Princeless is an Eisner award-nominated comic book series written by Jeremy Whitley and drawn by M. Goodwin. Set in a relatively standard fairy tale setting, the series stars Adrienne, a young princess who decides that she'd like to be a rescuer rather than a typical Damsel in Distress. Escaping from the tower where she is being held prisoner with the aide of the dragon that was guarding her, Adrienne sets out to rescue her sisters from the prisons they are being held in.The series takes delight in taking many fantasy tropes and turning them on their heads, while also telling a tale about love and family. The series is currently available in trade paperback, and the first issue is available for free in digital form.
This comic provides examples of:
Action Girl: Adrienne, who busts out of her castle prison by befriending the dragon who's supposed to be guarding her, mind you, her sidekick, Bedelia, and Princess Raven.
The Alcoholic: Bedelia's dad, confirmed at the end of "The Smiths", to the point that her mother was planning on leaving with Bedelia to get away from him. He spends most of his time in the pub nowadays and hasn't made armor in years.
Archnemesis Dad: Adrienne's dad will likely evolve into this, though he doesn't yet know that she broke herself out, and Adrienne at least considers him the Final Boss of her quest.
Berserk Button: Adrienne's shaping up to be something of a Grammar Nazi. She especially hates it when people misuse the word "fair" to mean "beautiful" rather than "pale," which her family definitely is not.
Black Comedy: Adrienne asks Sparky if she's eaten both of the knights already in issue #1. The dragon sits against the tower, picking her teeth with a sword and a satisfied grin, surrounded by the remaining armor of the knights. Adrienne worries that Sparky maybe gets a stomach ache.
When Adrienne later fetches armor pieces from the dead knights to wear, she picks up a gauntlet.
Adrienne (disgusted, but still calm): "Eewww! This one still has a hand in it."
The Blacksmith: Bedelia. Her father taught her the craft and she's the one creating the shop's armor. Unfortunately, due to double standards, nobody would take Bedelia serious to make armor or buy it if they knew. So she keeps this fact hidden.
Bonus Material: Several side story isses have been released so far: Short Stories for Warrior Women #1, Short Stories for Warrior Women #2, Tales of the Family Ashe, and Tales of Girls who Rock.
Book Ends: Mr. Froggy starts and ends with Prince Wilcome talking to a frog - the first when he was a child playing outside in the mud, the latter as a prince trapped in the dungeon.
Chainmail Bikini: Several of the suits of "armor" Bedelia tries to sell Adrienne fit this trope.
Damsel in Distress: By the story's nature, this trope is explored, lampshaded, subverted, invoked, exploited and played with in other ways.
Dangerous Sixteenth Birthday: Adrienne knew she'd be locked up when she turned sixteen, and her father had her food drugged so she could be taken off without resistance.
She wants to save her youngest sister Appalonia first, since she isn't sixteen yet. Unfortunately, Devin declared a few days ago to his father he would run away with Appolonia from him. The next day, King Ashe has his daughter taken and locked away somewhere.
Double Standard: The story points out the setting's gender restrictions imposed on both females and males, like the iconic imprisonment of princesses in towers, guarded by dragons, until princes slay the beasts and marry the princessess. A humorous short comic depicts that a special school forces princes into this system. It also shows society distinguishes between young men "ready" to be princes and these who actually are going to battle for their country.
Faking the Dead: By burning her tower, Princess Adrienne misleads everyone who'd be looking for her into think she was burned as well.
Everyone believes Bedelia was inside the shop when King Ashe's men burnt it down. The comic shows her eager to go with Adrienne, without any thought to leave a message for her father, so Bedelia is probably fine with that.
Fantastic Racism: King Ashe's men burn down Bedelia and her father's blacksmith shop as revenge on Bedelia and Adrienne, not knowing the latter's identity, for fighting them. They want to blame it on Sparky and think that nobody would believe the word of a dwarf.
Funny Afro: Adrienne's hair turns into this if she doesn't tame it regularly. Word of God says that this will be a recurring theme.
Gender Flip: The story itself is a gender-flip of the usual prince/princess dynamic in fairy tales, although it's meant to be a traditional one with the King imprisoning his daughters so that only worthy suitors get to them.
Girl in the Tower: Royality in the story's setting deliberately invokes this scenario with their daughters.
Guys Smash, Girls Shoot: Averted. Adrienne and Bedelia fight with a sword and a hammer respectively up close, while Raven shoots with a bow.
Goofy Print Underwear: Adrienne's polka dot underwear gets exposed after her first set of armor's belt gets slashed in a fight.
Jumped at the Call: Bedelia. Adrienne, a real princess, requests her to make functional armor to buy - she goes at the task with manic laughter. Adrienne then asks her to help her fight the soldiers that barged into the shop - Bedelia fetches a hammer whose head is bigger than her torso and lays the smack on the men. After they have booted them out, the soldiers start a fire on the outside of the shop, and they flee upstairs - here Adrienne crashes through a window to jump to a different house's roof to escape, followed by the awed Bedelia. To top it all, she blackmails Adrienne to take her with on her quest or strip off her armor - since the payment for it was inside the blacksmith when the princess got it burnt down.
"OHMIGODOHMIGODOHMIGOD! That was so much fun! Forget making things, I just wanna do that all day!"
Lampshade Hanging: The comic's first page with the Fake-Out Opening illstrates not only the formula of what many expect the general fairy tale to be, but also to which characters and tropes they are restricted. The blue-eyed, blonde, helpless princess trapped in a tower; the equally good and pure and white prince who saves her; the marriage between them, because he saved her. As soon as her mother finished the story, young Adrienne points out the various flaws, including the question why anyone would want to imprison the princess in the first place.
Adrienne: "That story is complete hogwash."
Letter Motif: All of the girls in Adrienne's family have names starting with the letter A.
Missed Him by That Much: When flying on Sparky's back after Bedelia joins Adrienne, they pass by a cottage in the forest under them where King Ashe has imprisoned Appalonia. Ironically, Adrienne is talking about her this moment while she wonders where she could be.
Mistaken for Racist: In the first issue, a bumbling prince tries to compliment Adrienne by telling her she looks "fair". Adrienne is quick to point out the racial implications behind referring to her as "fair", rendering the prince quite embarrassed.
Mood Whiplash: The short comic Mr. Froggy. Wilcome, the unfortunate prince we saw in the first issue, narrates how he entered "Prince Charming's Charm School for Future Kings" as a boy. He had to fight helmet hair, train easy smirking while sword-fighting and undergo the tower obstacle course (read: save a princess who has pipe cleaner arms from a tower after killing the cut-out dragon). The bright colors and the drawing style of faces and expressions enhance the silliness. Unfortunately, he approaches Adrienne's tower, Sparky chases him off, and lands in the dungeon. Even the colors shift to a darker tone once King Ashe appears.
The Muse: Angelica serves as one to a whole village of artisans camped outside her tower.
Oh Crap: The bumbling prince's reaction when she told him not to let the dragon hit him "on the way out". It seems nobody warned him there'd be a dragon.
We see Appalonia's mythical guard, a minotaur, and the chapter ends on her expression.
Stripperific: Mercilessly lampooned during the armor shop sequence in issue #3.
Take That: A loving jab comes in issue three, where Bedelia shows Adrienne three wildly impractical suits of armor designed for female warriors. They strongly resemble the costumes of Wonder Woman, Xena, and Red Sonja respectively, and a major source of humor comes from Adrienne pointing out how little protection they'd actually offer in battle.
Tempting Fate: Young Adrienne warns her mother that she and her father better not lock her in some tower once she turns sixteen. Next panel and a Gilligan Cut later, she's sixteen and locked in a tower.
Adrienne decides she's going to save Angelica first instead of Appalonia, since she doesn't know yet where her youngest sister is. So their next destination are the grasslands. Bedelia wonders if creatures like "rhinogs" and "elegators" truly exist there, which Adrienne voices her doubts about. She says next time Bedelia will tell her that centaurs and minotaurs exist. Some panels later, we see a massive specimen of the latter - and he's Appalonia's guard, the meanest of the bunch according to King Ashe.
Tomboy Princess: Adrienne, who is sarcastic, direct, easily annoyed; who doesn't wear pink clothes, clads in armor, begins sword-fighting, and fights her supposed role as a Princess Classic.
The Ugly Guy's Hot Daughter: Bedelia's father is a dwarf (the fantasy kind) and not the attractive kind. She's quite thankful that she takes after her mother instead.
World's Most Beautiful Woman: Adrienne's sister Angelica is described as this. So much so that the first spiteful witch tried to curse her at age three, and she got her first marriage proposal from a besotted knight at age six.