->''"You could not even guess at the things that I have done. Awful, evil, obscene. The telling of them alone could make you puke...They nag at me from time to time, but I tell myself I had good reasons. The years pass, the unimaginable becomes everyday, the hideous becomes tedious, the unbearable becomes routine. I push it all into the dark corners of my mind. And it's incredible; the room back there. Amazing. What one can live with."''
-->-- '''Inquisitor Glokta''', ''[[Literature/TheFirstLaw Before They Are Hanged]]''

Murder, mayhem, and destruction are not things that the average person would readily consider. But if you listen to the average [[FaceHeelTurn fallen hero]], [[ShellShockedVeteran jaded soldier]] or [[AntiHero brutal]] [[BloodKnight knight]], he'll tell you that [[TitleDrop it gets easier]] with time. After that first act of destruction and the attendant wave of [[BleedEmAndWeep revulsion and psychological trauma]] passes, it becomes easier to stand doing it again, and eventually it becomes second nature. Heck, you may even [[TheDarkSideWillMakeYouForget forget why you braced yourself to do it in the first place]].

This trope is often used to segue a character from your average guy to a cold blooded killer; the more he's had to kill, the less he cares each time he's done it. It's also usually part of the backstory for an HitmanWithAHeart. Occasionally it also is invoked in crime dramas in storylines where use of deadly force by police officers becomes part of the story (most notably the ''Film/DirtyHarry'' films), wherein idealistic characters (often newbie cadets who have had to end a life for the first time) express fear of this trope. A first kill scenario often occurs in films and TV series involving newbie officers/agents, with "it gets easier" often implied if the character proceeds to amass a body count as the film/series goes on without any apparent ill effects.

If a work goes out of its way to show that a character never had this problem for their first kill, that is usually a hint that they are AxCrazy, [[TheSociopath sociopathic]], or something similar.

Most stories about TheMafia have this plot line in it, mostly for the main character, who starts out unwilling to kill people, and eventually having no problem killing people when necessary.

This works in RealLife, folks. At least the boot camp has to take a whole year to prepare you to the possibility of killing someone. And they've gotten better at doing it as well, though it must be noted that there are always some people who, despite training, have a mental block that keeps them from pulling the trigger. [[NightmareFuel And sometimes, there are people who never have anything resembling a block, even during their first time.]]

Compare GainingTheWillToKill. Contrast the more [[SlidingScaleOfIdealismVersusCynicism idealistic]] ItNeverGetsAnyEasier. Closely related to HeWhoFightsMonsters.

Not to be confused with video games that are difficult in the first few levels and get easier later on (that would be EarlyGameHell). No relation to SlowPacedBeginning, which is about a work becoming more engaging after a slow, expository build-up.



