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Music: Burial

Burial (real name: William Bevan) is a dubstep musician from London. Known for his two highly acclaimed albums (Burial and Untrue) and being generally secretive. Bevan claims to make nearly all of his music in the audio editor Soundforge, disavowing traditional trackers and sequencers that eventually brought Drum N Bass to a creative standstill.

His tracks are often described as being like the soundtrack to a cyberpunk film noir, which is an apt description.

Burial has collaborated with several other dubstep and drum & bass artists, and plans have been announced to have him remix Massive Attack's Heliogoland, though when this will occur is anyone's guess. The release of a limited-edition 12" featuring two, roughly 10 minute long remixes of 1 released and 1 unreleased Massive Attack songs have led many to wonder whether it is the end product of the album collaboration rumours.

After Untrue, Burial has shifted his focus to longer, more atmospheric songs which frequently last for over 10 minutes. His Kindred and Truant/Rough Sleeper Eps show him expanding his sound with longer and more experimental songs.

Discography

Albums

  • Burial: 2006: Hyperdub Records
  • Untrue: 2007: Hyperdub Records

Singles/EP's

  • South London Boroughs: 2005: Hyperdub
  • Distant Lights: 2006: Hyperdub
  • Ghost Hardware: 2007: Hyperdub
  • Moth/Wolf Cub (with Four Tet): 2009: Text [sold in black LP sleeves with no artist information]
  • Ego/Mirror (with Four Tet and Thom Yorke): 2011: Hyperdub
  • Street Halo: 2011: Hyperdub
  • Four Walls / Paradise Circus (remixing Massive Attack): 2011: Inhale Gold
  • Kindred: 2012: Hyperdub
  • Truant / Rough Sleeper: 2012: Hyperdub
  • Rival Dealer: 2013: Hyperdub

Tropes That Apply to Burial

  • Anguished Declaration of Love - "Etched Headplate," "Truant," "Rival Dealer"
  • Arc Words: The phrase "come down to us" appears on all three tracks on Rival Dealer.
  • Cursed with Awesome - The reason he uses Soundforge is, according to the man himself, that he simply can't make good music on a traditional DAW.
  • Drone of Dread: "Kindred"
  • Epic Rocking - He seems to really enjoy making long songs post-Untrue- the shortest song on the Kindred EP is seven and a half minutes long. "Ashtray Wasp," "Kindred," "Truant," "Rough Sleeper," "Paradise Circus," and "Four Walls" are all between ten and twelve minutes long.
  • Hidden Track - A remix of Massive Attack's "Psyche" is hidden at the end of his "Paradise Circus" remix.
  • Mistaken Identity - Before he revealed his identity, British tabloids speculated that he might be Richard D. James or Norman Cook.
  • Mohs Scale of Rock and Metal Hardness: Generally at a 1-2.
  • One-Woman Wail - More like one....androgynous, cyber-vocal wail.
  • Reclusive Artist
  • Sampling - Done frequently with vocals, which are usually unrecognizeable by the time Burial is done with them, as they are usually pitch-shifted into androgynous, shifting wails.
  • Secret Identity - A rare musical example. It didn't last long though - in 2008 he was revealed to be William Bevan.
    • Bevan said he kept his anonymity to focus the attention on his music instead of him, and decided to drop it when he felt it became too much of an issue.
  • Self-Deprecation: Used frequently in interviews, as seen in the page quote.
  • Triumphant Reprise: The "there's something out there" sample originally appeared in the bleak "Loner." It returns in a much more joyous context at the climax of "Come Down to Us," which (along with the rest of the Rival Dealer EP) was intended as "anti-bullying tunes."
  • You Are Not Alone: The point of Rival Dealer, said verbatim in "Come Down to Us." It's aimed at transgender teenagers.

BTMusicians/Electronic IndustrialC 418

alternative title(s): Burial
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