In Fullmetal Alchemist, Pride is the leader of the Homunculi, following the Seven Deadly Sins theme. However, his identity differs between the first anime and manga — in the former Pride is Fuhrer King Bradley, but in the latter it's Selim Bradley! In the former, the pride aspect manifests through the power he wields through his precognition and the political power at his beck and call; he refers to himself as God's "guardian angel" of humanity (with alchemists, possessing the one power he cannot have as a Homonculus, as the Devil). In the latter, Pride is the "pride and joy" of Big Bad Father. At one point Hohenheim addresses Pride, and characterizes his self-love as particularly evil: Pride is utterly incapable of giving value to the life of any other person, and is Lack of Empathy personified.
Not only is Pride Father's most powerful Homunculus, and not only is Pride the most prideful and arrogant of them all, his very shape is proof of Father's hubris. His true form is basically Father's original form as an amorphous shadow in a flask cranked up to eleven and then some. What better example of Father's pride then to make his strongest warrior in his own image?
Particularly in the Brotherhood version, Ed's pride (being an Insufferable Genius) seems to be a major motivation in his ill-fated attempt to bring his mother back from the dead, although love for her was certainly a big part of it as well. Which makes his defeat of the Homunculus of the same nameeven more appropriate.
While she definitely embodies the sin she's named for (specifically the desire to hurt others), the Homunculus Lust is also unbelievably arrogant, seeing herself and her fellow Homunculi as superior to all the pitiful humans.
Vegeta from Dragon Ball Z gets his ass handed to him so many times for his stubborn pride, you start to wonder if he likes it. Few are the characters who have done more stupid things for the sake of their pride. Like so many characters on this page though, it is all he has left if you think about it. He's the Prince of a world that no longer exists, all his kin are dead until Trunks is born, and that filthy peasant Kakarot just keeps getting further ahead of him in terms of power...
Of course, the whole reason why he has nothing else left is his pride. He killed Nappa because of it, and got Bulma despite it, yet also loses the latter because of it. Good thing for him the Dragon Balls exist, as they allow him to keep trying again until even he gets it right...
Most of DBZ villains tend to have this as a major flaw thinking there is no way they can be defeated. With Vegeta it is a low born defeating an elite. Frieza cannot comprehend that a "monkey" could become stronger than him even after he is sliced in half and the world blows up. Android 17 thinks he is the perfect fighting machine and cannot be improved upon. Cell thinks his final form is "perfect" due to having the best qualities of each fighter and cannot be defeated. Super Buu cannot stand Vegetto's strength. They tend to have a break down when they are proven wrong.
Light from Death Note. Where Light's pride hurt him the most was his underestimating L's abilities. While he was a better Chessmaster than L and correctly estimated Mello and Near's individual abilities, several of Light's mistakes can be traced to underestimating L. First was the Lind L. Tailor incident. Then Light changed the time he wrote in the Death Note after L figured the times of death meant Kira was a student, letting L know Kira had a connection to the police. Kira had better chances of not being identified as one of many students than as a family member of the police, but simply did it just to one-up L. Then Light only waited a week after Penbar's investigation of him to kill him, thinking that the lapsed time would be long enough to cool his trail, but picked up the attention of not only L but also Misora. And there really wasn't a good reason to kill Penber at the time anyway. Then he didn't think that L would leave a way for his successors to know he had died. Had Light recognized that the detective L was smarter than the criminal Kira, things may have gone differently.
Light's God Complex is the most obvious example of this trope in the manga — not just his delusion of godhood, but the very fact that he thinks he has the right to kill whomever he deems fit, and whomever gets in his way. Light's pride is what ultimately proves he's Kira, as he can't help but reveal his identity in the final moment of a tough opponent's life grinning over Penber and L and outright telling Misora he's Kira just as her sentence to suicide takes effect. If he wasn't so keen on gloating, he may well have survived the final encounter with Near.
Neji from Naruto. He thinks he's better than everyone, until Naruto beats some sense into him. Sasuke, too, which unfortunately has yet to be remedied◊.
Almost the entire Uchiha Clan (they're not known for their humility), but especially Madara. Something about having a Sharingan seems to make you really arrogant.
Umineko no Naku Koro ni: Lucifer is the eldest of the Stakes of Purgatory. Naturally, she has quite a bit of Pride in this position, which makes sense, considering that's the sin she embodies. This makes her Defeat by Modesty at the hands of Kanon in the third arc all the more hilarious. However, the Stakes Valentine's Day side story reveals that she's actually the least competent of her sisters, and her TIPS reveal that she takes great pleasure in surrendering.
Ribbons Almark from Mobile Suit Gundam 00 displayed a superiority complex: he always looked down on humanity, and he also also described himself superior to other Innovades. His confidence of himself is at the point of arrogance.
Pretty much embodied in the final episode, in which he states that he isn't "playing God" because he really is God. It's at this point that Setsuna decides that the guy is beyond hope and just needs to die.
Bleach: Byakuya Kuchiki has his fair share of pride. He gets better as time goes on, though.
Pride is also a key trait of the protagonist, Ichigo. Some of his fights would be a lot easier if he didn't underestimate his opponents or taunt them. Whenever he starts enjoying a fight, pride kicks in.
Throw in a drink for death by pride for non-noble generals and politicians (thus making The Alliance eligible) and odds are you'll be drunk some ten episodes in, and dead of alcohol poisoning by the quarterway.
If you really want to get the ball rolling, throw in another drink for when their pride causes other people to die.
