Noteworthy Looney Tunes Staff

We all love the Looney Tunes and Merrie Melodies cartoon series, but it didn't get made overnight or from one mind—rather, it was the result of the collaboration of hundreds of staffers, directors, animators, inkers and others from the golden age and dark age of animation. While it might it be impossible to list every single person, this list will attempt to cover as many people as possible.

Compare to Noteworthy Disney Staff and Noteworthy Fleischer Staff.

Noteworthy Staffers Include:

  • Leon Schlesinger: The producer between 1930 and 1944. According with the staff, he was quite affable in comparison to successor Eddie Selzer.
  • Hugh Harman And Rudolph Ising: Ex-Disney employees who started up the studio. They quit in 1933, taking their creation Bosko with them to MGM.
  • Friz Freleng: Another ex-Disney. Became a director in the late Harman-Ising era and held the post until 1962 (except for a brief stint at MGM in 1938-39). He also produced the 1964-67 era cartoons.
  • Earl Duvall: Another director of the immediate post-Harman & Ising era. The most noteworthy fact about him is that he directed the first color Merrie Melody "Honeymoon Hotel" (1934, animated by Clampett and Jones).
  • Ben Hardaway: Director and writer. Bugs Bunny is named after his nickname "Bug" Hardaway. Also helped create Woody Woodpecker.
  • Mel Blanc: Provided most (more like almost all) the voices for the studios between 1937 and 1939.
  • June Foray: The main female VA for the studio, and the only one after 1950.
  • Stan Freberg
  • Shamus Culhane: Had a very brief stay at the studio, working for Chuck Jones on Inki and the Mynah Bird and Bugs Bunny and the Three Bears.
  • Chuck Jones
  • Tex Avery
  • Bob Clampett
  • Art Davis: One of the unsung directors of the studio (late 1940s). He also animated for Freleng before and after his brief directorial stint.
  • Robert McKimson
  • Frank Tashlin: Had three stints at the studio: In 1933, in 1936-38 and 1944-46.
  • Tedd Pierce: Writer (mainly for Friz Freleng), Storyboard Artist and Voice Actor
  • Mike Maltese: Writer, mainly for Chuck Jones.
  • Warren Foster: Writer, mainly for Robert McKimson
  • Bob Givens: Helped design Bugs Bunny, and did layouts for every director bar Freleng. One of the few that stayed right until the studio closed in 1969.
  • Martha Sigall: Ink and paint artist.
  • Virgil Ross: Animator for the Friz Freleng unit.
  • Ken Harris: Animator for the Chuck Jones unit. Also worked with Jones for Richard Williams on The Thief and the Cobbler.
  • Bill Melendez: Animator for the Bob Clampett unit, and later the Davis and McKimson units. Later became famous as the producer of (and voice of Snoopy in) the Peanuts television specials.
  • Rod Scribner: Animator for the Clampett and McKimson units, known for producing some of the wildest animation of the Golden Age.
  • Maurice Noble: Layout man for Chuck Jones. His stylish designs are featured on such classics as Duck Dodgers in the 24½th Century, What's Opera, Doc?, and the Wile E Coyote And The Roadrunner series.
  • Hawley Pratt: Friz Freleng's layout man and chief character designer for almost two decades. In this role he designed Sylvester and Yosemite Sam, and created the definite versions of Tweety and Speedy Gonzales. He later became a director in his own right at the very end of the studio's life.
  • Robert Gribbroek: Did Chuck Jones's layouts for quite a while before Maurice Noble showed up, and later did the same job for Robert McKimson. Although most agree that his work in Jones's unit was sorely lacking compared to what Noble later did, his work for McKimson tends to be much better-regarded.
  • Carl W. Stalling: Music director. Trope Codifier for Mickey Mousing (he started out at Disney composing the score for Steamboat Willie, making him the Trope Maker as well).
  • Tregoweth "Treg" Brown: Film editor and sound effects wizard. Won an Academy Award for his work on The Great Race.