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Neon Genesis Evangelion
alt title(s): Evangelion; Neon Genesis Evangelion Central Cast; Neon Genesis Evangelion Supporting Cast; End Of Evangelion
Attempting to harness the engine of our own destruction... only humans are so foolish.
— Misato Katsuragi

Evangelion is the greatest invention of mankind! It's these really big robots with extension cords which run around and blow up evil Angels.
— Kensuke Aida, Cruel Lina's Thesis

This review contains multiple spoilers. You Have Been Warned!

Neon Genesis Evangelion (in Japanese, "Shin Seiki Evangelion" literally translated as "New Century Gospel") is an extremely popular, controversial, and critically acclaimed 26-episode science fiction / action / drama anime series from Studio Gainax, which aired on Japanese television in 1995-96. It was written by Hideaki Anno, already famous for Gunbuster, and character design was done by Yoshiyuki Sadamoto, who authors and illustrates the ongoing Evangelion manga. There were also two movies made at the end, Evangelion: Death and Rebirth and End of Evangelion.

Evangelion tells a dark and apocalyptic story:

In the year 2000, Earth was devastated by the destruction of Antarctica during the "Second Impact", a disaster most believe was a meteor strike. Half of humanity died in the aftermath, ocean levels rose, and global warming became a fact of life. Fifteen years later, Earth faces a series of attacks by bizarre, gigantic alien creatures called "Angels." The only defense against the Angels is the secret agency NERV and its Evangelions: armored biomechanical giants designed to defend from Angel attack. The only persons who can pilot the Evangelions are a small group of dysfunctional 14-year-olds.

A common thread running through the personalities of all these people is that they feel a great need for love and acceptance, without which they feel incomplete. About half of them are desperately, hopelessly in love with people they can never have, with whom there can be no hope of consummation. Others are attracted to people they're afraid to approach, because they're paralyzed by shyness, self-doubt, and fear of being hurt. Most have lost their parents. And so on. This seems to be part of the philosophical statement Hideaki Anno wanted to make - that people need one another yet fear being hurt, and therefore put up psychological barriers that cause them even more pain as often as not.

Prophecy intertwines with conspiracy as shadowy players on all sides manipulate events and individuals to change the ultimate secret outcome of the Angels' siege.

Although it superficially resembles a classic "giant robots" anime series, Evangelion is in fact a study of individual alienation, betrayal, wheels-within-wheels conspiracies, obsession and apocalyptic fervor. In some scenes it resembles a harem anime, insofar as the main protagonist is constantly surrounded by breathtakingly beautiful women and teenage girls (and his friends frequently comment on this), but whatever feelings these people have are confused and badly expressed. In many episodes, particularly early in the series, there are instances of rather broad physical comedy that make it look like a teen coming-of-age Sit Com (particularly the infamous toothpick holder scene), complete with giant sweat drops and characters face-faulting, but these moments only provide contrast for the terror and hopelessness to come. By the end of the series, no one is laughing.

Its final episodes are among the most controversial television ever broadcast in Japan, if only for an utter incomprehensibility that ranks up there with the ending of The Prisoner. Fan outcry and dissatisfaction resulted in the production of two "concluding" movies, Evangelion: Death and Rebirth, which was even more muddled than the last episodes of the series, and End of Evangelion, which simply pushed the horror and despair of the setting to new heights. This is believed by some to be petty revenge on the part of series creator Anno, who reportedly felt so offended by the viewers' complaints that there was no satisfactory "happy ending" to the show that he deliberately turned it into a Wall Banger in which most of the cast, and, indeed, most of the human race are killed off in the most mean-spirited manner imaginable (oddly enough, this effect was temporary). Others believe that this was going to be the ending fom day one, but that budget problems prevented it from being made during the show's TV run.

Despite the dark and gruesome ending (freeze-frame play during End of Evangelion can reveal a major character's body being visibly blown to pieces, for example), Neon Genesis Evangelion is beautifully crafted, with exquisite attention to art, music and characterization, outstanding voice acting in the Japanese version (critics differ sharply on whether the English dub is as good) and some of the most technically impressive animation ever done. Strong themes of Qabbalistic mysticism and occult Christian eschatology adds an intriguing and different flavor as well.

A set of four new animated Evangelion movies retelling the story are in production, the first was released in Japanese cinemas in September 2007. There's also a live-action adaptation currently stuck in Development Hell.

Amazingly enough, it's rumored that NGE was intended as nothing more but a real-life Springtime For Hitler work; there wasn't a lot of hope for it, so it was planned to write off the losses in taxation.

For similar robot shows, compare Bokurano and contrast Tengen Toppa Gurren Lagann. For similar anime in general, compare Revolutionary Girl Utena, Boogiepop Phantom, Paranoia Agent, and Serial Experiments Lain.


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