->''"Know, O Prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars..."''
-->-- '''Excerpt''' from "The Nemedian Chronicles," which opens the first ''[[Franchise/ConanTheBarbarian Conan]]'' story, "The Phoenix on the Sword"

A setting in the ancient past, when gods, demons, and monsters walked the earth. Often [[CrossoverCosmology blends the mythologies of various cultures together]], as the writers see the advantages for storytelling. Those writers are a crafty bunch. Also has the tendency to bring in [[AnachronismStew plenty of anachronisms]] in terms of technology, culture, and so forth. The literary forerunner for this would be the Hyborian Age of Creator/RobertEHoward's ''[[Franchise/ConanTheBarbarian Conan]]'' stories, which mixed and matched milieus from different times and places: this way, Howard could have a series protagonist in a historical context, without worrying about historical inaccuracies.

Naturally, however, the concept of such an age is OlderThanDirt. Much myth and literature was written about a supposed time period in the distant past (i.e. before the [[AncientGrome Iron Age]]) that was chock full of ten-foot-tall warriors and interesting monsters to kill. Contrast AdvancedAncientAcropolis.

Common setting for HeroicFantasy. See also SwordAndSandal. Invariably everything is ShroudedInMyth.

If we see the end of the age, that's EndOfAnAge or TheMagicGoesAway. May overlap HereThereWereDragons, LostTechnology, and PointlessDoomsdayDevice. See also DeathOfTheOldGods, which is when a setting's ''past'' is described this way.

In [[TheMiddleAges medieval Europe]], the preceding [[TheDarkAges dark ages]] were considered to be this, with historical rulers, dragons, dwarfs, sometimes gods figuring in countless heroic epics and romances. Asian fiction [[{{Wuxia}} subverts this trope]] [[HollywoodMedievalJapan somewhat]], due to the prevalence of ancient records and artefacts. East Asian societies do have their own Time of Myths, such as the period of semi-divine emperors predating the dynastic period of China, but they were sufficiently well-discussed and codified before the advent of commercial fiction to never really crop up as a setting for genre fiction.

For alternate visions of the past, see ArabianNightsDays, TheDungAges, {{Demythtification}}, TimeAbyss.


[[folder: Anime and Manga ]]
* ''Anime/PrincessMononoke''. Bits of Myth/JapaneseMythology make appearances in other Ghibli films as well.
-->'''Narrator:''' In ancient times, the land lay covered in forests, where, from ages long past, dwelt the spirits of the gods. Back then, man and beast lived in harmony, but as time went by, most of the great forests were destroyed. Those that remained were guarded by gigantic beasts who owed their allegiances to the Great Forest Spirit, for those were the days of gods and of demons.
* Most of ''Manga/InuYasha''.
** Though a brief reference to UsefulNotes/OdaNobunaga in one episode would put it sometime in the mid-1500s.
** From the beginning, it states that it's set during the Sengoku period.
** In ''Anime/InuYashaTheMovieFireOnTheMysticIsland'', on the other hand, you sees the Horai Island, which was actually created in a legendary time, and was a place [[InterspeciesRomance where humans and youkai lived peacefully]], and many [[HalfHumanHybrid hanyou children]] was born.
* In the anime ''Manga/{{Claymore}}'', the plot takes place in a world inhabited by man-eating demons called youma. An organization creates [[HalfHumanHybrid hybrids from humans and youma]], because only they are strong enough to fight against the youma. But the hybrids are exclusively women. And each of the warrioresses runs the risk of losing control of their powers one day, and turning into a monstrous youma, an Awakened Being. The organization claims that they can not make male warriors.
** However, very long ago, in the first generation of the organization, most warriors were men. But almost all of the male warriors were quickly awakened, so the organization only made female warriors. And the time of the male warriors has so long since passed, that many warrioresses are surprised and confused when they have to fight against a [[LivingRelic male Awakened Being]].
* The anime ''Manga/MagiLabyrinthOfMagic'' plays in an Arabic version of a mystical time when there were still monsters and magic.

[[folder: Comic Books ]]
* In the comics of ''ComicBook/{{Hellboy}}'' it is shown that the earth was once dominated by demons and monsters. Later it turns out that they still exist, and they want to dominate the earth again.