[[folder:Anime and Manga]]
%%* Heavily lampshaded in ''LightNovel/TheFamiliarOfZero'' by Prof. Colbert.
* ''Anime/CodeGeass'':
** Lelouch fits this to a T. He discovers the results of his actions, [[IgnoredEpiphany goes crazy for a bit]], does ''even worse'' things, and, eventually, has to bluff through his own emotional pain to do the worst/best thing possible.
** Suzaku protested about using violence and other extreme measures ''at first''. Not any more.
* Specifically referenced by Andrew Waltfeld in ''Anime/MobileSuitGundamSEED'', and implied to be the case with Mu La Flaga as well, in a deliberate aversion of ItNeverGetsAnyEasier. Waltfeld tells Kira that the first time he had to kill in battle, it made him sick, but after a while he got used to it just as he'd been told he would. And the reason he brought it up was to suggest that [=WMDs=] are the same way.
* In ''Anime/NeonGenesisEvangelion'', Ritsuko tells her younger, more idealistic assistant Maya these exact words when she voices moral objections to the MadScience they are currently involved in. The result varies by continuity; In the classic series, Maya never really hardens and just gets [[BreakTheCutie progressively more freaked out]] by the apocalyptic horrors she has to witness, in ANIMA, she eventually takes over Ritsuko's position as the technical division's leader without discarding her ethics, while the Rebuild movies show her having become a hardened, abrasive BrokenBird after the TimeSkip, acting even colder than Ritsuko, who interestingly became a bit ''less'' cynical over the years, but still has no qualms about killing an innocent boy who just happens to be the resident ApocalypseMaiden. After a catastrophe that practically rendered the planet uninhabitable, most of the cast has come to share her attitude...
* In ''Manga/FullmetalAlchemist'', you see this happen with Bradley in his flashback CryForTheDevil moment. As a young man, he accidentally stabs a friend during fencing practice and is horrified, but is congratulated by his superiors for killing his friend. By the time of the series [[spoiler:and following his transformation into a homunculus]] you have a man who kills without a shred of remorse.
** In [[Anime/FullMetalAlchemist the 2003 anime version]], Ed is upset over having to kill Greed, although he does mention that he accidentally killed minor villain Majahal much earlier in the series. He has no problem with using lethal force against homunculi from this point on, even (or maybe especially) against Sloth, [[spoiler:who was created when he tried to bring back his mother, and assumes her likeness]].
* In ''Manga/DeathNote'', Light is horrified after realizing that he actually killed his first two victims (which is emphasized more in the manga than the anime), but finds killing everyone else easier after resolving to change the world even if it is extremely painful for him. [[spoiler: Eventually, he doesn't care if he has to kill all the people around him as long as it doesn't hinder his goals.]] It's implied some of this might the effect of the Death Note (as during his MemoryGambit Light is almost a different person, horrified by the idea that he could have been Kira), but other characters claim it's a natural result of Light's extreme personality being given such a dangerous item.
* In ''Anime/{{Simoun}}'', the Sibyllae are originally [[InsistentTerminology very clear]] that they are priestesses, ''not'' soldiers. They are not "fighting," they are "inscribing Ri Maajon." They are not engaged in a "sortie," they are "offering prayers to Tempus Spatium." However, by the time we get halfway through the series, when their country has been at war on multiple fronts for several episodes, they are "on patrol" and "in battle." The newest Sibyllae are fine with that, since they only joined after the war had begun, but for the original members, it is something of a shock once it is pointed out how much things have changed since the beginning.
* Fortis of Hückebein from ''Manga/MagicalRecordLyricalNanohaForce'' tells this to Tohma when he was trying to convince him to join their group of criminals since, as fellow infected, they are his best chance to survive. [[spoiler:Touma [[HeroicSacrifice disagrees]].]]
--> '''Fortis:''' You may resist with the mindset that murder is a crime. However, you'll get used to it. We did too.
* Discussed and played with to various effects in ''Manga/AttackOnTitan''.
** TortureTechnician Djel Sanes explains that it was difficult to torture people at first, but over time he came to enjoy making other people suffer. He reassures the heroes it will be the same for them.
** Averted with [[spoiler:Annie Leonhart, Reiner Braun, and Bertolt Hoover]]. Once their identities are exposed, it becomes quite clear that while they are for the most point able to kill without mercy in the moment, doing so has left them deeply traumatized. Rather than getting easier, for these {{Tyke Bomb}}s it has become harder as they've come to understand the reality of their actions.
** After killing to save a comrade, [[spoiler:Armin]] is shown throwing up repeatedly in the woods. When Mikasa is asked whether she or Eren felt that way after the first time they killed, the audience is not shown her response to this question. Levi reassures that shooting was the right thing to do, but falls short of invoking this trope.
* This is probably the CentralTheme of ''LightNovel/KaraNoKyoukai'': Shiki is a perfect killer, who can destroy pretty much anything and anyone, and some parts of her psyche desperately want her to embrace her murderous nature, but knowing better than anyone how slippery that slope is, she repeatedly refrains from killing other humans (non-human and superhuman entities are [[WhatMeasureIsANonHuman a fair game]]) even when she thinks they really deserve to die. The final chapter even drops the explicit Aesop that when a person murders another person, they basically destroy themselves, as well. Ironically, [[spoiler:Shiki kills another human for the first time in the same movie]].

