Kakyo is an interesting case, since he can see the future and knows it'll be bad. The entire X1999 saga is about the great lengths a small group of people go to in an effort to change the foreseen future.
Blackbeard from One Piece is a rare example of a fatalist who believes he himself is bound for a great fate.
There's also Basil Hawkins, who is actually quite Bad Ass. Fortunately, he doesn't waste time trying to convince other people of his point of view. He usually just does whatever his cards tell him has the highest probability of success, no matter how outrageous it may seem. And he hasn't been wrong yet.
Just to make an example. Marine Admiral Kizaru (the world's fastest man, who is also a nigh invulnerable Person of Mass Destruction) turned up looking to arrest him. He calculated that he would survive, and then that the best option was to attack. And he got away almost entirely unharmed
Yuuko Ichihara from Xxx HO Li C believes in everything being subject to "hitsuzen", a Japanese term usually translated as "inevitability."
Justy Ueki Tylor, title character of Irresponsible Captain Tylor believes this, going so far as to point out "when it's time to lose you lose no matter what you do." However, unlike many here he turns this towards a positive end: If it doesn't matter what you do, then you may as well do what you want and things will work themselves out.
That's because he knew he'd be calm, having seen himself being calm in the future.
Which actually creates a bit of a paradox in that Dr. Manhattan is repeatedly shown as reacting emotionally to events he already knew would happen... because he knew he would react that way upon hearing the news for the "first" time since he thinks in all times simultaneously.
By the time he was getting emotional, he was already being affected by the tachyons, impairing his vision of his future.
In Calvin and Hobbes, Calvin once proclaims himself to be a fatalist, so he could blame the bad things he does on fate. Hobbes promptly trips him over, saying: "Too bad you were fated to do that."
Achilles in Troy (along with Hector and most of the other characters from the Iliad).
I'll tell you a secret. Something they don't teach you in your temple. The Gods envy us. They envy us because we're mortal, because any moment might be our last. Everything is more beautiful becausewe're doomed. You will never be lovelier than you are now. We will never be here again.
The Huntsman in The 10th Kingdom is a villainous example, but with a reason: if he didn't believe in fate, he'd have to accept that his own actions led directly to the death of his son.
"Now, children, come on over here. I'm going to tell you a bedtime story. Are you sitting comfortably? Then I'll begin. Once upon a time, there lived a magnificent race of animals that dominated the world through age after age. They ran, they swam, and they fought and they flew, until suddenly, quite recently, they disappeared. Nature just gave up and started again. We weren't even apes then. We were just these smart little rodents hiding in the rocks. And when we go, nature will start again. With the bees, probably. Nature knows when to give up, David."
Smith in The Matrix films, especially after absorbing The Oracle and gaining her foresight, which reveals that he will defeat Neo. In the end, Neo resigns himself to the fact that Smith must defeat him in order for peace to be established between Zion and the machines. Smith was right that he would defeat Neo in battle, but he didn't realize until it was too late how that would lead to his own demise.
Rand al'Thor, The Dragon Reborn in The Wheel of Time, increasingly becomes this. His mounting insanity does not help raise his mood or help his not seeing things this way, as one might expect. More and more he sees his death, and his withdrawing from the things that made him human, as inevitable consequences of who he is, and himself as just a slave to the Pattern. Once his prolonged psychotic break enters its worse phase, he briefly overlaps with Nietzsche Wannabe as he contemplates just ending the cycle of suffering and apparent meaningless, by destroying the world. He manages to get a little better. Whether it sticks, we will just have to wait and see.
In "Xuthal In The Dusk", the inhabitants of Xuthal put up with being picked off by Thog because of this.
In an Exactly What It Says on the Tin example, the eponymous Jacques the Fatalist of Denis Diderot's philosophical novel. Jacques is an unusual example of this, somewhat like a positive take on Pangloss' "best of all possible worlds" philosophy in Candide. Jacques believes that everything that happens in one's life is already written on high, and thus he enjoys positive things and reacts with stoicism toward negative ones, because he believes that everything that happens is unavoidable.
