Any work whose creation seems to have involved large amounts of hallucinogens, cocaine, crack, or any other illicit substance that makes people think really weird ideas are also really good ones. The plot hinges on bizarre transformations, freakish-looking creatures, and nonsensical actions that only seem to make sense in realms of logic far removed from your own. That it was the product of a deranged mind looks like a foregone conclusion.
And then you find out that it most certainly wasn't.
The creator claims that they weren't taking drugs — or at least weren't taking them then — or the creator just doesn't seem like a person who would take drugs of any sort.
Note that in real life, composing any work of art (or doing anything more complex than opening a door, for that matter) is borderline impossible when tripping on hallucinogens like DMT or mescaline. Sufferers of manic disorder exhibit symptoms that are similar from drug intoxication, quite a number of magna opera are created under such circumstances. Most admitted users of entheogens tend to do their work between trips, not during. And stuff like cocaine doesn't actually make you hallucinate or think trippy things, though it does make doing more cocaine sound like a fantastic idea.
Commonly uttered in response to a Widget Series, Big Lipped Alligator Moment, particularly egregiousMakes Just as Much Sense in Context moment, or Dada Ad. Compare with Mind Screw and of course This Is Your Premise On Drugs. And enjoy this Onion AV Club inventory of notably trippy children's shows.
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Tim And Eric's ads for Old Spice featuring Terry Crews. Being Tim and Eric, little more needs to be said other than, "Yes, it was made on drugs, you idiot!"
The "Adventureland" ad for Friskies catfood makes one wonder how much cat-nip is in there...
It features dancing turkeys, and fish-fin sailboats, to name a few things.
Bob's Discount Furniture commercials sometimes feature things like talking claymation furniture, himself multiplying to sit on each cushion on a couch, and old west scenes. Also the actual store tends to have some pretty strange things in it.
There was one joke where one of the people working on the talking dog Above The Influence commercial was completely stoned when he came up with the premise.
A man made from ice cream, eating himself, talking about his glistening skin.
Anime & Manga
Bobobo Bo Bobobo. Most of the "jokes" are Japanese puns, so the English dub appears as a series-long BLAM. It really does make some kind of sense in Japanese, but something was definitely Lost in Translation. It's still a pretty wacky, spontaneous and tripped-out series regardless. It's because of the very nature of the anime that the constant disorientation caused by the altered jokes in the dub never feels out of place.
Speaking of Neo Mexico, their colony is a giant space sombrero.
One of the Pokémon movie shorts, titled Gotta Dance!! might qualify as this. The MacGuffin of the episode is a baton that, when activated, causes every Pokémon within hearing range to start involuntarily dancing. This goes on and off for most of the short, which is both charmingly idiotic and hilarious.
Many of the Pokémon shorts that come coupled with the feature length films venture into this territory with their cheerful, idealistic tone, and the fact that nobody is speaking coherently.
It's been said that the last half of Evangelion was greatly influenced when Anno went off his psychiatric drugs, which is also the point where the viewer realizes that the characters have pretty bad psychological issues. Anno also used personal notes about how he was thinking during his Clinical Depression to add more depth to the story.
Here's some examples of the mad shit that happens in End of Evangelion: a giant robot begins spewing organs and growing extra eyes after being defeated, some more giant robots grow faces (which look like Rei, the show's resident Emotionless Girl) all over their bodies and commit suicide with a spear, with their bodies just hanging in space for a while, a giant version of Rei has a tree covered in eyes (which is actually another giant robot, which is actually the main character's mother) plunged into a vagina in the middle of her forehead (which already has an eye in it), everyone gets hugged by their true love and turns into orange juice while a normal version of Rei watches them (yes, it's a different Rei for each person; there are at least a million of her now), and a giant pink eye rising out of the Earth to kill everyone.
Dead Leaves By the people who brought you FLCL, but with an extra dose of methamphetamines. Just you go ahead and try to make any sense of the climax.
The So Bad, It's GoodYaoi manga series Vibrator Company starts with a pair of salarymen, employees of the titular company, breaking into a warehouse full of sex toys and exchanging vibrators as a token of their love for one another. This is probably the least ridiculous thing that happens - from there on in it's a nonstop crazy train of suggestively-shaped office buildings, security guards dressed as teddybears and industrial espionage. Over sex toys.
The opening for episodes in the second season of Death Note, even more so when compared to the first season.
Also the Hetalia Bloodbath 2010, which starts out as a relatively normal webcast by Finland, turns into a creepy survival story that spawned a truly incredible amount of Wild Mass Guessing, and then the big reveal: the culprits were actually the cat-eared inhabitants of a parallel world where walking around naked is the norm, who need to find a nation with a certain mark on either their chest or butt to keep their world from exploding. In this world there are apparently 123 Frances, and America is kinkier than all of them.
The woman who wrote the Yami No Matsuei manga seems to have had trouble coming up with ideas; as such, her arcs were often heavily cribbed to the point that the style of the work completely changed. The story was trimmed down to essentials and retooled for the anime, and all this hilarity removed. Cracky sequences include:
The 'Catholic boys' school kinky murder mystery of sex and intrigue, caused by a demon, with a side of undercover crossdresser' arc.
The 'Tsuzuki stuck in bad romance novel with a female version of himself as the lead (who winds up with the Expy of one of his male friends)' arc.
The 'the department abruptly competes in Ministry of Hades Field Day and Terazuma is unable to kiss Hisoka even for athletics points' arc.
At one point in the Lucky Star OVA, the four main girls decide to visit a pet store. After they have looked around, Minoru appears (proclaiming he's Zero) and presents them with a container carrying two frogs that oddly resemble Keroro and Tamama. Their trademark croaking is cuddly at first, until we are treated to gross-out close-ups of the frogs, the croaks becoming louder and more disturbing and the scene becoming more warped. Then, we suddenly cut to the girls in frog costumes doing... stuff... near a pond. Then, as a final slap to logic, Minoru poofs into being again, dressed as a stage magician, and flies off singing "wa-wa-wa-wasuremono...".
Cuticle Detective Inaba. Let's see...Inaba is a genetically engineered wolf-man who gains superhuman powers by eating hair. His secretary is a sadistic trap, and his nemesis is a money-eating goat who calls himself "The Don." Don's primary minions are a samurai with a bag on his head and a sexy female assassin who spends most of the first episode shooting Don in the head. The page description goes into more detail, which doesn't really help.
Oruchuban Ebichu is about a housekeeping hamster who is often beaten mercilessly by her owner. Then there's a guy who's in love with Ebichu.
Salvador Dali, despite what one might think from his paintings, made a point of not using psychoactives of any sort. He simply stayed up until he started hallucinating from sleep deprivation, then painted what he saw.
"I don't do drugs. I am drugs."
Although Dalí sometimes made use of a mild (and legal) hallucinogen. He went to sleep very late after eating a Camembert cheese.
The other story was that in the evening Dalí would sit in his favourite chair holding a set of keys over a dinner plate. As he started to drop into sleep, his grip on his keys would loosen and the resulting clatter would wake him up, leaving early dream images (which can be very weird) in his mind.
Quoth M.C. Escher, "I don't use drugs—my dreams are frightening enough."
Zdzislaw Beksinski's eerie, surrealist paintings are based on his dreams (or more likely nightmares from living in Poland during WW 2).
The pictured artist, Vladimir Kush, just has a thing for metaphors.
Averted; This guy purposely took drugs and then created self portraits, to see the effect the substances would have on his art...
Artist and webcomic creator Ursula Vernon has done exactly one painting (Toadback Road) inspired by ideas she got when smoking pot. The rest of her work, no matter how weird, plays this trope straight.
Marvel, on the other hand, did in the inside art what DC did in the covers. Artists like Steve Ditko (who doesn't even consume alcohol), Jim Steranko (whose stories even contained some veiled anti-drug elements) and, to a lesser extent, Jack Kirby, famously created some trippy concepts.
Doctor Strange in particular made use of such psychedelic terrain imagery, that although it wasn't made on drugs, it was mentioned to be a popular comic for drug-users.
Steranko was one of the first artists allowed to write his own stories simply because no one else could write anything approaching his level of WTFery.
You'd think the comics of Jhonen Vasquez were made on something. Then you listen to his interviews and you realize he just draws whatever he thinks is funniest. Then we get Fillerbunny and Wobbly-Headed Bob.
While not technically drugs lack of sleep can cause hallucinations.
That being said, read Batman RIP and tell me that it wasn't made on drugs. It contained a full issue of Batman getting high off of weapons-grade heroin, dressing up in a red and purple Batsuit and calling himself "The Batman of Zurr-en-Arrh" while beating criminals up with a baseball bat and talking to Bat-Mite, who may or may not have been a product of said weapons-grade heroin. This was an elaborate throwback to an obscure Silver Age-era story about Batman getting superpowers on Planet X, which was equally as trippy.
Surprisingly, Morrison says that Doom Patrol and Animal Man were not written on drugs. Given that he says The Invisibles most certainly was written on drugs, it seems unlikely he would lie about the first two and not the third.
Morrison has said some of Doom Patrol was influenced by shrooms but his work before that (including Zenith, Arkham, and Animal Man) is all straight-edge. Morrison has mentioned he's less into drugs and more into chaos magic which is where the majority of his trippiness comes from.
See the bit immediately above about Grant Morrison? Same deal with anything by Alan Moore, but with added gnostic theory, obscure literary references, and erotica.
This would be Alan "expelled from school for selling LSD" Moore?
Carla Speed-McNeil's comic book series Finder may or may not be set on Earth in the distant future and features feathered dinosaurs who teach university courses, a college student minoring in anthropology and majoring in prostitution, a character who dreams of reuniting with his long lost father in the form of a locked outhouse, domed cities with pedestrian traffic jams and apartment buildings carved out of living trees ...and the author is a happily married woman with two kids (and a lot of weird interests).
Marvel Star Wars comics were all over the place in quality, and some issues were... out there. Many, manycat aliens, the psychic energy-eating rabbits called Hoojibs, the eight-foot green Lepus Carnivorous, a rather inane superweapon, and just in general some very odd plots and characters.
"Eight-foot green Lepus Carnivorous"? Grunny, is that you?
The Umbrella Academy. Pick any issue from either "The Apocalypse Suite" arc or the "Dallas" arc, really, and then consider that its writer has been clean and sober for years now.
The Breakfast Monkey. Then consider the fact that the creator of The Umbrella Academy wasn't doing drugs yet when he created The Breakfast Monkey.
Disney Italy has a writer/drawer named Silvia Ziche, who specializes in this kind of stories. One of her most (in)famous stories had Mickey Mouse and co. starring as the baguette-wielding hero of a science fiction show where everyone improvises and that is directed by a sadistic woman named Annabel Lecter, all of this because Pete, Portis and the Phantom Blot decided that the best way to divert investigations on their most recent heist was to have Mickey and themselves star in that show, continuing stealing (and losing all their sleep) to fund it as the relatively sane premise, with completely insane and random gags and Brick Jokes that make the reader seriously wonder about her sanity.
One example to explain better. The above-mentioned story had the Phantom Blot's character sick a killbot on Mickey's character, only for a troubleshooter to appear with his Ikea Weaponry to deal with the bot. The first attempt at assembling the gun produced a model of the Eiffel Tower. The second produced a 1:1 model of the skeleton of a Tyrannosaurus rex. The third attempt finally produced a BFG with multiple barrells... After the killbot's battery had died and the current episode had ended!
Also, PB had managed to stay out of starring in it for a while, until Pete and Portis, pissed at him, conscripted him as the new character, and Annabel forced him to wear a ridiculous costume. Unable to take it off due the director's wrath, Phantom Blot covered it with his trademark ghost-like black cloak... Only to have something rip the cloak in two occasions, making him look ridiculous live to the entire planet.
The Warrior comic, everything from the visuals to the dialogue, none of it makes a lick of sense.
Fantasia. Cossack-dancing flowers? Water-carrying brooms? Volcanoes spewing pink gases? Ballerina hippos?! A black demon atop a mountain?!? Art Babbitt — an animator who was responsible for dancing mushrooms of all things — stated the only drugs he took were "Ex-Lax and Feenamint", two laxative drugs.
Disney's later and lesser known film The Three Caballeros makes Fantasia look positively mundane in comparison.
Both of these films, along with Alice in Wonderland, unsurprisingly became popular "trip movies" during The Sixties. This did nothing to help their reputations, but it sure hasn't hurt their reputations either.
Fantasia is drugs. Synaesthesia, visuals, sounds, dancing mushrooms, evolution, the works.
Not just whole movies, but certain scenes in other movies are guilty of this, too, including the "Pink Elephants On Parade" scene in Dumbo or the "Heffalumps and Woozles" scene in The Many Adventures of Winnie the Pooh.
Heavy Metal is essentially a series of loosely connected and animated sequences that frequently get extremely trippy.
This is actually a subversion of the trope. While creators of the animated feature may not have been involved in any sort of drug use, the authors of much of the original source material — multiple stories from Heavy Metal Magazine — certainly were; and drug use features prominently in parts of the film.