[[folder: Film ]]
* Movies by Creator/RayHarryhausen: ''Film/{{Clash of the Titans|1981}}'', ''Film/JasonAndTheArgonauts'', and the ''[[Film/The7thVoyageOfSinbad Sinbad]]'' trilogy.
* In ''Film/TimeBandits'', the bandits use a hole in space-time to travel to the Time of Legends, home to all sorts of mythical creatures, and wherein is imprisoned the [[MadeOfEvil Evil Genius]]. The implication in the story is that the Time of Legends is not a true historical time period, but rather a kind of [[PocketDimension pocket universe]], only reachable by time-hole.
%%* ''Film/TheBeastmaster''
%%* ''Franchise/ConanTheBarbarian''
%%* ''Film/TheDarkCrystal''
%%* ''Film/TheForbiddenKingdom''
* The ''Film/TheMummyTrilogy'' shows that the Bronze Age and antiquity were a world full of magic. Both the mummy Imhotep and the Chinese dragon emperror lived at this time before they became undead.
** In the same verse, the four films of ''Film/TheScorpionKing'', but also have a connection to [[SandalPunk Sandal Punk]].
* ''Film/TheCabinInTheWoods'' shows that the world was dominated by cruel, ancient gods in the past. They hid themselves, and agreed to receive occasional human sacrifices. But toward the end of the film it is suggested that the old gods return.

