Mohs Scale of Lyrical Hardness
Mohs Scale of Rock and Metal Hardness
is a sorting algorithm of, well, musical hardness; however, due to Lyrical Dissonance
, mere musical sound is not always enough to determine the actual hardness of a song.
This trope ranks songs (and to a lesser extent, albums, artists and bands in general) by the hardness/darkness/heaviness of their lyrics.
The name has a certain punny quality
to it. After all, this is Mohs' Scale
of Lyrical Hardness. Get it? Because of the musical scale? Ahem.
- The song is an instrumental with no subtext, therefore having no message.
- is completely harmless, light and upbeat, and if anything, aims for an uplifting effect. It consists of sunshine and sugar. Life is beautiful and everyone's happy.
- is silly at most, but all in good spirit. No one can be offended.
- can poke fun at something. Friendly kisses is pretty much the limit of sexuality that can be included.
- is where optimism starts to noticeably fade. Life may be not all that great and fun, but it isn't still too bad either. If sex gets mentioned, it's in a side role as part of a romantic relationship, expressed in poetic metaphors and gets about as raunchy as "we were lost in the waves of night".
- is about the level of what an average adult experiences in their everyday life. There can be slight angst or sadness, or a little cussing on the milder side.
- gets a bit heavier; angst is still light, and the song is more sad than angsty. Cussing stays at a moderate level. Violence can be alluded to or mentioned, but this level leaves out the details; direct mentions of sex, unless cleverly hidden, usually get a song at least this high on the list.
- can include straight out angst and/or heavy sadness. Swearing can get more frequent or heavy. Violence or self-harm might be mentioned in some detail; Pretty typical for political and protest songs. Sex is completely usually devoid of romance or love at this level.
- is likely war-themed. There is heavy angst, or heartbreaking sadness, but avoids direct mentions of suicide. Swearing starts to get explicit or frequent. Violence, self-harm can get mentioned with some detail, but not glorified. Described sex acts are demeaning to one or more of the participants, may involve prostitution or rape.
- is where the song less tells about things and more immerses the listener in a dark world of hopelessness and cruelty. Rap songs of this level tend to describe and perhaps glorify crime (see Gangsta Rap). Angst gets jarring, sadness is likely on guaranteed Tear Jerker level. Swearing is frequent, if not constant, and heavy. Violence gets into the realm of gore. Self-harm or suicide might get romanticised, or the lyrics might express a serious wish to die.
- is really ugly stuff. This is the level where the lyrics often carry Unfortunate Implications for listeners. Hate messages are made very explicit at this point. Angst approaches psychotic levels, sadness disgusting. Language can be filthy; violence gets very detailed and/or gets specific on the pleasure of hurting others or oneself. Might include straight-played romantic depiction of self-harm or suicide.
- just has to be Stealth Parody or lyrical Mind Screw. We hope so. At this point, the lyrics do everything they ever can to make the listener feel depressed, offended, or disgusted, or leave listeners wondering who in their right mind would write such lyrics. Lyric writing at this level will always transition from carrying Unfortunate Implications to straight-up Crossing the Line Twice.
Just as people provide YouTube
links for examples of the aforementioned sister trope, for this trope people ought to provide examples of lyrics from the songs in question which illustrate the tone of the lyrics.
The Mohs scales for musical hardness and lyrical hardness could be cross-referenced for extra value and impact.
Note, of course, that lower levels of hardness are not necessarily bad. Playing songs with a lot of violence and swears is downright inappropriate in many settings.
Also note that this scale applies to lyrical content, and not the content of a music video.
Suggestion for parental guidance level comparability:
- G: 1-4
- PG: 5-6
- PG13: 7
- R: 8-9
- NC17: 10-11
open/close all folders
- Most any lullaby will rank 1-2 to get both the luller and the lullee in the proper mindset. But there are exceptions...
- The Beatles' "Good Day Sunshine" is almost absurdly cheery.
- The Hamster Dance.
- Rebecca Black's "Friday".
- "Simple Gifts" by Aaron Copland.
- Most Christmas carols.
- Sitcom and children's show themes, usually.
- "Close To You" by The Carpenters.
- The Cures' character songs from Smile Pretty Cure!.
- Bleach's first ending theme, Life is Like a Boat, by Rie Fu. Lyrics are in the video link and here. note
- The only lyrics to "Cliffs of Dover", if we call them lyrics, are the singer shouting stuff like "Yeah!"