The Thief and the Cobbler. The movie's Recobbled Cut is both trippy as hell and awesome. This isn't even talking about the chase scene, the only part of the movie anybody remembers at all. (Don't worry, none of it is disturbing like The Wall or anything, it just makes you question the creator's sanity. It's made by the same person who made the Raggedy Ann movie and the Chuck JonesA Christmas Carol, so you know it's fucked up.)
Yellow Submarine. Particularly the Sea of Time/Monsters/Holes/Phrenology/Holes sequences.
In his book Up Periscope Yellow, Al Brodax, the man behind the production, who wrote or co-wrote most of the non-musical sequences, swears the only time he ever had drugs was in a meeting with John Lennon after he'd finished the script.
In the behind-the-scenes portions of the DVD, it's revealed that while the animators never did drugs, they would often return to work a little drunk after having a few too many pints during their lunch break.
With the success of Submarine, Buena Vista (Disney's distribution arm) re-released Fastasia as "the ultimate visual experience. Ward Kimball was asked if he and the other animators were on drugs when they made it, and he said "Yes...Pepto Bismol and Ex-Lax!"
The Nightmare Before Christmas. The film begins going inside a tree. The opening music number alone shows off some freaky looking characters. Including a clown who can tear his own face off and vanish in a puff of smoke.
Ghost in the Shell The second Movie, Innocence. The introsequence was a quite comprehensible but symbolic half 3d animation of the construction of a puppet, but the later sections, especially the carnival part are awfully trippy and full of meaningless (or maybe not?) detailed diversions for the eye, a lot more enjoyable on drugs.
The Wizard of Oz: There's a scene where Dorothy falls asleep due to magical poppies only to be woken by magical snow, for heaven's sake! The depressant opium is made from poppies, from which we get sedatives such as heroin and morphine. "Magical snow" is presumably a reference to the stimulant cocaine. The original book was written in 1900, smack dab in a period that historians call "The Great Binge", in which most of todays narcotics were legal and easily obtainable. The trippiness of The Wizard of Oz is made more legendary by the pop culture habit of using Dark Side of the Moon as an alternate soundtrack and getting stoned.
2001: A Space Odyssey, the movie. It has been claimed that drug-users would sneak into theaters just to watchthe climax while stoned. The producers capitalized on it when they re-released it in the 1970s with the tagline, still the ultimate trip!
Likewise The Shining. The cast of the movie, before filming, would indeed all get stoned — but not using drugs. Stanley Kubrick just screened Eraserhead. Speaking of...
Any musical filled with Disney Acid Sequences made under the influence of Technicolor, which got everyone excited when it was new. In those years, film productions were encouraging each other and competing for the most spectacular use of colors they pack onto celluloid.
Busby Berkeley Numbers. The vast majority of his production numbers are in black and white, but feature a great deal of geometric shapes and patterns.
The 5000 Fingers of Dr. T. It's bizarre even for Dr. Seuss. "Bart, hand me some of that pickle juice." "Jeepers, are you sure? That's some powerful stuff!" "I won't let some Siamese twins on rollerskates make a monkey of me!"
Being John Malkovich involves people entering a portal into John Malkovich's brain and temporarily taking over his body...yeah.
Synecdoche, New York. It starts off mildly conventional, but after we've encountered the family living in a house that's perpetually on fire for 30 years, the bizarre fake city in a warehouse, the play with 3 million actors, and the diary that updates daily even though the girl writing in it is apparently on the other side of the planet... man, Charlie Kaufman's one weird guy.
The fudged-up, trippy mess that was Across The Universe. Either the filmmakers were emulating The Beatles in every aspect of their lives, including the '60s level drug use, or they were doing an approximation.
MirrorMask. Picture a world inhabited almost entirely by creatures out of the darkest corners of the Uncanny Valley. Then up the weird factor by about fifty.
The movie is like stepping into a Dave McKean painting, as that's who was in charge of the visuals. Most of the "Helena's" drawings were actually done by McKean. Also remember that McKean was responsible for most of the Sandman covers. Yeah. It's kinda like that.
Actually, Neil Gaiman just thinks like that. And the world mythology he studies obsessively really is that weird. Check out Coraline while you're at it, and his classic Sandman graphic novels.
Also, it makes perfect sense if you just imagine that this is where the Shinigami from Death Note come from. That's why everybody has to wear a mask 24/7.
What's really trippy is the song "Wake the White Queen" that is based on Mirrormask.
Casino Royale 1967 could best be described as "James Bond on massive amounts of acid" but had a fairly respectable creative team behind it. Aside from being a spoof, much of the effect comes from creative issues leading to there being five different directors whose scenes did not mesh very well.
C'mon, it cast Woody Allen as James Bond's nephew — as a villain.
The ending includes a UFO, Frankenstein's Monster, cowboys and Indians, a flying roulette wheel, a monkey, and a seal.
The Kin and Dark Floors, both created and worked on by Finnish monster rockers Lordi, only make sense when the viewers are under the influence of rather powerful hallucinogens. The creators, however, were sober throughout production.
Monkeybone. A cartoonist nearly dies, leaving his body open to use to another soul — a chance pounced upon by his eponymous creation (which, in his head, is the embodiment of his libido). While Monkeybone wreaks surreal havoc in this world, his creator has to barter with Dream (Giancarlo Esposito) and Death (Whoopi Goldberg) in the hereafter.
Supposedly the cut footage would have made it more coherent.
Zardoz was made on drugs. If you listen to John Boorman's highly entertaining DVD commentary track, he openly admits it.
So the reviewer at Ruthless Reviews was closer to right than he probably realized?
"Imagine a science-fiction film where the entire special effects budget was spent on cocaine."
Barbarella: the story, the characters, their clothes, their names, the sets... First time you watch the movie you'll be staring at the screen in disbelief. It could only have been made in the Drugs Decade. There is not a single scene, dialog or set that could count as an exception. The original Jean-Claude Forest comic book is even odder from there...
The Man Who Fell to Earth (1976) is a perfect example. See hereand here. The director says he wanted to see if movies could show time going in a non-linear direction or even sideways. The first two-thirds of the movie seem normal until the point where you can tell when the director made this "decision". (While the filmmakers themselves were not on drugs, lead actor David Bowiewas struggling with cocaine addiction at the time of the shoot.)
Jesus Christ Vampire Hunter. If one watches it sober, the ridiculousness of the plot, the cheesiness of the special effects, the stupid dialogue, and the bizarre combination of '70s vibe and unquestionably late '90s setting conspire to convince you that you really should have watched it stoned.
Forbidden Zone. Kind of inevitable if you're going to make a low budget live action movie musical inspired by Deranged Animation of the 1930's, but that description really only scratches the surface. Director and script co-writer Richard Elfman claims to have never used drugs though.
To hear tell, anything done by The Mystic Knights of the Oingo Boingo qualifies. Before Danny Elfman repurposed them into a groundbreaking if sometimes squicky new wave rock band, the Mystic Knights of the Oingo Boingo were a very way-out theater-arts troupe. Forbidden Zone, in fact was directly based on their stage show at the time — meaning that yes, cabaret audiences got to ask the same question on a nightly basis...
We Are the Strange: A doll boy who lives alone in a forest wants to go get ice cream, but he sees no point unless he has someone to enjoy it with. He befriends a girl who just broke up with an abusive boyfriend and the two of them set off for the ice cream parlor... which happens to be in a spooky town haunted by monsters... and then the doll-boy dances with Mega Man and Pac-Man... and then he plays Wario Ware while inside a Humongous Mecha...
El Sexo y Lucia is a movie that starts at the beginning, then flashes forward, to the middle and all over the place. Part of the story involves one of the main characters telling bedtime stories to his daughter, but the daughter doesn't even know it's her dad. In the stories that he tells, the main character can jump into holes in the ground and pop out at any other point in the story, which was kind of what the movie was doing. In addition to the odd sequence of the movie, the mother of his daughter doesn't find out that the father has been in contact with the daughter until after the father helps cause the daughter's death, the father sleeps with the babysitter just to get to his daughter, the babysitter's mother is a porn star, and the title character falls in love with the father after reading his fictional book. All of this is played straight.
Avatar. The main character transfers his consciousness to a 10-foot-tall blue alien-human hybrid that looks like a big blue cat. The aliens all have what can best be described as USB braids that can have them commune with animals and their god which takes the form of a glowing tree. Said god has seeds that look like jellyfish. Almost all the plants on the planet glow in the dark.
All of Dziga Vertov's films. All of them. Here's just 13 seconds from The Man with the Movie Camera. Even his manifesto reads like the Timecube of film theory:
"It is not a Cine-eye we need but a Cine-fist... we must cut with our cine-fist through to skulls, cut through to final victory and now, under the threat of an influx of 'real life' and philistinism into the Revolution we must cut through as never before! MAKE WAY FOR THE CINE-FIST!"
Six String Samurai. Buddy Holly treks across a post-apocalyptic wasteland and battles cavemen, bowlers, the Russian Army, "the Windmill People" and Slash from Guns N' Roses on his way to "Lost Vegas," which was once ruled by Elvis.
Fantasy Mission Force. To make a long story short, Abraham Lincoln and three other Allied major generals are kidnapped during World War II and are to be taken to Tokyo for propaganda. A crack team (emphasis on crack) is assembled to recapture them. This Ragtag Bunch of Misfits encounters a village of Amazon women who throw colored toilet paper, a haunted house and finally a fortified Nazi barn, where they find out the entire mission was an Evil Plan and make a final stand against an army of samurai, aliens and Roman gladiators. Quite possibly the most insane film ever made.
Moonwalker. The entire movie makes no sense. Part of it are a lot of different music videos with Disney Acid Sequences and the main story is about how Michael Jackson fights with some drug dealers who want him dead because he listened to their secret plan of making children become drug addicts. His powers in the movie include becoming a Transformer-like robot by wishing upon a star.
Santa and the Ice Cream Bunny. Watching or even reading about this movie gives a sensation similar to being on Nyquil or some other strong cold medication.
There's a Danish film called "Jolly roger", which is about two Archangels accidentally losing the octopus of destiny (Or, as it is more commonly refered to "The timesquid") and sending the Janitor of heaven (Who's an eastern European immigrant)down to hell to retrieve the greatest pirate ever to sail the seven seas. So that he can, accompanied by his modern-day granddaughter, conquer the squid back from a bunch of modern-day pirates who think that a good way to handle the timesquid, the object without which the entire fabric of creation would simply unravel, is to drop it from the tallest mast until it does as it's told. This must all quickly as God is suffering from depression without his beloved Squid and is considering remaking creation because, as he puts it, "it's much simpler that way". It culminates in an "epic" showdown, during which the timesquid almost dies and is revived by pouring rum into it's aquarium 'till it gets drunk and teleports the bad guys to the reception desk of hell.
The Lair of the White Worm is a barely coherent cult horror flick based on a novel by Bram Stoker. It is believed that Stoker was suffering from syphilis while writing the original novel. It was then made into a movie by Ken Russell, the same guy who did Altered States, Gothic and Tommy. It was bound to end up looking like a drug trip.
When it comes to the trippy cinema of excess of the '60s, '70s, and '80s, the eternal question "What were they thinking?" can be replaced with "What were they smoking/snorting/ingesting/freebasing?" In the case of The Apple I'm sure an itemized list could be assembled at the end of filming: pounds of cocaine, tubs of LSD, a truckload full of PCP, disco biscuits aplenty, and enough amphetamines to kill an entire stable of horses.
The Three Stooges short Cuckoo On a Choo-Choo has Moe playing a railroad detective who finds a stolen boxcar, Larry spending the whole short channeling Marlon Brando, and Shemp playing a drunk who's in love with a 6-foot canary he sees in his hallucinations. And practically the whole short is set in that boxcar, giving it a somewhat claustrophobic feel. Add all those elements, and you have arguably the strangest Three Stooges short ever.
It was said to be Larry Fine's favorite Stooges short, an assessment not shared by the poor visitors for whom he would frequently screen a copy of the film.
Certainly averted in any film made by Alejandro Jodorowsky. He's stated that his goal was usually to produce a film which impacts its audience like a psychedelic or hallucinogenic drug, and he often took an Art Imitates Life approach to this goal. Stories abound of him taking LSD during film productions, and it's known that he used Enforced Method Acting in at least one case: The peyote/mescal trip in The Holy Mountain was filmed by dosing the cast with psilocybin mushrooms.
Shunya Itou's Joshuu Sasori series probably qualifies. The stageplay-like flashbacks, the Noh-style interludes, the bus that transforms into a courtroom in a tunnel, the zooming over characters shoulders as they argue...whether he was on anything when he came up with them is unknown, but given the Japanese attitude to drugs, it seems unlikely.
Hare + Guu aka "Jungle wa Itsumo Hale Nochi Goo." It's not even possible to explain the plot.
Bokustatsu Tenchi Dokuro-Chan. Imagine a world where angels kill you over & over again & get explosive diarrhea if you take their halos off.
Liquid Sky is best watched when profoundly stoned, as this is the only way the viewer is likely to be able to approximate the state of its creators' minds during it making.
Canadian indie film Waydowntown features a stoned guy swimming through hallways, his depressed friend called "Sadly I'm Bradley", a demented guy who eats flowers when upset, a nerdy emo security guard who stares at breasts with his cameras and a sneaky old guy who shoplifts.