[[folder: Literature ]]
* Creator/LarryNiven wrote a book series called ''Literature/TheMagicGoesAway'', which posits that magic and magical creatures, up to and including [[PhysicalGod Gods]] were once real, but the {{Mana}} that powered them got used up, civilization fell into ruins, the Gods and monsters all died, and Man was left to huddle in caves for millennia until new ways of life could be invented.
* The setting of the ''Literature/{{Everworld}}'' book series, although in the modern day, is an alternate universe where all the mythological creatures and deities ''ran away to''.
* The Age Of Legends in ''Literature/TheWheelOfTime'', basically a {{Utopia}} fueled by {{Magitek}}. It [[AndManGrewProud didn't]] [[CataclysmBackstory end well]]. And the time that is actually called the Age of Myths is implied to be our own modern age.
* In ''Literature/SwordOfTruth'' the war 3000 years ago between the Old World and the New. The Keep, the Confessors, the Chimes, Chainfire, the Palace of the Prophets, the Bond with Lord Rahl, innumerable books of magic, constructed spells, the Journey Books, the Towers of Perdition, and even the [[spoiler: antagonist and the ''protagonist'']] are all remnants of that war, brought back as the last smidgeon of that war.
* The age of {{The Gunslinger}}s in ''Franchise/TheDarkTower'' and of the [[NamesToRunAwayFromReallyFast Great Old Ones]] before them. Basically same as the above.
* Creator/MichaelMoorcock's ''Literature/{{Corum}}'' books all open with a 'Time of Myths' introduction, which starts something like "In those days there were oceans of light and cities in the skies and wild flying beasts of bronze..." and goes on to recount this semi-mythical history for a while before an eventual segue into the story to date.
* In ''Literature/TheHitchhikersGuideToTheGalaxy1'', the planet-building megafactory of Magrathea was built during a golden age:
-->"In those days spirits were brave, the stakes were high, men were real men, women were real women, and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centauri."
* ''Franchise/TolkiensLegendarium'': Tolkien's Middle-Earth is also one of these -- part of the fiction is Professor Tolkien claiming the ''Literature/TheLordOfTheRings'' and its related works were translations of long-lost volumes, thus setting the action in a forgotten age of our own world. The Elder Days in ''Literature/TheSilmarillion'', especially the Great Tales descended from ''Literature/TheBookOfLostTales'', which reads [[ExactlyWhatItSaysOnTheTin exactly what it sounds like]].
* The appropriately named Age of Heroes in ''Literature/ASongOfIceAndFire'' fits the bill. Almost all of the noble families of Westeros claim descent from one of the many heroes that lived at this period, and this was also the time when the Others/Night Walkers attacked and were driven back.
** More than 8,000 years before the action "the others" attacked the people with an army of undead. At that time, many giants also lived there, helping to build the Great Wall.
* ''Literature/DarkReflectionsTrilogy'' mentions that before the [[AdvancedAncientAcropolis suboceanic kingdoms]], and even ancient Egypt, there was a time when gods walked the Earth in their original forms. [[spoiler: Then humans decided they prefer mute, stone statues to living deities and hunted them down. The Flowing Queen is actually [[LivingRelic one of these old gods]], Sahment.]] There are hints Literature/BabaYaga may be one herself, too.
* ''The Legend of Sigmar'' novels by Graham [=McNeill=] are the grimier, grittier version of this in the same vein as the Conan stories.
* ''Literature/TheKharkanasTrilogy'' is set millennia before the events of the ''Literature/MalazanBookOfTheFallen'' and features characters and events considered mythical by the time of the main series. Here the Elder Gods are not even gods yet, and the Imass still mortal and K'rul has just made his bargain with the Eleint (dragons).
* ''Literature/TheStormlightArchive'': For thousands of years, humanity fought beside the divine Heralds to force the [[OurDemonsAreDifferent Voidbringers]] off Roshar. The Heralds gave humanity the Knights Radiant, magical knights with [[SoulCuttingBlade Shardblades]] and [[PoweredArmor Shardplate]], along with stranger supernatural powers. After a hundred [[ApocalypseHow Desolations]], the Heralds told humanity they had finally won, and left to fight the Voidbringers in the [[{{Heaven}} Tranquiline Halls]]. The story takes place four and a half thousand years after the Heralds left; Shardblades and Shardplate are priceless treasures, while the Knights Radiant have fallen and their powers forgotten. The time of the Desolations are called the Shadowdays, or more formally the Heraldic Epochs. People speak of them in hushed whispers, elevating the Heralds to near-godhood and trying to discover the secrets of the ancient {{Magitek}}. What they are unaware of is that he Heralds actually lied; they were so tired of fighting, dying and being tortured for centuries before being resurrected, [[ScrewThisImOuttaHere that they couldn't take it any more]]. Now the Voidbringers are returning, but there is no one prepared to fight them.
* ''Franchise/{{Mistborn}}'': At the end of [[Literature/MistbornTheOriginalTrilogy the original trilogy]], one character takes up the powers of both Ruin and Preservation, becoming Harmony. He uses these powers to reshape the world into a near-paradise. Several hundred years later, in ''Literature/WaxAndWayne'', this event is known as "the Final Ascension" or more formally "the Great Catacendre" ("the End of Ash"). The world before is known as "the World of Ash," or "anteverdant" (literally "before green"). The characters are often bewildered by the events that they are being swept up in, saying that kandra and gods are things of myths, not real life. Interestingly, the people actually have extremely detailed accounts of what the world was like before the Catacendre; Harmony kept meticulous notes, and left them behind. It's the sheer scale of events that makes people feel that they are more distinct than they really are.
* In ''Literature/TheMortalInstruments'' it is stated that the earth was regularly visited by demons for a long time until about a thousand years before the plot, the first Shadowhunters were created. Before that, humanity was at the mercy of demons, [[TheFairFolk fairies]], and evil warlocks.
** Later, it is also clear that at the beginning of this time, angels and demons together have children, and this was the first fairies. Perhaps some warlocks and fairies from this time are still alive even in modern times, since fairies are very long-lived and warlocks are immortal.
* In ''Literature/PercyJacksonAndTheOlympians'' and ''Literature/TheHeroesOfOlympus'' it becomes clear that the gods, heroes and monsters from the Greek and Roman myths actually lived, and many of them are still alive. Magic has not left the world, it is simply no longer perceived by modern people.
** ''Literature/TheKaneChronicles'' and ''Literature/MagnusChaseAndTheGodsOfAsgard'', both of which play in the same verse, make it evident that the Egyptian and Norse myths are [[AllMythsAreTrue also true]].
* ''Literature/TheDragonslayingMaiden'' is set in Scandinavia sometime before the start of UsefulNotes/TheVikingAge, when the monsters of Myth/NorseMythology roamed the land, settlements were few and far between, and [[OurDragonsAreDifferent dragons]] and [[OurTrollsAreDifferent armies of trolls]] could randomly raid your hometown. Since the narrator is [[AllMythsAreTrue Odin]] reflecting on the events surrounding the title character and [[DeathOfTheOldGods he hasn't had much to do in the world for a millennium,]] he looks back fondly on the time period.
* ''Franchise/TheWitcher'' also has a time when humans first discovered the new continent, which was still dominated by many monsters.
* ''Franchise/ConanTheBarbarian'', of course, [[TropeCodifier codified]] the idea of such a setting. As stated above, Robert E. Howard created the Hyborian Age because he loved historical fiction, but didn't have the time or the resources to research a new historical period for every single story. Hence the TimeOfMyths, allowing him to drop Conan into a [[UsefulNotes/TheGoldenAgeOfPiracy pirate adventure]] or a [[HornyVikings Viking]] battle with frost giants as he wished.
* The opening lines in ''Joseph and His Brothers'' by Creator/ThomasMann go: "Very deep is the well of the past. Shall we not call it bottomless? ... The deeper we sound, the further down into the lower world of the past we probe and press, the more do we find that the earliest foundations of humanity, its history and culture, reveal themselves unfathomable." Mann postulates that figures in the Book of Genesis existed much further back in time than supposed, and the generations in the narrative are "coulisses," stage sets that screen the depth of field behind them.

