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The Hunchback Of Notre Dame
"We shall not attempt to give the reader an idea of that tetrahedron nose - that horse-shoe mouth - that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart - of those straggling teeth with breaches here and there like the battlements of a fortress - of that horny lip, over which one of those teeth projected like the tusk of an elephant - of that forked chin - and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination."

The ''other'' famous novel by Victor Hugo. Written in 1831, The Hunchback Of Notre Dame is a rich, meandering tale that addresses messy relationships, fate, and the future of architecture in 1482.

The titular character is Quasimodo, the deaf, one-eyed, hunchbacked, monstrously ugly bell-ringer of Notre-Dame Cathedral in Paris. Abandoned outside the church at the age of four, he was taken in out of kindness by the Archdeacon of Josas, Claude Frollo, who raised him in the church and introduced him to the bells.

When the hitherto chaste Frollo sees the gypsy girl Esmeralda dancing in the street one day, he finds himself stricken with lust, and doesn't know how to deal with it. So, sure as Love Makes You Evil, he grabs Quasimodo (for muscle) and tries to kidnap her. The attempt is foiled by Phoebus, Captain of the Archers. It is spectacularly not foiled by lovable slacker-poet Pierre Gringoire, who gets knocked out trying to save the girl.

Later that night, however, Esmeralda temporarily marries the poet, to save his life from her friends at the Court of Miracles. That doesn't mean she's going to let her new "husband" touch her, mind you, or that she's going to give up her dreams of marrying Phoebus. Phoebus likes the look of her, himself, and although he's already engaged to his teenage cousin Fleur-de-Lys, he's not opposed to a bit on the side.

Esmeralda's kindness to Quasimodo when he is in the stocks for the kidnapping attempt (Frollo having let him take the fall) makes her an angel in Quasimodo's mind, and he is henceforth devoted to her. This eventually, and painfully, puts him in conflict with Frollo, whose combination of lust and loathing for Esmeralda makes him increasingly unstable.

Amidst the drama and tragedy resulting from everybody's fatal obsessions, Hugo includes leisurely chapters on the architecture of Paris and the expected impact of the newly-developed printing press. Hugo himself considered the Cathedral to be the main character, as per the novel's French title Notre Dame de Paris.

Disney inexplicably made this into a children's movie in 1996. Obviously, they changed things a bit. The film was, in 1999, translated into German for a Broadway-style musical, which backtracked a bit and is somewhat Darker And Edgier than the film. There's also a French-language rock opera called Notre Dame de Paris, starring Quebecois singing sensation Garou, and it's very close to the book. Many other adaptations exist with varying levels of decay, most famously two Universal film versions. The first was released in 1923 with Lon Chaney as Quasimodo (an appropriate piece of casting), and the second in 1939 with Charles Laughton in the role.


The Hunchback Of Notre Dame novel provides examples of the following tropes:

The Novel
  • All Love Is Unrequited
  • Alternative Character Interpretation: This happens the most to Quasimodo and Frollo. In the book, Quasimodo is rather mean and hates most people. In the films, he is usually put in a more sympathetic light. The exact opposite usually happens to Frollo. In his book form, he is, for the most part, benevolent but sexually frustrated. While he is an antagonist, he is also often considered a tragic anti-hero. However, in the films he is usually made into an all-out evil, sexually depraved monster.
  • Author Filibuster: But they're interesting.
  • Author Stand In: Gringoire.
  • Burn The Witch: Esmeralda is charged with witchcraft, among other offenses.
  • Come To Gawk
  • Contrived Coincidence: mostly in the sub-plot about Esmeralda's search for her mother.
  • Doorstop Baby: Quasimodo was abandoned outside the church and adopted by Frollo.
  • Downer Ending
  • Death Is Dramatic
  • Driven To Suicide: Quasimodo, having seen or participated in the deaths of everyone he loves
  • Family Unfriendly Death: the amount of detail in Frollo's last moments was slightly nauseating, especially when you're used to portrayals in which death by falling is quick and clean
  • Fleur De Lis: The name of a character, among other things
  • Gentle Giant: Semi-averted. Except to the people he loves (all two of them), Quasimodo is unsociable, violent, and mean.
  • Go Through Me: Quasimodo's solution to his dual loyalties to Frollo and Esmeralda.
  • The Grotesque: Quasimodo.
  • Historical Domain Character: King Louis XI. Gringoire was also a real person.
  • I Want My Beloved To Be Happy: Quasimodo does what he can to make Esmeralda happy, including acting as a messenger to Phoebus, whom he knows to be a jerk.
  • Joker Jury: Gringoire's trial in the Court of Miracles.
  • Karma Houdini: Phoebus, who has no problem taking advantage of Esmeralda's innocence, or letting her die on trumped up charges.
  • Kill Em All: Seriously. Who doesn't die in this book? Gringoire, Djali, Phoebus and Fleur-de-Lys. And that's about it.
  • Knight In Shining Armor: Phoebus more or less fits this trope, especially in Esmeralda's eyes. He's still a jerk, though.
  • Lost In Imitation: Quasimodo's role has been exaggerated and romanticized in the public mind though many adaptations, and the architectural themes minimized.
  • Love Dodecahedron: Frollo, Quasimodo, Phoebus, and Gringoire are all attracted to Esmeralda, who is married to Gringoire, but has eyes only for Phoebus, who is engaged to Fleur-de-Lys.
  • Love At First Sight: Esmeralda for Phoebus, Frollo for Esmeralda (albeit a lot less purely).
  • Love Makes You Evil: Frollo's unhealthy obsession with Esmeralda drives the plot.
  • Market Based Title: Published in the original French as Notre-Dame de Paris, invariably published in English as The Hunchback of Notre-Dame.
  • My Name Is Not Durwood: Phoebus can't be bothered to remember Esmeralda's name, so he usually just takes a stab at it.
  • Non Human Sidekick: Believe it or not, Djali, Esmeralda's adorable, intelligent goat, is not a Disney creation.
  • Oedipus Rex: Both Quasimodo and his father-figure are in love with the same woman.
  • Orphans Plot Trinket: Esmeralda has an amulet which is supposed to help her find her mother.
  • Promotion To Parent: Frollo's parents die while he's a young man, leaving him to raise his baby brother, and then Quasimodo, whom he adopts.
  • Rescue Romance: Esmeralda and Phoebus.
  • Right Hand Versus Left Hand: See The Siege, below.
  • Roma: Esmeralda but not really. Probably Quasimodo, by birth.
  • Seeking Sanctuary: Everyone knows this scene.
  • Shoo Out The Clowns: Jehan's death acts as a gigantic "Bad End Incoming" flag.
  • Shown Their Work: Let's just say Victor Hugo's novels are educational.
  • The Siege: Quasimodo bravely and single-handedly defends the cathedral against an armed horde. Who were trying to rescue Esmeralda. Oops.
  • Sinister Minister: Frollo, but only because love made him evil.
  • So Beautiful Its A Curse: If Esmeralda was unattractive, none of the bad things in the novel would've happened.
  • Stalker With A Crush: Frollo again. Quasimodo, too. And Esmeralda is this to Phoebus.
  • Taking The Heat: Only Quasimodo is punished for the initial kidnapping attempt.
  • The Tramp: The entire Court of Miracles.
  • Together In Death: Quasimodo and Esmeralda.
  • Values Dissonance: Sexual obsession in a priest? Bad, wrong, dangerous. Sexual obsession of a man in his thirties for a sixteen-year-old girl? No prob.
    • Also, this is not an anti-racist story. The Parisians' mistreatment of Esmeralda is treated as literary irony: they're wrong to treat her as they do, because she's really one of them. Their treatment of real "Gypsies" is completely excusable: it's clearly established that "Gypsies" really are dangerous — thieves and con artists who will readily steal children. If you think Victor Hugo loved gypsies and was protesting their mistreatment, go and read The Man Who Laughs.
      • What about when Paquette immediately starts saying "I love the Egyptians" after learning that they didn't eat her daughter? Also, the gypsies are trying to save her, and Quasimodo (part gypsy) is sort of sympathetic. Also, the comprachios in the story are never specifically referred to as gypsies.
  • Virgin Power: Esmeralda has an amulet which is supposed to help her find her mother, but believes it will only work so long as she is a virgin.
  • Wrongly Accused: Esmeralda is arrested for stabbing Phoebus, which was actually done by Frollo in a fit of jealousy. She never clears her name, and is hanged for it.