[[folder:Comic Books]]
* In the ''Literature/WarriorCats'' graphic novel ''The Rise of Scourge'', it is shown that Scourge, the leader of [=BloodClan=], started innocent but found it easier to kill as time went on.
* This is one of the many reasons Franchise/{{Batman}} doesn't kill. If he resorts to the one first kill (he says is often all too easy to fall into it), he may become jaded to humanity and not be able to stop. [[note]]This is the ''modern-day'' interpretation of the Dark Knight. In the early years of the character -- the late 1930s -- Batman often killed people and carried a gun.[[/note]]
** The Batman example is also an in-universe tactic. In ''ComicBook/{{Knightfall}}'', Robin points out that Batman ''scares'' the crooks, but doesn't actually ''hurt'' them -- Batman is quick to point out that he uses it as a psychological weapon, in that the crook thinks he's not worth the effort. Whenever he needs that extra "oomf", Batman always lets drop that there are a ''lot'' of unsolved murders in Gotham, so [[BlatantLies who's to say he doesn't kill...]]
** From ''ComicBook/BruceWayneFugitive'':
--->'''Checkmate Operative''': We have no evidence of Batman ever having killed.\\
'''Batman''': I fail to see why you think I'd leave any.
* In ''ComicBook/IdentityCrisis'', a JLA comic, Jean Loring, the Atom's ex-wife, attempts to put the ComicBook/ElongatedMan's wife, Sue Dibny, into fake danger so that all heroes, including her ex-husband, would [[LoveMakesYouEvil come closer to their loved ones]]. After she accidentally kills her, she goes [[FreakOut completely nuts]] and has no problem with putting others in mortal danger. Through this, she indirectly causes two more deaths, and even more indirectly causes the death of Firestorm. ([[AlternateCharacterInterpretation Alternately]], [[spoiler:Jean is lying about it being an accident; she clearly meant from the beginning to kill Sue (no one "just happens" to be carrying a flamethrower) and one or two other people to cover her tracks.]] Mind, Jean's still clearly nuts, and her first kill visibly shook her more than the ones she arranged later.)
* In ''ComicBook/YTheLastMan'', 355 gets more and more trigger-happy as the series progresses. And she ''hates'' herself for it.
%%* Much of ''ComicBook/{{Wanted}}'' concerns itself with exactly this trope. It loops around to death being quite bloody horrible once again.
* ''ComicBook/TheInvisibles'' has King Mob, quipping about how after the fifth time, it doesn't feel like murder anymore.
* ''Comicbook/{{Watchmen}}'': Rorschach is depicted as a Batman-like character who frightens villains rather than killing them, until he crosses the line by slaughtering a child-killer, after which Rorschach routinely kills bad guys justifying as referring to them as "dogs that need to be put down". The film version of the comic also implies this with regards to Silk Spectre II and Nite Owl who are shown slaughtering a group of attackers without blinking an eye.
%%* Shows up in [[SignatureStyle a lot]] of Creator/WarrenEllis's work.