The Hitchhiker's Guide to the Galaxy scene after Ford and Arthur are improbably rescued by the Heart of Gold and are suffering various side-effects of the Infinite Improbability Drive: Ford briefly turns into a penguin, Arthur's limbs start to detach from his body, and later the two encounter "an infinite number of monkeys" who want to show them their version of a William Shakespeare play. What do you mean, it's not a Mushroom Samba?
"Hell, how am I going to operate my digital watch now?!
The monkeys can be explained (kind of) as it is a reference to an explanation of probability that states that an infinite number of monkeys typing randomly could come up with (given enough time) the Complete Works of Shakespeare
The Movie has fun with this; The first time the drive is fired to take them to Viltvodle VI, they turn into sofas. They maintain calm for exactly three seconds. When they use it again to go to Magrathea, they transform into knitted dolls. Arthur vomits yarn.
Douglas Adams, the author, in the foreword of the omnibus edition, says that he originally came up with the idea while he was lying, drunk, in a field in Innsbruck, Austria. Played straight here.
Most books by Philip K. Dick. Some particularly notable examples include The Three Stigmata Of Palmer Eldritch and A Scanner Darkly, but it really applies to nearly all of his books. He reportedly never used LSD, but had hallucinations anyway (epilepsy or schizophrenia are possible causes). He wrote all of his books published before 1970 on amphetamines (ironically A Scanner Darkly was the first full novel NOT to be written on them), which enabled him to write incredibly quickly, sometimes towards 60 pages of finished copy per day. He was also got mixed up with the 1970s drug culture - the basis for A Scanner Darkly.
Ah, well, my writing falls into two degrees, the writing done under the influence of drugs and the writing I've done when I'm not under the influence of drugs. But when I'm not under the influence of drugs I write about drugs. I took amphetamines for years in order to get energy to write. I had to write so much in order to make a living because our pay rates were so low. In five years I wrote sixteen novels, which is incredible. I mean, nobody, I don't think anybody's ever done it before. And without amphetamines I couldn't have written that much. But as soon as I began to earn enough money so that I didn't have to write so many books, I stopped taking amphetamines. So now I don't take anything like that. And I never wrote anything under the influence of psychedelics. For instance, Palmer Eldritch I wrote without ever having even seen psychedelic drugs. — Philip K. Dick
His most famous novel, Do Androids Dream of Electric Sheep?, and its movie adaptation, Blade Runner, is one of his LEAST messed up works, yet can still be hard for many people to follow. This lead to the studio forcing Harrison Ford to record rather horrible narration to explain what was going on. Except that half the time it explained something completely different, making the movie even trippier if you actually pay attention.
Frank Herbert was also no stranger to mind-expanding substances, and they're included in some form, usually as a central theme, in every one of his works.
The lengths Case goes to to get drugs that he can actually get high from, and Rivera's drug-fueled holographic craziness.
There is a persistent belief (even on this very wiki page, see below) that Lewis Carroll wrote Alice's Adventures in Wonderland while stoned out of his mind on opium or hallucinogens. The book contains scenes of mushrooms causing Alice to grow and shrink, talking animals, a caterpillar smoking a hookah, the list goes on. The argument is unfortunately pure fantasy, since Carroll was by all accounts an upstanding, devout, model Victorian of the upper-middle class and not the sort of person to experiment with mind-altering substances. He didn't even drink! All instances of "drug references" can be easily explained away by pointing out that Alice is both a children's book and a satire of Victorian society. Many of the characters are direct references to people Alice and Carroll knew personally.
Alice's Adventures in Wonderland was published in 1865. During this time heroin and cocaine were a common ingredient in cough medicine, coca-cola, and other things. It is possible for him to have used one of these substances during his writing of Alice
Granted, it's remotely possible, but a teetotaling mathematician isn't likely to consume enough low-dose medicinal cocaine to hallucinate. Also heroin (itself) and coca-cola didn't exist until 1874 and 1886 respectively.
For example, the caterpillar smokes a hookah because he is a satire of British generals of the day, many of whom lived in India and indulged in opium.
There are many MANY interpretations of those books. One says it's a satire of Victorian society, another says it's a Freudian tract disguised as a children's book. One says it was actually meant to be horror story disguised as a children's book. The list goes on and on and on. That's how messed up it is. Or how messed up we are.
There is a marvelous book titled The Annotated Alice that gives footnotes and references for all the analogies, allegories, and logic puzzles in the Alice stories, edited by famed mathematical puzzles dude Martin Gardner. Suffice to say, the annotations contain nearly as much text as the original stories.
Also 'Alice in Sunderland', which shows how merely growing up in the city of Sunderland could cover it all; local legend, people, and history.
A more recent theory is that it was making fun of the newfangled and confusing mathematical concepts being invented at the time. The theory is that Lewis created Wonderland to give an idea of the sheer insanity one would find in a world built on such patently ludicrous ideas.
One of the hallmarks of the Alice books is taking things to their illogical conclusion. This also describes a standard mathematical technique - proof by contradiction. Carroll's actual job was lecturing in mathematics and logic.
One hypothesis concerning some of the odder characters is that they were inspired by hallucinations brought on by migraine headaches.
The scenes where Alice gets bigger/smaller are supposedly based off the author's own experiences; he reportedly suffered from what's now (colloquially) known as Lewis Carroll Syndrome, a mental disorder where an ordinary object, for example a tea cup, is seen as either much bigger (ie, the size of a car) or much smaller (like in a child's tea set) than it actually is.
Parts of the Illuminatus!!-trilogy almost certainly were made on drugs, considering that its authors were major proponents of drug-legalization in real life. There are many scenes in which the protagonists indulge in cannabis and LSD, with detailed descriptions of the effects. The extremely non-linear narrative along with sudden jumps to surreal imagery that has little to no bearing to the plot probably reflects the points where the authors themselves decided to indulge some.
The works of H. P. Lovecraft seem so twisted and surreal, and often even involve drug use by the characters themselves, that the Cthulhu Mythos experienced a huge surge in popularity throughout the drug culture of the 1960s and '70s, whose members assumed he must've written his stories under the influence of something. Lovecraft himself, however, was a neurotically strict and sheltered intellectual who never touched drugs or alcohol, and dismissed sex as a distraction for "lesser minds".
Heroin was legal, and found in common cough medicine, until 1924. Before 1924 was mostly Lovecraft's Dream Cycle period. In the story Celephais the protagonist, Kuranes, "began buying drugs to increase his periods of sleep". This could be indicative of Lovecraft's own habits, as he used his dreams for inspiration rather than straight up illegal drugs.
J.R.R. Tolkien faced much the same assumptions about The Hobbit and The Lord of the Rings from the exact same hippie/stoner fans, particularly a widespread belief that Gandalf's pipeweed is really pot. That's in spite of the prologue to The Fellowship of the Rings saying that "it was a variety, probably, of Nicotiana" and Bilbo himself calling it "tabacco" at the end of The Hobbit.
"Your love of the halflings' leaf has surely slowed your mind."
"Finest weed in the South Farthing!"
Imajica, a fantasy/horror novel and Radical Feminist tract by British author Clive Barker. Features drugs, sex, violence, more sex, magic, making people's heads explode by magic, creepy disturbing sex, torture, speaking in tongues, and messianic prophecies... and that's just what happens to the main character.
The Abarat series. Seems Barker painted 300 oil paintings containing very weird characters and settings. Then he came up with a story for them to "live in".
Doctor Who Expanded Universe novelists are not paid in money, they're given another hit of the drug of their choice.
The Eighth Doctor Adventures novels Interference and The Adventuress of Henrietta Street were written by an author who once blogged about how the medication he was on was giving him bizarrely realistic dreams which seemed to take place over a matter of months, which, naturally, was making it difficult to tell what was really real. It kind of shows in his writing, at times. There are some flat-out trippy passages in Henrietta Street. And then there's almost a nested form of this trope; the Doctor tries writing a book, and what he writes is even trippier, to the point that a recipe reads as a description of an Eldritch Abomination. It's lampshaded:
These ‘turn back!’-style warnings are common in the mystical texts of the period, though usually if there’s a reference to demons it’s code for the creatures of the reader’s own psyche, terrible things one can see if exposing oneself to too many poisonous vapours. In fact, there’s a sense in which the Doctor’s journey reads like a hallucinatory experience, at least partly brought on by the smoke.
Faction Paradox is this when combined with a large side of horror and pure distilled awesome.
The Doctor Who New Adventures novel Sky Pirates! or the Eyes of Schirron — a book that existed to showcase as many bad puns and silly sex jokes as the author could get away with. Interestingly enough it sold well enough for the author, Dave Stone, to be invited back for at least one direct sequel.
Jason X Death Moon. The author had a habit of going on nonsensical rants that have nothing to do with what little story there is. There's one part that's just pages and pages talking about nothing but Bride of Frankenstein star Elsa Lanchester in a disjointed fashion...
Thomas Pynchon reputedly wrote parts of Gravity's Rainbow while on acid, and afterward couldn't remember what his intentions had been. Even the less hallucinatory sections are still pretty weird.
Sections of American Psycho seem to delve into this trope. The protagonist, Patrick Bateman, is a massive consumer of drugs, which was heavily inspired by Bret Easton Ellis's own life.
Anthony Trollope has a passage whose obvious interpretation has changed in the last century in The Small House at Allington: on being pressed for information about a lady-love with the initials "L. D.", Johnny Eames insists that his true love is "L. S. D.", a slang term not for acid (which hadn't been invented yet), but money (pounds, shillings, pence).
Michael Moorcock admits to having written much of his more throwaway 1960s and 1970s work on amphetamines, purely in order to work fast and make money. Although he has described his working method at the time as involving planning the plots carefully over several days sober, then taking lots of speed and writing the book in 24 hours or so.
Stephen King wrote that he was so plastered while working on Cujo that he's unable to remember writing it. However, this is an inversion - he actually was on drugs, but despite this, the novel is not surreal or incomprehensible.
He has also admitted to being very big into hallucinogens in the late 60s, which was also about the time he started piecing together the premise of The Dark Tower.
Averted by William S. Burroughs, who admitted that everything he wrote was in at least in some part autobiographical of his drug episodes and the times in between. He's the main character of Junkie, after all.
Parts of Naked Lunch, probably, were written while Burroughs was still an opiate addict (not by design, but as a matter of need). His preferred creative tool was majoun (highly-concentrated cannabis cooked into a sort of candy; think of it as pot brownies turned Up to Eleven). Even this drug use was primarily for imagination- and imagery-producing-enhancement; during sessions geared more toward production and editing, he was sober (mostly).
Burroughs and his biographers created a myth of the young outlaw junkie-poet gathering experiences (both mind-blowing and degrading) to be committed to paper during his later, more sensible years. In fact Burroughs—like so many "ex-junkies"—never entirely lost his desire for narcotics. Only now—after his death—are more-complex truths becoming apparent: he had significant relapses into opiate use. Which was not an impairment to the degree one might expect.
Although it's not so hard to believe he wasn't writing while on drugs when you consider that he would have needed a clear head to write about:
# The more oppressive a dictator becomes, the less it eventually takes to topple him (Yertle the Turtle)
# People who are racist should chill out and accept people as equals without discrimination (The Sneetches)
# Trashing the environment is a bad thing and restoring it is a good thing (The Lorax)
Most Kurt Vonnegut's books are hard to summarize simply because their plots really do sound like something only a crackhead could think up. Like Cat's Cradle, which goes something like this:
Well, there's this dude that is writing a book on the atomic bomb, so he interviews the three kids of one of the leading scientists, only one is missing, one is a clarinet freak, and the last is a midget. Oh yeah, and they all travel to a Caribbean island where they take part in Bokonism and hang out with this dictator dude, only then the world ends because said dictator dropped and ice cube into the ocean. And there is much lusting after a teenage sex icon.
The poem "Kubla Khan" would have been a lot longer had Samuel Coleridge not been interrupted from his writing of it by the infamous "person from Porlock". He had taken two grains of opium before he put pen to paper, and the vision faded while he was desperately trying to get said Porlock resident to leave.
The short story "Alpha Ralpha Boulevard"... if it wasn't written while the author was high... The quest for the Abba Dingo on a floating highway surrounded by clouds and the machine at the end engraves messages in people's hands.
Chapter 3 of Brave New World starts out normally enough (as normal as Brave New World ever is), but quickly becomes so fragmented and random (cutting from one scene to another with increasing frequency, finally becoming a sequence of disjoined one-sentence paragraphs) that the reader gets the distinct impression that the author was indulging in some hallucinogenic substances while writing it. Considering that the author in question is Aldous Huxley, this is definitely a possibility.
So that nobody has any doubts, Hunter S. Thompson 's books and articles were made on drugs. All of them (and by that I mean all of his works and all the drugs). He was also probably armed at the same time. And with his lawyer who was also on drugs.
Isaac Asimov's poem "I Just Make Them Up, See!" describes "Dr A" being accosted by someone who wants to know the secret of where he gets his wacky ideas, and who seems to have narrowed it down to drugs, booze or indigestion nightmares.