[[folder: Live Action TV ]]
%%* ''Series/XenaWarriorPrincess''
%%* ''Series/HerculesTheLegendaryJourneys''
* In a land of myth, and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name...''{{Series/Merlin}}.''
* In ''Series/BuffyTheVampireSlayer'' there was the ''Primordium Age'', an epoch in which demons had dominated the earth for many millions of years. But ''The Powers that be'' changed this by exiling the demons into other worlds, so that humans could live on the earth. The last demons who had to go, created the first vampires.

[[folder: Music ]]
* [[Music/{{Horslips}} The Horslips]]' two concept albums, ''Book of Invasions'' and ''The Tain'', are about the Heroic Age of the earliest Irish myths, where men, Gods and non-human creatures fought for the mastery of Ireland.
* Music/DeepPurple's LP ''The Book of Taliesyn'' opens with a track revisiting early British/Celtic mythology via the bard/mystic Taliesyn. A lost Celtic kingdom called Taliesin existed in what is now the North of England/Scottish borders. Its last remnants fell with the Norman invasion in 1066.

[[folder: Tabletop Games ]]
* The first edition of ''TabletopGame/{{Exalted}}'' ran with the idea that Creation was this to either the real world or the ''TabletopGame/WorldOfDarkness'', with Creation undergoing successive revolutions and collapses that eventually left it diminished and bound into the world we know. The idea was eventually formally abandoned, but influences remain.
* ''TabletopGame/HousesOfTheBlooded'' presents itself as about the Ven people out of the world's mythic past. Specifically, it's about playing in the style of the Ven's own popular dramas about their own history, which they heavily mythologized. Yes, the sourcebook is rich with LiteraryAgentHypothesis.
* ''TabletopGame/ForgottenRealms'' has the "Arcane Age," the Netherese empire of high magic and floating cities. Interestingly, Netheril was built on the lost knowledge of two previous civilizations in its own right.