Cinderheart becomes this in Warrior Cats after hearing Lionblaze's prophecy and rejecting him. She keeps saying they can't be mates because it would ruin their destinies. Finally, Lionblaze snaps her out of it.
Pretty much all Muslims, even those like Mahmoud al Beshay who left their homeland to get away from Islamic culture, believe that something will or won't happen depending on Allah's will. Up to and including surviving an incredibly nasty bioweapon the Caliphate is having created to wipe out their enemies.
One of the reasons the Caliphate relies on the Janissaries for their military forces is that the Janissaries will practice and perform regular maintenance on their equipment so that it remains functional, as not being raised from birth in Islam means "as Allah wills it" isn't a core behavioral tennet.
Played With in the final chapter of A Hero of Our Time, which is even titled "The Fatalist". An officer shoots himself in the head on a bet, despite the warnings of the main character, who has a premonition that the officer will die that day. The pistol jams, however, so the officer collects his money and heads home—only to be slashed to death by a drunken Cossack for no reason whatsoever, and his last words, referring to the main character, are "He was right!" The novel leaves deliberately open who the chapter title refers to: the main character, the officer, or the former's commanding officer with whom he discusses it at the end of the chapter and who simply states something along the lines of "You Can't Fight Fate" on the topic of the officer's death—before proceeding to criticize the pistol model he was using for jamming too often.
The Fated in the Dungeons & Dragons setting Planescape are a bit of a subversion. They claim to believe in the ultimate fate that no one can alter, but what they actually seem to believe in is not helping others (and, conversely, not expecting help themselves). They still strive to achieve things, though: if they succeed, then they were fated to do so and, if not, they've no business complaining about it.
Mechanists from Genius The Transgression take this trope to its logical conclusion, and will commit hideous atrocities without remorse because they're not responsible, destiny is.
'Stonewall' Jackson was legendary for being as steady as a 'stone wall' in battle, even under cannon fire. He is quoted as saying "May mine and I, by God's grace, stand like a stone wall before the onslaught of the enemy, trusting that we are as safe on the battlefield as we are in our beds." believing that he would die whenever God willed it.
Any devout follower of a religion who believes similarly.
Spengler was fatalistic only in the largest sense. He believed that the general path of each civilization was set, with a given cycle going through recognizable stages, much like the recognizable stages in the growth, life, and death of an individual. He believed that the fine details were quite flexible, however. For ex, as Spengler saw it, the coming of a figure who would be to Western Civilization what Augustus Caesar was to Greco-Roman society might be inevitable, but who that figure was, what kind of person he would be, and the details of the coming empire, were quite open to determination.
Sabata from Boktai is an interesting case: He's aligned with the bad guys because destroying all life is "the will of the galaxy". Turns out he's right but still pulls a Heel-Face Turn not because he thinks they can win (he knows they'll lose, in fact), but because fighting is his way of life.
Sabata: Our opponent is Dark, the Will of the Galaxy Universe, the origin of all life. Of course... Right from the start, I knew we didn't stand a chance. All the starts, all life... Everything is enveloped with eternal death. People die... But me... I don't care about all that. It's all about how I live. Resisting and fighting to the end. That's what it means to me... to live!
Wilhelm from Xenosaga. On the other hand, he's made the Eternal Recurrance take place countless times before...
In the Legacy of Kain series, Kain at first seems this way to Raziel, who actually uses the term to describe him. It turns out he seems this way because he's watched the whole timeline and has it memorized, so he knows exactly what's going to happen and is waiting for the exact moment to Screw Destiny.
Xan, the chronically depressed elven mage from Baldur's Gate, leaves no doubt about how doomed he thinks he, the other party members, their quests and their goals are. Many players find him darkly funny, to the point that when he was Demoted to Extra in the sequel, fans made a Game Mod that made him a playable character again.
More specifically, Uha was already a member because he found a sense of kinship with Brendan Reed and his sons, whose philosophy of punishing the wicked and protecting the weak he agreed in. When Nergal took over the Fang, Uhai refused to defect - both from loyalty to his True Companions, and from a belief that he's not powerful enough to oppose Nergal. Out of respect for Eliwood and his friends for successfully defeating him, though, he aids them with his dying breath, partially because he believes they might have a chance to stop Nergal and partly out of respect for their resolve and strength.