Dune doesn't appear to have been written on or inspired by drugs (Word Of God is it was inspired by ecology), but it's really damn trippy in places and arguably the plot and the setting revolves around people taking drugs.
Live Action TV
In the late 1960s-early 1970s, when a lot of mainstream film and TV was going trippy, the style filtered down to kiddie entertainment. Sid and Marty Krofft's works are prime examples of this trope in action as a result.
While the role of drugs in the conceptualization of H.R. Pufnstuf is pretty easy to assume, the Brothers Krofft swear that it was not made on drugs, and did at one point fire a crew member for showing up stoned.
LazyTown is an excellent modern example. Its creator is a teetotaler for Pete's sake.
... And its message is not even "don't do drugs"; it's "don't do sugar"!
The preschool show Boohbah likewise seems like LSD in the form of a TV show.
Such TV is merely live cartoons: cheaper.
Some people like to leave the TV on when that show comes on "because it's trippy".
The Prisoner. Patrick McGoohan was a devout Catholic, but you'd probably never guess it by watching his series, especially the final episode.
Particularly the early surreal adventures The Celestial Toymaker (1966) and The Mind Robber (1968).
Even the various opening titles of the programme over the years can make you wonder what substances the effects team have previously experienced.
According to Monty Python Speaks, the writing team have been accused of drug-taking during the series, when aside from Graham Chapman's booze they were as sober as any 1970s British office worker. That isn't to say they never partook (the book doesn't delve that much into their personal lives), just that their writing was not informed by it.
And it's not like with Chapman his alcoholism was his muse or anything; it was thoroughly debilitating and made him less and less productive, until by all accounts most of the reason he finally quit was so that he could play Brian properly and they wouldn't run into problems like they had filming Holy Grail, when he was constantly either drunk or suffering from withdrawal and initially couldn't do the Bridge of Death scene because his delirium tremens were too bad. The others have said that he was naturally random when writing and was responsible for many of the weirdest elements in Monty Python, but it wasn't because of the drinking.
In Monty Python Speaks Eric Idle talks about how they kept an "office hours" work ethic, without any drugs. He openly muses how one can even the keys of their typewriter while high.
Terry Gilliam has said that people were always coming up to him saying they loved Monty Python because they would get high with their friends, watch it and laugh their heads off... and how he didn't consider this much of a compliment because they could have gotten the same result with just the pot.
Spoofed on Tim and Eric Awesome Show, Great Job!. During an interview-style sketch, the interviewer (Michael Ian Black) asks them if they use drugs as inspiration for the show, as if it's some clever revelation, and Tim says they do (and calls it "marijuano").
Word Of God says they aren't high while performing or while writing (generally speaking). This isn't to say they don't smoke and don't get inspiration out of it...it's just that the actual production process is done sober. Subverted, then?
Yo Gabba Gabba: Time TV critic and father of young children James Poniewozik said that it would "convince you someone slipped something in your Fruity Pebbles". It was created by Christian Jacobs, who is a practicing Mormon. Mormons are told not to ingest coffee, alcohol or illegal drugs. That means that stuff like this was the product of a sober mind.
Christian Jacobs is also MC Bat Commander in The Aquabats. That should explain a lot.
"Magic, Magic E" and the less well-known "Drop That E" were two songs from the British educational series Look and Read. Though today they both look like obvious attempts to get one past the radar, they actually have a fairly watertight alibi, as they were written almost a decade before the rave era took off.
Mr Show parodies this trope in "Druggachusetts," a blatant take on H.R. Pufnstuf that is explicitely all about drugs. Co-creator and admitted pot-smoker David Cross has commented on how frustrated he gets when stoners assume that writers for the show were perpetually stoned, rather than simply hard-working and creative.
Mystery Science Theater 3000. Joel Hodgson in particular has been thought to be a stoner due to his sleepy eyes. Hodgson has repeated in interviews that the idea that his character was a stoner was his own fault, as he had stayed up all night the night before the taping of the pilot building the robots, and as a result, he was sleepy when they filmed it. It can be especially bad during Season 1, when the staff were working 12-hour days 7 days a week. Hodgson has also mentioned pretending to be sleepy helped him manage his stage fright, which he slowly managed to alleviate (but never get 100% over) as the show progressed.
It probably doesn't help that one of the main characters on Fringe is a regular and enthusiastic user of LSD, pot, peyote, mescaline, and various mind-altering prescription drugs.
The BBC's Robin Hood. No really. It has Robin hang-gliding from the parapets of a castle, Maid Marian practicing Tai Chi outside her house, a mangy old lion set loose on Sherwood Forest, costumes that were apparently bought at The 11th century Gap, arrows that defy physics, berets, a black Friar Tuck, hair gel, a man who throws ninja stars, a casino (complete with show-girls), and a plug in the cellar of Nottingham Castle that is somehow able to stop the flow of the River Trent.
Some people believe that Double Dare was so surreal it had to be inspired by drugs.
Green Acres had so many oddities, but everyone (except Oliver Wendell Douglas) acted like there was nothing unusual. Some examples: Arnold Ziffel, the pig that was treated (and acted like) a person; farmhand Eb, who instantly started acting like he was Oliver's son (and Lisa supported his claims) to the extent that Oliver ended up buying him a convertible and sent him to college; Ralph, the obviously female handyman who showed no feminine qualities and acted like a guy; Lisa's incredibly horrible cooking (which was so bad that she was able to make a gasket for Oliver's car out of her pancake batter); and all of the structural problems in the house, such as the hidden cellar, the phone at the top of the telephone pole, and the closet that opened out into the yard.
Charlie Brookerviciously rips into this trope in a Screenwipe episode covering children's television, in reaction to the common invocation of this trope in regard to surreal animations such as The Clangers.
A good amount of SCTV sketches seem to fall under this category, such as "Wet Nurse" and "The Vikings and the Beekeepers". The former is a parody of medical dramas featuring a nurse with comically large breasts, and the latter is... Exactly What It Says on the Tin.
Also invoked in-universe with "The Doctor Braino Hour", featuring John Candy as a Grateful Dead-loving hippie hosting a drug-oriented talk show. Except his "drug use" turns out to be sticking pills in his nose and spraying perfume into a paper bag over his head.
The 1980s sketch show Fridays on ABC. For those who've never heard of the show, think Saturday Night Live, then move the show out to Los Angeles and add sketches where characters smoke weed, abuse prescription drugs, sniff glue, or make references to snorting cocaine, drinking alcohol, or taking Quaaludes. Not all of Fridays sketches featured characters doing drugs, but a lot had ideas that made you wonder if the writers were users themselves (or were so obsessed with being the Spiritual Successor to SNL that they simply made batshit insane sketches), like the seventeen-minute Rocky Horror Picture Show parody with John Roarke as Ronald Reagan dressed as Tim Curry's Dr. Frank N. Furter.
The Mighty Boosh: Noel Fielding and Julian Baratt have refuted this claim by saying they attempted to write on acid once, only to end up staring at a spider on the floor for six hours.
Supernatural started off as a perfectly normal show, with dark undertones and occasionally humourous episodes. And then came season 5, with giant men dressed up as The Tooth Fairy, the characters starring in a Japanese quiz show and Paris Hilton as a pagan god.
Liam Lynch's "Happy Song." Seriously. Here are the lyrics. Tell me it is not about a drug trip and/or being high.
The Ben Bernanke music video by Lemon Demon, as well as the song.
Queen. With the exception of Freddie Mercury in the 70s, and his cigarette smoking, the band's songs were not written under the influence of anything stronger than tea and alcohol. Brian May, the guitarist, actually goes so far as to ban smoking from his most recent concerts and any building he owns.
The Beatles claim that "Lucy in the Sky with Diamonds" was inspired by a picture John Lennon's son drew about a girl named Lucy, not the drug "LSD". Currently, the most accepted explanation is that although parts of the song are probably drug-inspired, it's equally inspired by the drawing, and the title's "LSD" acronym is a complete coincidence.
The rumor was probably helped by the sequence for that song in Yellow Submarine.
Ironically, one of their few songs they admitted was about drugs was the innocuous-sounding "Got to Get You Into My Life".
(The others: George Harrison said that "I Me Mine" is not just about selfishness is general but also about how selfish people get when they're on acid, and John Lennon said that "Dr. Robert" was about a real man who was a doctor in both senses of the expression.)
And ONLY the first two lines of I Am The Walrus were written on acid, according to Lennon. Not 100%, but a rather insignificant portion of the actual song. (And if anything, those lines prove the explanation in this trope right; something repetitive like "I am he as you are he as you are me" is as far as you are going to get if writing lyrics while on acid.) The weirdness in the rest of the song was intentional. John Lennon wanted it to sound druggy and incomprehensible; it was his way of messing with people who were looking for "deeper meanings" in Beatles songs. As he said, "Let them figure that one out!"
Parts that seem to be drug-inspired could have been written in the style of The Goon Show, but not all.
While marijuana is involved in the song, the music video is about Petty as a morgue assistant who takes home the corpse of a woman (played by Kim Basinger) for a dinner date. Necrophiliac sex with her is the "last dance". Talk about MTV trying to pretend it's about something else...
Heartbreaker guitarist Mike Campbell said, "My take on it is it can be whatever you want it to be. A lot of people think it's a drug reference, and if that's what you want to think, it very well could be, but it could also just be a goodbye love song."
Some of of Montreal's recent albums, especially Skeletal Lamping, sound like Quaaludes set to music, and certainly make references to (other people using and pushing) drugs. But lead singer Kevin Barnes has repeatedly denied drug use — he's just utterly lost his mind. Even "Heimdalsgate Like a Promethian Curse" (Chemicals) from Hissing Fauna is, according to Word Of God, about serotonin.
Puff The Magic Dragon got some heat from the Moral Guardians about praising drug use, something the band that made it denied quite vehemently. Since the other music of Peter, Paul, and Mary is so strait-laced, this is apparently just an accident.
It was never intended that way, but the song is sometimes re-interpreted as a metaphor for drug addiction, with the little boy's growing up and leaving behind his toy dragon / imaginary friend representing giving up drug abuse and taking responsibility for one's own life.
The video for The King of Wishful Thinking is a... loose interpretation of the innocuous song. It's as if a very, very dull man has utterly lost his mind. Oh, and bad white man dancing throughout.
"The Most Unwanted Song" wasn't made on drugs. It was carefully made to incorporate the most annoying Music Tropes ever, according to the people surveyed. It's mind-bogglingly, almost endearingly bizarre. Especially when they get to the country/opera/rap bit. And the children shouting with joy over every holiday in the calendar year, and the prospect of doing the appropriate shopping at Wal-Mart. If you don't go "WTF" at least once, you are an alien. Oh, and have we mentioned it's longer than Inna Gadda Davida? Enjoy.
Red Hot Chili Peppers. Particularly "Behind the Sun." And considering that between them they've probably done enough illicit substances to kill a herd of buffalo, it really is hard to believe it wasn't made on drugs.
The band has said in interviews that "Under The Bridge" is explicitly about heroin usage. The giveaway line is "...drew some blood", which refers to blood flowing up into the heroin syringe before the drugs are injected into the vein.
Try reading a songmeanings.net page on any song (especially by an artist associated with stoners like Pink Floyd or Modest Mouse) without getting a comment like "wooah man i want some of the drugss that tihs gut wuz on lol" or insisting that the song is actually about drugs.
Almost anything by Tori Amos. Particularly the albums From the Choirgirl Hotel, Boys for Pele, and To Venus and Back. ESPECIALLY To Venus and Back.
Well, "Father Lucifer" was written after Tori met Satan on a drug trip with a South American shaman. I think it's possible that drugs influence(d) Tori. Just listen to "Datura". It sounds like a trip on... well, datura.
Unexpect. I almost hope these guys are on drugs, because the idea of a sober and otherwise sane person coming up with a track like Megalomaniac Trees is... unsettling...
Ted Nugent is an adamant straight-edge, and aside from some brief experimentation in The Sixties, has never used drugs and, by his own confession, has had maybe three beers in his entire life. In this light, his entire musical catalog falls into this category.
Musical Youth's "Pass The Dutchie" was widely construed to be about marijuana, but it refers instead to a Jamaican cooking pot. It was, however, based on a song called "Pass The Kouchie", which did indeed refer to a cannabis pipe.
Most people still don't know (or care), and dutchie now has become slang for a joint.
Alice Cooper used to abuse alcohol heavily, then sobered up in the 80s. His pre-sobriety work is sometimes trippy, sometimes scary. His later work, particularly Along Came a Spider, often goes straight into horror.
Trippy balladeer Donovan renounced drugs in 1966 after police raided his home... and went on to pen Atlantis and an album entitled A Gift from a Flower to a Garden.
In fact, the sleeve for A Gift From a Flower... contained a message calling on young people to renounce the use of drugs.
Before at least one live performance of his song "Special Olympics", Stephen Lynch told the audience that he was wasted when he wrote it.
Close to the Edge by Yes (all three tracks, not just the title track) hovers tantalizingly on the border of almost making sense, but not quite. Whether this indicates anything about the process of creation...
Actually, everything ever made by Yes, ever.