- The Beatles: "All My Loving"
- Primal Scream: "Movin' On Up". Things were once bad, but the narrator has turned a new leaf and is now ecstatic about his life.
- Jefferson Airplane: "How Do You Feel" is very sweet and naive, but it implies that the admirer is shy.
- Pre - "Pet Sounds" Beach Boys, plus "Good Vibrations".
- Wall of Voodoo's "Mexican Radio" is a silly song that the very PC might find culturally insensitive, but it harmless to most everyone.
- ELO's "Mr. Blue Sky" would probably be a Level-1 were it not for the lines that acknowledge that the sky is not ALWAYS blue...
in the city
on the streets where once was pity
- ...And this kinda out-of-nowhere bit:
But soon comes Mister Night
Creepin' over, now his hand is on your shoulder
- "Rock Around the Clock" by Bill Haley and His Comets.
- "Never Gonna Give You Up" by Rick Astley.
- "Don't Worry, Be Happy" by Bobby McFarrin is a warm shot of encouragement, and quite a popular choice for Soundtrack Dissonance.
- Emilie Autumn's first album, mostly.
- Kamelot: Serenade
- My Chemical Romance: Their straighter love songs ('The Only Hope For Me Is You', 'Summertime') hover around this level.
- The songs on The Beach Boys' Pet Sounds range from here through 5 for the most part. The whole album has a yearning quality to its lyrics.
- David Bowie, in his lighter moods, is usually at this level. Examples include "Let's Dance" and "Modern Love", which were two of his biggest hits.
- Nightwish usually ranges from 3-6 with their romantic, more or less vaguely melancholic themes; when they top that it's due to hopeless themes.
- Liverpool Lullaby (or The Mucky Kid) is 5-6, as it talks pretty straight about poverty, Dad's alcoholism and how the kid's going to "gerra belt from your Dad". Lyrics
- Laula kukko ("Sing my rooster") is a Finnish children's song — the narrator of the song asks farm animals to perform their duties, such as the rooster to sing, the hen to lay eggs, and the cow to yield milk. He also threats the animals with consequences if they don't; the hen will be put in a hot oven, the rooster will lose his head, and the cow will lose her bell.
- Black Sabbath's "N.I.B." is a song about the Devil falling in love and giving up his evil ways. It'd be a few levels lower if not for the Devil part, which makes it somewhat controversial.
- "Cardboard Castles" by Watsky is difficult to place. Some could argue that the swearing would bring this up to a 6, but the edited version could very easily be a 4. The video, which is not always happy but ends on a very optimistic note, seems to support the lighter interpretation.
- "Ilona" by Apulanta, if you don't get the suicide theme
- ABBA (The Winner Takes It All).
- The Birthday Massacre falls squarely in the 6-9 range. Their lighter songs are about loneliness and break ups.
- The Beatles: "Eleanor Rigby"
- Blue Oyster Cult: "Don't Fear The Reaper" makes for a light 6.
- Joy Division comes in between a 6-8. The lyrics are hardly ever profane and quite cryptic, but they are depressing, angsty, and very bleak. Some of their more uptempo (but not upbeat) songs like "Transmission" qualify as 6, while the dirges off Closer are a solid 8 (the cryptic lyrics and lack of profanity keep their darker songs out of 9).
- Pink Floyd: The Dark Side of the Moon. Same goes for Wish You Were Here.
- Animals: "House of the Rising Sun". Dark story.
- The Offspring's "Gone Away" would be a high 6 or low 7—it's about grieving after a loved one's untimely death, but it leaves off the details.
- The Doors's lyrics average out at six, due to the angst and surrealism of their lyrics. For instance, "Break On Through" is an angsty, angry song that references drug use with "she gets high". But it's ultimately a song about breaking free of one's limitations and arriving at a better place.
- Most of The Cure's and The Smiths' oeuvre stands here - or up to 8.
- Almost any song by Lords Of Acid. Counting, however, only songs about sex, they are an all-out 11.
- Quite a bit of Regina Spektor 's work, with "Oedipus," "Braille," and "Long Brown Hair" coming to mind. The actual music is slightly cheerier, however.
- Weezer's "Say it Ain't So". It's about a kid who has to deal with his parents' divorce and alcoholism.
- Midnight Oil's "Forgotten Years"
- "Nemesis", by Arch Enemy, ranks very high on the rock and metal hardness scale but is ultimately a song about teaming up.