[[folder:Fan Works]]
* In ''Seven Little Killers'', [[spoiler:Canada]] becomes a killer. He says that it's like smoking. You hate it at first, but grow to enjoy it. [[spoiler: It amounts to him asking America if he can just kill everyone, instead of all of their complicated plans]]
* Mocked in ''Fanfic/BaitAndSwitchSTO'' when an EnsignNewbie gets jitters after her first firefight and [[TheCaptain Eleya]] calls her over for a chat.
--> '''Eleya:''' Iím not going to rely on cliché here: the first battle isnít the hardest, itís just the first. And frankly, [[CurbStompBattle as pathetic as that one was]], I guarantee the next will be harder.
* ''Fanfic/WingsToFly'' gives it a bit of a zigzag, in which a pilot notes that he's killed a few dozen human opponents, but there are a few he doesn't remember at all and he could only describe the full fight with maybe five or six of them. The memories of his human kills are flat now, the emotion drained from them, as well. On the other hand, he can describe every moment of every fight that lead to his [[AttackDrone Mobile Doll]] kills and those memories still have a physical effect on him: they never got any easier because they were [[WhyWontYouDie never easy to kill.]]
* Harry eventually learns in ''[[https://www.fanfiction.net/s/11669575/13/For-Love-of-Magic For Love of Magic]]'' that he's gained a far more blase attitude towards killing after [[spoiler:murdering Pettigrew]] due to the cracks in his soul that let the Dark in.
* ''FanFic/ThePiecesLieWhereTheyFell'': [[spoiler: Night Blade, following his TheseHandsHaveKilled moment, is even ''more'' disturbed by the fact that he wasn't as disturbed by it as he should have been. Xvital feels the same way as the battle with Sharp Point's hench-ponies goes on.]]
* In ''Fanfic/SummerCrowns'', Jaime is initially disturbed by the SaltTheEarth tactics employed by the Dragonhunt against the countryside territories controlled by the Free Cities, but quickly finds himself numbed to it all.
* In ''FanFic/ABrighterDark,'' Garon tells this to Corrin after she's just committed her second massacre, in order to help her move past it. He explains that the second time is the worst, because the first time you have justifications that forced it to happen and from the third time onward, you've just come to terms with it and have become numb.

* The opening of the 2006 film version of ''Film/{{Casino Royale|2006}}'' almost spells out this trope:
-->'''Dryden''': How did he die?\\
'''[[Film/JamesBond Bond]]''': Your contact? Not well.\\
'''Dryden''': Made you feel it, did he? Well, you needn't worry. [[KilledMidSentence The second is]]--\\
'''Bond''': ''[shoots Dryden]'' [[BondOneLiner Yes. Considerably.]]
* In ''Film/TrueRomance'', Virgil the enforcer takes a breather from beating on Alabama to explain his experience with this trope, ending with, "Now I kill 'em just to watch their expressions change." Virgil unforgettably played by James Gandolfini before his [[Series/TheSopranos big promotion]].
%%* This trope is pretty much the source of a lot of internal conflict for the main character in ''Film/KnockaroundGuys''.
* The last line of the horror film ''Film/TheStrangers'' is Pin-Up Girl telling Dollface, "It'll be easier next time."
* In the ''Franchise/StarWars'' prequels, Anakin kills dozens of Sand People out of anger, and is consumed by guilt afterward. A few years later, he's hesitant to kill [[spoiler: Count Dooku]], and eventually does so with reluctance at Palpatine's insistence. Later in the film, he helps kill [[spoiler: Mace Windu]] in a situation of extreme duress, but shrugs it off rather quickly. From there he moves on to watching Palpatine [[spoiler: order the deaths of Jedi all over the Galaxy as he himself marches to the Jedi temple to kill everyone inside, including the children.]] About seventeen years later, Anakin, now badass Sith Lord Darth Vader, has no problem with Grand Moff Tarkin blowing up a planet containing billions of innocent people and is murdering his own subordinates via Force Choke with alarming frequency. A literal case of TheDarkSideWillMakeYouForget.
** Implicitly, thanks to his job as top enforcer and commander-in-chief of a galaxy-spanning totalitarian empire, Vader has tons of OffstageVillainy amounting to innumerable atrocities, ''especially'' because of this trope and the ease at which he is committing evil in the movies. The Franchise/StarWarsExpandedUniverse confirmed this, for example having a lethal and highly-contagious biological weapon developed on the Falleen homeworld; and when it escaped and started infecting people in the capital city, the entire area was sealed-off and "sterilized", ie. [[OrbitalBombardment annihilated via turbolaser fire from orbiting Star Destroyers]], killing millions of people.
* ''Film/DarkBlue'' has a poignant moment after Bobby kills his first suspect. His partner, Eldon, recounts his first kill, and how much it affected him. He says that, even though killing is a normal part of his job now, he still thinks about that first one.
%%* Incorporated to disturbing effect in the Creator/StevenSpielberg film ''Film/{{Munich}}''. It takes its toll on the characters, however.
* In the film adaptation of ''Theatre/TheCrucible'', the first hanging has the girls who had falsely accused them flinching and wincing while the rest of the villagers are cheering. But after the second and third and fourth hangings, they are cheering just as happily as the villagers.
* Inverted in ''Le Couperet''. As the protagonist states, it doesn't keep going as easy as the first time, and he is struggling more with each murder.
* ''Film/TheHungerGames'': Clearly indicated in those tributes who seem to have no difficulty at all in killing people. Referenced by Peeta's concerns before the game begins about becoming a killer. Also, while Katniss is heard stating her uncertainty about shooting something that isn't an animal, by the end [[spoiler: she is able to put an arrow into Cato without blinking an eye]].
* ''Film/TragedyGirls'': [=McKayla=] reveals to Sadie that [[spoiler:when they first killed Jordan's mother, years and years ago, she was an absolute wreck afterwards. By the time of the main film, however, both girls murder ''hundreds'' of people without blinking.]]

