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Music: Animal Collective

Animal Collective is an experimental rock band founded in Baltimore in 2000. Its lineup consists of Avey Tare (David Porter), Panda Bear (Noah Lennox), Deakin (Josh Dibb) and Geologist (Brian Weitz), who have known each other since childhood and began to experiment with mind-altering drugs and psychedelic music in high school.

Because of the band's stance as a "collective", not every member of the band appears on every album (for example, Deakin is absent on Merriweather Post Pavilion, Geologist doesn't appear on Campfire Songs and only Avey Tare and Panda Bear perform on Sung Tongs). Panda Bear has released four solo albums since 1998, and Avey Tare has one of his own. Deakin has toured with solo material of his, but no album has been released yet.

Their music has kept psychedelic influences, but their hit album Merriweather Post Pavillion has made it more accessible to a mainstream audience without changing much of their overall sound.

Discography:

  • Spirit They're Gone, Spirit They've Vanished (2000), as Avey Tare and Panda Bear
  • Danse Manatee (2001), as Avey Tare, Panda Bear and Geologist
  • Hollinndagain (2002), as Avey Tare, Panda Bear and Geologist (live album)
  • Campfire Songs (2003), as Campfire Songs
  • Here Comes the Indian (2003)
  • Sung Tongs (2004)
  • Prospect Hummer (2004) EP
  • Feels (2005)
  • People (2006) EP
  • Strawberry Jam (2007)
  • Water Curses (2008) EP
  • Merriweather Post Pavilion (2009)
  • Animal Crack Box (2009) (live album)
  • Fall Be Kind (2009) EP
  • ODDSAC (2010) (A 55-minute "visual album")
  • Centipede Hz (2012)

Animal Collective displays the following tropes:

  • A Day in the Limelight: "Wide Eyed" from Centipede Hz features Deakin on lead vocals.
  • A Date with Rosie Palms: "Guys Eyes" from Merriweather Post Pavillion
  • Anti-Love Song: Inverted throughout Feels.
  • Archive Panic: As of 2013, in only 13 years of existence, the group had already released 9 studio albums, 6 E Ps, 11 singles (often with exclusive B-sides), 2 live albums composed mostly of original material, and the visual album ODDSAC. And that's not even counting all of the member's side projects, live songs that never made it on an album or compilation, and collaborations with other artists. And to add to the confusion, absolutely none of their albums sound even remotely the same.
  • Badass Beard: Geologist has sported one for almost the entire duration of the band, so far.
  • Broken Record: "Brother Sport" from Merriweather Post Pavillion is probably the most extreme example of this, as EVERY section of the song consists of this but overall, heavy repetition of some phrase(s) is quite a defining characteristic of their songwriting. Other notable examples include just about any song from Merriweather Post Pavilion, "We Tigers" from Sung Tongs, "For Reverend Green" and "Chores" from Strawberry Jam, What Would I Want? Sky, and many others.
  • Careful With That Axe: "Grass" has this in the chorus.
  • Cool Hat: The head lamp that Geologist wears during live concerts certainly qualifies.
    • Hell, that's the whole reason his nickname is Geologist — everybody thought he was a miner.
    • The hat with ears that Panda Bear wore during early live appearances and Avey Tare's face-hat both qualify.
  • Cover Version: They've occasionally done this in live performances, most notably in Purple Bottle, with some live performances featuring both "I Bid You Goodnight" by The Grateful Dead as an introduction and "I Just Called To Say I Love You" by Stevie Wonder as a bridge.
  • Digital Piracy Is Evil: Counterexample - they don't really care about the leaking of their albums, but they get quite upset when (like in the case of Strawberry Jam) only a handful of songs were leaked at a time and fans couldn't get the full album experience.
  • Distinct Double Album: The Animal Crack Box is a distinct triple album.
  • Drone of Dread: "Two Sails on a Sound" from Here Comes the Indian and the live-only song "Tuvin" both exemplify this trope.
  • Early Installment Weirdness: Anything before they settled on the name Animal Collective. Spirit They've Gone, Spirit They've Vanished was essentially an Avey Tare solo album with Panda Bear supplying drums, while Danse Manatee and Campfire Songs are both just plain weird.
  • Everything Is an Instrument
  • Fading into the Next Song: Their song "Graze" fades into "What Would I Want? Sky" off their Fall Be Kind EP, half of everything on Merriweather Post Pavilion fades into the next song, and "Winter Wonderland" fades into "Cuckoo Cuckoo" on Strawberry Jam. Actually, they're just fond of this trope in general.
    • All of their concerts for the past few years have had crossfades between songs, as well.
  • Intercourse with You: "Essplode", "Grass" and especially "Good Lovin' Outside".
  • Last Note Nightmare: "Who Could Win A Rabbit" ends with about twenty seconds of...really weird looped gurgling noises. The music video makes it so much worse.
  • Live Album: Hollinndagain, unusual in that it contains only material that hasn't appeared on other albums, with the exception of "Lablakely Dress" from Danse Manatee.
  • Lyrical Dissonance: Averted or subverted for the most part. Played straight on Danse Manatee and Campfire Songs, however.
  • Melismatic Vocals: "Leaf House" from their album Sung Tongs could be considered a particularly strange example of this.
  • Minimalistic Cover Art: The cover of Merriweather Post Pavilion. It's an illusory-motion graphic.
  • New Sound Album: Every single album of theirs does this.
  • Old Shame: Subverted. The band is actually quite fond of their abrasive early work.
  • Sampling: Most notably on What Would I Want? Sky, which samples "Unbroken Chain" by The Grateful Dead - "Willow sky/Woah, I walk and wonder why" becomes the eponymous phrase after some smart cutting-up, but there are also several other instances in their discography.
    • Panda Bear's "Person Pitch", the most successful solo record by any member of the band, is heavily based on sampling as well.
  • Silly Love Songs: The first half of Feels, with most of the second half being understated breakup songs. Springs back with "Turn Into Something".
  • Singing Simlish
  • Subdued Section: The latter half of their album Feels.
    • No More Running from Merriweather Post Pavillion definitely counts as this, bringing the album to its most subdued point, right before Brother Sport closes it.
  • Surreal Music Video: "Water Curses" especially, but all of their videos qualify.
  • Textless Album Cover: Very common with the more recent albums. Merriweather Post Pavilion, Strawberry Jam, and Fall Be Kind all apply.
  • Uncommon Time:
    • "Lion in a Coma" off MPP is in 9/8 time.
    • "What Would I Want? Sky" off of their Fall Be Kind EP is in 7/8 time.
    • "I Think I Can" from the same EP is in 9/8, with a section of 6/8.
    • One of the best examples of this trope is "Who Could Win A Rabbit" off of Sung Tongs. It's based in 3/4, but randomly jumps around to 4/4 and has a 5/4 bridge.
    • They seem to be fond of 3/4 time.
      • 3/4 isn't too odd; their fetish for polyrhythms is, however.
    • Most of "For Reverend Green" is in 7/4note , though the drum beat hangs on 2/4.
    • While it's still technically is 4/4, the syncopation of the drums on Did You See The Words is mad and rather difficult to count along to.
  • Word Salad Lyrics: Avey Tare has described the lyrics of "Peacebone" as not being so much about a particular meaning but more "blending together visual images". In general, most of their lyrics seem to be more about the imagery or conveying certain feelings than making sense as a narrative.

AngelspitTurnOfTheMillennium/MusicAnybody Killa
Angels & AirwavesAlternative IndieThe Antlers
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alternative title(s): Animal Collective
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