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(Rule Of Cautious Editing Judgment statement: This entry is not a place to discuss the rights, wrongs, wisdom or otherwise of The War On Terror, especially The Iraq War. That conflict is covered here because of its now-certain role in the whole thing and it doesn't yet have enough examples to warrant its own setting. The term "Islamist" is used as a recognised descriptor of fundamentalist Muslims and "Al-Qaeda" in speech marks to refer to the entire disparate movement, not all of which is Al-Qaeda. Hezbollah are included despite being Shia as they want to destroy Israel and they're lumped in by writers as well. Iran is here for more or less the same reason, even if the Israel-destroying appears to confined to just the government or is held by no-one, depending on your views on the accuracy of the translation and interpretation of بايد از صفحه روزگار محو شود. Let's not get onto the spelling issue...)

9/11 to the present.

The War On Terror is the current setting for all American Present Day media, although how much it features in a given work of media varies considerably. There are multiple levels:

It's not really there The situation isn't really mentioned at all. It's either not relevant (as in the Speculative Fiction genre), or it's pretended it's not happening. This does not bar the show from making comments via metaphor though.
  • The Stargate franchise. They've got bigger problems to deal with, such as the Wraith.
  • The new Doctor Who. See Stargate.

It gets cursory mentions The thing is there in the background, it's acknowledged it's happening, it affects the plot somewhat, but ultimately doesn't directly affect the plot on a day to day basis.

  • Alias is the prime example of this. While the increased world tensions are mentioned, people get threatened with the Patriot Act and there's one trip to Afghanistan, the rest of the series is chock full of non-Islamist terrorists and there is never a direct "Al-Qaeda" plot during the entire show.
    • A notable incident is a case in Series Two, where Sydney, as part of a disguise, is wearing a heavily metal-studded shirt. Her comment: "When I last went through JFK, they literally made me take off my shirt". Guess what ends up happening...

It turns up in a few plots A common one for the Cop Show that otherwise has to deal with its third Serial Killer of the season. This includes attacks on veterans, possible involvement of someone in Islamist terrorism and asylum seekers.

  • Without A Trace is an example here. In one case, an Iraq veteran went missing, some of the team headed to Iraq... then it turned out the guy was killed while doing an armed robbery and the war was nothing to do with it whatsoever. Also had a guy mistakenly shot dead because they thought he was a terrorist by virtue of the books in his library and the fact he looked like he had a gun.
  • The Bill is in this category. It's an interesting example. Despite being set in an area with a considerable number of Muslims, it has not yet done a straight Islamist terrorism story ("Moving Target" was a vendetta over Iraq artefacts).

It turns up a lot Islamist terrorists turn up a lot, but there are people as well.
  • Spooks, the first example of "terror TV"- a series explicitly set post-9/11.
  • NCIS. The first trip of the show to Guantanamo Bay pretty much completely skipped over the entire issue of the camp's actual existence and what happened there, but it must be remembered this was early 2004.
  • The original pilot for Heroes featured an Islamist terrorist with radiation powers who would probably have threatened to cause the nuclear explosion prophecized to destroy New York City. The plot was thankfully dropped before the show aired.

It's the entire point of the series
  • 24 is usually cited when people use the term "terror TV" and Islamist terrorists feature in four of the six seasons thus, while the third season has a Big Bad annoyed over US foreign policy. However, the first season was conceived pre-9/11 and has the Kosovo War as its Back Story (the S3 Big Bad is partly motivated by the fact he was left to be captured there).
    • S2's second part involving "three Middle Eastern countries" now appears to be a rather heavy-handed, slightly inaccurate, but pretty prescient metaphor on what was then the approaching Iraq War. (The Bombers On The Screen use is great, though)
  • The Grid was a Mini Series on an Islamist plot to explode a gas tanker near Chicago.
  • Call Of Duty 4: Modern Warfare, though it is careful enough to mask everything with fictional names and by adding USSR... uh, Russian ultranationalists into the equation.
  • Star Trek Enterprise did this with a Sci-Fi allegory; applies only to the 3rd Season.

The full-scale conflicts

Afghanistan

Quite a few Non Interactive Video Media examples, including a number of Afghan ones, but nothing stands out. Lions for Lambs went down badly with critics and the public alike, as well being criticised for the title being an apparent misquote of the World War One expression "lions led by donkeys". Studio 60 featured Tom's brother being kidnapped in Afghanistan in it's closing five-parter, then ended in Fairy Tale style.