* Zig-zagged in the form of a page quote in the book ''Necropolis'' by Creator/DanAbnett. A medic is describing his mindset to survive during his long service to the Imperium.
-->The worst campaign, I think, was the first I fought alongside. Since then, I have seen much, much more and things that were far worse, but I have blocked it out. The soul can stand only so much before it shatters.
* Pick any Creator/BaenBooks MilitaryScienceFiction novel. Notably, ''The Disunited States of America'' by Creator/HarryTurtledove, where a kid fakes being a soldier but ends up doing the job for real.
* In the Literature/AlexRider novel ''Scorpia'', Alex goes undercover and fakes an assassination, when he claims he felt nothing when he killed his victim the AffablyEvil henchman says that's normal and tells him that eventually he'll start to like it.
* Mr. Pin in ''Discworld/TheTruth'' spells this out when his sanity starts getting away from him because he's realized that the people he's killed are closer than he thinks, and are just itching to get their revenge. Killing one person, that's a MoralEventHorizon; killing twenty is just, well, more of the same.
* In Creator/CSLewis' ''Literature/TillWeHaveFaces'', when Orual is about to [[CombatByChampion fight in single combat]], the captain of the guard makes her kill a pig to get her first time over with this way.
* In Creator/JohnGrisham's first novel ''A Time to Kill'', the guy who kills the two guys who raped his kid daughter thinks that it was harder to kill the first Viet Cong fighter.
%%* This is strongly implied to be the case for the murderer in the Literature/LordPeterWimsey novel ''Unnatural Death''.
* Acheron Hades, in ''Literature/TheEyreAffair'', describes murder as "like eating a packet of shortbread" -- once you start, there's no reason to stop, since the worst they can do is execute you once.
* In Creator/TanyaHuff's ''[[Literature/ConfederationOfValor Valor's Choice]]'', Lieutenant Jarret is shaken by having killed someone for the first time, and asks Torin if it ever gets easier. Her response is along the lines of, "yes, sir. I'm sorry to say that it does."
* Similar to the Batman example, Literature/HerculePoirot gives this as a justification for bringing killers to justice (after they killed once, they will kill again to avoid being discovered, and each kill will be easier than the previous one). [[spoiler:This is an important plot point in his final case.]]
* In ''Life of Pi'', the main character is introduced as devoutly religious, intelligent and a vegetarian. But when he has to survive, he abandons all morals. Killing becomes easier, and soon he is doing things like sucking fluid from fish eyeballs and eating faeces [[spoiler:and human flesh.]] He explicitly states that he goes from crying over a flying fish that flopped into the lifeboat to exulting in the fact that he managed to hook and kill a dorado - and later on, he grabs and slaughters two meerkats without hesitation, [[spoiler: so he can rub his feet in their viscera to cool them after he steps on the acidic surface of the island.]]