1996 Disney adaptation
  • Adaptation Decay: Each of the movies has a certain amount, but Disney's has a lot.
    • Fans of the movie would just like to say that it could've been a whole lot worse.
  • Angry Mob Song: "The Court of Miracles"
  • Apologetic Attacker: Phoebus tries one on Esmeralda, while she has him pinned to the floor with his own sword at his throat, and it works!
  • Brick Joke: "I'm free! I'm free! Dang it."
  • Broken Aesop: Sure, the ugly Quasimodo isn't a monster, but he was absolutely right when he said Esmeralda could never love "the ugliest face in all of Paris."
    • She still liked him though. Not all love is romantic.
  • Calling The Old Man Out: During the film's climax in the cathedral, Quasi says to Frollo, "All this time you've told me that the world is a dark, cruel place, but now I see the only thing dark and cruel about it is people like YOU!"
  • Climbing Climax: Three guesses what structure it takes place on, but the first two don't count.
  • Complete Monster: Frollo is Disney's darkest, most evil villain ever. Most people only remember him because of how cruel he was.
    • Let's see: first he crosses the Moral Event Horizon in the first five minutes of the film by attempting to drown a baby Quasimodo after killing the baby's mother on the steps of the cathedral. Then he is shown to be quite obviously emotionally abusive to Quasimodo; on top of that, he's downright genocidal, seems to take delight in torturing his own soldiers, deliberately attempts to burn an innocent family alive in their home, and has an unhealthy and dangerous sexual obsession with Esmeralda. Oh, and then he burns down most of a major city because a girl won't have sex with him. And yet the fans have bought him a pair of leather pants.
      • Not to mention the fact that rather than admit his lust for Esmeralda is his own fault he'd rather blame it on her, insisting that she's a witch who is enchanting him. Which he sees as excusing his violent measures to catch and rape/kill her.
  • Cool Horse: "Achilles! Heel!" According to the DVD Commentary, when asked "What's the horse's name?" someone finally answered "Achilles!" just for this joke.
  • Crowd Song: "Topsy Turvy"
  • Crowning Moment Of Awesome: "SANCTUARY! SANCTUARY!" See also Calling The Old Man Out above.
  • Crowning Moment Of Heartwarming: the little peasant girl at the end giving Quasimodo a hug and leading him out into the crowd.
  • Crowning Music Of Awesome: It's a great score, but "Hellfire" and the instrumental track "Sanctuary" take the cake. "Made of Stone" from the stage version certainly counts as well.
  • Curse Cut Short:
    Esmeralda: You sneaky son of a...
    Pheobus: Ah ah ah, watch it. You're in a church.
  • Darker And Edgier: Much darker than the standard Disney Animated Canon fare. The villain sings about lusting after, raping and murdering a sixteen-year old girl.
    • She seems older than sixteen but yeah, point still stands.
    • And it's even worse in the stage version, where Esmeralda actually dies, which has yet to make it to Broadway. I wonder why...
  • Disney Animal IQ Bonus: Conspicuously averted. Djali is far less intelligent than in the book, and definitely more so than typical Disney creatures.
  • Lighter And Softer: it's definitely lighter in tone than the book. Many of of the elements and themes presented in the novel, like Quasimodo's hate and contempt for most people or Phoebus being a total jerk trying to take advantage of an innocent young girl, were either changed or taken out completely.
    • It was not taken out completely. At 8 years old this troper knew that Frollo lusted after Esmeralda. The Hellfire part is pretty clear in regards to that.
  • Disney Death: Esmeralda
  • Disney Villain Death: Frollo falls, all right, but it's given a fair bit more detail than the usual Disney Villain Death.
  • Doorstop Baby: What, in the book, was Frollo's kindest deed becomes a Moral Event Horizon in the film.
  • Extreme Omni Goat: Djali, though this trope was not used in the original.
  • Fridge Logic: Frollo burns a house down after locking the family inside. Why would you design a door so it could be barricaded shut from the outside?
  • Getting Crap Past The Radar: How did they let such obvious sexual tension into a G rated movie?
  • Gentle Giant: Played straight.
  • The Grotesque: Quasimodo.
  • I Want My Beloved To Be Happy: Quasimodo does what he can to make Esmeralda happy, including blessing her relationship with Phoebus at the end.
  • I Want Song: "Out There", "God Help the Outcasts", "Hellfire".
  • Joker Jury: Quasimodo and Phoebus' trial in the Court of Miracles.
  • Kubrick Stare: When Quasimodo finally decides that he's taken enough crap from Frollo, and that violin starts softly playing in the background...
  • Love At First Sight: And how! Esmeralda must have had some Love Potion No. 9 before the Feast of Fools, because everyone wants her. Immediately.
    • The fact that she's billed as "The Most Beautiful Woman in France" and does a rather provocative dance (including a brief pole dance with a spear) in a rather revealing for the period outfit probably helped.
