A lot of the time, Functional Magic
is bound by formulas, parameters, and in-universe consistency and limitations
. In a narrative context, the most common of these is having to perform a specific action to achieve a specific effect. Maybe a long chant is required to cast the spell, maybe you have to draw a circle in the ground, maybe you need to make some sort of gesture or hand sign. These are all potential openings, so you'd better hope Talking Is a Free Action
And then a character shows up that seems to, at first glance, ignore the established system by being capable of Simplified Spellcasting
. They can simplify the process
to produce an immediate effect with little or no Spell Construction
This ability is generally the product of either years of experience, a rare talent, resourcefulness, being a Badass Abnormal
, having learned the magical arts under very unusual circumstances, or being in posession of rare equipment that can assist spellcasting. In any case, expect the caster's opponent to call him out for cheating. Sometimes, however, this advantage carries a price or drawbacks inherent in the method
, such as making the spell weaker than it would be with proper Spell Construction
, carrying higher risks, or substituting the cost of opportunity for something else such as rare reagents or the user's own life force
It can add an element of unpredictability by allowing the spell to be cast without Calling Your Attacks
. It can also lead to I Am Not Left-Handed
, when an opponent assumes that the caster has been neutralized because the usual methods have been suppressed.
Note that if casting spells without any prerequisite is normal
in-universe, it does not count as this trope. However, the normal requirements do not have to be completely foregone, merely reduced. Also, this is a fantasy
trope. A subtrope of Thought-Controlled Power
when no Spell Construction
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Anime and Manga
- James Stark has a knack for bluffing his way through magic, a talent that (combined with his personality) eventually annoy his "friends" enough to send him to hell.
- In The Chronicles of Amber, most magic is either card-based (for communication/transportation) or incantation based. However, Merlin has a way of "priming" spells for use. He basically gives the incantation, but keeps the spell from resolving, allowing for use later. The spells only have a short shelf-life though, which makes this somewhat Awesome but Impractical.
- In Discworld the properly preformed Rite of Ashkente (which summons Death into a circle) is ludicrously long and convoluted, so they almost always skip most of it.
- The Rite is in fact a comedic inversion of this; anyone with magic ability can perform the complete rite in five minutes with two bits of wood and a fresh egg. Since wizards are inveterate showoffs to a man they find this fact extremely distasteful, and unless pressed for time will add in lots of pointless chanting and dribbley candles to make themselves feel better.
- In Harry Potter, it is considered a sign of talent and experience to be able to cast spells nonverbally. So even if you hit an opponent with a Silencing Charm, you can't feel too safe as long as they have a wand in their hand.
- Averted in that young witches and wizards sometimes use magic accidentally, but it's implied that most forms of controlled magic are impossible without a wand, possibly even to Dumbledore and Voldemort.
- In the first movie, Dumbledore changes the banners in the Great Hall, and in the third movie he is implied to save Harry from falling to his death without his wand, but these are movie-specific exceptions.
- Voldemort is able to control his magic to some extent as a kid (he uses it to abuse the other kids and explore normally inaccessible caves), but it isn't clear how effective this is.
- Lupin manages what is apparently a simple light spell (Lumos) both nonverbally and without a wand. It's unknown whether he's capable of anything more complicated.
- In Inheritance Cycle, magic is usually cast via the Ancient Language, but a sufficiently trained magic user can cast spells mentally. However, this comes at the cost of control; the caster runs a higher risk of the spell going wrong or backfiring.
- Kelley Armstrong's The Otherworld series contains necromancers, who use relics of the dead to invoke their more impressive abilities. In No Humans Involved, Jamie Vegas raises the dead without using such a relic.
- In the Elenium (and its sequel series, the Tamuli), magic is usually accomplished through an intricate, ritualistic invocation, including somatic components. This can take a while, and is very hard to do when you're in the middle of a battle - not to mention requiring you to think and talk in at least PASSINGLY decent Styric, which is apparently a very, very difficult language. However, there are a few who have found alternate sources of divine power, and they can usually whip up some serious magic just with a quick word or gesture.
- Those that have attained a close, personal relationship with a Styric God are able to simply send a mental plea for help. The god in question still gets annoyed if they 'shortcut' TOO much, and insists that they go through the motions if there's time.
- Within Rick Cook's Wiz Biz novels, the protagonist finds a way to employ his programming skills to store and retrieve complex spells using counting daemons.
