[[quoteright:300:[[Literature/{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]]]
[[caption-width-right:300:"Fuck yeah, slavery!"]]

Readers who would ''never'' enjoy the sight of horrors committed against real people can often enjoy the suffering of fictional individuals. Many authors, aware of this, will happily give the readers what they want: Romanticized Abuse, or Abuse {{Fanservice}}. This can happen on four levels:

# '''Civilization:''' A PlanetOfHats, grim FetishFuelFuture or just a CrapsackWorld.
# '''Organization:''' A religious cult, criminal network or whatever fills the role.
# '''Couple:''' A husband and wife or other couple may be sweet and respectful towards each other, sharing their mutual hobby of torturing someone else or [[SafeSaneAndConsensual each other]] if they are more sympathetic.
# '''Individual:''' This level is covered by the gendered subtropes BastardGirlfriend and BastardBoyfriend. Putting individual characters as example in the supertrope should only be done if the character is of unknown gender or a genderless shapeshifter/alien/whatever. A character that give KickTheDog, MoralEventHorizon (or even ShootTheDog) to another character (especially if they making the character into a [[TheWoobie woobie]]) also works.

The husband and wife of a Romanticized Abuse couple should normally only be mentioned here in the supertrope--it's redundant to also mention them in the gendered subtropes, ''unless'' they also have individual adventures where they are effectively single or in another relationship with a different dynamic. For individuals who represent a civilization or an organization, it's a matter of whether they act as individuals, as representatives, or both.

When combined with EvilIsSexy, or any other of the EvilTropes, Romanticized Abuse is likely to lead to DracoInLeatherPants. However, DracoInLeatherPants may be justified if the group or person whose abusive behavior is romanticized is [[NotIfTheyEnjoyedItRationalization not necessarily]] [[MrViceGuy portrayed as evil at all]].

A subtrope of {{Fanservice}}: Sexual abuse ''not'' designed to be sexy & appealing is ''not'' this trope. Compare ''and'' contrast CasualKink as well as SafeSaneAndConsensual, for characters who live out BDSM fantasies ''and'' show the kind of ethical restraint needed in RealLife. Note that abuse played for fetish appeal is rarely played ''only'' for fetish appeal. It is often a mix of fetish appeal, NightmareFuel, FetishRetardant and so on, and the fetish appeal component is sometimes calculated to maximize the horror value depending on what the creators are going for.

A stock trait of HornyDevils. Compare FriendlyTickleTorture for the PG version. Contrast IdealizedSex, since the Romanticized Abuse is clearly abusive--however, as the stories progress, Romanticized Abuse has a tendency to shift over into becoming IdealizedSex [[BrokenAesop instead]]. There can also be some overlap regarding physical safety and such. Contrast SexIsEvilAndIAmHorny. Compare and contrast DestructiveRomance.



[[folder:Anime & Manga]]
* The point of [[BastardBoyfriend Iason's]] use of Riki's [[ShockCollar Pet]] {{R|estrainingBolt}}ing in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and {{Dystopia}}n CrapsackWorld.
* Actually gets [[InvokedTrope invoked]] (and PlayedForLaughs) in ''LightNovel/{{MM}}'' when one of the love interests, Arishako, gets accused of being a Domestic Abuser. She actually has a phobia of males and reacts violently when touched by one. Her love interest, Taro, ironically happens to be a [[TooKinkyToTorture sadomasochist]], so Arishako argues that it's just how their relationship is.
* Ichigo/Kish in ''Manga/TokyoMewMew'' is much more popular than the OfficialCouple Ichigo/Masaya. Throughout the series, Kish kisses Ichigo against her will, gets in her face more than she wants him to, and threatens to ''kill'' her and Masaya if she doesn't give into his advances.

[[folder:Comic Books]]
* The second and third issue of Lou Kagan's ''Perils of Penelope'' features a religious cult whose religious doctrine seem to be limited to the ideas that pain is spiritual and that brainwashing people by tying them up and spanking them is the best way to get new converts.