Cazarosta: We are sabres in the hands of infinity, to move and act as we are bid. The fact that we sometimes have second thoughts in the obeying gives us the delusion that we have some ability to determine our fates, that we are born with a freedom to choose our actions: to be kind or cruel, good or evil. That is mankind's most glorious and beautiful dream, but it is a delusion nonetheless.
Garland is given this characterization in Dissidia: Final Fantasy. He is one of the few characters in the game who's aware of the "Groundhog Day" Loop they're all stuck in, and has been completely broken by the endless repetition of divine war. He's resigned to become a Blood Knight, because enjoying the conflict is all he has left to his life, and the mere suggestion that the cycle can be broken drives him furious, because he refuses to believe in false hope.
The Grey Wardens in Dragon Age. After the Joining, it's explicity spelled out for them that there is no going back and that every member must accept that for the rest of their life, ( the next thirty years), they have sworn an oath to fight the Darkspawn horde. Then, when the Wardens have reached the age for their Calling, they will go down taking as many of the Darkspawn as they can with them.
Saren Arterius in Mass Effect 1. He works to bring about the return of the Reapers from Dark Space, seeing the evidence that they have repeatedly harvested of the galaxy for millions of years as proof that resisting them is futile and only those who prove useful to the Reapers will be spared the coming invasion. His fatalism is somewhat understandable, since he's later revealed to have been slowly Indoctrinated by Sovereign and Paragon Shepard can convince him to resist long enough to shoot himself.
Azala, the leader of The Reptites in Chrono Trigger is revealed to be this in the end. When you defeat her, she expresses shock that the heavens chose "the apes" over her race, and accepts her death even when Ayla tries to convince her to escape with them because it is their fate to go extinct.
Ayla: Come! Azala, come!
Azala: Absolutely not! The powers that be have spoken.
Only even it was foretold years in advance.Homestuck has made fatalists of fans, as in the comic there is arguably not a single moment of free will displayed by the characters.
The biggest fatalists tend to be the characters with the capability to Time Travel or see the future. An Image Song for Aradia illustrates this perspective very well:
Everything's in order; everything will come in time... Just so long as I complete the tasks that are mine. [...] It's pretty much this hard to keep just one timeline intact. I can see the endings that the realms will not permit...
Wanda in Erfworld once tried to fight against fate. Everyone she loved died as a result, and she still ended up working for the people it was foretold she would work for. This is why she believes it's impossible to fight against fate, and that trying to do so just causes suffering as fate reasserts its hold on you. Oddly, her Love Interest displays the exact opposite mindset, being willing to take all of that misery in the hope that she can change things for the better.
Goblins: Dies Horribly, a victim of a tribal custom where children are named by fortune tellers, believes that his death is inevitable and that there's no fighting it, so he's a real coward. He ends up giving his life to a demon in exchange for an artifact that the rest of his party needs, but then is revived almost immediately afterwards due to a loophole in the contract. And Saves a Fox seems to be inching towards this attitude away from her initial stance of "Screw Destiny" after Dies tells her that the fox she killed "instead" of saving had acted like it was in the first stages of a slow and agonizing disease.
Beast Wars deconstructs this with Dinobot, specifically during Season 2. When he discovers that they've been fighting on Earth All Along and steals the Golden Disc, he begins to ponder whether the future it shows is the only path available to him. He then ponders whether he should destroy them, but deduces this as cowardly and chooses to unlock the truth before anything else happens. Later, after witnessing Megatron using the disc to "test" whether the future can be changed - by destroying a mountain recorded, which prompty is erased from the Disc's records - he has his answer that the future isn't set in stone. He prompty chooses to accept his fate anyway, because while he could choose to defy his fate, his strong sense of pride and honour dictates that he can't do so, having given Megatron back the disk in the first place. So, knowing that he will almost certainly die, he faces down all the Predacons in a Dying Moment of AwesomeHeroic Sacrifice, saving the proto-humans (the ancestors of the human race) in the process.