Steve Howe and Chris Squire have both commented in various interviews over the years that a lot of the seemingly trippy, surrealistic lyrics in Yes' "classic" period (i.e. the 1970s) came about not through drugs, as everyone assumes, but because Jon Anderson considered their voices as just another instrument. He would string nonsense lyrics together based on whatever words would fit the music and, as long as the words sounded good when they were sung, he didn't care if they made any sense or not. (This may also have been a case of Jon knowing his audience, many of whom probably were on drugs at the time.) To be fair, while the lyrics may not have been inspired by drug use, the band members have made no secret of their use of cannabis at the time, with the exception of Wakeman, who preferred alcohol.
Somewhat subverted by Rush. While they've made no secret of their heavy use of hallucinogenics in the 70s (Hemispheres...), they've apparently been straight since then, yet the only apparent change is their songs have gotten shorter. Listen to Grace Under Pressure sometime...
Really? Pretty sure they were clean back then too. Most of their stuff is not actually very trippy anyways. At best, one song is about smoking weed in the far east, and another is an adaptation of a poem written while on a drug trip. Indeed, while albums such as Hemispheres were rather straight forward, Grace Under Pressure contained some of the most unusual, metaphorical and trippy lyrics in their entire catalog.
Coleridge says he wrote Kubla Khan (the inspiration for Rush's Xanadu) after an opium dream. Why I clarify that it is Coleridge's account as despite his opium addiction, he often exaggerated or lied about his opium usage - similar to how a rapper might play up crimes they committed to create interest.
"A Passage to Bangkok" on 2112 is obviously about weed and hash.
Geddy Lee outright admitted in the 2010 Rush documentary "Beyond The Lighted Stage" that they were stoned when they wrote/recorded "Caress of Steel".
And in a spectacularly rare interview circa 2008 or so, Alex Lifeson admits that he still partakes in a bit of the old sweet leaf every now and then. Neil doesn't and nobody really knows if Geddy still does or not.
Anything by Miranda July. Not exactly music, but it doesn't really fit anywhere else, and she did release it as an album... If you do manage to find any of her albums, it'd probably be a good idea not to listen to the whole thing at once. And under no circumstances should you listen to her on hallucinogens.
Many people feel Jethro Tull, in particular writer/singer/flutist Ian Anderson, were on drugs given Ian's jumping around on stage and his crazy, wide-eyed expressions. However, Anderson rarely drinks, smokes little (or none at this point) tobacco, and does not do drugs at all. In fact, he once said that his few experimentation experience actually hindered his creativity.
The music video for Chris Dane Owens' "Shine On Me" would be an example even if Owens' eyes weren't bloodshot throughout the video.
As if the name itself wasn't strange enough, this just seriously makes you wonder what they're drinking over in whatever animation studio produced this.
Come to mention her, Lady Gaga, period, especially The Fame Monster and Born This way and the video's for "Bad Romance," "Born This Way", "You and I" and "Alejandro" beg to differ. She has done cocaine in the past. She denies she does it now, but people have said she acts like she's on cocaine most of the time.
According to Wikipedia, "Just Dance" was written in ten minutes during a hangover. Does that count as under the influence of alcohol?
Discussed with Lady Gaga as she has simultaneously confirmed using drugs while creating and denied it as she saw fit.
Pink Floyd. Especially The Wall and its movie. Keyboardist Richard Wright was fired from the band during after recording The Wall because of a drug problem. just... out there. Waaaay out there. And the drug Wright was fired over was COCAINE — probably the OPPOSITE sort of drug with which Pink Floyd is associated.
These lines from "Nobody Home" were said to be about Wright.
"I've got nicotine stains on my fingers I've got a silver spoon on a chain I've got a grand piano to prop up my mortal remains"
Anything written by Syd Barrett in '67 likely averts this. The man lost his mind due to his acid use. According to Nick Mason's Echo's book, they didn't realize anything was really wrong with him (they knew he did LSD, but that was all) at first because he was still capable of creating new songs like a factory. Although he was still a great songwriter before and after his LSD phase.
This music video is quite possibly why Eddie Murphy pursued acting and not music after doing stand-up comedy.
Bonnie Tyler's videos for "Total Eclipse of the Heart" and to a lesser degree "Holding out for a Hero." The literal version of the former actually makes sense, in so far that what's happening is what is sung.
Hot Chip's video for I Feel Better has recently gone viral and deservedly so. Because just when you think it can't get weirder... it does.
It's worth noting that Captain Beefheart claimed that none of his music was made under the influence of drugs. However, his band members have refuted this.
Reportedly the only drug Mike Patton uses is caffeine, which can be surprising given the stranger moments of Faith No More and especially his work with Mr. Bungle and Fantomas. Yes, despite Faith No More having an album called Angel Dust (a few songs on that album were things he wrote during a sleep deprivation experiment though). Adult Themes For Voice, his bizarre a capella sound collage of a solo debut, was inspired by nothing more than fits of boredom during a lengthy Faith No More tour that he happened to pack his tape recorder for. And while he has written at least one song about drug use, it's intended as a satirical skewering of the party lifestyle rather than a recounting of any personal experience.
The late Frank Zappa had a well known dislike of drugs, yet wrote songs such as "The Return of the Son of Monster Magnet" and "Billy the Mountain", which is about how you shouldn't try to persuade a mountain to fight in 'Nam, and gave his children names like Moon Unit, Dweezil, and Diva.
He'd fire band members for smoking half a joint, and then go record an album like Lumpy Gravy.
Zappa had done marijuana a handful of times in social situations to be polite, and enjoyed the occasional beer. His real drugs were coffee and cigarettes. And the rest of the band members were not strangers to drugs, despite Zappa's "no drugs on the road" policy. This policy was mostly so the cops would not have an excuse to bust him, and Zappa, perfectionist he is, wrote music that is very hard to play with any sort of quality if you're not sober!
Zappa wrote music that is very hard to play, period.
Sounds like he didn't need any drugs; he was just naturally that way. Frank Zappa On Drugs would be an accountant or insurance adjuster or something.
He wrote a rock opera that has a character based on L. Ron Hubbard (okay, not based, he just uses Hubbard's name) who heads a cult focused around sex with household appliances. Plus, the main character joins the cult and has sex with household appliances...that speak German.
In his book The Real Frank Zappa Book he relates the story of how as a child he would play with a large lump of mercury as a toy. So while his weirdness may not be drug induced it may be chemically so. In the same book he somewhat hypocritically refers to cigarattes and coffee as food rather than drugs.
Zappa wrote, "I like pepper, tobacco and coffee. That's my metabolism." So he means they're more like food than drugs for him. Not all of the book was intended to be taken literally.
It was definitely meant as a joke. He once said in an interview "Tobacco is my favorite vegetable."
In another interview he said "I live my life eating these things" (indicates his cigarette) "and drinking this black water in this cup".
The video for the Pet Shop Boys song "Go West". My first thought on watching it was "magic mushrooms". Really, it has to be seen to be believed. Some of the characters even look like mushrooms.
That's nothing compared to "Can You Forgive Her?". Go West's video does have thematic ties to its song. CYFH's video has absolutely nothing to do with the song, in addition to being weird.
Big & Rich came up with some pretty psychedelic Country Music (yes, you read that right) on their first album, Horse of a Different Color, including a track sounding an awful lot like it came off a Queen album. Most of their weirder music is courtesy of Big Kenny, whose two solo albums also fall under this trope (especially the first one, which is brightly-colored, theatrical synth-pop with mostly delirious lyrics); John Rich is far more sedate.
Born On A Horse by Biffy Clyro. So, um, what does it mean?
Actually, it really does seem to be about drugs. Maybe.
"Their Satanic Majesties Request" by The Rolling Stones. Mick Jagger has admitted that the band was on acid throughout the entire recording of the album. Keith Richards claims he has no memory of the sessions at all.
Subverted by Hawkwind, in that they were on drugs most of the time. Try listening to Douglas in the Jungle sometime and try to find an explanation that isn't drugs.
It is said that Quark, Strangeness and Charm was made without drugs in response to a bet/challenge that they couldn't make an album without drugs.
Aversion: David Bowie has said that he doesn't even remember recording 1976's Station to Station because he was so strung out on cocaine at the time (this was soon after the filming of The Man Who Fell to Earth, mentioned under Films: Live Action!). And "TVC15" is apparently about a hallucination Iggy Pop had about his then-girlfriend being swallowed by a TV-set.
The video for the song Un Monde Parfait, by French singer Ilona Mitrecey.
This now viral video, PONPONPON. Apparently the artist, Kyary Pamyu Pamyu, wants to indulge in this.
Sparklehorse's first 2 albums were, in fact, drug-inspired. Then, for his third album, Mark Linkous (allegedly) left them behind. The result?
and blood was rushing up the stairs
I shut my eyes and killed the cock
when the sun came knocking
oh to taste the salty oil
of your chest and on your eyes
when the sting is on the rise
Trent Reznor of Nine Inch Nails fame stated that he used to think drugs made him creative. He then gave drugs up and he went from a few years between each album to a creativity burst of realising a few in a year (some for free.)
Ke$ha, subverted in she's very honest about her drinking past in her music.
Just watch Linkin Park's music videos, especially for When I'm Gone and What I've Done. Even if they weren't inspired by an acid trip, they would be really weird to watch while on drugs...
Skinny Puppy's music is an aversion; most of their music was written and created while on drugs, and a copious amount thereof.
Led Zeppelin is also a definite aversion. If my memory serves correctly, Page has even implied that he barely even remembers recording Presence because he was so strung out on heroin at the time (and that's an album where there are hundreds of tracks on some songs). Then again the fact that he stayed up several days straight apparently without sleeping probably contributed somewhat too. The whole album was recorded and mixed in a total of eighteen days.
The music video for "Ladies And Gentlemen: My Brother, The Failure" by Thursday is fairly straightforward at first, if not strange because, unlike the lyrics, the video doesn't seem to have anything to do with brothers. It goes to hell around the time the main character's wedding dress-wearing wife starts ballroom dancing with giant cockroaches, who then get into a fist fight with an exterminator.
What happens when an already weird Swedish-made song meets Japan? Well....
Subverted by early Incubus: both their Fungus Amongus and Enjoy Incubus albums are filled with drug references. And the video for "Take Me To Your Leader", coupled with the lyrics, can only be explained with them being high on something... They quite poissibly stopped using drugs in their later albums, though.
Loverboy by Billy Ocean. While there are two videos for the song, this version in particular seems to have been made while watching Star Wars on drugs.
Monster Magnet frontman Dave Wyndorf is a very heavy drug user, and often includes drug references in his songs. His style of music is even called Stoner Rock. Yet despite this, he has said in interviews that he never does drugs while writing music, and in fact looks down on musicians who do. His opinion is that drug use dulls creativity, and that musicians who write music while high could have written much better music while straight.
It's not the sort of conclusion you’d draw from listening to the song (though you might if you ever saw her perform live), but Florence Welch of Florence + the Machine fame says she wrote "Cosmic Love" (the most popular track from their first album) while extremely drunk.
“Down Under" by Men At Work. The whole song relates a bizarre adventure (presumably a drug trip) taken by the singer, who is stated in the first verse to be high on opium. (It's quite the anthropology lesson in Australian drug slang. The song's incomprehensibility if you're unfamiliar with these terms makes it little more than a really catchy pop song that makes no sense, which might explain its radio popularity in the 80s…)
"Dr. Looney's Remedy", a witch doctor-themed song by children's music group Parachute Express. Complete with a trippy jungle video replete with plenty of Aracuan Bird.
Some people do object to this characterization of Revelation:
Several have pointed out that Revelation makes perfect sense viewed through the lens of the time it was written. Political commentary written in symbolically apocalyptic form was popular in the late 1st and early 2nd centuries, and contemporary scholarship tends to regard it as an allegory for the reign of Nero.
Also worth mentioning is the attempts to interrelate Revelation with other bits and pieces of Biblical prophecy, and in particular the Old Testament Book of Daniel. Many Christians, particularly Protestants, see Revelation as being a sort of key that unlocks the mysteries of the rest of Biblical prophecy. This business only really began in the 19th century (although Christians have been finding interesting patterns and suchlike more or less since the canon of the Christian Bible was defined), and eventually led to things like Left Behind, so...use your judgement. (No pun intended).
Finally, none of this changes the fact that Revelation is still pretty darn trippy, particularly as compared to other Biblical prophecies, so even with the above, one really must wonder....
The book of Ezekiel is pretty trippy as well.
Descriptions of the Bardo in The Tibetan Book of the Dead.
The Norse Myths have their moments. A notable example is the tale of the death of Baldur. While enjoying the Asgardian pastime of throwing any object at his body and watching them bounce off of him harmlessly, Baldur gets killed from a spear thrown by a blind guy named Höđr, who received it from Loki. The spear is made out of mistletoe, which is fatal to Baldur because mistletoe was apparently too young to swear an oath to not be able to kill Baldur. Everyone is upset that their favorite god is dead, so Odin knocks up a giantess named Rindr and they have a son named Vali who grows up in a day and exists for the sole purpose of killing Höđr dead, then promptly does so. Afterwards, they give Baldur a Viking Funeral with all his possessions (including his still living horse) and to lighten the mood, Thor kicks a random passerby dwarf (who was given a name for no clear reason; Litr) into the fire. Comic relief, I guess. There are a few different versions with a few minor changes (like that Loki guided the spear) but the majority of it remains the same. Hard to tell if it was mead-induced or if it was just bad storytelling.
