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The Lord Of The Rings
alt title(s): Lord Of The Rings
Ash nazg durbatulûk, Ash nazg gimbatul.
(One Ring to rule them all, One Ring to find them)
Ash nazg thrakatulûk agh burzum-ishi krimpatul
(One Ring to bring them all, and in the Darkness bind them)
—The inscription on the One Ring, The Lord Of The Rings

With those words, Sauron forged the One Ring, the vessel of his power and the pivot on which the fate of Middle-earth would turn for five thousand years — until the most unlikely of heroes did the one thing Sauron could never have imagined, and brought his dark tower tumbling down.

The story was originally intended as a shorter sequel to The Hobbit, but as its author famously remarked, "the tale grew in the telling." The Lord Of The Rings is too well-known, and too complex, to be summarised in full, but in brief, Frodo Baggins, one of the hobbit gentry, learns that the magical trinket he inherited from his uncle Bilbo is actually the One Ring, Sauron's masterpiece. While it exists, Sauron cannot truly be destroyed; should Sauron ever regain it, ultimate victory will be his.

Frodo, his cousins Merry and Pippin, and his gardener Sam take the Ring to the Elves of Rivendell, where Elrond fills in the rest of the Back Story. The hobbits are joined by five more characters, selected by Elrond to represent all the races of Middle-earth: Legolas, an elven archer; Gimli son of Gloin, a dwarf; Aragorn, rightful heir to the throne of the human kingdom of Gondor; Boromir, heir to the Steward (the current ruler) of Gondor; and the wizard, Gandalf the Grey.

Before long, Gandalf is lost in combat against an ancient evil, leaving the fellowship following Aragorn. When Boromir succumbs to the lure of the Ring, Frodo decides to complete the quest singlehandedly. Sam manages to catch up with him, but the others are unable to, due to being embroiled in a battle with the minions of Saruman, the first among wizards — and traitor to the forces of good. Boromir dies a Karmic Death.

Guided by Gollum, a previous victim of the Ring, Frodo and Sam sneak into Mordor, Sauron's realm, making their way towards the only place where the Ring can be destroyed: the volcanic fire in which it was originally created. Meanwhile, Gandalf has returned from the dead as Gandalf the White and leads Aragorn and the Fellowship in a series of epic battles which keep Sauron distracted from the real threat until it's too late.

When the hobbits return home, they find that Saruman has taken over their homeland, but after they defeat his minions, Saruman is killed by his Renfield, Grima.

The book was recently adapted into three films with great commercial and critical success. The films were faithful in many respects, though they omitted several subplots due to time constraints, most notably completely changing the events leading to Saruman's death. The debate as to whether the films are Pragmatic Adaptation, Adaptation Distillation or Adaptation Decay still rages on the Internet. Among the contested issues are the depictions of Faramir and Arwen.

There have been at least two Animated Adaptations as well, neither nearly as well-done. There has also been a BBC radio adaptation, two Tabletop RPGs set in Middle-earth, and several video games, from early text adventures to the latest Massively Multiplayer Online Role Playing Game.

The majority of tropes used in LotR are well-explained, unlike in the majority of its imitators. Mordor, for example, has large fertile areas, and the Artifact Of Doom Ring is more than just a convenient MacGuffin — its effects matter too much for that. This is largely due to the immensely elaborated Back Story.

There were, though, some tropes JRR Tolkien couldn't justify to his satisfaction. He spent years trying to decide how orcs could be Always Chaotic Evil without being born evil or soulless (options he didn't think Morgoth, their creator, had the power to achieve), but never found any answer he liked. It was philosophical niggles like this that stopped him publishing the The Silmarillion in his lifetime. His son Christopher did it anyway.
This book includes examples of, or the sources for:
Ralph Bakshi's adaption of The Lord of the Rings includes examples of:
  • Adaptation Decay: This is a pretty bad case of it.
  • Animated Adaptation
  • Cult Classic
  • Everythings Better With Sparkles
  • Ho Yay: The hobbits have enough of that for the whole movie.
  • Improbable Hairstyle: Gandalf and Saruman. They have more hair than any man should have.
  • Large Ham
  • Memetic Mutation: partly inspired by the Peter Jackson movies. Boromir The Hornhead: "Gondor has no pants. Gondor needs no pants."
  • Mr Exposition: Gandalf
  • Narm
    • Frodo's reaction when Gandalf tosses the Ring in to the fire.
    • Sam's ''Oh my! Oh HOO-RAAAY!", when he's told that the Sam and Frodo are going to see the Elves.
    • When the hobbits encounter the first Nazgul. The Nazgul gets off his steed and limps like a leper towards the hobbits.
    • Frodo giving the audience a rather curious look just before the Council of Elrond scene, like he's pleading that he be taken out of this movie.
    • The Terror of the First Age depicted as a man wearing a lion mask, with butterfly wings, and wearing fluffy slippers.
  • Nonstandard Character Design: The masses of xeroxed Orcs with three to four colors on them obviously wearing gorilla masks going against the heroes.
  • Off Model: The characters at times will switch from being a cartoon character to an animated color xerox copy with paint.
  • Rotoscoping
  • Sequel Hook
  • Spell My Name With An S
  • Uncanny Valley


Rankin Bass' adaption of The Return of the King includes examples of: