An attempt to profit from any new (particularly socially radical) trend or subculture while at the same time subverting or preaching against it
. A classic example would be British publishing house, the New English Library
, who made an entire genre out of Reactionary Fantasy.
This was common in The Sixties
. For instance, as feminism was breaking out all over, television produced shows that featured powerful women
cheerfully suppressing their true natures in order to be a loving, compliant, submissive helpmeet to an average guy. Jeannie of I Dream of Jeannie
must hide that she was a genie, and Samantha of Bewitched
must deny her supernatural heritage to be a "good wife" to Darrin. The message was clear: even women with superpowers should be content to Stay in the Kitchen
Best of all is if these shows can fool their audiences
into thinking that they're making an edgy political point
and really cash in on the trend. An awful lot of teenagers thought The Mod Squad
, a show featuring three hip kids hired by the police to narc on their friends was really cool
. There are even those who argue that I Dream of Jeannie
had a proto-feminist sort of sexual liberation to it. But seriously: would Buffy
have put up with calling a man "master"? note
is not only inevitable but counted on. A Reactionary Fantasy, done properly, is very like a Kansas City Shuffle
: the writers get fans of the social movement when they're actually skewering it.
If it's just for an episode, rather than a series concept, see Subculture of the Week
. If the creators play their cards right (or if no one reads too closely), they may even come to be considered a Supposedly Rebellious Series
, praised for being at the vanguard of a social change when they are in fact doing nothing of the kind.
Contrast Feminist Fantasy
. Only tangentially related to Michael Moorcock
's famous essay Epic Pooh
, which deals with much more overt reactionary attitudes in the fantasy genre. If a Reactionary ideology is portrayed negatively (intentionally or not)
then the story has a Evil Reactionary
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- Sucker Punch. Full of violence and degradation from scantily-clad women, and some exploitation of the woman, from a Big Bad Caligula. The director claims he's actually critiquing exploitation, others disagree with this and see half naked woman being abused.
- It's not hard to see many Slasher Movies of the '80s this way either. The victims of the killer are nearly always teenagers who rebelled against society through drinking, doing drugs, having sex, partying, listening to rock, and other things. The Final Girl of nearly all of these movies was invariably a Token Wholesome virgin. Starting in the late '90s, however, slasher films tended more towards subverting, parodying and/or deconstructing these aspects more than they played them straight.
- Forrest Gump is the story of how a Good Ol' Boy who sincerely believes he lives in Eagleland type 1 finds happiness and wealth by Just Following Orders note because Dumb Is Good. It is mirrored by the story of an intelligent girl who Really Gets Around due to Abusive Parents who sincerely believes she lives in Eagleland type 2, becomes a Soap Box Sadie trying to change things for the better, and lives a life that goes From Bad to Worse (and it's implied to end with Death by Sex).
- The book (not movie) Logan's Run told Middle America to worry their heads off: those scary hippies would create a world where an eleven-year-old girl announces that she's sexually "skilled beyond all others", where fourteen is adulthood and everyone dies at twenty-one.
- Stephen King, in his study of the horror genre Danse Macabre, suggests that horror literature is inherently conservative, simply because horror is always a disruption of the world as it is — and it's shown to be scary and bad.
- A common feminist criticism of the Twilight series is that it's one of these due to how Edward's relationship with Bella is portrayed among other things. Let's leave it at that.
- Fifty Shades Of Gray meets similar criticism to Twilight:
- Some call it 'progressive' for basically being porn for women, but it depicts and romanticizes a blatantly abusive relationship.
- This also comes up in the series's portrayal of kinky sex and the BDSM lifestyle. It's supposed to be 'edgy' because it deals with the subject at all, but it's really pretty puritanical about it: Christian's sexual proclivities are the product of abuse and emotional damage, lead him to behave abusively toward Anastasia, and ultimately have to be exorcised so they can have a healthy relationship.
- Another criticism by some is that the book is marketed as kinky and edgy, when the sex is actually pretty vanilla, especially when compared to what many people in BDSM do. It's somewhat similar to Twilight in that it presents itself a certain way to people who want to think about those things but are too afraid or nervous to. Twilight was written as a big romance with a girl lusting over the most gorgeous guy in the world, but the reader never got to read the sex scene it was building up to. In that vein, 50 Shades presented itself as a book about kinky, crazy sex, but wasn't actually that kinky.
