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You are surrounded by Armed Bastards.
"My name is Sam Tyler. I had an accident and woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home."
Sam Tyler, opening titles.

BBC Fish Out Of Water crime drama, 2006-2007; there was a deliberate decision to end the show after two seasons.

DCI Sam Tyler is a normal 2006 detective. Until he gets hit by a car and wakes up in 1973...

He's still a police officer, but a DI now. He's got to get used to a policing world with no DNA profiling, no computers and no Police and Criminal Evidence Act.

The seemingly most rational explanation is that he's in some kind of coma, as messages from 2006 keep entering his head... but Sam's 1973 is so perfectly detailed, down to details that he shouldn't be able to imagine, that he has no idea what's going on. More to the point, the killer who kidnapped Sam's girlfriend on the day that he was run over appears to be active in 1973. Is that why he's in 1973? If he solves the mystery in the past, can he save his girlfriend in the future... and go home?

Surprise hit character? DCI Gene Hunt. To quote Sam Tyler, he's an "overweight, over-the-hill, nicotine-stained, borderline alcoholic homophobe with a superiority complex and an unhealthy obsession with male bonding" (Hunt's response: "You make that sound a bad thing"). Sexist to boot, he's highly un-PC, highly quotable (if rather vulgar) and gained a wide range of fans.

Notable for being surprisingly sophisticated and intelligent, a critical and commercial success, as well as being artfully designed and shot.

An American version debuted in fall '08 on ABC, starring Jason O'Mara as Sam and Harvey Keitel as Gene Hunt. A So Bad Its Horrible pilot, with Colm Meaney playing the Hunt role and looking a bit neutered in it, led to a recast (only O'Mara survived) and move of location to New York City. This new version had promise, possibly due to hewing as close as possible to the British original, but was cancelled after one season. Fortunately, the producers were given enough notice to wrap up the plot.

A Spanish version, called "La chica de ayer", has recently finished after eight episodes.

A follow-on series set in 1981, called Ashes To Ashes, started in February 2008.
This show provides examples of:

General Themes
  • Bunny Ears Lawyer: Gene tolerates Sam's bizarre behaviour and ahead-of-its-time political correctness because he recognises Sam's skill in catching criminals. The others only put up with it because Sam outranks them.
  • Connecticut Yankee: Sam tries to introduce 'modern' police methodology and encourage his colleagues to see past their bigoted attitudes, though with limited success. One problem is that while in theory Sam is better trained, the techniques he's learned are often useless in 1973. Why wait for a search warrant if you can just kick down the door? What's the point of knowing you shouldn't move a corpse before it's been checked for fingerprints, if the technology to do so hasn't been invented yet? Why talk in the formal style for interviewing witnesses (useful when every word is recorded, and saying the wrong thing can get a case thrown out of court) when it only confuses people?
  • Fish Out Of Temporal Water: Sam Tyler
  • Mind Screw: Most of the show, but especially the two season finales.
  • Odd Couple: Sam and Gene (he's by the book, he's BYOB), but also Chris and Ray.
  • Sensitive Guy And Manly Man: Sam and Gene
  • Police Procedural
  • Running Gag: "That's not how it goes!" (Sam constantly getting the You Do Not Have To Say Anything speech wrong); "You are surrounded by armed bastards!" (even carried over to Ashes To Ashes); Gene's flasks and fondness for American westerns.
  • The Seventies (Manifested as seventies clothing, hair, and unfortunate blue eyeshadow.)
  • They Fight Crime: For the most part, the plots are standard police investigations, though occasionally made significant by Sam's techniques or history.

Characters and setting

Tropes and plots

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