And then there's the rejected original pilot for The Muppet Show entitled "Sex And Violence" (they may as well dropped the other shoe and called it, "Not For Kids"). Highlights include a convention for horrifying Muppet versions of the Seven Deadly Sins and a very strange early version of the Swedish Chef among other characters.
Teletubbies the show makes very little sense. It involves four brightly colored creatures with televisions on their stomachs and antennas on their heads who can't even speak properly except for the words "again" and "tubby custard" and their names. It also has a wide field filled with rabbits who are never addressed and a sun with a baby's face on it. How this wasn't made on drugs is a mystery.
Children's television hasn't got any less insane for being contemporary. Remember how odd Teletubbies was first time you saw it? Imagine upping your crack dose and getting Sir Derek Jacobi involved. Behold — In The Night Garden!
Both Teletubbies and In The Night Garden are created by a company called Ragdoll Productions Limited, who also created Boohbah and Brum. Beginning to see the pattern there?
Yume Nikki. A girl with no past, no backstory whatsoever, lives in a flat with no other people or explanation. The building is only as wide as the flat, and she's a Hikikomori. She keeps a dream diary full of terrors. The scary thing? The creator "Kikiyama" could be a boy, a girl, a smoker, an alcoholic, could take drugs, could be anything. Kikiyama wasn't even in Japan during the 2011 earthquake.
There was some platformer back in the 80's that featured the main character consuming mushrooms; whereupon he would immediately believe himself to have grown gigantic like Alice, or, if it was a green mushroom, that he would be revived upon death! He would also take frequent trips through pipes and could collect leaves that created a puff of smoke that would transform him into a raccoontanooki tanuki. Then there was the surreal imagery of winged turtles, turtles flying around on little clouds, and walking mushrooms with angry little faces. In fact, there were faces, or at least eyes, on everything: mushrooms, stars, clouds; the hills themselves, even, in the sequels that would follow. Super Mario Bros.
Mario games have only gotten even more insane as time goes on, especially the Role Playing Games. Mario And Luigi Bowsers Inside Story take the cake, where, amongst other things, we have segments where Bowser is nearly crushed by a giant building and is saved by Mario and Luigi doing an overhead shooter minigame that gives him an adrenalin rush that causes him to grow into a giant, where he does things like fight his own caste hand to hand, with said castle flying around on a rocket. Also from the Mario and Luigi games, Fawful's dialogue, which never makes sense.
One could be forgiven for thinking so, however - particularly Earthworm Jim 2, which featured, among other things, a ride on a stair chair with portraits of sharks on the wall while avoiding falling old ladies and listening to bagpipes, playing a gameshow inside someone's intestines while dressed as a blindworm, and a boss fight against a firebreathing steak on top of a giant pizza.
Consider the fact that The Neverhood is essentially based on The Bible. Can you really put that on drugs? Speaking of The Neverhood, Terry Scott Taylor doesn't appear to be on drugs either, yet his soundtrack to the game can give a different impression. Needless to say, it further contributes to the game's trippy feeling.
Rez, although the basic concept behind the game is to invoke synesthesia, a feeling of all one's senses blurring together, which has been reportedly experienced by people who've taken LSD.
Rez is also allegedly inspired by the works of Wassily Kandinsky. Whether he was on drugs...
Just to be clear, the backstory to this game is "God went on a bender and destroyed the cosmos".
EarthBound. You're a little American boy out on a quest to fight an ultimate evil that a space bug from an asteroid told you about. Said ultimate evil's army consists of worthless protoplasm, unassuring local guys, ramblin' evil mushrooms, dice wearing little top hats, and erratic spheres that smile at you while they explode. You also get the help of little... people, of whom have doctors that work in trash cans, irregularly colored hot springs, and coffee that sends you into an acid trip. All of this is nothing, however, compared to Moonside, described in detail in Bizarro Universe.
Let's not forget the final boss, Giygas, who looks like something out of a bad drug trip: a red and black sea of screaming faces forming the shape of a fetus. The strange dialogue and mind-bending theme music of the final battle doesn't help, either.
Tanetane Island in Mother 3 is a much scarier sequel to the above's shenanigans.
That would be that the main character is on a Mission from God, only to find out that she's not only God's kid, but she is God, meaning she not only is My Own Grampa, but the quest she was sent on? She sent herself on it, the latter problem over something she herself as God caused.
Baten Kaitos: Eternal Wings et al. has Mira. After going through the trippy psychadelic Trail of Souls, you end up in a place with candy towns and a picture book city that looks like something out of Paper Mario.
The whole game. It plays very much like a typical JRPG plot put on a steady dose of LSD.
Touch Detective. Oh boy... Zombielike denizens that are the "normal" inhabitants, a robot butler, walking fungi, a Dream Land accessed via microwaved mushrooms, and the Cornstalker. It makes the Funny Animals look normal and the humans out of place.
Twisted Metal. Not only is this a trip, it's a pure nightmare trip. Yet David Jaffe claims he doesn't use drugs - he's just really immature.
Kingdom Hearts (which, among other things, features Alice in Wonderland as a level, turns Mickey Mouse into a badass, and has final levels where it seems physics has given up and gone home).
Billy Hatcher And The Giant Egg was a game that involved kids in chicken suits who beat up crows with eggs. They had to save chicken elders who were trapped inside eggs by making a chicken noise. They were doing this to save Morning Land, a world inhabited by chicken people.
Wait until you find out who's BEHIND the events of the MMO...
The Zelda games made for the Philips CD-I system featured bizarre distorted animation that seemed almost designed to frighten children. Brace yourselves and watch this example. There are several reasons the animation is like this. 1.) the traditional Russian school of animation does everything by hand, with pen and paper; so the animators were inexperienced at working with computers and 2.) The anime-style artwork of Zelda isn't exactly compatible with the Eastern European school of art.
The Legend of Zelda: Majora's Mask. A giant, sentient lunar body with a creepy expression, with the inside of said lunar body being a lone tree in the middle of a field with children running around it. In addition, there are creatures that spit rocks under the rule of a monarchy, cows getting abducted, reliving the same 3 days over and over, a terrifying, unsettling mask salesman who's always grinning, a temple that requires you to FLIP THE UNIVERSE UPSIDE DOWN to complete, an opening sequence right out of Alice in Wonderland, it's all there. Oh, and the final boss is a world-destroying, psychotic child-like demon that clucks like a chicken and does the moonwalk inside the moon.
Never mind The Legend of Zelda: Link's Awakening. Your entire objective during the game is to wake up a giant, flying, multicolored whale. Who lives in an egg. On top of a mountain. On an island that doesn't exist anywhere but in the minds of Link and the Wind Fish himself. Add on top of that the thoroughly bizarre characters, such as a goat who writes letters, signing them "Princess Peach," or demonic enemies that look and act exactly like Kirby. Never mind Tarin's bizarre transformation into a fat pink raccoon after eating a magic mushroom. The scary thing was that he seemed to enjoy it... While amazing, this story must have been influenced by something...
The developers have claimed that one of their main inspirations for the unusual plot and characters was Twin Peaks.
If there wasn't drug use involved in the production of the Aqua Teen Hunger Force golf videogame, someone has to be given a stylish canvas blazer with sleeves that do up at the back. This kicks in when you realize you're playing as a fast-food cup killing giant monkey wrenches with The Power of Rock on a golf course made entirely from candy, with the level soundtrack consisting of an infinite loop of some rock song using the word "PARTY" far too often, as a result of a meatball putting on a cursed T-shirt. This is only about halfway through the game.
DTET, a Tetris fan clone, has trippy backgrounds and visuals that must be seen to be believed.
There is an older, less well-known Tetris-based game entitled The Trippy Block Game — its gimmick is that it's a two player game: one player plays Tetris, while the other controls the erratic swinging and distortion of the playfield.
Metal Gear Solid? There are probably a million articles on this, go read any of them. And see if you agree.
Odama was described by the now-defunct Electronic Gaming Monthly as "We can just imagine Yoot Saito, Odama's creator, lounging on a beanbag chair years ago and smoking heroic quantities of marijuana, listening to Close to the Edge by the band Yes, and daydreaming about pinball. What other story explains the inspiration for a game that combines a stone ball the size of a house with an army of expendable soldiers in demolition-friendly feudal Japan?" Yes, that is a verbatim quote. Oh, by the way, you command these troops by yelling commands into a microphone. Seriously.
Ultima Underworld II featured mushrooms that distorted your vision; potions that made the colour map go crazy; levitating brain creatures which would attack your mind with a similar effect; and a plant which, when eaten before sleeping, would send you to a bizarre dreamworld full of bright colours and strange imagery. Later in the game, the player would arrive in this world consciously.
Also, Um Jammer Lammy, an off-shoot in the Parappa the Rapper series, is a giant trip. Very little of the game makes sense. Nonsensical moments include Lammy being Mistaken for Pregnant after eating too much pizza and being taken to a maternity ward run by a giant big-bosomed caterpillar who keeps vomiting, to Lammy's demise, and Lammy's famed catchphrase, "MY GUITAR IS IN MY MIND!"
Most of the games made by Swedish game developer Cactus seem to take place in bizarre nightmare worlds, but Mondo Medicals / Mondo Agency really take the cake. There are Let's Play Walkthroughs available.
World Of Goo. Essentially it's Lemmings (which, by the way, arouses several questions on its own accord). But instead of lemmings there are various living multicoloured lumps of, well, goo with eyes. And they build inticate web-like structures out of themselves so that their more lucky... comrades?... siblings?... could reach a discharge pipe and be sucked in it. And there are flying lumps of goo that can reverse time. And the major goal for the goos is to leave the planet and fly away. And a part of their journey lies in digital enviroment. And all the excessive goos are stored in a special realm for you to build a highest possible tower out of them. And all of this is one huge Take That at consumerism.
Rayman. The bosses include a giant mosquito, a big saxophone with eyes, a man made of stone, and —best of all— a woman named "Space Mama" who travels around in a washing machine wearing a viking hat and wielding a rolling pin that shoots Frickin' Laser Beams. Also, the final few levels take place in a world made entirely out of candy.
The Rayman Origins level where you get swallowed by a dragon counts. The dragon's insides are inhabited by green monsters wielding toilet plungers, its heartburn is fire, and its intestines go upwards and up through its mouth!
Genetos. The first four levels (or "generations") are quite tame, but the last generation has you flying through an ever-changing surreal environment shooting at enemies like flowers and jellyfish.
Parodius. The series was created by Konami as a parody of their own series, Gradius. Just one of many examples is the first boss in one of the games: a panda bear wearing a pink tutu with a pink (quacking) duck's head sticking out of the top of its head. Play this game and just try to argue that the development team wasn't passing around something illegal amongst themselves.
A literal is example is from Touhou in the form of Imperishable Night, which was partially designed while ZUN was drunk. It is noticeable in that it's the easiest game in the series. Though that's not saying much.
Oh, yes, there are also the elevators. There's one elevator in the Olivine Lighthouse, which goes all the way to the top. However, the area you need to get to is locked from the inside, so you have to climb the stairs. The stairs...do not go all the way to the top, at least not directly. You have to jump out of a fourth-story window to land on a third-story balcony in order to progress. Then there's the elevators at the Celadon Condominiums. There are two, one that only goes to the second floor and the roof, and one that goes to the first and third floors, but not the second floor, and to a different part of the roof. Both the second and third floor have doors for both elevators, with a sign over the doors to the elevator that doesn't stop at that floor telling you this.
Also, the Kimono Girls. Especially the last two you meet. Later, they help you summon the legendary Pokémon, in a cutscene that appears to have been dreamed up by Hayao Miyazaki.
Considering that the writers for the Pokémon games are the writers for Earthbound...
In the same games there's also this, quite possibly the most trippy thing in any game, ever.
In general, most Pokémon species often fit this trope quite well with their bizarre looks and all.
Samba De Amigo. Not so much the concept (though some of the characters are very weird), but the backgrounds are very psychedellic and often downright trippy.
Exposure to Yoshitaka Amano's concept art for the early Final Fantasy games tends to invoke this response. Interestingly, his more recent work for that series is much more coherent. Stylistic evolution, or rehab?
Good god, LSD Dream Emulator. The name of the game and the opening scene really shows the outright trippiness of the game. It's based off a 10-year dream journal, so that's to be expected.
As for the special stages in the games that have them... "Dude... the fish, dude" is all that can really cover the ones in the first game, aside from a full description - you're in a rotating maze of colorful square blocks that look like gems, along with red and white checked circular... things that either do nothing or change the speed or direction of the rotation of the maze, and other circular things that flash red and are marked "GOAL" that send you out of the stage if you touch them (the maze spins faster and faster all around you while the screen turns white and an odd sound effect plays), trying to find a magical gem somewhere in the maze that is surrounded by smaller diamond-shaped blocks that change color each time you touch them before disappearing, and the background is dark blue with green tiles that turn into fish and birds while the matching generic scenery switches between being clouds and bubbles. Yes, really.