- "Bat Country" by Avenged Sevenfold
- In general, any of the Visual Shock era (The Eighties to the middle of The Nineties) Visual Kei bands, if they are not an 8, will land here lyrically, with only a few songs as exceptions. X Japan is pretty much firmly here, though several of their songs ping higher (Orgasm is either here or an 8, depending on how you interpret it, Stab Me In The Back is an 8, Standing Sex an 8/9, Sadistic Desire a 9) and two lower (Endless Rain is a 4 solely for its "make love to you" line, and would be around a 1-2 otherwise, and Forever Love is a 2-3, somewhat sad but not really sexual or violent or upsetting without the subtext of it's having been played at a band member's funeral), as is Buck Tick (with its well-earned Fan Nickname of Fuck-Tick and its love for Intercourse with You)
- Nightwish: "Poet And The Pendulum" is one of their darkest songs, a strong 7 if not an 8.
- System of a Down
- Black Sabbath: "War Pigs" and most of their more famous songs.
- "Maxwell's Silver Hammer" by The Beatles (creepy considering the melody which is more indicative of a 2 or 3 song)
- My Chemical Romance typically sticks to a 6-8 range in their first three albums, most lyrical content referencing death and violence, and arguably glorifying it according to their Hate Dumb. Some content may even warrant a 9, but the usual lack of language (minus the occasional Precision F-Strike) knocks them down a peg. Their Lighter and Softer fourth album changes things.
- Kamelot varies, but generally hovers around a 6 or 7.
- The Velvet Underground's "Venus in Furs" presents S&M in a creepy, somewhat depressing light.
- Rage Against the Machine is typically at either 7 or 8 on the scale. May push higher during songs with more profanity.
- Pink Floyd: Pretty much anything off Animals, The Wall or The Final Cut. Depressing, highly cynical stuff.
- Silverchair: Rarely includes bad language, but wrote a lot of songs about mental illness, unrequited love and extreme loneliness. The epitome of poignant.
- Simon & Garfunkel: Mostly sits around here. Lots of Lyrical Dissonance. Beautiful melodies and vocals. Exceedingly angtsy/depressing lyrics.
- Nirvana usually sits around here.
- The National lie somewhere between 5-9, but I'm just putting it here.
- Marilyn Manson's Eat Me, Drink Me and Mechanical Animals albums sit here, giving them extremely large base-breaking reputations. Of course, for the rest of the fandom, everyone knows that the next album will piss off fans of the previously album. It's an acknowledged, intentional homage to David Bowie.
- hide is generally here. Almost all of his songs are angsty or ruminations on sadness and depression and suicide (the only thing keeping him from being a 9 on average and from people thinking his own suicide was intentional was that many of them turn around to Talking Down the Suicidal or to lashing out at the thing that is inducing Driven to Suicide, or to Black Comedy - so while there is the subtext of suicide, it's also the subtext of "don't do it, it's not worth it") and the few that aren't are Protest Song or Intercourse with You.
- "Gloomy Sunday" a.k.a. the "Hungarian Suicide Song": angst 6-8 depending on translation, the original being on this level
- Emilie Autumn straddles eight and nine (romanticising self-harm, angst songs about mental illness, rape, and death)
- "The Real Slim Shady" by Eminem, for the language
- Sabaton usually ranks around this level.
- Loudness was a 5-7 in its Hair Metal days with the exceptions of Crazy Doctor, S.D.I., and a few others, but after 1991 parked itself here with almost all of its songs being anti-war song, Protest Song of other varieties, or Intercourse with You.
- The Beatles: "Happiness is a Warm Gun"
- Manipulate by Tribe 8
I just wanna slap around my girlfriend, I just wanna make her scream and yell
I just wanna tie her to the bedposts and call her nasty names like you evil bitch from hell
It's such a sin, I don't give a fuck what you think,
She loves me so when i do it, gets me high so I dont have to drink
- The Mariner's Revenge Song by the Decemberists
- "You Know You're Right" by Nirvana. May also go as high as a 9 when you consider that this was the last song the band recorded before the lead singer Ate His Gun.
Things have never been so swell
I have never failed to fail
- "X.Y.U." and "Tales of a Scorched Earth" by The Smashing Pumpkins. "X.Y.U." has been speculated to be about a number of things, including an abusive relationship, forced abortion, rape and murder. "Tales of a Scorched Earth" has a lot of swears and is outright nihilistic.