* 1934 film ''Film/{{Smarty}}'' is Romanticized Abuse: TheMovie, with Vicki needling her husband into striking her and, after they break up, saying "If he'd loved me he would have hit me long ago." The film ends with Tony tearing Vicki's dress off, slapping her in the face (which causes her to light up with glee), and throwing her on the couch. Vicki gives Tony the "bedroom eyes" look, and as the SexyDiscretionShot pans behind the couch, the last line of dialogue is:
--> '''Vicki''': Tony...hit me again.
* This concept is key to the ''Franchise/{{Hellraiser}}'' movies. Consider some of the following lines:
-->'''Pinhead:''' Oh, I will enjoy making you bleed. And I will ''enjoy'' making you enjoy it.\\
'''Pinhead:''' Human dreams...such fertile ground for the seeds of torment. You're so ripe, Joey. And it's harvest time. Save your tears. We'll reap your soul slowly. We have centuries to discover the things that make you whimper. You think your nighttime world is closed to me? Your mind is so naked. A book that yearns to be read. A door that begs to be opened.
* ''Film/Passengers2016'': One of the main criticisms against the film. Jim for all intents and purposes [[spoiler: stalks Aurora and then he wakes her up, telling her that her pod malfunctioned and romancing her under that pretense, which from an ethical standpoint makes their sexual relationship akin to rape--no different than if he had kidnapped her while hiding his true identity and then proceeded to woo her without her knowing he was her kidnapper. She understandably calls his action murder after finding out.]] However, it never portrays Jim as having been right in doing this, and he himself says this was wrong. Aurora reacts realistically and nearly kills him over this. It's only after they save the ship together that she finally forgives him. Even so Jim is meant to be the hero and we are meant to root for him and the relationship is supposed to be a story of true love.

* ''Slave World'' covers all four levels. On the civilization level, the entire slaveworld is this kind of grim FetishFuelFuture. On the organization level, the army of England is designed to maintain social order by turning uppity serfs into SexSlave {{cyborg}}s. On the couple level, Prince Samuel and Lady Isobel have this as their mutual hobby. On the individual level, most aristocrats qualify for the appropriately gendered trope.
* Most civilizations on ''Literature/{{Gor}}'' seem to be built with this as one of their basic premises.
* Most novels by the Creator/MarquisDeSade (the guy "sadism" is named after) stays strictly in Romanticized Abuse territory, being about unrestrained sadism rather than [[SafeSaneAndConsensual mutual]] sadomasochism. It's tinged with political satire about how hypocritical, oppressive, and unjust the socioeconomic system really was, but mostly his work is chock full of fetish appeal and AuthorAppeal, and is generally not considered to rise far above the level of pornography.
* A lot of people claim that ''Literature/{{Twilight}}'' and ''Literature/FiftyShadesOfGrey'' do this. Edward and Bella is less aggressive (stalking, obsession and abandonment are a thing but still), but Anastasia and Christian is noticeably more abusive (ranging from outright raping to the incorrect use of the BDSM).
** In ''Fifty Shades of Grey'', there's the treatment of ''Literature/TessOfTheDUrbervilles'', which is portrayed as a straight romance between Tess and Alec, although this is CompletelyMissingThePoint--''Tess Of The d'Urbervilles'' is actually about how [[DoubleStandard Victorian double standards]] and the DefiledForever trope mean that Alec's rape of Tess ruins Tess's life, despite it not being her fault. Alec is less ByronicHero and more DastardlyWhiplash.
* The "four marks" in the ''Literature/AnitaBlake'' stories enable a vampire to turn a person into a "human servant", whether the person wants to be or not. In addition, these marks force the person to fall in love (and in the Anita Blake universe, SexEqualsLove) with the vampire who has, effectively, {{mind rape}}d them. There's no way to break the bond without killing the person, either. So vampires can turn human beings into sex slaves. And they do it with no one punishing them for it. On the contrary, such permanent sex slavery is seen as a good thing.
* ''Literature/TheSheik'' is a textbook example. Young, rebellious heroine is captured and repeatedly raped by a cringing racial stereotype until the (unintentional) StockholmSyndrome kicks in and she falls in love with him. What makes it worse is that the psychological trauma the rapes inflict on her is not glossed over; they're quite close to an accurate portrayal of PTSD. It makes her "change of heart" all the more jarring, and we're meant to root for a relationship between a rapist and his mentally broken victim.