Sonic Shuffle, Sega's answer to Mario Party, is quite possibly the weirdest Sonic game there is. (yes, even weirder than Colors) The story involves the main four having to save a fairy world or something, by obtaining the "power stones" scattered around game boards. Just like Mario Party, you play mini-games every now and then, the weirdest one definitely being "Sonic Cooking", in which Player 1 controls a giant frying pan, and Players 2-4 must avoid being burnt by the flames. It has to be seen to be believed. Another one of the countless bizarre things in the game is the one creature you can pick up from landing on a certain space on the game board, that will eat itself after a while.
Noby Noby Boy is easily the most absurd game premise ever. You're a worm boy who can stretch and eat things and people. There's no objective you just kind of move around a tiny suburban environment seemingly floating in the sky.
Gabe: What happens if your Noby Noby Boy gets cut in half? Tycho: You have to devour your own asshole. Gabe: Game of the fucking year.
Hellsinker is a very strange game. Most shmups don't have very involved stories, so it's easy to overlook strange things like characters being sentient umbrellas or giant flaming robotic bees, but Hellsinker stands out in that it actually has a plot - it's just a really strange one. One of the player characters is a topless fairy inside a mech, a recurring midboss looks like a giant bleeding quartz crystal but screams like a cat, one of the (robotic) bosses cracks apart to reveal a glowing humanoid figure, and then there's the ending. Even years after release, it's still hard to make total sense of the plot.
Patapon. You're the god of a tribe of eyeball people, which you must command into battle against other tribes of eyeball people by drumming four sacred, colored drums, so they can reach their ultimate objective; IT, which is located at the end of the Earth and no one knows what it is, but is said to grant eternal happiness. Along the way, you deal with masks with great powers that wipe out memories when worn; giant multicolored easter eggs with several Sealed Good in a Can inside, including a princess and the core of the world; massive Eldritch Abominations with a second head on their stomach; star-shaped people that drop money from their body, demons, bird-riding people, and overweight djinns and Fungus Humongous that chuck rocks. Yep, not made on drugs indeed.
Cargo! The Quest for Gravity and othergames by Ice-Pick Lodge have been thought to have been made on drugs. It involves kicking anthropoid babies for FUN, or making them dance for FUN at which point random objects fall from the sky. Enough FUN means contintents get their gravity back, but beware the giant pinguins. Oh, and the protagonist also says random things like: "Autumn falls, continents fly away to warmer countries."
Ufouria is an obscure NES game, where, among other things: One of the main characters attacks by knocking his eyeballs out of his head and letting them fly out to enemies, you climb giant trails of drool in order to get to higher places, the world's rivers are controlled by a giant faucet, and one of your allies is a wingless bird who flies via means of a propeller cap and who carries you around on a rope made of... actually, it's probably best not to contemplate what it's made of. It's about equal parts drugged up and unadulterated Japan.
While the BIT.TRIP series wasn't made on drugs, it certainly feels like it when you get to MEGA and on occasion, ULTRA. Interestingly enough, the storyboard for Growth (BEAT's last song) was made on drugs - dental drugs, to be exact.
Siren: Blood Curse will make you ask that at least once. Earlier games in the Siren series definitely had a few momments (such as fighting a giant disembodied and screaming head) but this game takes it up a notch. There are half-insect shibito flying around on lacy wings. Shibito that have heads that look like giant maggots standing on their ends. Closets with large disembodied heads that scream at you if you open them up. But what takes the cake is the final boss. You fight it in a trippy arena of swirling and shifting colors that would not look out of place at all at an Iron Butterfly concert. The boss is a stripey, multicolored insect-like creature that shifts it's form by flying apart and coming back together into various strange shapes. And you defeat it by using the blue flames of a magic cube and a sacred samurai sword. Oh, and you have to keep track of it by sightjacking your invisible, dead friend. Yeah.
Death Crimson OX, a light gun game for the Dreamcast. You play two youngsters who are using handguns invented 5,000 years ago in ancient Sumeria. You aim to defeat the plans of a monstrous terrorist general who still manages to wear a pair of snappy tan trousers despite having a mutated upper torso. You end up fighting giant robots, Langoleer-looking things, animate skeletons, guys who are...blue and scimitar-wielding Bedouin (within the first fifteen minutes, no less). The bosses include a Perky Goth who bounces erratically on a disk of light, cyborg rats and a giant ant. But the second-to-last boss beats them all. A man who has been "possessed" by having his head replaced with what looks like a giant egg and what looks like Japanese Kanji written on it and a pair of giant red lips. His weak points travel from his elbow to his crotch and once his body is defeated said big red lipped egg swells up, flies off of his body, splits into six other head/eggs and starts shooting lightning bolts at you.
The Sega 32X platformer Tempo is one of the strangest games ever. You play as an anthro grasshopper that looks more like a child in an insect costume, and he goes to many strange places while being filmed for a TV show, such as (what looks like) the inside of a CD player that has insects endlessly dancing in the background, a fuzzy white beast that has living cheeseburgers and multiple hearts inside it, a Christmas-themed winter wonderland, a circus, and more. And then the bosses are weird too, you fight living boxing gloves, headphones, boots, and more (a few of the bosses don't even have anything to do with the level you just finished, such as the boxing glove one, which you fight after finishing the Womb Level).
Also, the American box art is weird too, and has nothing to do with the game whatsoever. Get this: The box art shows a mutant human/insect crossbreed wearing a headset, sunglasses, and a scaly reptile-like suit, holding a musical note in one hand, and kicking a red squid-like alien in the face.
Hatoful Boyfriend is an otome-style Visual Novel (with a female protagonist and male suitors) where you date pigeons. No, you did not misread that.
Most of the characters are reasonably close to stock otome boys, once you get past the pigeon thing... and then there's Oko San, a genetic throwback to nonsapient pigeons obsessed with sports and pudding, and Anghel Higure, who is insane and sees everything in fantasy-JRPG cliches and religious Faux Symbolism. Even by Hatoful standards, these two are seen as weird.
Pu Li Ru La, especially the third stage, described in one Let's Play as "the closest thing to a drug-fueled hallucination you can ever get without actually taking drugs." Hardcore Gaming 101 speculates that one of the background figures in that stage was a drunken staff member, and the Japanese version has a random appearance by a literal pink elephant.
Almost all animators who use the Source-manipulation program Garry's Mod to make videos, most notably Rubberfruit, Minifett and so on. Some of their stuff makes you feel like you are on some form of stimulant.
Given the frequent appearance of of "blue mushrooms" in College Roomies from Hell!!!, and the overall surreal nature of the series, it is hard not to think that Maritza Campos has some experience with 'shrooms herself, but at the same time, the artwork and storytelling seem too tight to have been produced while tripping.
Andrew Hussie's next series, Homestuck, is a strange case; on one hand it's significantly more "out there" than Problem Sleuth in terms of how far beyond the impossible it goes, but on the other hand it's much less so in terms of having consistent internal logic and very clear plot progression, Timey Wimey Ball aside (no offence meant to PS).
Then there's Sweet Bro and Hella Jeff, which even inquires as to just how high you even have to be just to do something like that (the line even originated as a riposte to someone inquiring if SBAHJ had been made on drugs). Much as you'd expect, it employs quite a lot of jokes about stoners (SUDDENLY WEED DREAMS).
Hussie weighs in on this question in general:
"It's hard to underscore enough how ridiculous I and most creators I've talked to find this notion that being high is the wellspring from which all bizarre, absurd, or otherwise creative material must necessarily come from. For the most part, there's a very significant difference between quality work and pot addled horseshit.
"It's not that I think all drugs are JUST SO TERRIBLE on principle. But including them as a staple to the creative process is usually a serious detriment to the work in my view.
"But in looking at your question again, maybe you didn't hold this view anyway. Nonetheless, it's a topic that rears its head now and then."
Faye: ... these lyrics read like Tolkienon PCP. Dora: According to the band's website, massive amounts of both were involved in the recording process.
Go ahead. Try to explain the premise of Achewood to anyone who's never heard of it.
The title itself refers to a fictional substance akin to wormwood (as in absinthe), which produces feelings of ennui and despair.
Mountain Time is practically nothing but this trope. See here for a good example of its logic.
Keithiscoolbykeith used to be a fine example of a badly-drawn yet compellingly surreal webcomic. Sadly it now seems to have disapeared from the net, making illustration difficult... unless anyone out there cached the damn thing.
Kony 2012 - the news article here says that the director's family denied allegations of being on drugs or alcohol. Though, to be fair, he was seen running through the streets of San Diego in his underwear.
YouTube Poop. In fact one maker answered the question "Did any of your ideas for Poops come from recreational drugs or alcohol?" with a "Yes.".
An educational short dubbed from Portuguese, entitled Island Of Flowers. It had such moments as an Overlong Running Gag audio matched to visuals of the Holocaust, describing everything from the perspective of Humans Through Alien Eyes (including explaining what water is), having a shriek of pain when someone jabbed a model of a human brain, and so on. It was nine minutes of bipolarly nightmarish and hilarious non-sequiturs that vaguely segued into a message about garbage in the last minute or so. Watch it here, for we must share the hilarious yet horrifying imagery. At one point it described a History test. The visual for a question about Genghis Khan was a picture of Mozart, and the visual for a question about Mesopotamia was a picture of California. This movie was shown as part of the curriculum for a college course on Human Ecology.
It's brilliant. The "vaguely segued into message about garbage" is the whole point of the movie. The Island Of Flowers is a place where poor people have to eat out of the trash, after pigs rummaged through it. That is, they get to eat what the pigs didn't want themselves.
It's actually just like a slightly retarded Wikipedia session, especially with the jumps between topics like opening new tabs.
Similar to the above, but less balls-out insane: "Look Around You". The entire series is on YouTube. It appears to be from the late 70's, and is a rather odd parody of British educational programming. By "rather odd," I mean "Bobobo-Bo Bo-Bobo" level insanity.
It was actually made around 2005 for BBC 2. The 70's look is amazingly spot-on.
Although alcoholic "grape juice" is a recurring gag in the blog novelFartago, and although author Tony Caroselli admits to frequently enjoying red wine, he also adamantly and persistently insists he only once tried to write any of it while any drunker than "very slightly buzzed" and found it so impossible to keep track of the dialogue style of the writing that he had to sleep it off and try again in the morning.
The crew behind LoadingReadyRun has often dealt with accusations of drugs being behind some of their videos, despite never having written on a script on anything more than alcohol (and rarely that, especially after the editing process). The crew finds people jumping to the conclusion of drugs over them just naturally being funny a tad annoying, especially after every week for 6 years.
Let's see. Channel Awesome has a nostalgic reviewer that led a takeover of a micronation in Nevada, a hobo reviewer who openly admits to being on drugs, one video game reviewer who lives in a space station with a clone army, another who's a clone of his dead Black Lantern true self, a comic book reviewer that has Sentai powers and a crazy butch lesbian tyrant god (it took her three weeks to come back from the dead the first time, but she's managed it more than once) with her own nation and an army of cloned minions whose cloning process requires fellatio and who dresses like a female Marilyn Manson, complete with face paint. The third and second to last two, plus one anime/cartoon reviewer, have evil dopplegangers, and the last one has a good one. Anyone who tunes into this site for the first time is going to guess the creators are on really heavy drugs or are a bunch of uber-dorks. It's the latter.
The famous "Double Rainbow" meme by Yosemite Bear (real name Paul "Bear" Vasquez). Unlike many other examples on this page, however, it's not because the video is surreal or trippy. It's because...a guy sees a double rainbow. Instead of simply looking at it, or maybe taking a picture of it, he shoots a video of it and rants and raves about how amazing the phenomenon is, holding the camera shakily, all the while crying and moaning as if he were having an orgasm? And then he posts the video on the Internet?...Yeah.
The web series Battle For Dream Island, which is apparently a reality series where the contestants are anthropomorphic versions of common everyday household and/or natural objects.
The CGI animations of Wendy Vainity, with their surreal visuals and trippy music.
The Wanderers Library runs on this. More than anything else, the goal of the writing is to be just plain weird and different. Goats that sweat butter, computer creation myths, bacterial poetry, and asphalt maintaining wizards are just some of the things you may find.
It's probably better to say that Time Cube exists because no drugs were involved.
Highlighted by How to Score Big Making Money Writing for Television. A half-hour DVD extra that just records Matt Maiellero and Dave Willis writing "The Cloning" episode of Aqua Teen Hunger Force at Maiellero's house.
For a show based on things your parents would tell you to do as a child, Stoppit and Tidyup was completely and utterly batshit.
Quite a few episodes of Spongebob Squarepants, but notably the episode where Squidward demands a locker to store his clarinet in at work. It soon delves into the locker becoming a Hyperspace Armory, some weird giant eagle head in a land of clarinets, Squidward in a pinball machine and being immediately afterwards found by a giant Patrick, etc...