- In the Young Wizards series there are a few spells whose spell circle can be pulled up off the ground, stored away, and then put back down on the ground for later use without having to reconstruct the circle.
- A spell can be almost completely cast and then stored in a wizard's mind, to later be released by saying the last word in the spell. However, only a limited number of spells can be stored this way.
- For combat purposes, wizards will sometimes build a weapon made from words of a spell written in Hard Light and use the last word as a verbal trigger (or, in some cases, a fuse).
- Nita has a special magical construct which she created under special circumstances, which can hold up to nine completed spells. The construct tangibly manifests as a charm bracelet, with each charm being a stored spell.
- In Dungeons & Dragons, spells usually have various components which include verbal (spoken magical words), material (essentially magical substances that are consumed by the spell), somatic (gestures) and the like which are needed to cast them. However, the metamagic feats can allow the "rules" of the spell to be ignored. These feats usually come at the cost of an increase in spell level, requiring the caster to use up his/her more limited high-level slots.
- An example is the Silent Spell feat. If a wizard with the feat prepares the spell silently, it takes up a one level higher level but can be cast even in a Silence field (otherwise a great way of stopping a wizard). A sorcerer doesn't (and can't) prepare spells, but if they have Silent Spell, by spending a higher level spell slot and taking a full-round action can pull off the same trick. Quicken Spell costs four spell levels, and allows a spell to be cast very quickly (in the same round as another spell). Metamagic rods let a caster pull this off without spending the feat or spell levels, but only a few times per day and with other limits instead.
- There are also inversions of this trope such as the Snowcasting and Primitive Spellcaster feats, which add more components to a spell to increase its power.
- A Hero System mage can build his spells with "Variable Limitations", letting him change the requirements for spellcasting. The example in the 6th Edition rulebook is a mage who normally chants and gestures to cast a Teleport spell, but when he's captured (and bound) by brigands he changes the spell Limitation and teleports away.
- In Mage: The Ascension, this is the measure of a mage's enlightment. Most mages need some sort of focus, depending on how they learned their magic (anything from tarot to mad science) However, as they advance in power, they learn to skip the rituals more. The most powerful ones can perform Reality Warping by will alone.
- 3E GURPS Technomancer. Mages start out needing to use words and actions in order to achieve the proper mental state, but experienced casters just need to concentrate.
- As of GURPS 4th edition, magic works like this for all spellcasters. The better their skill, the less words and actions are needed. Run-of-the-mill casters need loud words and gestures, optimized casters need only a word or a gesture, and it is possible to cast without words if you are really good.
- Caster from Fate/stay night, due to her High Speed Divine Language Skill. Rin was able to do this as well, but only because she was using magic jewels with contained high quantities of magic energy; once that source was exhausted, she had to recite her spells.
- In Tales of Vesperia, while in Overlimit mode, magic users will simply recite a short generic phase instead of a lengthy incantation and cast the spell almost instantly. Rita, for instance, simply says "Blah blah blah, *insert spell name*!".
- Originally done in Tales of Symphonia: Dawn of the New World by Marta: "Blah, blah, blah, PHOTON!"
- In general, when humanoid bosses in this series have spells that are also available to player characters, they'll have a reduced casting time and a shorter incantation to go with it, or be able to skip the incantation entirely.
- In the Megami Tensei series of games, the long complex process of summoning and contracting with demons is simplified and shortened by programming the processes into computers and running the resultant Demon Summoning Program.
- In Unsounded, spellcasting generally involves a verbal component. The rare ability to create magic without this verbal component is known as tacit casting. Duane is capable of tacit casting, and is apparently an unusually quick caster.
- Phaeton has both long form (more syllables, more power, longer to cast) and short form (less syllables, less power, shorter to cast) magic.
- Also using words and getures are not neccessary to use powers sometimes but always make it easier.
- Spell scribes generally write on a piece of paper but can also cast by writing in the air.
- In Avatar: The Last Airbender, bending powers are typically accompanied by large, flashy martial-arts-like movements. The more powerful the bender, the less movement they need to gain the effect. Members of the Fire Nation royal family are sometimes seen to shoot jets of flame from their palms or mouth with little or no movement required, and King Bumi can perform impressive feats of Earthbending just by wiggling his nose or chin.
- And there's an assassin who can firebend with his mind. As did an opponent in the third season of The Legend of Korra.