Several hundred thousand people were dead due to foolish pride in the first episode. Don't do it, man, it's a death trap!
In ...Virgin Love, Kaoru's biggest flaw is his pride, which is his defense mechanism to combat his insecurity and jealousy and makes him completely emotionally isolated.
Dream of The Sandman spent most of the series going through a slow change, and trying to correct mistakes his strict code of honor "compelled" him to make. In the process of doing so, he made several powerful enemies, so it wasn't his pride per se which did him in, but his attempts to make amends that did.
The nutshell description of the series is 'Dream of the Endless finds it necessary to change or die... and makes his choice.' If that wasn't an example of pride in action, what is?
Pride is the defining trait of Doctor Doom. The accident that damaged his face happened because he was too arrogant to believe Reed Richards had found an error in his calculations. The minor scar Doom received he saw as horribly disfiguring due to his vanity, and in desperation to hide it he ended up really messing his face up. He was unable to even admit to himself of his mistake in either instance. His supervillain-sized lust for power is rooted in his belief that he should be second to no one, particularly Richards. This is also why he always rebuffs others' attempts to rehabilitate him. He just can't accept the pity and sympathy of others.
Lucifer: Naturally, the titular character of the comics, who rankled at the idea that any being should be in any way bound to another. On one hand this led to his total honesty and strict paying of all debts he owed, on the other it fueled his sociopathic disregard for anyone who wasn't him or his (very) small group of companions. As God pointed out it also meant he would be eternally unhappy, because the universe was by nature co-dependent and linked.
In All Fall Down, Pride blinds Portia for the majority of the story.
Doctor Strange, in his backstory, was a young and very talented surgeon with the ego to match. Cue the fall from grace, which ended only when he started to care about people other than himself. He's come a long way since, but the temptation to backslide is still there.
Spider-Man has had trouble with pride. It is, after all, the reason his Uncle Ben died, as Spidey was too full of himself to care about the burglar that would kill him. Of course, Spidey then learned that with great power Comes Great Responsibility, but he's still had his moments since then.
This is the most common reason given for the downfall of the Kryptonian civilization. They are often depicted as one of the most powerful races of their time, and the very idea of the destruction of their planet is unthinkable. This leads them to mock Jor El and his warnings, and as a result of their hubris, only a fewsurvive.
The Brotherhood of Guardians in Archie Comics' Sonic the Hedgehog massively prided themselves on their old Guardian traditions, leading them to think that threats like Dr. Robotnik wasn't a threat to them at all. When Eggman took Robotnik's place, they still weren't concerned, even when Princess Sally came to them, begging for help. To their shock and horror, Eggman eventually caught up to them technologically and helped cull the Echidna population greatly. Oops.
In the My Little Pony: Friendship Is Magic fanfic Envy And Arrogance, the mane six have to save Equestria from their Evil Counterpart Elements of Discord. One of them is named Arrogance and she definitely plays the part. She is also very powerful but, unusually for the trope, she is not the most powerful of the six - instead she is an Evil Counterpart to Applejack - since self-delusion is the ultimate aversion of honesty.
Discussed in Hoofstuck when Pinkie Pie first tells the story of Love Lock and the Batterqueen. Apple Bloom points out that Love Lock's Absurdly High-Stakes Game seemed just as arrogant as the Batterqueen's belief she was entitled to rule. Pinkie spins this into An Aesop by telling her that "if you take a risk and succeed, that's called confidence. But if you fail, it's called ''hubris'... but it's really all the same thing!"
In Flight has Shirou reunite with Saber and Rin, who have a method of keeping the Clocktower from experimenting on Shirou by having them stay with him. The only problem is that her pride as a magus and human would never allow her to be reduced to the level of his Alien Harem and she would rather go into exile than share him.
In The Love of Three Oranges, the slave sees the heroine's reflection in the pool and thinks it's hers. It goes straight to her head and causes a lot of trouble.
Aladdin - Jafar was this close to complete victory, but his refusal to accept any position other than that of the most powerful being on the face of the Earth was what ultimately undid him. He was already the Sultan and the most powerful sorcerer in the world as a result of his first two wishes upon capturing the Genie, but his undoing came when Aladdin tricked him into wishing to be a genie — with everything that goes along with the package. He could probably even have avoided the last third of the movie altogether if he hadn't wasted his first wish on, essentially, stealing the Sultan's clothes - out of pride.
Pride is key to plot in Kung Fu Panda. Shifu was too proud of his prized pupil Tai Lung, whom he valued as a son, to realize that Tai Lung was proud to the point of being arrogant. When Oogway denied Tai Lung the Dragon Scroll, he went berserk, carving a swath of devastation through the valley and trying to kill Shifu before being stopped by Oogway.
Twenty years later, Shifu has allowed his pride and that failure to blind him to the potential of his other students, and prevents him from seriously considering that Po is the only hope of defeating Tai Lung. Meanwhile, Tai Lung has only gotten more full of himself while wasting away for twenty years, and when he finally confronts Shifu, he reveals that the motive behind everything he ever did was to make Shifu proud of him. Shifu declares that he was always proud of him, but that pride worked against him and kept him from seeing that he was setting Tai Lung up for disappointment. And once more, Tai Lung is too proud to accept this, and says he only wants the scroll.
At the end, after getting thoroughly trounced by Po, he fails to understand the meaning of the Dragon Scroll that he had sought for so long, which is that you don't need to seek out some ultimate secret to reach your full potential: the power is already within you. His pride does not allow him to consider that he might have been wrong about everything, and he dies... we think... refusing to accept that he had lost to, in his words, a "big, fat panda."
