Rape Portrayed as Redemption
"Anyone who watches soap operas knows that the quickest way to turn a bad girl into a sympathetic heroine is to have her raped.
One day a bad girl traipses into town. She could be a snotty trouble-making type, a Femme Fatale
, or just a woman with overly healthy appetites for sex, power, or both. She spends the next few months making life interesting for the guys and infuriating for the parents/good girls.
And then she is raped
. Or perhaps in a "child-friendly" version, just
Who does the rape is not important. What's important is that, rape being as traumatic as it is
, the girl is completely broken by her experience; she begins along a slow, steady path to recovery, often aided by a gentle male soul, who sometimes charms her. However, when all is said and done, she is no longer a "bad girl"; she has become the sweet heroine at the center of the show. Even if the dialogue goes out of its way to say that the woman isn't at fault, the personality changes that result in making her more docile are a big reason why she goes from bad girl to beloved. In short, getting raped was the best thing that ever happened to her
. Could also be related to The Woobie
Alternatively, either a specific man or the entire male gender (or both) need to be taught a lesson
. If the man is being raped by a woman, it is often used to make a statement for sexual equality, sometimes for strange values of "equality"
. If the man is being raped by another man, it's usually punishment for being a rapist or not being sufficiently sympathetic to female rape victims.
One particularly disturbing version is where a Heteronormative Crusader
rapes a lesbian, justifying his crime with claims that the sex act will "cure" her of her homosexuality
. Modern works will usually cast the rapist as a villain, but in earlier works the rapist may very well be the hero
, and (due to contemporary misunderstanding of what lesbianism was) the cure may very well work.
Regardless of how well the story is told, this trope may have Unfortunate Implications
. There is a sense that the man/woman is being punished and that he/she needs to be "taught a lesson", in regard to his/her sexuality or assertiveness.
The female version is also very popular in Fan Fic
, especially with the Alpha Bitch
of any show as the victim.
Due to the nature of this trope, Examples may be NSFW.
You have been warned.
Rape of Women by Men
- Anaru from Anohana The Flower We Saw That Day is an extremely passive girl who goes with the crowd. The flaw steadily gets worse throughout the series, up until the climax for her story arc. Here, her "friends" leave her out with a known creep, and he takes her out to a love hotel, implying that he wants sex. Anaru gets socially trapped and due to her passive nature was unable to escape the situation on her own. Fortunately, Yukiatsu comes out from around the block, and manages to deescalate the situation and helps Anaru go back home. Anaru is more assertive of herself after the event. This opens up Yukiatsu and Anaru, and the two are able to begin communicating with each other. Ultimately, the whole cast's problem is lack of communication, and it is because of the Yukiatsu rescue that these old friends (and eventually the whole group) are able to make amends with each other.
- A strange variation takes place in the Yu-Gi-Oh! anime, of all places, where Anzu is depicted as hostile to Joey and Yugi, until she gets blackmailed into going to the school gym where a perverted gym instructor starts video-taping her. After she gets knocked unconscious against a wall, Yugi shows up and stops the situation by mind-crushing the man. After this, Anzu becomes a lot nicer. In the US version, it is depicted as Yugi rescuing her from a mugger... probably a good place for a Macekre if there ever was one.
- In the manga, she was always Yugi's friend and nice to him. She defended Yugi from Jonouchi when he picked on Yugi. She was more concerned about Jonouchi/Joey telling everyone since they didn't get along and she thought of him as a blabbermouth punk. Although, if this is the case in the anime (that she was already nice to Yugi) is hard to tell.
- The Rapeman, a Black Comedy manga, took this to its logical conclusion: A superhero who raped female criminals in order to make them peaceful, law-obeying women. Though it only ran for 9 issues before being canceled (though it remarkably spawned both an anime and four live-action movies), the sheer absurdity of its premise nonetheless earned it a sizeable cult audience in the USA — including music producer Steve Albini, who named a noise rock band after it.
- There was a Law & Order: Special Victims Unit episode where The Rapeman series was brought up in a trial and was at one point considered as the cause of the defendant's deviant behavior. The defendant was a man arrested for a rape that was committed by his 13 year old son (not only was the man at work at the time, he had never even met the victim). The detective arrested the man due to the claim that he was raising his son in an "atmosphere that condoned rape". Not only was the man's possession of issues of Rapeman the only evidence for such a claim, but the fact that the detective didn't actually know what Rapeman was about (she admittedly didn't know Japanese, so she had to guess the premise (which she got wrong) from the images).