[[folder:Live-Action TV]]
* ''Series/LawAndOrderSpecialVictimsUnit'' sometimes go for having their cake and eat it too, denouncing the horrors of sexual abuse by displaying it in almost pornographic details.
** One episode, named "Slaves", revels in the details on how a young Romanian woman has been imprisoned, brainwashed and used as a sex toy by an American couple. Lots of neatly presented details about the horrors she endured makes for a strange mix of fetish appeal and NauseaFuel. [[spoiler: Surprisingly, the detectives let the wife off the hook in exchange for selling out her husband, in spite of the fact that she murdered the girl's aunt without even informing her husband about it afterward.]]
** Another episode, named "Spectacle", runs on the principle that no one can resist watching a good rape. The episode starts with a video broadcast of a woman getting raped by a masked man popping up on the intranet of a university campus. [[spoiler:It turns out that the guy who had the woman kidnapped and raped lost his little brother a long time ago. The brother was kidnapped, and the police gave up searching after a little while. After this cold case is solved, the unsurprising reveal is made that they were simply playing make-believe rape as a little ActivistFundamentalistAntics plot to get the police's attention.]]
* ''Series/{{iCarly}}'' has Freddie and Sam. Even though the abuse between them is ForLaughs, fans started shipping them after the first episode aired.The romanticized abuse becomes more evident when Sam starts ''beating up Freddie'' later in the series. The writers even have Sam say that she started developing feelings for him after he was ran over by a biker and was lying on the ground, bleeding from his ear. Yikes.
* In ''Series/DoctorWho'', Peri, a companion added as ParentService, spent her tenure being [[IHaveYouNowMyPretty molested by virtually every single villain]], bullied in a vaguely sexualised way by the Doctor and eventually given a TraumaticHaircut and a MindRape by a sadistic slug monster before marrying a nasty warrior king at the last minute. Between the attractiveness and [[MaleGaze portrayal]] of the actress and the fact that the audience was meant to think the new, DarkerAndEdgier Doctor was totally cool, it ended up coming across as titillation. (In a children's show, no less.) ''Doctor Who'' had long been known for sexy companions and putting pretty characters in danger for the audience's amusement, but Peri's treatment still stood out as much more extreme than anything that had come before and is one of the more controversial elements of that era.
* ''Series/TheVampireDiaries'' features many dark relationships among supernaturals.
** Katherine compelled, had sex with, and fed on human Stefan in the past.
** Fans ship Damon and Caroline, even though he raped her in the beginning of the series.
** Damon has physically assaulted Elena and murdered her brother after he tried to force himself on her. It is the most popular relationship on the show.
** Klaus tried to kill Caroline many times. Despite her rejection of his advances, it is one of the biggest pairings.

* Several Music/{{Blutengel}} songs go along these lines--often on a gender-neutral and structural level, talking about the lifestyles of vampires in general rather than about the actions of individual vampires.
* "He Hit Me (And It Felt Like A Kiss)" by The Crystals
* Music/KatyPerry spends the song [[http://www.youtube.com/watch?v=t5Sd5c4o9UM "E.T."]] portraying the concept of AlienAbduction as this trope.
* "Kiss with a Fist" by Music/FlorenceAndTheMachine
* "The Hurt Makes it Beautiful" by Hugo.
* "Ain't Nobody's Business if I Do" by Music/BillieHoliday, where she defiantly declares how happy she is with her abusive husband (yes, it was TruthInTelevision)
* "Sweet Pain" by {{Music/KISS}}.
* Music/LanaDelRey does this ''a lot''. Most of her songs feature emotional abuse, such as "Lolita" and "Carmen" from ''Music/BornToDie'', where she portrays herself as a girl hopelessly following older men who don't give her the time of day. Even her music videos show men wrapping their fingers around her neck while they have sex with her. ''Ultraviolence'' also features the heavy implication of domestic violence, with the lyrics dressed up in typical ballad prose. Needless to say, she's drawn a lot of criticism for this.
* "Bed of Nails", by Music/AliceCooper, alludes heavily to a mutually-abusive relationship.