- "Bodies" by The Sex Pistols deals with a highly illegal and messy abortion. Alternately harsh and desperate. I think point of views switch around.
- Due to extremely high amounts of despair and an obvious—if not explicit—suicide theme, Metallica's "Fade To Black" belongs here. Same goes for "One".
- Pearl Jam: "Jeremy" is about a boy who shoots himself in front of his classroom, "Alive" is about a mother trying to seduce her son so she can vicariously make love to her dead husband, and "Once" is about a damaged guy who shoots people with a 16 gauge for no apparent reason.
- Iron Maiden and Metallica are usually here (even down to the war-themed songs mentioned atop the page).
- Steely Dan's Do It Again. The lyrics are in the video's description. note
- Such A Shame by Black Stone Cherry, with its lyrics about a young girl becoming a prostitute leading to her death.
She takes off her clothes, And closes her eyes
Tears start to fall as she looks at her life.
It wasn't her fault, That you weren't around
To keep her away from the things that she found
God only knows, what else could go wrong
Somebody come take this little girl home
They found her body face down dead in the rain. Such a shame.
- Aerosmith's "Janie's Got A Gun", about a girl who decides to kill her father for abusing her.
- David Bowie's darkest work is here, namely 1. Outside (and these lyrics don't even touch on the gruesome world-building in the accompanying short story/liner notes, which is even worse) and several tracks on The Next Day, such as the title track and "Valentine's Day". Sure, that last one sounds sweet, but it's about a possibly-underaged mass murderer. The Tin Machine track "Shopping for Girls" (about sex tourism/child prostitution) also qualifies.
- Most music by Bullet For My Valentine ranks here, especially "Scream Aim Fire".
- Children of Bodom comes to 8 or 9 with its murder promises, raining gore and general angry swearing — it isn't nearly detailed enough to score 10 in any case.
- "Ilona" by Apulanta, if you get the suicide theme. In any case, it remains in the metaphor level.
- The Birthday Massacre. We have songs about extreme alienation and despair ("Broken", "Play Dead"), meaningless sex ("Promise Me", "Video Kid"), dysfunctional and possibly abusive relationships ("Falling Down", "Violet", "Two Hearts"), psychotic obsession ("Midnight", "Blue"), suicide and self-harm ("Under The Stairs") and outright murder ("Lover's End" and, of course "Happy Birthday", which is where their name comes from).
- Kamelot: the Elizabeth trilogy, sometimes
- The Blue Oyster Cult's Golden Age of Leather uses Beach Boys style vocal harmonies and West Coast surfer rhythm (scale two or three for musical hardness? Evokes sunny California beach days where everyone has a good time and all re alive at sunset?) But its lyrics are about old Hell's Angels getting together for a last battle to the death, with a bit of gang-rape thrown in as an appetizer. The dissonance between the two creates something entirely other and shocking...
- Laibach (the musical wing of a Slovene art collective which appropriates totalitarian imagery and themes for artistic purposes) appears not to be a 7, but to range from 8 to 11.
- My Chemical Romance have some songs around this level...often set to a rather happy tune.
Stand up fuckin' tall, don't let them see your back!
And take my fuckin' hand, and never be afraid again. (This is the CHORUS.)
Well, let's go back to the middle of the day that started it all,
I can't begin to let you know just what I'm feeling,
And now the red ones make me fly, and the blue ones make me fall,
And I think I'll blow my brains against the ceiling.
Na na na na na na na, you run the company,
Na na na na na na na, fuck like a Kennedy,
Na na na na na na na, I think we'd rather be
Burning your information.
- The Holy Bible by Manic Street Preachers. Lyrical content includes prostitution, a cynical view of American Politics, the Holocaust and references to Self Harm. But that's just the beginning. The album contains songs that glorify Anorexia Nervosa, Suicide, and jokes that atrocities are okay as long as everything is politically correct. A prime example of Creator Breakdown.
I want to walk in the snow
And not leave a footprint
I want to walk in the snow
And not soil its purity
My vision's getting blurred
The hole in my life even stains the soil
My heart shrinks to barely a pulse
A tiny animal curled into a quarter circle
If you really care wash the feet of a beggar
I have crawled so far sideways
I recognise dim traces of creation
I wanna die, die in the summertime, I wanna die
in these plagued streets of pity you can buy anything
for 200 anyone can conceive a God on video
he's a boy, you want a girl so tear off his cock
tie his hair in bunches, fuck him, call him Rita if you want, if you want
- "Teenage Whore" by Hole
- Liz Phair's "Flower" isn't hateful, but it's pretty deliberately sexually explicit and not at all romantic. In it, she expresses her desire to "fuck you 'till your dick is blue." Ouch.
- The infamous "Frankie Teardrop" by Suicide. It's a straightforward tale about a young man who murders his wife and baby before committing suicide. Also, bloodcurdling screams. Set to minimalist, oppressive electronic music.
- Speaking of multiple murder, how about Bruce Springsteen's "Nebraska"?
From the town of Lincoln, Nebraska with a sawed-off .410 on my lap
Through the badlands of Wyoming I killed everything in my path
I can't say that I'm sorry for the things that we done
At least for a little while sir me and her we had us some fun
- Monochromatic Stains by Dark Tranquillity. Depicts scene of murder, denial of murder, and possible psychosis.
This pile of ashes of a soul
Informant pokes abound
These sickly little fingers
Tread not the path of least restraint
Each piece of evidence a lie, a lie
The body, the face all items in place
I don't remember a thing
- Sound Horizon's Elysion album, in stark contrast to the light tone of the music itself. Subjects include decapitation, revenge killings, murder and implied suicide, incest, crucifixion, rape, yanderes, opening the gates of Abyss, waking up in Abyss, and a creepy masked man.
- Alice in Chains often gets up here on sheer hopelessness. Take the song Am I Inside. Its a clear 1 on the Mohs Scale of Rock and Metal Hardness , and yet the lyrics are so self hating and dark that it makes it up to a borderline 9. Most songs on Dirt and Alice In Chains are at this level.
- "Teen Idle" by Marina And The Diamonds :
Yeah I wish I'd been, wish I'd been a teen, teen idle
Wish I'd been a prom queen, fighting for the title
Instead of being sixteen and burning up a bible
The wasted years, the wasted youth
The pretty lies, the ugly truth
The day has come where I have died...
Only to find I've come alive!
- Almost the entire oevure of Dir En Grey. They have a few songs that ping lower (e.g. their instrumentals at 0, Ain't Afraid To Die could be a 7 if the protagonist is just dying naturally as opposed to a suicide) but for the most part they are here or 11.
- GG Allin, if not 11.
- Nine Inch Nails' song "The Downward Spiral" fits nicely here. It seems to present suicide as a reasonable solution, albeit with a hint of sarcasm. Still, it's troubling. "Burn" from the deluxe edition of the same album also paints quite a bleak picture.
Something inside of me, has opened up it's eyes
Why did you put it there? Did you not realize
This thing inside of me, it screams the loudest sound
Sometimes I think I could
I'm gonna burn this whole world down!
- Marilyn Manson's heavier songs typically hover here, especially on Antichrist Superstar and Golden Age of Grotesque. Some of Born Villain, especially "Pistol Whipped" and "Overneath The Path of Misery". Holy Wood, due to it's extremely sarcastic and parodic nature, hovers between this and 11, starting at 11, going to 10, and ending at 11. The High End of Low mostly sits here, with it being inspired by Manson's (first) breakup with Evan Rachel-Wood, which was followed by a downward spiral of drugs, absinthe and self-mutilation (all those wrinkles on his face are not wrinkles, they're scars). The album was written on the walls of his mansion. All of the walls. And the doors. Some of the next album, Born Villain, even was taken from those writings. Manson was quoted as saying that he didn't even recognize the person who wrote it.
- Most of NWA's output is this, which lead to radio stations at the time outright refusing to play their songs due to how hard they are.
- Electric Wizard's "We Hate You". Told from the point of view of a youth who's off to murder as many people as he can find with his father's gun. Plenty of songs are about this sort of thing, but the thing about "We Hate You" is that it's never made all that clear if having homicidal hatred towards everyone is necessarily a bad thing.
- Tool's "Prison Sex" is about the child abuse cycle. And we're not talking about verbal abuse, either...
I've come round full circle
My lamb and martyr, this will be over soon
You look so precious
- even more fucked up that the lyrics more than strongly imply that the narrator will continue the vicious abuse cycle
- Slipknot has songs like Iowa (a Serial Killer's ode to his victim) and Disasterpiece:
I wanna slit your throat and fuck the wound
I wanna push my face in and feel the swoon
I wanna dig inside, find a little bit of me
Cuz the line gets crossed when you don't come clean
- Though most of The Offspring's tracks don't score very high on this scale, Beheaded is a high 10 or possibly a low 11, being a Murder Ballad about an Ax-Crazy murderer who gleefully decapitates his victims:
Watch my girlfriend come to the door
Chop off her head, she falls to the floor
Watching my baby's jugular flow
Really makes my motor go
- Although the lyrical hardness of their latest album, Book Burner, was a 7 or an 8, Pig Destroyer has a lot of songs with this level of lyrical hardness, mostly from their 2001 album "Prowler in the Yard". Special mention goes to "Jennifer":
Jennifer wrestled her friend playfully to the ground
in front of the snowcone stand
and began licking at the girl's eyeballs, as if they were sugar cubes.
- Limp Bizkit's "Hot Dog", with it's legendary forty-eight uses of the word "fuck".
- Guns N' Roses lived here in their early days, from actual sex noises in "Rocket Queen", to naming an EP "Live Like a Suicide", to starting "My Michelle" with
Your daddy works in porno
Now that mommy's not around
She used to love her heroin
Now she's underground
- Rammstein is usually here, like Spieluhr which is about a childs apparent death which leads to it getting buried alive
Bumpety bump, rider
And no angel descents
My heart does not beat anymore
Only the rain weeps at the grave
Bumpety bump, rider
A melody in the wind
My heart does not beat anymore
And from the ground the child sings
- Anal Cunt's entire musical output.
- Similar to the above, this is pretty much the raison d'etre of Dethklok.
- Another similar case, all of the output by Cannibal Corpse. Their Gorn thematics are so nauseating, so line-crossing and so nightmare-inducing they couldn't be ranked any lower than a hard 11.
- Agitated Screams of Maggots by Dir En Grey, especially so with the everlasting I'LL RAPE YOUR DAUGHTER!!!! ON YOUR GRAVE!!!!.note
- "Obscure" is also at this level; the lyrics are just plain wrong, and it gets worse — the line "BLOODY BABY SACRIFICE!" is shouted repeatedly during the bridge of the song.
- Mindless Self Indulgence occasionally lapses into this territory, especially the song "Backmask Warning"
Hey! All the people you love
In a river of blood
And don't forget the guns!
(You're gonna need 'em to go kill yourself)
- Also, "Straight To Video".
All the problems make me wanna go
Like a bad girl straight to video
Little darling, welcome to the show
You're a failure played in stereo!!!
- Frank Zappa arguably ranks here - from the merry pornofests such as "Dinah-Moe Hum" (six minutes dedicated to squicky describing sex with a prostitute and her sister), "Stick it out" (guy begs a robot to fuck him really hard… in German, no less) or "Keep it Greasey" (well…) to the jolly squickfests of "Magdalena" (father very vividly drools over his teenage daughter's tits, dreams of smearing her with mayo and caopectate… includes such gems as "I thought - oh my God, I gave my sperm to this thing!") or "Jewish Princess" ("who squeaks when she cums", among other things... and he demands her in a song stuffed with sounds that just might have been picked up from a Turkish porno). Even the parental guidance level comparability fits - nobody in his right mind would (or should) hand out albums like "Joe's Garage" or "Sheik Yerbouti" to a minor. Actually, many (most?) of his songs indeed are humorous/satirical/PC-fighting in nature.
- Nine Inch Nails' "Big Man With a Gun" is a satirical ditty about how great it feels to be a well-endowed rapist: "Held against your forehead, I'll make ya suck it! Maybe I'll put a hole in your head, y'know, just for the fuck of it!" Trent Reznor meant it as a social critique of misogynist, dominant masculinity (and partly as a Take That towards Gangsta Rap, about which he said "I enjoy it, but I could do without the degree of misogyny and hatred of women and abuse." in a 1996 Spin interview), but he still got crap for it, even though it was satire.
- Interestingly, for all the controversy over The Downward Spiral's lyrics, it was a different song called "Just Do It" (a short song urging the listener to commit suicide, with the entire lyrics being "Just do it, nobody cares at all") that actually scared co-producer Mark "Flood" Ellis into demanding that it be removed from the album, even though on the surface its lyrics are nowhere near as line-crossing as "Big Man with a Gun".