- A fantastic example of this trope occurs in Neon Genesis Evangelion. Before Episode 22, and excluding fan-boy fetishes, Asuka Soryu is painted quite steadily as an Alpha Bitch wannabe: her quirks, though potentially fun to watch, can also be quite frustrating - if not for the fans, then certainly for her co-stars - if not her co-stars in the anime, then those in the manga absolutely. During Episode 22, Asuka's personality flaws, her selfish desires for the future (or lack of them), and hormonal frustration sprout through the ugliest potrayals of her character up to that point. Then, beginning from the final third of episode 22, an Angel psychologically rapes her. Though it isn't a game-changer for the series, the act is iconic - even if only regarding Asuka. The result of this trope's application in the work varies from how far from it and ahead through the mythos of Evangelion one decides to peer:
- If you look ahead to the TV ending of the show, Asuka receives justifications for her weaknesses through a mind-purge sequence during Episode 26, and she gets to hook up solidly with the lead of the show.
- If you look beyond that to The End Of Evangelion, Asuka's weaknesses become strengths, the writers bump her from Jerkass Woobie to Stoic Woobie, she gets a memorable death sequence, and she justifiably punishes the lead for all of the sexual frustration he's consequentially bottled inside of her through his deliberate inaction/impotence for the past 18 episodes.
- If you view the Rebuild of Evangelion as canon, and you view the ending of that series to be the final/true ending of Evangelion, looking forward from Episode 22 to Rebuild 3.0 shows just how much sympathy Asuka has mounted for herself: not only does she punish the lead for inaction again, she does so as the shared voice of the opinions of nearly every friend he has earned from Episode 1 of Neon Genesis Evangelion to this second-last instalment of the anime; she gets unashamed support of her (apparent) hatred of him from those friends, she acts as a temporary protagonist and battles the lead while he acts as a temporary antagonist, and - leading to the finale of the Anthology - she humbles herself, re-opens communication with the lead, and shows him what he ought to do next.
- A variation occurs in Runaways. Molly Hayes and her new friend Klara Prast (who happens to be an 11-year-old stuck in an abusive marriage to a much older man) have a falling out after Klara learns that Molly is living with a lesbian couple, because Klara is a devout Catholic who believes that homosexuality is a sin (Molly points out that what Klara's husband is doing to her might also be considered a sin.) At the end of the arc, Klara reappears, having been beaten up by her husband for attempting to run away. Naturally, Molly and the other Runaways are quick to offer her a spot on the Leapfrog. It is never explicitly stated that rape was one of the ways that Mr. Prast chose to punish Klara for trying to run away, but since she'd earlier revealed that he forced her into "marital duties"...
- Happens in a surprisingly high number of Fan Fics involving Bellatrix Lestrange.
- Also occurs in Shinji And Warhammer 40 K in the prologue, with Shinji's childhood crush as the victim.
- In the Galaxy Rangers Fan Fic Isn't Life Strange, this hits Daisy O'Mega. While she was on her way to exchange information on an impending Crown attack for a pardon of her impressive rap sheet, being caught and brutalized by her former partner-in-crime Macross along with being tossed in the Psychocrypt was enough for her to give up crime and go back to bounty hunting for the good guys after her pardon went through.
- A few fanfics giving this treatment to Daria's bitchy sister, Quinn, were famously a source of much controversy within the fandom.
- Hivefled; Mindfang, as in canon, mind-controls and rapes her slaves, while under the impression it's helping them by letting them have some "fun". She then gets psychically and situationally manipulated into unwanted sex herself, and realises it doesn't feel helpful at all. Whether the lesson actually sticks has yet to be shown, though, and her current favourite slave is still angry about her treatment.
- In Goldfinger, James Bond's triggering of the mandatory High Heel-Face Turn comes dangerously close to this, which is a softening from the book, since in the original he rapes Pussy Galore out of her lesbianism.
- This is one of major weak point of the movie Hounddog. The director clearly stated that the movie is about Lewellen (9-years-old girl) "overcoming" her rape, but the effect is not that. Rather, she becomes a much more wholesome character (including not being fixated on her body anymore) and generally looks like a better person.
- A very common occurrence both in 19th century underground erotica and in 20th century pulp fiction. In most cases the victim is a lesbian who is "cured" through being violently raped by the brave, brave hero.
- Flannery O Connor was a big fan of this one. Although few instances of rape exist in her fiction, she nonetheless typically regarded extreme acts of violence against prideful, self-righteous people as acts of salvation — something to snap them out of their foolishness. See "Good Country People" and "Revelation", for examples.
