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Narrative
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Scrounge: Somebody please tidy this up? I think my prose got a bit too purple here...
Sci Vo: Copying this over from YKTTW:
Solandra: Isn't this just a rehash of Affectionate Parody (or vice-versa, depending on which one came first)? Sci Vo: No, it seems to be about a trope making an unironic re-entry after complete deconstruction exhaustion has been achieved. If I'm understanding this correctly, it's affectionate — that much is true — but it's played straight, like... voluntary naivete? I think that's the term used for the end of a spiritual quest, when someone finally decides to just accept all of the inherent contradictions of whatever faith has the most resonance for them. This seems analogous. I'm not at all confident about that, though. I'm still trying to understand it myself. Shay Guy: I have trouble understanding this, too. How does Astro City, for instance, differ from pre-Watchmen Silver Age comics in this regard? Is it basically just pressing the "undo" button on a deconstruction? Or take Eva - what would be the reconstruction in anime, there? Love Hina? GAINAX's own Tengen Toppa Gurren Lagann, ten years later? Again, are they at all different from what came before? Maybe, like "retro," it has to do with common side features becoming a main selling point? Even if it's a subtle difference, I have trouble believing that Astro City, if shown to someone in the '60s, would not somehow imply the prior existence of Watchmen. Shay Guy: On The Other Wiki's article for The Princess Bride, I found a link to this article Ununnilium: Okay, in response to all of the above: A reconstruction isn't just taking a deconstructed genre and making an entry that's indistinguishable from the ones pre-deconstruction. It's about taking the original, acklowedging the flaws that the deconstruction pointed out, and making a new entry that shows that we've learned from it. Astro City isn't a reconstruction in spite of its maturity, it's one because of them. Kingdom Come implies the existence of The Dark Knight Returns or something like it. It's unironic because it recognizes you don't have to be ironic to be good. It's played straight, not because we forget the past, but because we recognize that, when you make a mistake, you don't give up on the whole thing, you learn from the mistake and try again. Took out this bit of work from the Department Of Redundancy Department.
Shay Guy:
Caphi: Gurren-Lagann isn't a reconstruction. The genre was not in a state of constant deconstruction and seriousness, as it was in 1997 when Sunrise released Gao Gai Gar, and its intent is not to counteract any trends in the genre. ced1106: Page needs categorization. Wanders Nowhere: Would anyone here consider The Dark Knight films to be a reconstruction of Batman? Sure, one couldn't exactly call the Schumacher films a 'deconstruction' (though he probably meant them as a parody), but Nolan's movies have certainly done the hard work to rebuild Batman from the ground up and examine who he is, why he does what he does, and why he is a hero. To me at least, TDK was an affirmation of everything Batman has always stood for, especially compared to what they're doing to him in the comics right now. What're your thoughts? Fly: Taking out:
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