- Marilyn Manson's Holy Wood album starts here, with songs like "The Fight Song" and "Disposable Teens" having a more sarcastic nature (especially the latter). It then slams into 10, only to make a return back here near the end, but no longer sarcastically, as the protagonist, Adam Kadmon, has given up all hope and is about to kill himself (and then does). This, of course, leads into the previous album. The "Cake and Sodomy" remix/cover by Tony Wiggins, known as "White Trash", flies so far up here that they were required to bleep parts of it, a feat later repeated in "Blank and White". Also, "Pretty As A Swastika" and "Arma-Goddamn-Motherfuckin-Geddon", also from The High End of Low. Golden Age of Grotesque floats around here sometimes, especially "Para-noir"
Fuck you because I loved you
Fuck you for loving it too
I don't need a reason to hate you the way that I do
- Additionally, the Marilyn Manson and The Spooky Kids discography is here mostly for it's intentional over-the-topness, from sampling Charles Manson in "My Monkey" to "Red (In My) Head" being from the viewpoint of a child molester to "Son of Man"; a song about the Son of Sam set to "Iron Man". But, when one of your founding principles is to offend people, that's to be taken for granted.
- The early material of Australian deathcore band Thy Art Is Murder mostly resides at this level, as the lyrics seem to be from the point of view of rapacious, homicidal, woman-hating psychopath. Songs include "Whore to a Chainsaw" (serial murder), "I'll Show You God" (murder-rape) and "Infinite Death" (serial murder-rape)("Lock up your daughters! Lock up your sluts!"). They rival Anal Cunt in lyrical horribleness. And to think they're one of deathcore's biggest Ensemble Darkhorses...note
- Their later material drops down to a 10, as they shift away from outright misogynistic gorn to a more misanthropic POV, and horror stories, as their main lyrical themes.
- Anthems from the French Revolution like Ah Ça Ira (below) or La Marseillaise (which calls for quenching the soil with blood). Basically death threats against counter-revolutionaries. Would have been a 10 if not sung by sans culotte that in many cases where armed.note
Ah! It'll be fine, It'll be fine, It'll be fine
aristocrats to the lamp-post
Ah! It'll be fine, It'll be fine, It'll be fine
the aristocrats, we'll hang them!
If we don't hang them
We'll break them
If we don't break them
We'll burn them
Ah! It'll be fine, It'll be fine, It'll be fine
- All Pigs Must Die by Death In June has explicitly hateful, if cryptic, lyrics, despite having very soft and mellow instrumentation. Also true for many other Neofolk songs.
All pigs must die
This ain't August '69
All pigs must die
7 & 7 - Sieg Heil - sublime!
- OFWGKTA frequently ranks here, especially their older material. Examples include the entirety of Earl Sweatshirt's mixtape Earl (which includes gratuitously articulate lyrics about murder, dismemberment, rape, necrophilia and blasphemy, along with homophobic slurs and references to Nazism and the KKK) and Tyler, the Creator songs like "French" and "Tron Cat" (which talk about sodomizing the Virgin Mary and raping a pregnant woman, respectively). Jasper Dolphin and Taco are also notable examples, who often rap about "punching bitches," kidnap, rape and treating girlfriends like sex slaves ("Real Bitch" and Tyler's "Bitch Suck Dick"). Thanks to Tyler you can add bestiality ("Tron Cat") and even implied pedophilia (the bridge section of "Fish") to Odd Future's arsenal of lyrical taboos.
- Passenger Of Shit pretty much lives here—one only needs to look so far as their track titles, which include "Nail My Dick To Your Face," "Staple Tapeworms On My Penis," and "Slicing Up Ya Prick."
- Visual Kei artist Maria Cross is here, thanks to a combination of Intercourse with You and Indecipherable Lyrics taken Up to Eleven. Yes, really...check out the header quote on zis page.
- Lords Of Acid, in their own thematics, or, if not 6.
- Lisa Gemano A Psychopath
I hear a scream, I see me scream,
Is it from memory
Am I awake, am I alone,
A baseball bat, a thing of mace
That thing of mace, the thing of mace,
Where did I leave it
A psychopath, a psychopath,
He says he loves me
And I'm alone, and I am cold
I can't move
- The Velvet Underground and their chief songwriter Lou Reed tell a madly narrated murder story during an orgy on drugs with drag queens in their demented 17-minutes Magnum Opus Sister Ray.
Don't you know, you'll stain the carpet?
Oh it, it just, just all over the floor, the floor