Iraq

Outside of Iraq itself, movies and TV (there's a few novels out there and a number of computer game mods on the conflict, the latter of which raises the moral issue of playing games involving an ongoing war) that directly deals with the conflict and is actually set in Iraq is few and far between. The first attempt at a TV series in the US, Over There, flopped arguably due to treating it like "Vietnam set in Iraq." In contrast, the 2008 HBO miniseries Generation Kill is based on the 2004 book of the same name about an embedded reporter's experience with his unit of Marines and has at least one character played by his real-life counterpart (Sgt. Rudy Reyes as himself).

All the movies are pretty obscure. A good past example that may serve as a guide for the future (due to general perception, accurate or not, on the Iraq War) is The Vietnam War. It took four years after the fall of Saigon for the first widely-known (Go Tell The Spartans isn't that well known) period and area set film to come out and that, Apocalypse Now, is also Heart of Darkness in Vietnam. Full Metal Jacket wasn't until 1986.

Appears as Back Story quite a bit, especially in Brothers And Sisters, where Blonde Republican Sex Kitten Kitty, trying to prevent her brother going to Iraq, tries to bribe the Senator she later gets engaged to and performs on an on-camera volte-face. One can't help feel someone's going Strawman Political on this one (supporting a war until it directly affects you).

Iran

While Iran is somewhat a separate issue, Iranians don't speak Arabic but Farsi and they're Shias, they're lumped in these days because of two main reasons. One: the apparent threat, real or otherwise, of the regime in Tehran. Two: they're brown, live in the Middle East and can be reasonably depicted as hating freedom.

The War On Terror, IN SPACE!

There are a couple of shows out there that use their settings and plots to make points, usually rather Anvilicious, on the War On Terror:
  • The new Battlestar Galactica
  • The 2006 Robin Hood in the first season actually has the Sheriff use the words "war on terror" in late 12th century England and uses the Crusades as a (rather inaccurate) metaphor for the whole thing. It's toned down a lot for the second.
  • Stargate SG-1 with the Ori arc.
  • Star Wars: Revenge of the Sith.
    Anakin: If you’re not with me, then you’re my enemy!
  • The Vulcan trilogy from Star Trek: Enterprise also doubled as a simple comment on the invasion of Iraq.
    • Or for that matter The entire 3rd Season. Previous to that, the episode "Fortunate Son" in the first season, just shortly after 9/11.
  • This troper isn't sure whether it is a subversion if it happened pre-9/11, but Star Trek: Deep Space Nine did quite a lot with terrorism, usually in a semi-favorable light. The Marquis terrorist organization is not looked upon kindly by the Federation, but they do seriously examine the Marquis's motives. Some Starfleet personell are even shown to be sympathetic; a few Starfleet officers even defect to the Marquis. Even more interesting is Kira. The station's first officer, she was a noted (and semi-proud) terrorist a scant few weeks before the show started; she's portrayed as having defended her world in the only way they could. In the last season, Kira (described as an expert on terrorist tactics) even gets sent to establish a terrorist network against the Dominion, the Federation's enemy. Kira is even inducted into Starfleet explicitly for this purpose (before, she was just a member of the Bajorian Militia), thus making the Federation directly responsible for establishing a network of terrorist cells within enemy territory (admittedly during a time of open warfare). This troper suspects that nowadays, such scripts would be laughed out of the door, if not get the writer fired on the spot for suggesting such a thing.
    • The principal difference between a terrorist and a guerrilla being target selection and not method, Kira's kind of a blurry case.
    • For those keeping count, this episode first premiered in 1994 or so. It was originally more or less an allegory of the original La Resistence, the Free French during WWII, proving that...you know.
      • The series actually spends at least the last two seasons (and arguably the last half of the series) setting up and executing a WWII allegory, with the Cardassian collaborators (against whom Kira organized the aforementioned resistance) pretty clearly representing the Vichy French.

See Post Nine Eleven Terrorism Movie for the subject of terrorism in some depth. Also see Turn Of The Millenium. Not to be confused with the Australian comedy series The Chaser's War On Everything.