- The term 'rape' is used casually in BDSM literature, such as Anne Rice's Beauty series and John Norman's World of Gor. Though they're not exclusively depicted as non-consensual sexual abuse, such depictions are there, and in both cases is said to 'improve' the slave. In fact, the entire principle of slavery, humiliation, and sexual punishment in the Beauty series was to discipline and refine the ruling class before permitting them to rule. However, the BDSM community by and large takes consent extremely seriously. The looser Gorean views have led to many people disowning the group, if not the books, altogether.
- Diana Mayo, female protagonist of The Sheik. While it's not as blatant as the Rape Is Love, it's not-so-subtly implied that her repeated rape and the subsequent Stockholm Syndrome that cause her to become more subservient and feminine are karmic retribution for being so "unnaturally" cold and "unfeminine".
- This was a common trope to Germanic epic narratives.
- The Nibelungenlied plays this straight with Brunhild, who needs a Cyrano figure not only to woo her, but to rape her into submission, as well. However, once Brunhild finds out what happens (from Siegfried's boastful wife), she is out for blood and sets in motion the plot to assassinate Siegfried, and once that is achieved, she disappears from the story, leaving Gunther without a wife but with a sister now hellbent on avenging Siegfried. In some versions, e.g. the Fritz Lang/Thea von Harbou film, Brunhild commits suicide once Siegfried is dead.
- This theme is played more subtly in Beowulf, which includes a side-story about an evil princess named Modthryth who tortured people for looking at her the wrong way. Naturally, she becomes a fantastic queen after being married off.
- Averted in Stieg Larsson's Millennium Trilogy, which has Lisbeth Salander playing the bad girl doing bad things bit perfectly. She's raped by the person designated as her primary caretaker-twice. Instead of reforming or becoming a broken bird, she submits her tormentor to the same torture he put her through and then tattoos "I am a sadistic pig, a pervert, and a rapist." on his chest and stomach before threatening to destroy him if he ever crosses her again. She never tells anyone about the rape (until it comes up in her trial), and she doesn't soften up.
- In Death: Carly Landsdowne from Witness In Death: She starts out as hedonistic and a Jerkass. Then Eve reveals to her that her birth father is none other than Asshole Victim Richard Draco, who she had sex with. Carly displays appropriate Squick reactions to that revelation. The last that was seen of her, she was having sessions with professional psychologist Dr. Mira.
- Michael Moorcock's Gloriana ends with the titular queen being raped by her sometime-lover and sometime-enemy; this is portrayed as a spiritual cure for a lot of things that have been plaguing her life, and they marry and live Happily Ever After. When a feminist friend pointed out the Unfortunate Implications to Moorcock, he agreed, facepalmed, and rewrote the ending so that Gloriana's redemption comes from her standing up against her would-be rapist, asserting her power, and making him realize that he loves her and doesn't want to hurt her, and then they have mind-blowing consensual emotionally-healing and curse-breaking sex. Subsequently Moorcock became a crusader against gratuitous violence against women in fiction.
- L. Ron Hubbard's Mission Earth series has Soltan Gris involved in this. They later keep him prisoner and force him to have sex with them.
- This is what most people believe of sorceri in Frostflower and Thorn, since these men and women will lose their unholy powers along with their virginity.
- A standard plot of many Soap Operas:
- Promiscuous troublemaker Marty Saybrooke on One Life to Live was the centerpiece of the multiple Emmy-winning gang rape Umbrella Story back in the early 1990s and promptly became the show's heroine in the aftermath—her rapist all but lampshaded this by suggesting that she be grateful to him as she'd done a 180 from being the town pariah to the local Mary Sue.
- Elizabeth Webber on General Hospital. Originally, she came to town as the overlooked younger sister, seething with jealousy over her seemingly perfect sister, Sarah. At first, the show started a Betty and Veronica with brunette troublemaker Elizabeth, golden girl Sarah and nice guy Lucky Spencer. Fast forward to the Valentine's Day rape and Lucky finding the brutalized Elizabeth in the park. Within months, Sarah is gone, Elizabeth and Lucky are bonding, and Elizabeth becomes one of the show's central heroines.
- Averted the first time, but played straight the second time with Days of Our Lives Sami Brady. In 1994, Sami was already developing a reputation as a troublemaker (having switched a paternity test on her baby sister and then kidnapped said baby sister, as well as trying to steal Austin Reed, her older sister's boyfriend). When the character was raped, the character became even worse and ended up being the show's secondary villain. In fact, less than a year after her own rape Sami was resorting to drugging Austin into sleeping with her. Fast-foward to 2007 and Sami is forced to have sex with EJ Welles in order to save her fiance Lucas' life. This time the rape is used to complete Sami's Heel-Face Turn. Though this later turned into a Rape Is Love situation as Sami was later forced to divorce Lucas in order to marry EJ, but then eventually chose EJ over him.