Films — Live-Action
The theme of Pride/Vanity as an engine of destruction runs all through the plot of The Devil's Advocate, namely because it makes you careless and imprudent or just drags you into the affairs that will surely and painfully bite you in the ass. Even the father of the sin himself is not invulnerable to its pernicious influence. At one point, he describes it as his favorite sin and the most "natural" as it stems from a "love of self"
Discussed in Pulp Fiction by Marsellus Wallace when he talks to Butch: "The night of the fight, you may feel a slight sting. That's pride fucking with you. Fuck pride. Pride only hurts, it never helps." He's trying to convince Butch to throw a fight by suggesting that his career as a boxer is essentially over, making this something of a Breaking Speech. Butch later turns it around on Marsellus while he's beating him up, taunting him with "See that? That's pride fucking with you."
Victor of Upldr is this. He felt that he was the only one who could do his project and should get sole credit for it. He was willing to do anything just to beat his former boss into completing his project.
In Shadow Puppets, one of the Ender's Game sequels, Virlomi sets herself up as a holy woman/god on earth to lead a resistance movement in India against the Chinese occupation. After a long sequence of everything going right for her against rivals she knows are better than she is, she becomes convinced that she really is either divine or favored by the gods, and carelessly leads her army into an obvious trap.
Later stories show just how much old Ma and Pa Wiggins manipulated their children because the pride of their children (especially Peter) was such there was no way their parents could have figured out they were world famous political Bloggers. Ender In Exile especially shows this with how they manipulate Peter to exile Ender and Valentine to join Ender. In Peter's case it takes him four books to even suspect his parents used him due to his own pride. This may be a retcon, however. If it is, it is one inspired by the fact that the reason (according to the Hegemony) that Peter, Val, and Ender are so smart to begin with is that their family has such an excellent genetic history of intelligence.
In Starless Night, Drizzt Do'Urden leaves his friends behind to see if he can head off the coming storm all by himself. Not only does he fail, not only would he have died if his friends (and even some enemies) hadn't rescued him, but he arguably makes things worse. This would be fine...if it weren't for Drizzt's proclivity for endless navel-gazing on various philosophical themes and subjects in his journal, just in case you missed the point.
Pride and Prejudice, naturally. Sometimes, people who accuse others of being too proud are the proudest of all.
Emma, too — pride goeth before a fall for dear Miss Woodhouse.
Persuasion, too, though it's not Anne Elliot herself, but her father, quite conceited over his Blue Blood and good looks, and older sister. Though at one point they are being abject to restore a connection and Anne thinks something she had thought she would never think: she wished they had more pride.
Each of the villains in the Keys to the Kingdom series represents a deadly sin, with Lord Sunday representing pride. He does nothing about actions that would destroy the universe until it is nearly too late simply because he would rather amuse himself.
Jorus C'baoth claimed that a Jedi was immune to pride. He was extremely wrong. Pride is the leading cause of death among Sith, narrowly beating out "swinging lightsabers" and "reactor shafts."
In Nick Kyme's Warhammer 40,000 novel Salamander, Tsu'gan blames himself for his arrogance that led to his leaving his post, and so to an enemy's breaking in and killing his captain.
In the Back Story, Rafen was so arrogant as to have been rejected as an aspirant for it, but that humbled him and (through some other circumstances) led to his being selected anyway.
Stele explicitly compares Sachiel to Rafen: while it nearly killed him to break Rafen, and that was to drive him to despair because he could not win him over, he quite easily brought over Sachiel, through his pride.
In Ben Counter's Warhammer 40,000 novel Chapter War, Eumenes justifies his rebellion on grounds of fighting for what he believes in, but is clearly after power, especially when he gloats over what he will do with Sarpedon after Sarpedon submits to him to save the Chapter.
...the essential vice, the utmost evil, is Pride. Unchastity, anger, greed, drunkenness, and all that, are mere fleabites in comparison: it was through Pride that the devil became the devil: Pride leads to every other vice: it is the complete anti-God state of mind.
Being as Things Fall Apart is more or less stated to be a classical Greek tragedy set in pre-colonial and early colonial Nigeria, it makes sense that Okonkwo's driving force and ultimate cause of death is Pride. Subverted in that the author does not condemn Okonkwo's pride but rather is saddened by it.
The backstory of his deadbeat father, who spent his days idling and died in massive debt, provides a Freudian Excuse in this case. Okonkwo swore to himself he would be a pillar of strength and manliness, not a failure like his father.
Melkor sought to create and rule over others, and was too proud to admit his creations were only discoveries made possible by God. He became Morgoth, that is, Satan.
All the Noldor were prideful, but FŽanor's arrogance was such that he lead the majority of them into exile, thinking he would be able to defy the Valar (godlike angels delegated to rule the world), and that he would stand a chance of defeating Morgoth in combat. Predictably, it ended very badly for him and most of his people.
Farsala Trilogy: This is the fatal flaw of the deghans — they are so confident that the Hrum could never defeat them that they fail to listen to intelligence reports or gather an army beyond the (very small) elite fighting class.
Always a rich kingdom, untold wealth had been rolled in by conquest, and sumptuous splendor had taken the place of simple and hardy living. But degeneracy had not yet sapped the kings and the people; though clad in silks and cloth-of-gold, they were still a vital, virile race. But arrogance was supplanting their former simplicity. They treated less powerful people with growing contempt, levying more and more tributes on the conquered. Argos, Zingara, Ophir, Zamora and the Shemite countries were treated as subjugated provinces, which was especially galling to the proud Zingarans, who often revolted, despite savage retaliations.
