a typical day in the life
Aesop Rock (Ian M. Bavitz) is an American-born Alternative Hip Hop
artist. Aesop has been releasing music since 1997 when he released the self-financed Music For Earthworms
. After another self-released album he signed to Mush Records and released Float
. Shortly after, he signed to El-P's Def Jux label, where he has since released a slew of succesful albums, including his most well-known album Labor Days
, a concept album. When Def Jux went on indefinite hiatus
, Aesop transferred over to Rhymesayers, current home of such artists as Atmosphere
, Brother Ali, and Rob Sonic. Aesop Rock's lyrics are made up of absurdist metaphors, puns, imagery and pop culture and mythology references.
Not to be confused with new-school street rapper A$AP Rocky.Discography
- Music For Earthworms (1997)
- Appleseed EP (1999)
- Float (2000)
- Labor Days (2001)
- Daylight EP (2002)
- Bazooka Tooth (2003)
- Fast Cars, Danger, Fire, & Knives (2005)
- None Shall Pass (2007)
- You Gonna Eat That? (with Rob Sonic as Hail Mary Mallon) (2011)
- Skelethon (2012)
- Hokey Fright (w/ Kimya Dawson as The Uncluded) (2013)
- Age Progression Song: "No Regrets" off of Labor Days, follows the life of "Lucy", at ages 7, 37, and 87. Inspired by a true story...maybe.
- Audience Participation Song: The Megamix at the end of the Deluxe Edition of None Shall Pass starts with a group of people chanting "AE-SOP, AE-SOP", it takes up a good minute of the song.
- Blasphemous Boast: "Kill the Messenger" features this line:
I will not bow to a God that I can't look in the face.
- Continuity Nod: The aforementioned Megamix has clips and random sound bites from Labor Days and Bazooka Tooth, most notably, the first minute or so of the mix is made out of them completely.
- A good deal of his songs actually do this. A lot of them carry extra meaning if you listen for references to earlier songs.
- Creator Breakdown: "Maintenance" is about this, so is "One of Four".
- The End of the World as We Know It: "None Shall Pass" is about this, and it's mentioned in the earlier "Freeze" and a few other songs as well.
- Hikikomori: Discussed in "Teleprompters"
- Heroic Dog: The song "Ruby '81" is about a dog that saves the titular Ruby from drowning.
- I Have Many Names: Most are shootoffs of "Aesop Rock", Aes Rizzle, Aes Diesel, Aes Rock, Aes, the notable exception is Bazooka Tooth, who may or may not be a character he plays.
- Keep Circulating the Tapes: Much of his older work would've been lost if not for a few dedicated fans. Further, many unreleased tracks are featured only on hard-to-find mixtapes. The most notable of said mixtapes being Rarities & B-Sides: Volumes 1 & 2. His first two albums (Music For Earthworms and the Appleseed EP) are less extreme examples.
- His collaborations with Mojo the Cinematic and Overgrounder fall under this too.
- Lost Episode: The original "Night Train" cypher—one of the very first recordings Aesop ever showed up on—is considered lost for good. An edited version shows up on Music for Earthworms, itself difficult to find.
- Madness Mantra: MAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARS WINS!
- Meaningful Name: Subverted he's not named after the philosopher (though he easily could be), his name is a character he played in an "art film" once, plus the suffix "Rock" because it's cool.
- Mind Screw: Usually subverted, but "Water" definitely counts, it seems to be a political message, but even keeping in mind Aes' usual metaphors, it doesn't make much sense. The sampling of some sort of opera only serves to make it worse.
- "Mars Attacks" could arguably be worse, the basic plotnote is pretty understandable after a few listens, but what it means, and what the second part are about is anyone's guess.
- Mundane Made Awesome: "Fryerstarter" basically equates going to a donut shop (a specific one, San Francisco's Bob's Donuts) to a religious experience.
- One of Us: Often references anime, comic books, 80's movies, and video games.
- Perspective Flip: "Nightlight" is a kind of an Evil Counterpart meets The Rashomon to "Daylight", featuring roughly the same lyrical structure but with every line changed to reverse it's meaning, usually for the Darker and Edgier.
Life's not a bitch, life is a beautiful woman
You only call her a bitch cause she wouldn't let you get that pussy
Maybe she didn't feel y'all shared any similar interests,
Or maybe you're just an asshole who couldn't sweet talk the princess
Life's not a bitch, life is a bee-YOTCH
Who keeps the villagers circling the marketplace out searching for the G-spot
Maybe she didn't feel y'all shared any similar interests
Or maybe you're just an asshole. Or maybe I'm just an asshole
- Performance Video: "No Jumper Cables"
- "Zero Dark Thirty" comes pretty close, but not quite.
- Sampling: Done fairly often on his tracks, it's usually inconspicuous and from obscure sources.
- Shaped Like Itself: "I twist characters like Twist characters," referring to San Francisco graffiti artist Twist.
- Shout-Out: Shout outs to other rappers are scattered all over all of his albums, Bazooka Tooth in particular has a ton to Jam Master Jay, and "No Jumper Cables" has a line referencing Dungeons & Dragons, G.I. Joe, Transformers, ThunderCats, Voltron, Speed Racer, and Space Ghost.
- "ZZZ Top" has verses dedicated to fans of bands associated with the letter Z:
- The song title itself references ZZ Top
- The first verse starting with someone carving "ZoSo" in his desk is a Led Zeppelin refernce
- The second verse about someone writing "Zulu" on his shoes is a reference to Afrika Bambaataa & the Zulu Nation
- The last verse about someone publicizing The Zeroes in a stall is a reference to the Zeroes, obviously
- "9 to 5er's Anthem" quotes the opening lines of "9 to 5" by Dolly Parton.
- Story Arc: There are a couple, most notably the saga of Bazooka Tooth, a bumbling lowlife.
- Take That - Quite a few, but they're usually hidden among as many layers of metaphor as everything else, making it hard to tell who he's take thatting against.
- "We're Famous" with El-P is one against rapper Esoteric.
- "Facemelter" is an epic bitchslap against people who have accused him of just spitting gibberish, it's capped off with one of the simplest lines of Aesop's entire career.
If you hate me you can eat a bag of dicks.
- The last verse of "Gopher Guts" is a devastating Take That against himself.
- Word of God: This is the only way you will ever know for sure what any given song is about, and he's not fond of talking about such things, leading to Shrug of God.
- Notably that last part is averted with the most recent album, thanks to the Behind Skelethon video series on Youtube.
- Word Salad Lyrics: His lyrics can come off as this to the uninitiated, due to Aesop's playfulness when it comes to prose and diction; if there's a more roundabout or extravagant way of saying something relatively simply, he'll go that route. However, he insists that his lyrics always have a meaning and that he's not just stringing together nonsense.