What Is One Man's Life in Comparison?
: What is one life, when weighed against the entire universe? Fry
But it was my
A character is expected to make some sort Heroic Sacrifice
for the greater good, either Because Destiny Says So
or Utopia Justifies the Means
. The only problem is... nobody ever told him. When he disagrees with his apparent fate, whoever expects him to give up his life willingly
expresses the sentiment of "What is one man's life worth when weighed against the entire world?" or something similar.
Depending on the character, after being told this, he may or may not oblige.
Compare A Million Is a Statistic
, The Needs of the Many
, Powered by a Forsaken Child
and What You Are in the Dark
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Anime and Manga
- In Puella Magi Madoka Magica, Kyubey has this mindset, which is pretty much a requirement when it's your job to harvest the despair of those that become Witches in order to save the rest of the universe from entropy. In fact it can't think any other way: it has no emotions, and therefore sees everything through logic and reason. Sacrificing one life for the good of many others is a logical (if not always moral) thing to do, so naturally it views this as acceptable. Kyubey cannot even comprehend why humans value one life when there's six billion of them and growing.
- Naruto: The Fourth Hokage discusses this with Kushina about sealing the Nine-Tailed Demon Fox into their son Naruto, damning him to a childhood of loneliness and misery, in order to protect the village and country.
- In Bokurano, the pilots of Zearth, once chosen, have 48 hours to complete their battle- the loser's universe is destroyed, and the chosen pilots die even if they win, from having their life force drained to power Zearth. Naturally, some of them do not take this well, especially not Chizu, who, learning that she is going to die, plans to kill the men who gang-raped her, having planned on a murder-suicide until she discovered she was pregnant.
Chizu: Then tell me, Why do I have to die? Why do I have to die? Why does this baby have to die? Circumstance? Coincidence? Inevitability? Fate? For the past month, those are all I've thought about. And I've decided... that the death of any person is meaningless.
- Green Lantern Hal Jordan fought in the Corps' first war against Nekron when he entered the Death God's nether world to distract him enough to allow the Corps to drive back Krona's army while the Guardians to seal the inter-dimensional rift. At all this, Jordan's energy field is decaying rapidly as he sees himself being trapped in that other dimension and will die instantly once it fails. The one comfort Jordan thinks that it's his life for the trillions upon trillions of lives he helped save, a really flattering trade when you think about it. Fortunately, at that moment, the spirit of Jordan's predecessor, Abin Sur, helps his successor escape the rift.
- In an old Spider-Man comic he ends up fighting over an antidote against the Inhumans. Spider-Man needs it to save the life of a man who saved him and MJ from being hit by a truck, the Inhumans need it to prevent a doomsday device from destroying the world. After they fight Spidey finally explains why he needs it and Black Bolt flies to the hospital with the rest of the antidote. In the end Gorgon tells Spider-Man that saving the entire world was important enough to risk the death of the man, since what is one life compared to all others. Spider-Man's reply is along the lines "If you have to ask, you will never know the answer."
- From The Bible - "Neither do you consider that it is expedient for you that one man should die for the people, and that the whole nation perish not." — John 11:50 (Douay-Reims).
- The irony in this verse is Lampshaded in the next verse, which says that the High Priest was speaking in his role as a prophet at the time, even though he didn't realize the implications of what he was saying.
- Likewise The Book of Mormon - "Behold the Lord slayeth the wicked to bring forth his righteous purposes. It is better that one man should perish than that a nation should dwindle and perish in unbelief." — 1 Nephi 4:12.
- In A Song of Ice and Fire, this is Melisandre's justification for wanting to sacrifice Edric Storm. She says that the sacrifice is necessary, and if they don't do it, Edric will die anyway along with everyone else when the Long Night comes.
- However, there was no guarantee that the sacrifice would work, and all indications seemed to point towards it never working. Melisandre is such a fanatic however, that she often refuses to see the flaws or failures of her plans.
- In Harry Potter, the titular character discovers that he has to die in order for Voldemort to be defeated. He takes this attitude towards his own death. Of course, he ends up living anyway.
- In Enchantress from the Stars, if a Federation agent is captured, and it stands to reason that he or she will cannot prevent divulging the information about The Federation, the agent is supposed to commit suicide. Of course Elana, the main protagonist is only told this after she is captured during the action which she probably wouldn't undertake had she known this beforehand.
