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James Bond as you really, really don't want to see him!
"Beyond 1984, Beyond 2001, Beyond Love, Beyond Death"
The Zardoz tagline

Get ready for Zardoz, the only movie that manages to be both unbearably tedious and completely fucking insane all at the same time!
Albert Walker, review at agonybooth.com

It is the year 2293 AD. A post-apocalyptic Earth is inhabited mostly by the "Brutals", simple soil-tilling serf types, who are in turn overseen by Exterminators (no, not Daleks), the chosen warrior class. The Exterminators worship the god Zardoz, a huge, flying, hollow stone head that dispenses weaponry and ammunition by the truckload. Zardoz teaches:

"The gun is good. The penis is evil. The penis shoots seeds, and makes new life, and poisons the earth with a plague of men, as once it was. But the gun shoots death, and purifies the earth of the filth of brutals... Go forth and kill!"

At this point, the movie starts making a lot less sense.

Zardoz is neither a mindless sci-fi action movie nor a serious SF-as-ideas film a la Tarkovsky or Kubrick. It's... hard to describe, on account of it really doesn't make a lot of sense. Really. Even writer-director John Boorman, on the DVD commentary, openly admits at several points that he has no clue what's happening.

Still, some sort of plot description might help. One day, an Exterminator named Zed (a clearly embarrassed, pony-tailed Sean Connery wearing a red diaper) gets swept up into the hollow stone head and finds himself a prisoner... or test subject... or whatever... of the Eternals, an elite class who long ago discovered the secret to immortality and removed themselves from all that icky penis-having to the rarified heights. There to... er... stand around and dress in pastels a lot.

Not surprisingly, by the time Connery shows up, life is so meaningless that a new face, regardless of it belonging to a grunting guy in a nappy, is hailed as manna from heaven. Some, however, see him as a dangerous threat to their higher-being-ness. As it turns out, a lot of the Eternal scientists are female (including head honcho Charlotte Rampling) and he does have that evil penis, if the drift is clear.

So they argue all this for awhile. Then others start clamouring for Connery to kill them and end this awful tedium. After what seems like hours of more archly incoherent arguing, chasing, and crystal-gazing, the viewer knows just how they feel. The part where Connery dons a wedding dress may actually induce a need for medication.

So... he finally does kill them.They're ecstatic. And so is the audience, because that means the damn film must surely be...oh, wait, there's an epilogue showing Connery and Rampling having a kid, growing old, and dying! See, it's all come full circle! Whatever it was!

This movie is the result of Boorman trying to adapt The Lord Of The Rings. While that project fell through, it apparently gave him enough ideas to make Zardoz. Basically, a trippy dystopian fantasy that cribs a few more ideas from other sources (Huxley's Savage, Wells' Eloi and Morlocks, Moorcock's Jherek Carnelian), adds plenty of Philosophy 101 gobbledygook about Life and Death, some semi-naked babes, a bucket full of psychotropics, more topless women, random pretentious symbolism, did we mention the topless women, and hey presto! You end up with a movie like no other before or since. It's considered more 70's than That 70's Show.

Zardoz has examples of:


By the way, did we mention that the penis is evil?