A notable example from one of the first several seasons of the show is an episode when Squidward, forced to work a late-night shift with SpongeBob, taunts him with a story about the ghost of a fry cook. Eventually, all the aspects of the story start to happen in real life and are duly explained, with the exception of flickering lights. It turns out that Nosferatu was standing in the corner playing with the light switch the whole time. And yes, I mean the freakishly deformed version from the 1922 film. The episode ends with the cast scolding the vampire affectionately for his antics.
And in the episode where Squidward uses an elevator to get back from the future (kind of a long story), he ends up in a completely blank world and all gets trippy from then on.
Yet another example of this happening to Squidward is when he is kicked off The Flying Dutchman's ship. Two words: Spaghetti Hell.
Chowder and The Marvelous Misadventures Of Flapjack are marginally so. In fact, it's safe to say that as Cartoon Network continues to produce original animated programming, it becomes more and more like you're watching some drug-fueled hallucination.
This isn't the first time though, before that CN had Cow and Chicken, which is about the title characters who have parents who are only legs and no other bodies.
And now there's Regular Show, which was adapted from the drug-influenced 2 in the AM PM, a short film about two gas station convenience store clerks who eat acid-laced candy and go insane.
Flapjack wasn't made on drugs. It was made on candy!
A number of episodes of Teen Titans. Almost any episode with Mad Mod in it, and especially "Fractured".
The Ren & Stimpy Show could count as a standout example. A whole 20-minute episode dedicated to a talking fart or cheese transforming into a princess don't convince you? The intro alone screams "This is the most fucked up thing you'll ever see".
Ironic given that Kricfalusi believes kids don't want good plotlines, they just need interesting visuals - Adult Party Cartoon had premises that actually made less sense and had less coherency than the original series.
Creator John Kricfalusi was asked on his Reddit what did he take when he thought of Ren and Stimpy, to which he replied "I get that a lot, but I just drink a lot of beer".
Rainbow Horse on BabyFirstTV. The creator probably shared the same belief as abovementioned creator of The Ren and Stimpy Show. To babies and viewers hopped up on crack it's probably a interesting trip. To others, it only makes them go LOLWTF?
Phineas And Ferb has a Running Gag involving a giant baby alien from another dimension that eats things, usually Doofenshmirtz's inventions.
Speaking of giant babies, may we mention the giant baby heads, another running gag?
South Park. In early interviews during the show's first season, creators Parker and Stone cheerfully confessed that they were either drunk or stoned or both when they came up with the idea for "Chef", and that he needed to be voiced by someone like Isaac Hayes.
Though they have admitted to a fair amount of later seasons being conceived during more than one hotboxing session ("hotboxing" is when you smoke weed in an enclosed space and close up all the windows and doors to keep the smoke in).
The "World Of Oz" shorts Rankin/Bass produced in the early 60's. The nostalgia network Retro TV runs them and other trippy interstitials between the shows on the Filmation block (which are probably a trope in themselves). With flat wierd characters, herky-jerky animation, and psychedelic backgrounds, they're like four-minute acid trips.
Seth MacFarlane used to smoke weed before every recording session of Family Guy. He's cut back since 2008 because the weed was making him paranoid.
Invader Zim, anyone? The series was made by Jhonen Vasquez. This is the same person who wrote and drew Johnny the Homicidal Maniac and Squee, about a serial killer and a phobic and abused little boy respectively. They let a show made by this guy air on Nickelodeon - for kids. Pretty sure ANYTHING Jhonen makes fits this trope (though this could be less "Vasquez was on drugs" and more "Vasquez has serious mental and social problems, possibly stemming from a horrific childhood filled with violence and gore.")
Kidd Video, especially in its second season. So much that even Robbie Rist, who played Whiz on the show, commented on it.
Robbie Rist: I don’t know what they put in the water cooler in the animation department, but it became this crazy thing that... it was like Lidsville. It was this acid-influenced, crazy animation. It became something like Alice in Wonderland, and I was in my twenties and watching these second-season episodes, going, “Is this for kids?” It was just a little bit too weird.
The Thief And The Cobbler (particularly the Recobbled Cut) is a prime example. Think of it as Disney's Aladdin on Vicodin, LSD, and a little bit of marijuana. (but mostly LSD)
Spliced. The cast of characters include an unidentifiable orange animal with a weird blob where his legs should be, a two-legged rhino with a bird head on his back, a blob with a pig's nose, chicken wings, a rooster's comb, a shrimp's tail and an udder which makes up the lower half of his body, a gorilla with a pony's head, an Evil Genius miniature blue-and-black dolphin with monkey arms, a cat-headed octopus, and a platypus.
The Caliph-Stork and other Russian treats were shown on local American television in the 1950s and early 1960s, influencing a generation.
The Gene Deitch Tom And Jerry shorts they have very wild wonky animation that's all over the place, ugly character designs, and trippy and psychedelic sound effects.
The opening sequence to Birdz has the cast dancing against a kaleidoscope background while the most obnoxiously funny cover of "Surfin' Bird" plays.
The Fleischer Brothers early shorts and their early Betty Boop cartoons the animation and plots are very bizarre, almost everything is alive and singing including buildings and objects, stretchy limbs, wild facial expressions,etc.
Joe Murray's response to this accusation with regards to his work on Rocko's Modern Life: "What most people fail to appreciate is that if I was on drugs I never would've gotten anything done."
The Powerpuff Girls, a cartoon with a slick, quick animation style that was very cutting edge at the time about three little girls who fight a green monkey, fuzzy pink hillbilly, and crossdressing Satan among others. In a special about the show Craig Mc Cracken denied it being about ecstasy.
The Amazing World Of Gumball: A series about a blue cat who lives with a goldfish with legs, filled with bright colors and Medium Blending of various animation styles. French-British Ben Bocquelet, however, doesn't use any mind-altering substances, and rarely drinks anything stronger than hot chocolate. Again, it's a Cartoon Network program, earning its place among the other examples of this trope.
Stripy is one of the weirder non-verbal cartoons out there. It features a rabbit-like Cartoon Creature who laughs at everything and a circus man he is constantly trolling.
Tex Avery did a weird cartoon called "The Cat that Hated People," and it even had two animators (Grant Simmons and William Shull) who worked on Fantasia.
Lampshaded during one of venquilitrist comedian, Jeff Dunham's bits where Peanut accuses him of doing drugs and Jeff repeatedly denies it. Peanut then suggest he was created on drugs to counter.
Peanut: "If that's true how did you come up with meeeeeeee?!"
In "Controlled Chaos", Peanut suggests that Jeff came up with Jose Jalapeno (On A Steek!) while drunk off his ass. Jeff denies it, but says that that's how he came up with Peanut.
Everything made by Rob Zombie makes you wonder how he ever came up with it under any kind of sobriety.
Statistics are even worse, since the hypothesis of many statistical distributions makes you wonder if Statistics is math on drugs.
Calculus: algebra on harder drugs.
Quantum mechanics. This is a theory so unutterably strange that one of the creators of the theory, Niels Bohr, has been quoted saying that "those who are not shocked when they first come across quantum theory cannot possibly have understood it." And yet it is the best description of particle physics currently in existence. This is the same theory that says anything can spontaneously happen (albeit under extremely strict circumstances).
The true story of how Schrödinger (of Schrödinger's Cat fame) invented quantum physics: he stocked up a cabin in the mountains, which he stocked with enough supplies for several months. After three months of complete isolation, he returned to civilization with complete theories that worked perfectly. Nobody but Schrödinger knows what happened up there in the mountains, and nobody else ever will.
And by extension, String Theory.
One criticism of/joke about String Theory is that it really should be possible for the public to differentiate between science and the ramblings of crazy people on park benches.
Cryptology - the study of how to write and solve codes. The field involves all fields of mathematics, and is very interdisciplinary. Where traditional maths are taught in a linear path of lessons that increase in difficulty, cryptology is like a professional contortionist that requires much much mental flexibility.
The writings of Pantheist Giordano Bruno sound quite deluded and insane, for something written by a supposed 'martyr of science'.
Given that the man was, in fact, a practicing occultist (and that's what the church actually got him for), sounding deluded and insane is probably about par.
Pick almost anything made by Mike Patton. For an example, watch this and remember the man who wrote it takes nothing stronger than caffeine.
If you ever get a chance to play the video game The Darkness, the titular demon/spirit/pure bloody evil Darkness is voiced by Patton. His vocal performance was done entirely without effects in his home studio.
Say what you will about Jack and Kage, the director and co-writer of the Tenacious D movie, musician/director Liam Lynch is most emphatically not on drugs. Same goes for his skit and music videos podcast, Lynchland, which is even more surreal.
As Eddie Izzard once said, "People think I'm on drugs, but I'm not, really. Just a little coffee... put me on drugs it has the opposite effect! I start going: 'Oh! Pensions! Very sensible. And car insurance, yes...'"
Doug TenNapel's work (Earthworm Jim, Gear, Rat Fist) is usually seen as very weird and surreal by a mainstream perspective, and therefore people tend to assume he's on drugs. Contrastingly, he's a rather conservative Christian who admits to being offended by the assumption that anyone would need drugs in order to create something weird.
They Might Be Giants are often mistaken for drug addicts because of the surreal nature of their songs. They drink a metric shitload of coffee, but that's it.
Geof Darrow, one of the lead concept artists on The Matrix. He designed the Sentinels and the giant battery-tower-things. He was also the artist for a graphic novel called Hard Boiled, which was also known for an almost obsessive attention to weird details in the art (and was written by Frank Miller, besides). As producer Joel Silver said, "You know how in the movie Morpheus tells Neo he has to free his mind? Geof's mind is free." Darrow noted that he'd been asked more than once what kind of drugs he took, and as he was now in his forties, said "Centrum Silver and Metamucil".
While we're on the subject: The Wachowskis. The Matrix movies were enjoyably trippy. Then the siblings skipped on their meds and we started wondering what scary-ass version of Speed Racer they watched on Saturday mornings...
Andy Kaufman is another example of a 1970s performer whose work, from Foreign Man, to bringing a sleeping bag out on stage and taking a nap, to reading from The Great Gatsby, to his various worked shoots, to his posthumously published writings, would suggest he was on something illicit when he conceived them. But since childhood he had been prone to eccentric behavior (he conceived routines such as "Mighty Mouse" then), and his drinking and drug use as a teen hardly figured into his artistic equation. As an adult he was a near-health nut who practiced Transcendental Meditation.
Elton John had a history of fighting drug addiction. Nowadays his outfits and certain lyrics are the only part of him that trips balls.
Ozzy Osbourne, in his own words "for the last God-knows how many years, I've been a major practicing drug addict and alcoholic", now claims to be completely drug-free, having even stopped taking a powerful anti-seizure medication that he says was largely responsible for his speech impediment. He says all he's on now is "lots of coffee" and that if they ever make coffee illegal, "I'm fucked."
He said that his latest album, Black Rain, is the first one he's ever recorded while sober.
He is currently studied by scientists who want to find out how some people manage to shrug off the effects of ungodly amounts of drugs, while others succumb after a few tries. They actually discovered several genes in his genome that allow his body to metabolize alcohol and opiates better than the average person.
Ursula Vernon dodges questions about where she gets the ideas for her painting by saying she did a lot of drugs. (She did, but they didn't give her the ideas.)
Almost everything on Semi-Homemade Cooking with Sandra Lee, particularly the infamous "cocktail tree".
Unless you consider alcohol a drug, in which case? It's one helluva drug. Two words: Kwanzaa cake.
Speaking of cakes, how about this classic from Cake Wrecks? Or anything else done by Ms. Famulari?
The Chymical Wedding of Christian Rosenkreutz. Purportedly written by Paracelsus, supposedly an alchemical text by way of allegory, actually reading it without background makes you wonder what the writer was on.
Political cartoonist Joel Barbee made some pretty bizarre cartoons. Looking at them beforehand, you'd probably never guess them being drawn by an old conservative who wasn't on any known drugs.
The German comedian, actor, director, author, and musician Helge Schneider uses non-sequiturs, absurdistical actions and statements, weird behaviour and voices, exaggerations, purposefully bad playing, sheer stupidity and mundanity mixed with rather insightful contents. He stopped taking drugs as his career went upward.
What about dreams? They can get pretty funky from time to time.
Quite a few entries on this page were inspired by- or were recreations of dreams the author had. Salvador Dali also induced dream-like hallucinations on himself by going without sleep for extended periods of time, then painted the results.
David Cross has noted that he's offended when people ask him how high he was when he wrote a piece of comedy. He insists that all his comedy comes from hard work, not drugs.
Bosozoku, a kind of Japanese biker gang/street racing culture make illegal modifications to bikes and cars. In most street racing cultures, this means nitrous oxide, underglow and such. For the Bosozoku, they defy any explanation.
And what they take up to eleven, the Dekotoru culture takes up to twelve: Japanese truckers whose vehicles look like the results of Optimus Prime having a drunken one-night-stand with a pachinko parlor.
The very intelligent and very creative tend to be considered this way. To be fair it is a different mental state than normal brains, but it's completely natural.
While it could be listed in the anime and manga folder, this is the case with almost all Japanese works, not simply the notable ones. This is mainly due to the fact that Japan is a very anti-drug society on a social level, to the point that it makes America's drug policy look tame by comparison.