[[folder:Tabletop Games]]
* ''TabletopGame/GeistTheSinEaters'' supplement ''Book Of The Dead'' is about realms of the dead. One of them is a very friendly place called Oppia, which offers an abundance of food and {{Sex Slave}}s. Of course, it's very easy to break a rule and get enslaved yourself. Some of the slaves chose to remain slaves after they have served the term of their punishment.
* The TabletopGame/NewWorldOfDarkness book ''Inferno'', covering demons, is based on the seven deadly sins, and the "lust" part is designed for creating characters (of either gender) who fit this trope.
* In the ''TabletopGame/VampireTheMasquerade'' supplement ''Ghouls: Fatal Addiction'', the Camarilla was played straight as this kind of organization. The theme of playing the social structure between Vampires and Ghouls as Romanticized Abuse is hinted in the core rulebook as well as many other supplements, but it's much more blatant in "Ghouls". (In this setting, a "ghoul" is a human who drinks vampire blood. The blood makes them superhumanly strong, makes them stop aging, lets them heal faster and increases their sexual urges, but it also enslaves them under the Vampire's will.)
** The ''TabletopGame/VampireTheRequiem'' supplement ''Ghouls'' continues the tradition.
* The Dark Eldar in ''TabletopGame/{{Warhammer 40000}}'' take this to its logical extreme: they literally survive on the pain and suffering of others. Other races tend to inflict a great deal of abuse on their captives. The Dark Eldar eroticize it.

* The musical ''Theatre/{{Carousel}}'' and the play it's based on, ''Film/{{Liliom}}'', feature a character asking her mother if it's possible for "a man to hit you ... hit you real hard ... and have it feel like a kiss." (In both, the mother answers "yes", because that's exactly the relationship she had with the girl's father.)

[[folder:Video Games]]
* Basically everyone in ''Franchise/MetalGear'' has weird sexual issues about war and violence. Of course, this is played for horror/drama as well as for fanservice, but at the end of the day sexualising violence is mostly about making all the people really attractive, putting them in ridiculously tight suits, [[MaleGaze having lots of close-ups on the crotches and butts]], inserting gratuitous HoYay, and playing enemyship as if it was heart-shatteringly romantic melodrama.
%% No real life examples. Seriously.
* Bernkastel and Lambdadelta in ''VisualNovel/UminekoWhenTheyCry'' take this trope UpToEleven. Being all-powerful witches who will do anything to avoid boredom, a regular "punishment game" for them will involve things like locking each other up at the bottom of a hollow tower, turning all the stars in the sky into diamonds and dropping them, one by one, onto the other one until they are crushed into a pulp.
** Considering the end of Episode 6, [[spoiler:Battler and Beatrice]] seem to be heading in this direction. [[spoiler: Back when Beatrice was pretending to be a CardCarryingVillain, they ''definitely'' were.]]

[[folder:Web Original]]
* WebVideo/ToddInTheShadows frequently complains about songs that sound like this. In addition to the above mentioned "E.T.", there's "Tonight (I'm Fucking You)", "Give Me Everything" ("Grab somebody sexy, tell 'em hey \ Give me everything tonight!") "Blurred Lines", [[Music/BrunoMars "Gorilla"]]...
-->Why does, like, every third song I review on this show sound like a sex offender wrote it? Is Billboard secretly sponsored by [[SlippingAMickey roofies]]?
* WebVideo/TheNostalgiaCritic has this as a character trait thanks to his past. One good example of it just being in-character is the ''Starchaser'' review, where Critic's only complaint about the robot turned into a SexBot is that it's unsuitable for kids, but Doug in commentary complains about how sexist it is.