Daniel Dravot in The Man Who Would Be King (both short story and film). Getting yourself acclaimed as a god in order to take over (and loot) a country is fine, but when you start believing it you're officially entering the realm of hubris. At least he realised what he had done in time to apologise to his best friend.
Zeus/Jupiter from the Percy Jackson book series unsurprisingly suffers from this. Many of the crises are caused or made worse by Zeus' pride. In The Heroes of Olympus Jupiter's wounded pride at being helped and told off by mortals in the Titan War leads him to seal Olympus and do nothing to stop the Giants. Luckily, the other gods are not so stupid and work behind his back.
Pride is the defining trait of Lord Voldemort in Harry Potter. He is so in love with himself that he can't stand the idea of ceasing to be, which is what drives his obsession with immortality. He continually underestimates Harry and refuses to countenance the idea that there are powers that he doesn't understand. He repeatedly blames others for mistakes he himself makes and is incapable of viewing others as his equal, ultimately leading to his downfall.
To reign is worth ambition though in Hell: Better to reign in Hell, then serve in Heav'n.
The defining trait of the Lannisters, Targaryens and to a small extent, the Greyjoys in A Song of Ice and Fire.
In the Firebird Trilogy, pride is both Brennen and Firebird's main failing, one that drives the plots of the second and third books. In the second book, Brennen faces losing most of his extraordinary abilities and learns that his worth is not dependent on what he can do. In the third book, Firebird struggles to let others help her and to not get detrimentally caught up in her royal heritage.
Breaking Bad has the main character with an obvious streak of pride coloring all his actions. He'd rather make and sell Meth than ask for or accept help for his family or condition. At one point it's revealed that his partner in grad school created a successful biotech company that his ideas helped create. Rather than accept a very large check that would have covered his bills and act as a late payment for his help with the company, he tears it up and goes back to making drugs to earn his own way.
The Minbari of Babylon 5 is an entire species of this. Same with the Centauri, who fuss over their glorious and long-be-gone past until their planet is reduced to rubble, the Narn, who fuss over their grudges with the Centauri and the need to take a rightful place in the galaxy until, you guessed it, their planet is reduced to rubble, Vorlons and the Shadows. The last two are worst (they incite genocidal wars and run species into extinction just to prove that their tutory strategy is the best one) and they are the ones that get away relatively easy. Huh.
Doctor Who: The Doctor can fall into this, given his Smug Super tendencies, and it's a notable part of the Tenth incarnation's personality. One of Ten's last appearances, in The Waters of Mars, has him basically go into A God Am I mode with massive hubris, but then end up as much more humble afterward after his arrogance is crushed.
Though it is justified, considering how the Doctor was raised by the Time Lords, who pretty much keep priding themselves as the most powerful civilization in the universe; compared to that, the Doctor is the most humble Time Lord there is.
In Mad Men this turns out to be Lane Pryce's undoing. The man started the series as a bit of a Chew Toy who is used as a hatchet man by his bosses and never given the recognition he deserves. In America he finds the freedom to pursue his own goals and becomes a founding partner of Sterling-Cooper-Draper-Pryce. He is justifiably proud of his achievements but his pride soon leads him to make questionable decisions. When a business downturn forces the partners to put more money into the company, he commits all his assets to the venture and does not tell anyone about his difficult financial position. More importantly, he fails to pay his British taxes (the US and UK did not yet have a reciprocity treaty), and a year later Inland Revenue sends him a menacing letter saying that if he ever wished to return to Britain and not get arrested, he had to make a very large lump payment that would bankrupt him. Don would have been more than happy to lend Lane the money but Lane's pride prevents him from asking for a loan. Instead he forges a check to get an advance on a bonus. When bonuses are canceled, he cannot return the money and Don tells Lane he has to leave when he finds out about the embezzlement. Lane hangs himself in his office rather than face the disgrace. Lane was no longer willing to "suffer the little humiliations" that his life was filled with before he became successful and thus was not able to ask for help when he most needed it.
In Smallville, it often appears to be the Kryptonians' racial hat, having an inflated sense of ego which causes most of the Kryptonian survivors who find themselves on Earth to quickly devolve into a Smug Super. Even Clark isn't exempt from this, with his pride in being The Paragon frequently colouring his decisions and serving as his fatal flaw.
Series 10 turns this into a major plot-thread, as Clark literally cannot defeat Darkseid until he's learnt humility.
In Stargate SG-1, the Tollan are utterly convinced that they are invulnerable, due to their vast technological superiority that is even beyond that of the Goa'uld. Their arrogance eventually lead them to being wiped out, since they never considered that the Goa'uld might eventually find some way to circumvent their technology.
Because I'm awesome by the Dollyrots may or may not be a parody of when you have a little too much pride.
Travis Tritt's "Foolish Pride" is about a failed relationship where both sides are afraid to show their feelings for each other out of pride.
The Seven Deadly Sins series, by Vocaloid producer AkunoP aka mothy. Pride's song is Daughter of Evil, by Rin Kagamine in the role of Riliane Lucifen d'Autriche, who is a tyrannical princess of the Yellow Kingdom. Be sure to watch the sequel Servant of Evil which is from her servant's point of view, and shows more to the story. Be warned, its a bit of a tearjerker.
Mythology and Religion
Older Than Feudalism: Classical Mythology is chock full of these. Here "pride" often means contention with or disrespect for a god, though outside of classical literature hubris/pride is actually more accurately translated as "sadism".
Medusa was a famously beautiful priestess of Athena. In Ovid's late retelling of the myth she has sex with Poseidon in a temple of Athena. She got turned into one of the Gorgons by Athena because of it. note In the (numerous) earlier versions of the myth, Medusa does nothing prideful but gets walloped by the gods anyway — one version even had her raped by Poseidon.
Arachne claimed she could weave better than the Goddess of Arts (and most everything else), Athena. The story varies from telling to telling; in some she makes tapestries depicting the gods' faults and foibles, and in some she out-and-out taunts Athena after actually beating her in a weaving contest. Either way, her pride gets her beaten senseless and nearly killed by the angry Athena, who quickly relents and turns Arachne into the first spider as a testament to her skill.
Yet another version has her hanging herself after Athena destroys her life's work (a moving tapestry of the gods) in a fit of jealous rage. Athena resurrects her as the first spider out of remorse.
In The Odyssey, Odysseus blinds the cyclops Polyphemus, and tells Polyphemus "Nobody" did it, so that when the other cyclops asked who blinded him, Polyphemus could reply only, "Nobody." Of course, this plan failed, when Odysseus became so proud of his feat he yelled to Polyphemus to remember the man who blinded him, Odysseus, son of Laertes, King of Ithaca. Polyphemus called out to his dad, who just happened to be Poseidon, for vengeance; as a result, Odysseus was stranded on Calypso's island for seven years.
Queen Niobe of Thebes once boasted that she was superior to the goddess Leto because, among other things, she had seven sons and seven daughters as compared to the latter's only two children: Apollo and Artemis. It did not end well. It also contains the most stunning example of Break the Haughty in classical mythology: After all fourteen of her children were killed, Niobe wept. And wept. And wept so much that the gods took pity on her and turned her into an unfeeling stone. And the stone still wept.
Many Space Marine chapters have this problem. The last codex had optional disadvantages to represent this, such as We Stand Alone — essentially preventing them from ever getting Inquisitorial allies because they refuse help from anyone. Additionally, although some fall to Chaos through despair or rage, many (such as Horus himself or the Inquisitors who believe they can control Chaos) enter the claws of the Dark Gods due to pride - Tzeentch's portfolio includes (in addition to the more infamous Hope and Change) Ambition.
The Orks have Flash Gitz, who are this trope personified within Ork society, with a fair share of Greed to go with it too. Where normal Orks love fighting anything that moves, Flash Gitz are more concerned with getting more teeth (the Ork currency, mind you) while spending as little of it as possible, and showing off their highly customized guns and money to other Orks. They are widely disliked amongst normal Orks due to these facts for being huge showoffs.
Then there were the Thousand Sons. Magnus's two big mistakes: thinking he knew more about the Warp than the Emperor, and thinking he was too smart to fall for a Deal with the Devil. Then, over the course of about a day, the whole thing came crashing down around his ears.
The Eldar, as a race, are now on the brink of extinction due to the Fall but are still full of themselves and refuse to get along with other races. The Dark Eldar take this even further, seeing their Craftworld and Exodite cousins as failures to the Eldar legacy despite that legacy having destroyed their race.
The birth of the three younger chaos gods, the Horus Heresy and the fall of half the space marines to chaos, and the opening of the eye all pretty much directly resulted from the Emperor's decision to solve the problem by having everyone ignore it until it went away, because he was the only one superior enough to be allowed to know basic facts about (in-universe) science... reducing the millions of people _using_ that science for basic transportation to the position of blindly poking a cosmic bear with a stick with no warning or ability to take precautions.
Vampire: The Masquerade - Tremere, founder of the clan of the same name, essentially tore a massive hole in vampiric society and damned himself and all followers to eternal tribulation simply because he was too proud to admit he could fail.
Very deep in the back story, Absimiliard, the progenitor of the Nosferatu clan, killed his sire for scarring his (in his opinion) perfect face during his Embrace. In punishment, his grandsire Caine cursed the entire clan with inhuman hideousness.
The Great Curse for the Sidereal Exalted is based around the structure of "make hubristic decision, execute competently". Solars are also prone to this, as their peerless excellence turns in on itself and becomes peerless arrogance. Other Exalts cheerfully dive into this on an individual basis.
Discussed in Nobilis 3e, which cautions that while it's possible to become Noble by eating a Power's heart, making plans to do so would be an example of hubris and would probably come back to bite you on the butt, possibly in the form of a giant scorpion.
Through Nobilis' history, Lucifer has been the Imperator of Pride and Persuasion, which is to say that it is because Lucifer exists that Pride, as a thing in itself, does as well.
Genius: The Transgression: the prideful conviction that you are Correct and everyone else is Wrong is how a Genius goes Unmada. This is rarely a thing that ends well for anyone concerned.
The title character in Julius Caesar was practically the living embodiment of Pride.
Iago in Othello has Pride and Envy as his fatal flaws.
By the end of The Women, Mary decides that pride is "a luxury a woman in love can't afford."
Geneforge series - The Shaper Council. If you choose to help a faction that opposes them, then they learn the hard way that yes, the rebellion can be a threat to them. Unfortunately, the other factions are often just as arrogant.
Geese...poor, poorGeese. If it weren't for his... excessive pride, he wouldn't be stuck to the pavement like a mancake right now.
In the original Ridge Racer, the ultimate unlockable vehicle in the game is the black car (officially #13, 13" Racing). Even a good player can expect to be passed like they were standing still soon after the starting line, whereupon they will come around the next lap to see their opponent lounging by the black car, waiting for them to catch up.
