, maybe just one.note 
  • Three Chords and the Truth: The Sickness is likely one of the most simple but awesome records you'll ever hear.
  • Truck Driver's Gear Change: Down with the Sickness' final chorus moves two strings up in pitch.
  • The Unfavourite: The band has been pretty clear about not caring for Glass Shatters
  • Voice Clip Song
  • Verbed Title

    Music Videos 


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alternative title(s): Disturbed
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