[[folder: Video Games ]]
* In ''VisualNovel/FateStayNight,'' older heroes and artifacts are more powerful than younger ones (compare say Caliburn to Sigurd´s Gram, then Gram would win everytime), particularly things from the "Age of Gods" before the rise of Christianity came. This is displayed best perhaps when Caster fought Rin using spells requiring a single word to cast, while the latter (a genius albeit inexperienced magus in her own right) was forced to use gems that had months or years worth of stored prana to counter them. Although Rin admitted she would have been able to counter a few spells for each gem if she were more confident, it doesn't change the fact that a few words from a Magus of the age of gods is worth years of prana storage from a modern one. Additionally, Caster can manifest spells in a single word that require modern magi to chant for a full minute (or half a minute in the case of experts) to replicate, and '''one''' of hers contain several times the '''total prana''' of the protagonist.
* The most obvious video game example is '''named''' ''VideoGame/AgeOfMythology''.
** Featuring Egyptians, Greeks, and Vikings fighting each other, and later the suspiciously Roman Atlanteans.
* The first few hundred years of a game in ''VideoGame/DwarfFortress'' are typically this, a time where mythical beasts and gods (the latter actually demons posing as gods) roam the land, civilization is usually in the bronze age and still expanding, and the world in general is a far more dangerous place. Fast forward some years (or kill the beasties yourself) however, and time passes into the ages of [[EndOfAnAge Legends and Heroes]], moving ahead as more of these creatures are killed. Eventually, if ''all'' mythical creatures are killed and humanity ends up being the only surviving civilized race, the world passes into the [[HereThereWereDragons Age of Civilization]] entirely. There's also an "Age of Fairy Tales" if the mythical creatures are ''almost'' wiped out except for the odd almost-literal HiddenElfVillage somewhere the other races can't get at it.
* A theme in ''VideoGame/{{Dominions}}''; The Early age is an age where magic is commonplace. Mages are stronger, the various races are quite superhuman, and civilization hasn't progressed as far. Fast forward a bit, and the various civilizations have very developed metallurgy and are closer to a 1500s level of technology... and magic has dwindled. The non-human races have interbred with humans, and mages have become weaker.
** The time before the Early age is this to an even larger extent, where the creation stories of nations occurred and the gods and spirits were more actively involved in the world,
* In ''VideoGame/UltimaII'', this was where Minax the BigBad was living. ''Ultima II'' is the strangest of the games to explain canon-wise, because for some reason it takes place on ''Earth'', yet later games say it happened in AnotherDimension Britannia.
* ''Franchise/TheElderScrolls''
** The series has the Dawn Era. In addition to the usual god walkabouts and wars, time was also nonlinear, as it hadn't been ''conceived of'' as a thing yet. A lot of strange stuff went down, and when it was over, most of the "original spirits" had become the [[OurGodsAreDifferent Aedra, Daedra]], and [[{{Precursors}} Ehlnofey]] that we know of today.
** In the series' primary CreationMyth, there were the "12 worlds of creation". [[TheAntiGod Padomay]] shattered them [[DrivenByEnvy because]] Nir (Creation) favored [[GodOfGods Anu]]. Anu put the pieces of these worlds together to create one world: Nirn. From what little is known about them, they were nothing like Nirn is today. The [[WiseTree Hist]] are believed to come form one of these worlds. As are the [[FishPeople Dreugh]], who ruled one of them in the name of [[GodOfEvil Molag Bal]].
%%* ''VideoGame/{{Okami}}'' exists because of this trope.
%%* The Kingdom of Zeal in ''VideoGame/ChronoTrigger''.
* ''VideoGame/TitanQuest'' is an entire Action RPG about the Greek and Egyptian Time of Myths, with a trip into HighFantasy {{Wuxia}} later.
* ''VideoGame/FinalFantasyXII'' and, to a much lesser extent ''VideoGame/FinalFantasyTactics'' are this to ''VideoGame/VagrantStory'', with [[TheMagicGoesAway magic going away]] more and more over the course of millennia.
* The ''VideoGame/GodOfWar'' series, an ultra-violent take on the ancient Greek mythos.
* ''VideoGame/AsurasWrath'' seems to take place in this at first, but many of these elements are actually mixed with Science Fiction and actually takes place in the far future, but the elements for this trope are extremely prominent.
* In ''VideoGame/MassEffect3'', [[spoiler: the DistantFinale reveals the legend of "The Shepard" has long since passed into the realm of myth. The entire series itself is implied to be the Stargazer recounting the story to his young grandson.]]
* ''VideoGame/BravelyDefault'' has two of these, although they are only mentioned in the descriptions of items: the Age of Myths, which appears to be based on Myth/GreekMythology, and the land of Wa, which vanished several centuries before the events of the game and is based on Myth/JapaneseMythology.

[[folder: Western Animation]]
* Disney's ''Disney/{{Hercules}}'', which is (very, very) loosely based on the Greek myth of Herakles. To a lesser extent, Disney's ''Disney/{{Aladdin}}'' as well.
* In ''WesternAnimation/TheLegendOfKorra'' it is shown that humans lived in cities on huge lion-turtles because the wilderness was too dangerous for them. In the wilderness many spirits lived, and some of them were also evil and dangerous. At this time, the first Avatar was created, Avatar Wan. He sealed the spirits in the spirit world so that humans could leave the lion-turtles and inhabit the earth.
** In the course of the plot Avatar Korra opens the entrance into the spirit world again, because she has the hope that humans and spirits can live peacefully together.