Tortoise and the Hare, much?
In Dragon Age: Origins, the Seven Deadly Sins are divided up among five different types of demons: Rage (wrath), Hunger (gluttony), Sloth, Desire (greed, envy, and lust), and Pride. Pride Demons are considered the strongest of the five types by the Chantry because the emotion that they feed off of is the most human and complex.
The sin of Pride is one of the overarching themes of the Dragon Age verse in general; it was the pride of the magisters that led them to attempt to conquer heaven and thereby to turn the Golden City into the Black City and unleash the darkspawn on the world (at least according to the Chantry; the magister Corypheus claims that the Black City was already corrupt when he arrived, but his clear megalomania certainly supports the Pride bit). Origins' introduction begins with Duncan intoning "The Chantry teaches us that it is the sins of Man that brought the darkspawn to this world..." and the two Tragic Hero party members of Dragon Age II, Anders and Merrill, both bring themselves (and other people) to ruin because they pridefully believe themselves equal to the foolish risks they undertake ( willingly allowing a spirit to possess him, in Anders's case; practicing blood magic, summoning demons and making deals with them, and attempting to repair an artifact that killed her best friend, in Merrill's case).
The Chantry teaches us that it is the hubris of men which brought the darkspawn into our world. The mages had sought to usurp Heaven. But instead, they destroyed it.
It should be pointed out that The Infamous Boatmurdered featured three of the above (and would have had Hell Itself had Hell Itself been part of that version of DF). It, somewhat predictably, meet its doom when the Horrific Doomsday Device, having previously converted the landscape into Mordor, misfired and demolished a chunk of the gargantuan statue (which angered the artisan who'd engraved the statue, which led rather efficiently to a lethal Tantrum spiral.
In Ace Combat Zero, pride seems to be associated with the Knight Ace style ("[aces] who live for pride"), who refuse to cause collateral damage even when it's the surest way to victory. Your wingman even comments that your pride is gonna get you killed. Ironically, among the enemy boss squadrons, the one explicitly associated with pride is Detlef Fleischer's Rot Squadron, whom you face in the Mercenary route. As the epilogue shows, even ten years later, poor Detlef still cannot accept and understand how he was defeated by mere mercenaries.
The Illusive Man was brought down by his own pride in Mass Effect 3. His plan was near-foolproof, taking into account Shepard and the Alliance's interference, their eventual pushing back against the Reapers, as well as the eventual completion and deployment of The Crucible (for the first time in the history of the Galaxy). He even rightly came to the conclusion that it would allow him take control of the Reapers. However, he never, even for a moment, thought he might end up indoctrinated himself. If Shepard can make him come to realize it, he commits suicide.
This is also Kai Leng'sFatal Flaw. The Illusive Man, despite his pride, for the most part still treated his enemies with caution. In particular, despite being his/her enemy, he greatly respected Shepard. The Illusive Man continuously warns Kai Leng to show Shepard respect and to not underestimate his/her skills. Kai Leng arrogantly refused to do so and was even insulted when The Illusive Man compares him to Shepard. His underestimation of him/her proves to be his undoing.
Aria T'Loak suffers from this in spades in the Omega DLC, constantly underestimating her opponents and overestimating her own abilities. If she hadn't brought Shepard along with her, that pride would have gotten herself and all of her troops killed (as it is, it just leads to the deaths of a significant portion of them).
In Overlord Pride is the sin embodied by the Wizard, seventh member of the adventuring band of heroes that slew the old Overlord. His pride kept him from realising his own vulnerability and intended role in the old Overlord's Thanatos Gambit. By the time the protagonist meets him the Wizard is nothing more than a skin coat worn by the revived Dark Lord, who subsequently inherits the downfall of pride by being destroyed by the very man he groomed to be his puppet replacement
Durandal and Tycho from Marathon are two rampant Ship AIs with delusions of godhood. The former's despair of being restricted to the thankless duty of operating doors while he could much greater things with his vast intellect is one of the things that starts the plot of the trilogy.
Colonel John Konrad thought helping the people of Dubai would just be a matter of putting in the effort and it's insinuated that at least part of his motivation is to make up for his failures as a commander in Afghanistan; his evacuation ends with much of the population dead, his own troops turning into what is effectively an occupying force to keep the survivors in line while subsisting off extremely limited resources, half of his troops turn on him when they decide it's gone too far, much of the population forms an insurgency against him because the troops have gotten so brutal they're worse than having no order at all, and he ends up killing himself after the weight of this new failure becomes too much to bear.
Captain Martin Walker, like Konrad before him, is sure he can be the hero and help, so he presses on despite having the chance to leave, report the situation to his superiors and get backup. Everything he does only makes things worse, so much so that he snaps and loses his sense of reality. The fake Colonel Konrad he hallucinates is talking to him long after the real Konrad is dead actually calls him out for wanting to be a hero so badly that it blinded him to how much worse he was making everything.
The player is not exempt, as even the game's loading screen tooltips start telling you "None of this would have happened if you just stopped." The dev team are perfectly happy being blamed for making the game for the player to play in the first place, too, as it mirrors Walker blaming Konrad, to a point.
Planescape: Torment. As the backstory unfolds, you learn that the First Incarnation of the Nameless One had committed a horrific crime, then decided that he needed to become immortal in order to have enough time to make up for it. It... didn't work. You can spend most of the game atoning for this, and you still end up going to hell for it.