- Similarly with As the World Turns Emily, a scheming vixen who was eventually raped by her partner-in-crime when she expressed disgust as some of his actions. Although she did spend several months dressing very conservatively and shunning romantic relationships, it wasn't long before she returned to her old ways, eventually pursuing the husband of a woman who had befriended her after they met at a rape crisis center.
- Gloria Marsh on All My Children came to town as a scheming, conniving, lying con artist who blackmailed her former partner and lover into resuming their affair by threatening to tell his wife Dixie about his past. Much like many of the women subjected to this trope, she'd actually begun to show hints of her humanity before the attack, which kicked the Heel-Face Turn into full gear. Several years later, a similar character, Kit Fisher showed up in town as an already reformed con artist whom no one wanted to give the benefit of the doubt. Sure enough, she became the town heroine once she was raped.
- Paige on Degrassi The Next Generation. Before the episode in which she was raped, she was your typical bitchy popular girl. She had also shunned Ashley and started treating her badly. She ended up becoming much nicer to the other students, welcoming Ashley back into her circle of friends, and becoming friends with less popular ones.
- Number Six on Battlestar Galactica. All the many Six duplicates start being portrayed more sympathetically after we're introduced to one of them named Gina, who was gang-raped by the crew of the Battlestar Pegasus. Before that, they were typically hard-core in their evil blonde robotness. Nicely addressed in an essay here.
- Gina is sympathetic but not necessarily "good". She did still blow a bunch of people up in the end.
- Bree Van De Kamp in Desperate Housewives continued her downward spiral of taking random men home from bars every night only to encounter a not-so-friendly prospect in the parking lot. She is rescued by Orson, immediately drops the habit and returns to her former conservative demeanor.
- On Veronica Mars, with Parker is an annoying ditz and seen as promiscous until she's raped. Afterward, she's more mature, and becomes a good friend to Veronica and Mac.
- On Legend of the Keeper, after Nicci reveals that she was raped as a novice later on she quit her services to the Keeper of the Underworld.
- Gemma in Sons of Anarchy is soften after her rape in season 2
- A unique inversion happens with Spike in Buffy the Vampire Slayer. Attempting to rape the slayer after she ended their destructive romance led the vampire to realize just how much of a bastard he was. Spike immediately set out on a redemption quest to regain his soul and complete his heel face turn.
- While it was merely an Attempted Rape, the 'going after' of Elizabeth Patterson in For Better or for Worse has undertones of this, since this is the main impetus that got her back into the arms of her high school sweetheart Anthony, who saved her. Considering Anthony's the Creator's Pet, though.... (also considering he asked her to wait for him, as his divorce hadn't gone through yet...)
- The Lizzie Bennet Diaries: Not rape per se, but the experience of nearly having her dickish boyfriend sell a sex tape of them notably calms down Lydia Bennet, and she becomes a somewhat more thoughtful character
Rape of Women by Women
- A variant of this trope happens in Infinite Ryvius: Kozue whose boyfriend counts as privileged on the ship, infuriates people around her with her spoiled and selfish behavior (she's not doing it on purpose but fails to read the warning signs). In the end a group of girls assault her and it's implied that she's raped. After this, her behavior changes dramatically, but she doesn't recover from the trauma — especially as the incident makes her boyfriend react in a way that has horrible consequences for everyone on the ship. She does not "improve" after the incident.
- In Alan Moore's erotic comic Lost Girls, Alice Liddel tenderly begins kissing Wendy while they're alone. When Wendy is disgusted and tries to leave, Alice becomes angry and forcibly seduces Wendy (who starts enjoying it partway through). This is portrayed as Wendy being freed from the shackles of her repressed middle-class life and serves as a bonding experience with Alice, who becomes close friends with Wendy.
- The Vagina Monologues includes a section ("The Little Coochie Snorcher That Could") where the speaker reminisces fondly about getting drunk and being seduced by an older woman (statutory rape instead of non-consensual rape). This section proved controversial for this reason and the victim is commonly either aged up in productions, or the scene is skipped entirely.
Rape of Men by Men
- There are like a million "Light gets raped" fics.
- The entire purpose of the rather infamous "Financial Crisis Gang-Bang" request for the Axis Powers Hetalia Kink Meme was for America to be punished for screwing up the economy via a horrific gang rape from the leads. Many of the follow-up fanfictions focused on America being the subject of sympathy for both Nations who weren't aware of the gang bang and those that were. Many of those fanfictions showed America winning said sympathy by being incredibly broken, withdrawn, calmer, and generally the opposite of his canon self (in other words, the self who was a hothead who was to be taught a lesson via the gang banging).