- Commonly inverted by American porn novels of the Sixties and Seventies, which would often feature introductions explaining how all this sexiness was the result of mental illness, but never mention it in the actual text.
- Youth in Sexual Ecstasy is a novel that promotes sexual abstinence and preaches against premarital sex, all while having a casanova protagonist immersed in an Everyone Has Lots of Sex environment.
Live Action Television
- The Mod Squad told Middle America not to worry: those scary Hippies would sell out just like everyone else and you really didn't have to be afraid of your kids anymore because they'd eventually wind up punching a clock for the Establishment just like you. They guessed right, of course, but nobody knew that at the time.
- Similarly, the Star Trek: The Original Series episode "The Way to Eden", which teaches that idealistic dreams of a perfectly enlightened and peaceful Elysian society are deadly self-delusion unless framed within socially acceptable norms. Chalk it up to Gene Roddenberry bowing to Executive Meddling. A few other TOS episodes, most infamously "The Omega Glory", were reportedly the result of this behind-the-scenes pressure.
- This is also an aspect of CSI: Crime Scene Investigation, which, as Television Without Pity shows us, proves that any unwed man or woman who consents to and enjoys having sex (especially if the sex is in any way not "normal": obese people, furries, swingers, etc.) will almost certainly die, while rapists and rape victims often live to tell the tale.
- The subversion/reversal to end all subversions: The Addams Family. Not only were they eccentric (read: crazy), but Gomez and Morticia kissed all the time. And all the "normal people" on the show were shocked — but the audience wasn't, and wasn't supposed to be, despite the usual behavior of married couples on early 1960s TV.
- Bewitched: Samantha could literally have anything she wanted by simply twitching her nose yet she willingly suppressed this power on the demand of a man with whom she tried to live a normal human life of domestic bliss. This despite the fact that the magical world she comes from is a far more interesting and liberated place (although portrayed as overly hedonistic, so that Samantha should prefer life as a mortal).
- Five words: Lifetime Movie of the Week. To sum them up, even under their feminist undertones and alleged "empowerment" of "distressed women", half of the plots go on condemning whatever thing frightens middle aged suburban housewives. At least half the time, the good men are right. Doesn't matter what about, they're just right. Sometimes to the point of saving the "heroine" and/or doing her thinking for her. Also, the movies, constantly showing women getting victimized, helps perpetuate the idea that women are natural victims.
- I Dream of Jeannie, despite Tony arguably freeing Jeannie upon being rescued in the first episode, she still follows him home and calls him master. While she'll work around his wishes, she still obeys them and is happy to be his servant (because she's in love with him).
- Sex and the City attracted quite a bit of flak during its run for how, for all its talk of being a progressive, empowering (even feminist) sitcom, the series nevertheless ended with all four female characters having found happiness by entering into committed monogamous relationships with white heterosexual men, and in two cases also by having babies.
- Though it ended up in Development Hell and has still yet to be seen, Conservative pundit Glenn Beck at one point announced his intention to create an Anti-Glee aimed at teens and children. His stated goal was to try and make conservative attitudes seem cool again after Glee became credited with helping popularize acceptance of LGBT individuals and other progressive causes among young people.
- Women's wrestling in general, particularly in WWE. Even though all the WWE Divas of at least the past decade have been rigorously trained, and at roughly the same level as the male wrestlers (heck, their coach for many years, Dave Finlay, was male!), after all is said and done they still are viewed - at least by the audience if not necessarily by the bookers - as mere sexual objects, with lazy storylines and often inconsistent characterization. Male wrestlers may be sexually objectified, too, but this has happened much less frequently (Lex Luger and early Shawn Michaels come to mind, as does Cody Rhodes in our own era), and when it does happen they are often considered heels for that fact alone - and it's not at all uncommon for a Hollywood Homely male wrestler like Chris Benoit to be portrayed as a straight-up All American Face, whereas an equally plain Diva will have to contend with an "ugly" gimmick and will most likely be a heel. The "Knockouts" of TNA fare a little better, but there are still instances when a match will end with them being soundly spanked.
- Much the same fate befell the cruiserweight division, which WWE only got into by virtue of absorbing WCW. Rey Mysterio Jr did become WWE RAW World Heavyweight Champion in 2006, but he was, as they say, the exception proving the rule. A little more than a year after Mysterio's victory, the cruiserweight division lost all credibility when the title was put on a midget, and disappeared entirely shortly after. For a few years after that, WWE went back to pushing the same power-based muscleheads that had always been its bread and butter.