In Asura's WrathDeus represents the mantra affinity of Pride, stated to be the best suited for ruling Shinkoku Trastrium. He lives up to this,, basically making himself seem unstoppable until his final duel with both Asura and Yasha at the same time (Where before he could fight yasha with ease). Even in his dying breath he thinks only he can can beat GohmaVlitra.
In World of Warcraft fourth expansion, pride turns out to be Emperor Shaohaofatal flaw, for a rare non-villanous example, which nonetheless would go on to have tragicconsequences. However in the quest in which you actually meet the pandaren, he seems to have recognized his errors after millenia of meditation on the subject and goes on to give you a very philosophical analysis on the nature of pride before asking for your help to clean up his mess. Check quote pages if you want to know the full speech.
Dealing with this involves a final showdown with the Sha of Pride, the fourth boss in Siege of Orgrimmar. To even fight against the Sha, you must complete Norushen's trial (the third boss encounter) in order to sufficiently purge yourself of your corruption. The Sha of Pride uses attacks that increase your Pride, all while saying things such as "You are better than your companions" and "You should bow to no king or warchief," with increasingly negative effects until you are ultimately mind controlled; you must defeat the boss before this can happen.
This also proves to be Garrosh Hellscream'sfatal flaw, as his pride caused him to view all non-orcish races as worthy only to serve or be ground underfoot, and that same pride caused him to be completely ignorant of the growing similarities between the oppressive rule of the mogu in ages past and the police-state Orgrimmar has become in light of the other leaders rebelling, after a campaign full of being used to further the orcs' agenda with nothing to show for it but bodies to bury and, in the blood elves' case, a weapon to use in the upcoming revolution.
In StarCraftBrood War, Admiral Dugalle's Fatal Flaw was pride. Samir Duran exploited Dugalle's pride in his forces to convince him to destroy the Psi Disrupter. When Vice Admiral Stukov went behind Dugalle's back by secretly relocating the Disrupter, rightly believing it was their best chance to defeat the Zerg, Duran plays Dugalle's hurt ego and manipulates him into ordering the death of his best friend. In the final cinematic scene depicting the remnants of Dugalle's fleet fleeing the sector right before they are wiped out by the Zerg Kerrigan sent to pursue them, Dugalle writes a final letter to his wife. In it, Dugalle confesses that his pride killed Alexei and consumed him as well. Immediately after finishing the letter he commits suicide.
In Katawa Shoujo, Lilly is often described as prideful by Hisao, as he notices that she often hides her emotions and works hard to prevent her blindness from being a noticeable handicap. Similarly, Emi often boasts about her skill as a runner in the track, referring to herself as "the fastest thing on no legs".
Fate/stay night - Pride is the Fatal Flaw of Gilgamesh; he is the single-most powerful being in the story, capable of frightening even Avenger — the embodiment of all human evils incarnated in an unlimited source of power... But he never goes all out on people because he is too secure in his own superiority, and it always comes back to bite him in the ass because by the time he gets serious it is already too late.
Shinji is also overly prideful (with far less justification, too), which (combined with his general uselessness) ultimately leads to his downfall in all three routes (in particular Heaven's Feel).
Dan: "You know... last time I checked... pride was considered to be a deadly sin!!!"
Aaryanna: "And it's a sin you should be proud of, dammit!!!"
Jack: Pride/Vanity is a minor antagonist. As a punishment for some undisclosed Pride-themed crimes she is disfigured beyond description (think of being literally turned inside out and left that way) and is obsessed with looking beautiful again. Her preferred method is to skin other Hell-denizens and clad herself in their hides.
Similarly, Pride is Miko'sFatal Flaw - she refuses to admit that she can be wrong, and ends up falling from her paladin status and dying in a Senseless Sacrifice that accidentally brings about Xykon's partial victory. As one poster on the Giant in the Playground boards put it, pride is the sin of the fallen, the sin of Lucifer.
In the BDSM themed Sunstone this is what brought Ally and Alan's relationship to an end. The experience of dominating each other went to their heads and this turned into a competitive and destructive relationship when they didn't have the free time to share their desired role regularly. At the time the two of them also considered themselves superior to vanilla people; and this trait is still somewhat evident in Ally when she refers to casual practitioners of BDSM as noobs.
Ally also blames herself and her ego for what happened in the class on shibari with Marion, leading to her "showing her too much, too fast" and the downward spiral that followed.
In Avatar: The Last Airbender, Suki doesn't respond well to having her failures pointed out. When Sokka gently prods her to admit she was beaten in a sparring session, Suki forcibly bends his finger backwards and insists it was a lucky shot. After Suki mocks Team Avatar's win/loss record and Sokka responds by pointing out Princess Azula took her captive, she flatly asks him if he's trying to get on her bad side.
Zuko's pride and obsession with regaining his honour encourages him to make two seasons worth of bad decisions, to the point that he's made seriously ill by compromising his goals.
Zuko: But I don't feel any shame. I'm as proud as ever!
Iroh: Zuko, shame is not the opposite of pride, but its source.
Lucius on Jimmy Two-Shoes. He's a Smug Snake ruling an Egopolis who constantly tries to make the population love him while at the same time making them miserable. He's even named after Lucifer, the demon of pride. In fact, according to Word of God, Lucius has some pretty terrifying powers, but doesn't use them strictly because his pride would be wounded if he admitted he needed them.
In the season one episode "Applebuck Season", her stubborn refusal to accept help after insisting she could handle her family's orchard harvest alone combined with her trying to meet obligations to help her friends ends in nothing but disaster all over.
Twilight Sparkle: It's over-propelled pegasus, practically poisoned plenty of ponies, and terrorized bushels of brand new bouncing baby bunnies.