- The movie Sorority Boys combines this trope with Disguised in Drag, where circumstances force a sexist fraternity brother to dress in drag and pretend to be a woman. One of his fraternity brothers feeds him a roofie and anally rapes him (believing him to be a woman throughout).
- This is arguably one way to interpret the climactic scene of Marsellus Wallace being raped in Pulp Fiction.
- American History X: After Edward Norton's character is prison raped by his "comrades" for associating with a black inmate (ironically, the man who rapes him deals with a Mexican), it's one of the turning points for him abandoning his Neo-Nazi ways. The rape occurs because Edward Norton's character, as a Neo-Nazi who got his start before going to prison, disapproves of the prison Neo-Nazis associating with non-whites. They later rape him to teach him a lesson.
- The award-winning short film series The Puppet Rapist has the titular puppet rapist find redemption by raping a puppet (but this time for the right reasons).
- Prominent in prison dramas.
- The character of Beecher in season 1 of HBO's Oz probably sums it up, as well as others that followed. The most direct approach occurred in later seasons with the character of Beecher's acquaintance Adam Guenzel and his friend, as their own crime was gang raping a stranger woman.
- This could be the point of the Carver arc in Nip/Tuck: The Carver selects beautiful models (both female and male), brutally rapes them and disfigures their faces. In one case, the Carver rapes a male victim, hinted to be a jerkass prior to the rape, making him pathetic, broken and emasculated.
- In The Rape of Richard Beck, the titular character is a detective who thinks rape victims bring it on themselves, but has a change of heart after he himself is raped by two criminals he was pursuing.
- Wicked Lovely: Niall's backstory. The rape showed that he did in fact care for the mortals, and his self-sacrificing (perhaps overly so) nature. His attitude towards being a survivor is also largely responsible for him being a good-ish person.
- A Song of Ice and Fire: We never find out all the details of what Ramsay Snow, the Bastard of Bolton, did to Theon, but it is very heavily hinted that there was at least some kind of sexual abuse involved (not even counting what we see outright on Jeyne's wedding night). Sure enough, Theon, who spent the last book where we saw him being thoroughly loathsome, becomes the Woobie. The torture helped, but the sexual abuse was the horrible icing on the cake.
Rape of Men by Women
- Wedding Crashers is about two friends who crash weddings and have sex with women they find at said weddings; theory being that watching a marriage makes women much easier targets than, say, in a bar (open bars help too). One of Vince Vaughn's conquests turns out to be a nutcase who won't let him go and does increasingly insane things to him. Keeping in line with the trope, he goes from being an unrepentant womanizer to falling madly in love with her and marrying her by the film's end.
- The Most Fertile Man In Ireland: When the most fertile man in Ireland refuses to use his new-found ability, a woman whose husband is sterile and whose religious beliefs deny her artificial insemination, sneaks up to his room in the middle of the night and starts graphically raping him in his sleep. The incident is served only to make him realize he can't deny his potential. He decides to at least grant his consent from then on by charging money from the other willing local women.
- In an episode of Law & Order: SVU, Detective Stabler is unsympathetic to and dismissive of a male stripper who had been raped by three female clients, refusing to believe that a man can be physically overpowered by women. Later in the episode, two of his female coworkers demonstrated how two of the women worked together to disable and murder the third woman, using Stabler as the victim. While he was not raped, the disquieting demonstration was clearly meant to teach the unsympathetic alpha male a lesson about gender equality.
- In Weeds U-Turn has Clinique give Sanjay his first taste of woman more or less at gunpoint. To make it more Unfortunate Implications, he's gay.
- Jason from True Blood is kidnapped and gang raped by at least a dozen women. He seems to think of it as punishment for all of the casual sex he was having. The payoff for this storyline was him getting together with Jessica.
- Family Guy
- With the use of shadows, in which a sex-deprived Lois forces herself onto Peter (who's taken to abstinence). It doesn't take much for him to give in. It Makes Sense In Context. Peter had missed the point of why some people choose abstinence, and so it was Played for Laughs.
- In the third season episode "Lethal Weapons" where Lois, extremely confident and violent due to practicing martial arts, rapes Peter, who is visibly traumatized the next morning. When Stewie strikes Peter with a baseball bat, a horrified Lois declares that she will renounce violence. This leads to the bizarre scenario of Lois being redeemed as a result of raping someone (she is never called out or punished for having done so).
- In a later episode where Peter's boss is sexually harassing him, Lois doesn't believe him because men can't be abused. Both in this episode and "Lethal Weapons", it is expressed as something that Peter does not want to do, but it probably wouldn't matter if they were called out on it, because they don't see it as something wrong.