- And since her father doesn't quite trusts her to commit suicide he secretly sends her fiance to either free or kill her, only stopping the plan at the last second. Double facepalm since earlier he explicitly declined giving her the order to die
- Of course, Elana, after encountering the way The Empire treats its captives, actually finds the idea attractive.
Live Action Television
- In the Star Trek: Deep Space Nine episode "In The Pale Moonlight" Garak kills a bunch of people for the greater good, and then, when The Sisko objects, gives this little speech:
That's why you came to me, isn't it, Captain? Because you knew I could do those things that you weren't capable of doing? Well, it worked. And you'll get what you want: a war between the Romulans and the Dominion. And if your conscience is bothering you, you should soothe it with the knowledge that you may have just saved the entire Alpha Quadrant. And all it cost was the life of one Romulan senator, one criminal, and the self-respect of one Starfleet officer. I don't know about you, but I'd call that a bargain.
- Doctor Who:
- The Doctor leaves a lot of people as necessary victims of history, time or (in)convenience, sometimes directly against their will. He gets the other part of the rope in "The End of Time", where he revolts against destiny as being more important and having the power to do much more before entering into the ready-to-kill chamber.
- And occasionally, and memorably, he'll absolutely refuse to make the sacrifice: one example is Pete Tyler, Rose's father, whose rescue from his would-be death upsets the timestream to the point that the entire planet is apparently on the brink of destruction, and the Doctor refuses to kill Pete again — even at the cost of his own life.
- In Babylon 5 this is invoked to G'Kar by Ambassador Kosh (appearing as G'Kar's father, "Some must be sacrificed so that all may be saved." The encounter changes G'Kar from a revenge-driven Narn patriot into a self-sacrifical warrior. However, G'Kar later realizes this isn't a statement about the future but explanation of not revealing the Shadows were helping the Centauri. This is because while there are millions of Narns dead now after the war, had the Shadows been outed during or before the side of Good was ready, billions of Narns would be dead.
- Used beautifully during Angel season 5 in the episode "A Hole in the World"; as Fred is dying from being infected with Illyria's essence, Angel and Spike make their way to the Deeper Well, the graveyard of the Old Ones, in order to find a way to stop it and save her. While Drogyn does say they can save her by drawing Illyria back to the Well, he states that, because Illyria's essence has been freed from containment, it will essentially become an airborne virus and spread to every person between the Deeper Well and Los Angeles, killing tens-to-hundreds of thousands of innocents. Though they do briefly consider it, Angel and Spike ultimately can't sacrifice all those people for one person, and are forced to let Fred die.
Spike: Thousands would have died if we'd saved her. She wouldn't have wanted that.
- In Sound Horizon's Moira, fed up with the way Moira torments and manipulates people in life, Thanatos concocts a plan to confront and overthrow her - A plan which involves tormenting and manipulating a man all through his life. The final two tracks of the album imply that not only did this plan fail, but that Thanatos has since been futilely attempting this plan over and over again for gods knows how long.
- In SaGa Frontier, after defeating his twin in a Wizard Duel, Blue finds out that he was Split at Birth and manipulated into killing his other self so he'd become the ultimate magician and waltz into Hell in order to protect the Magic Kingdom from the demons within. Upon finding out, he initially refuses because the idea of the kingdom's existence being "much more important than any magician's life" is the most selfish thing he'd ever heard.
- At the end of Blood Omen: Legacy of Kain, Kain is given the choice between sacrificing his own life to restore balance to the world, or using the power he has accumulated to "rule the world in its ruination" - and furthermore, he had been deliberately manipulated towards this end, by someone who expected him to make the 'selfless' choice. He refuses, and so the sequel Soul Reaver kicks off in the Crapsack World that results. As the Mind Screw threads of the Timey-Wimey Ball are slowly unravelled, and the true identity of The Man Behind the Man is revealed, however, it turns out that Kain's decision was the better option for the world. If he DID sacrifice himself, it would only condemn the world to dance at the strings of an unknowable Eldritch Abomination. After Kain learns this, he chose to appear as a villain, while carefully engineering the timestream, pushing it to the point where he could "make the coin land on the edge", creating a Third Option for the dilemma.
- Fire Emblem: Awakening puts this trope's words in the Avatar's mouth near the end, to powerful effect.