Meanwhile, "The Last Roundup" features Applejack essentially running away from home in shame when she doesn't win as big as she and everypony else had expected her to in a big rodeo competition she'd won ten years straight.
A positive example occurs in "Baby Cakes", when an Innocently Insensitive comment by Twilight Sparkle kick starts Pinkie Pie's pride and forces her to step up to the responsibilities of caring for the foals she's babysitting.
Discord is immensely prideful to the point he views no one as a threat to him. This bites him in the tail, as it blinds him to the fact that the six ponies standing in front of him are now capable of kicking it.
Rainbow Dash is Equestria's greatest flyer and she knows it very well. Certain spotlight episodes such as Sonic Rainboom and The Mysterious Mare Do Well expand upon Rainbow's hubris and shine on her insecurities and fear of failure. By the episode, "Wonderbolt Academy," she has grown enough to swallow that pride to accept an inferior assignment.
Transformers - Pick a Starscream. Any Starscream. Granted, all of Decepticon/Predacon culture is glory seeking, but no mech is more of a narcissist than the Pride of the Cybertron War Academy, the Greatest Explorer in Modern Times, the true heir and leader of the Decepticons, and self-cloning geek, fragging Starscream.
On the other side of the Cybertronian Civil War is Sentinel Prime, also in pretty much every incarnation. He usually means well, is at some level a nice guy, and usually has a history of friendship with Optimus Prime (if he isn't Optimus' father figure), but he's also almost always going to end up at least mildly villainous out of sheer ego.
Of course there's Megatron who makes sure that he alone is the undisputed leader of the Decepticons, and he won't allow even Unicron to command him.
ThunderCats (2011): Specifically brought up as a trait of Tygra's and tigers in general. Pride is Tygra's defining flaw for much of the series, driving him to constantly try to prove himself as better than Lion-O in almost every aspect, as well as causing him to be the most prejudiced member of the ThunderCats. That he's a royal, albeit adopted, doesn't help much either.
In "Native Son," we meet the Tiger Clan and Tygra's father Javan, and as it turns out pride was their downfall. The tigers and Tygus were too proud to join Leo when he rebeled against Mumm-Ra and split from them. When a plague was killing them, they were too proud to seek aid from Thundera and sought help from the Ancient Spirits (of Evil) instead. The Spirits agreed to cure everyone if Javan killed Tygra, but when he saved Tygra instead, the spirits cursed the tigers, letting the plague kill them all and forcing them to haunt their home as undead ghosts, only able to pass on if one of them could overcome their pride and show humility. Tygra's father even tries to keep all this a secret and drive Tygra away rather than have to admit what happened when Tygra becomes bitter about being sent away, all out of pride. Even in this case Tygra's pride gets in the way of seeing that his father was trying to save him from the plague, and it's only when he finds out about the curse that he forgives his father, which ends up lifting the curse. As you can see, pride causes a lot of problems.
Woody in Toy Story has his desire to be in the centre of attention as his main flaw, in addition to being worried that Buzz Lightyear could take over his place as Andy's favourite toy. Ironically, his given surname is quite a coincidence.
C. S. Lewis said that pride is inherently competitive. Any single desire (for money, women, power, whatever) can eventually reach a point where you have enough of the thing so that gaining more would be pointless. The thing with pride is that it doesn't care for the thing itself, only having more of it than everybody else. A billion dollars a year is really enough to get you just about anything you want, but people will try to make even more money just so that they can say that they have more than anyone else. He also points out in The Screwtape Letters that it is an incredibly easy trap to fall into, because the very act of being a good person in other ways can inspire pride. In fact, the titular demon recommends that his nephew convince a human to be proud of his own humility.
The American religion scholar Stephen Prothero argues that the fundamental point of Islam is opposition to pride. The doctrine of absolute monotheism that holds that God is so far beyond humanity that to talk about him in human terms only barely manages not to be blasphemy (i.e. God Is Good, but also Eldritch) means that the central tenet of Christianity is in itself prideful (God would not lower himself thus to human form, and it is prideful for us to assume that he would gain anything by doing so). It also (incidentally) sets the ground for absolute egalitarianism (assuming you accept this interpretation, anyway): since we are all equally puny (if not worthless) in the eyes of God, to declare oneself "better" than anyone else is in itself pride, and therefore un-Islamic. More to the point, even though people these days associate Islam with fanatical authoritarianism, fanatical authoritarianism goes against the very nature of Islam. Bizarre, eh?
It important to note that striving for greatest and improvement isn't in itself considered prideful. Also, just to point it out, but the notion of absolute monotheism leading to absolute egalitarianism still implies there existing a "connection" between God and creation.
It is also important to note that the Arabic language actually has two words for pride: ghurur and fakhr. They have significantly different meanings: ghurur is the sin of pride, overestimating one's own worth; i.e. the kind of pride that cometh before a fall. Fakhr is positive pride, which is to say recognizing your own true value or that of another; i.e. the "I'm so proud of you" kind of pride. The former is condemned; the latter is encouraged, but one must be careful that fakhr doesn't bleed into ghurur.
Adolf Hitler has this as his Fatal Flaw, especially obvious during his failed attack on Russia (he boasted that the Russians and western democracies were weaklings), his belief that everyone (includingNazi Germany itself) has failed him and thus deserve to die, etc.
Hermann Goering, one of his top lieutenants, also qualifies. For example, while he was an Ace Pilot in WW 1 with a very respectable 22 kills, the men in his squadron didn't like him because he was extremely arrogant.