  • Love Makes You Evil: Frollo's unhealthy obsession with Esmeralda drives the plot. Although in this adaptation, all it did was just send him completely over the edge; the man was pretty evil to begin with.
  • Mood Whiplash: The gargoyles' goofy jokes often seem out of place, especially when Frollo's running around trying to slaughter the gypsies:
    Hugo: Paris, the City of Lovers, is glowing this evening.
    Sure, that's because it's on fire, but still, there's l'amour.
    • Used intentionally in the "Heaven's Light/Hellfire" sequence: Quasimodo sings a heartbreakingly beautiful song of love and hope, having finally found some acceptance and affection from Esmeralda, which segues immediately into Frollo all but masturbating over Esmeralda's scarf and fantasizing about burning her at the stake.
    • Also done, possibly intentionally, in the Feast of Fools sequence. It starts out with a light-hearted, fun musical number, with a dance interlude from Esmeralda. But once the song's over and Quasimodo has been crowned the King of Fools, some Jerk Ass in the crowd tosses a rotten vegetable at him to see if he can make Quasimodo any uglier. Clopin and the other cheerful characters abruptly disappear, replaced by an ugly mob that ties Quasimodo to a wheel of torture and continues to verbally and physically abuse him until Esmeralda puts a stop to it and rescues him.
  • Mythology Gag: With the novel in that two of the gargoyles are named Victor and Hugo, and with the rest of the Disney Animated Canon in that Aladdin's flying carpet, Belle, and Pumbaa (on a spit) can be glimpsed in the "Out There" sequence.
  • Narrator: Clopin
  • Nightmare Fuel: The Villain Song, "Hellfire"
    • Then there's the gargoyle that randomly comes to life just to finish off Frollo...
      • Heck, where does it begin? This troper didn't see the movie until age 16, and within the first four minutes was in complete disbelief that this was a Disney movie.
  • Non Human Sidekick: Believe it or not, Djali, Esmeralda's adorable, intelligent goat, is not a Disney creation.
  • Not A Mask: Happens to Quasimodo during the festival.
  • Obsession Song: "Hellfire" again.
  • Ominous Latin Chanting
  • Roma: Clopin, Esmeralda, Quasimodo, Quasimodo's mother
  • Saintly Church: The benevolent archdeacon, in contrast to Frollo. In the book, they were the same character.
    • The cathedral itself could probably count as a literal example, since there are hints that it has a life of its own and is silently watching everything. The fact that a gargoyle on it comes to life to make Frollo fall to his death would back this up.
  • Good Shepherd: The Archdeacon is probably one of the best examples of this.
  • The Scrappy: Nobody seems to like the gargoyles, mostly due to their contribution of the Lighter And Softer tone of the film.
  • Seeking Sanctuary
  • Sequelitis: And how. The first film had gorgeous animation, dealt with some pretty heavy themes for a Disney movie, and had very good music. The sequel dispensed with all of these in favor of an even Lighter And Softer approach that shoehorned in an undeveloped and boring love interest for Quasimodo. Why Kevin Kline, Tom Hulce and Demi Moore stuck around for it is a mystery for the ages.
  • Sinister Minister: Frollo.
  • Stalker With A Crush: Frollo again.
  • Tempting Fate: "And He shall smite the wicked, and plunge them into the fiery pit!" Said by Frollo whilst standing above a fiery pit.
  • Three Amigos: The gargoyles.
    • WordOfGod says in the DVD commentary that the talking gargoyles are figments of Quasimodo's imagination to cope with the loneliness—that is, they really are stone, and in reality he's talking to himself and arguing with himself constantly. Watching the interaction of the gargoyles with Quasi makes them a lot more interesting when you find out that.
      • That is, until the direct-to-video sequel, where Quasimodo's love interest sees them, too. You can almost smell the Discontinuity.
      • Also, that doesn't really explain how they move from the parapets to inside the tower, then freeze in place when Frollo comes calling. Does Quasi go so far as to lug them around with him?
      • And the fact that the gargoyles were able to throw rock projectiles and a catapult off the edges of Notre Dame to ward off against the guards. One of them even shot rocks complete with machine gun effects!
      • While the machine gun thing was probably Rule Of Funny, this troper imagines something like the reveal in A Beautiful Mind: e.g. John Nash's roommate was a hallucination, and all the things the roommate was shown doing were done by Nash himself.
      • Still, Quasi would have been kept rather busy if that were the case.
  • Ugly Cute (Quasimodo, and how.)
  • Viewer Gender Confusion: The gargoyle Laverne has no Tertiary Sexual Characteristics and a voice actress (Mary Wickes) with a husky voice. Although she has an obviously feminine name, it's only mentioned once in the film.
  • Villain Song: "Hellfire", one of the Most Triumphant Examples
  • The Woobie: Quasimodo.