* In the ''Literature/XWingSeries'', rookie pilot Gavin Darklighter helps out during the Krytos Plague pandemic on Coruscant, trying to find victims to get them treated before it's too late, and call for cleanup teams when it ''is''. In the end stages, the Krytos plague, which was [[GeneticEngineeringIsTheNewNuke engineered by Imperials]], basically liquefies those who contract it. Finding a particularly bad one, someone who'd barricaded himself up when he knew how sick he was getting, makes him [[VomitingCop vomit]], but he pulls himself together, does his job, and confesses to his love interest that a year ago he would have run screaming. He's changing, and it scares him.
-->'''Asyr''': It's called maturing, Gavin, and not everyone likes it.\\
'''Gavin''': Thanks, but I still have to wonder if it's right that we can see something like that and just continue on.\\
'''Asyr''': We continue on, my dear, because we must. [...] Our mission is to fly our X-Wings, to locate and destroy the kind of monsters who would do this kind of thing. Doing that requires all the maturity we can muster.
%%* Repeatedly referenced in Joe Abercrombie's ''Literature/TheFirstLaw'' trilogy. Logen Ninefingers is basically the living embodiment of this trope, which at least still disturbs him.
* [[EnforcedTrope Enforced]] in the ''Literature/SwordOfTruth'' series, with the titular weapon. The Sword of Truth inflicts guilt on its wielder every time they kill a person. However, the first time a person kills, the sword inflicts significantly more, to acclimate itself to its new wielder. It's a plot point that being very angry insulates someone somewhat to the sword's guilt, but [[spoiler: the MercyKill mode of the sword]] insulates the user completely, because [[spoiler: the user is inflicting guilt on himself or herself without the help of the sword]].
* Creator/IanFleming inverted the trope regularly in his ''Literature/JamesBond'' novels. Despite the statement made in the 2006 version of ''Film/{{Casino Royale|2006}}'', quoted at top, in the original novels and short stories Bond is often depicted as actively avoiding having to kill more than is necessary, leading to some dangerous scenarios for 007, such as in the short story "[[Literature/ForYourEyesOnly From a View to a Kill]]" in which Bond is nearly killed by a man whom he shows mercy to.
* ''[[VideoGame/WorldOfWarcraft The Last Guardian]]'' by Jeff Grubb has this line used by Medivh after he [[spoiler: attacks Khadgar and Garona]].
* Strongly implied in the first book of ''Literature/TheHungerGames'' trilogy, wherein Katniss spends much of the first part of the book being concerned about killing people, but once she starts to do so, after a brief moment of self-reflection that mostly focuses on the potential reaction of the family of her victims, she appears to shrug it off and is soon actively planning killing scenarios and, ultimately, [[spoiler: putting down Cato without much hesitation, albeit as a mercy kill]].
** In the third book [[spoiler: she kills dozens or possibly hundreds of people indiscriminately, including one scene where she gets in a firefight in a crowded street full of civilians. She has to defend herself with automatic weapons fire and admits that she has no idea what she's shooting at. She almost never sets out to murder people ([[PresidentEvil with two prominent exceptions]]) but WarIsHell.]]
* This happens in ''Literature/TheDresdenFiles'' with [[spoiler:Molly.]] Black magic in general, as well as being addictive, blinds its users to the harm they do: start off poking someone's brain so they'll drop cigarettes and two weeks later you think nothing of stabbing that rude lorry driver in the face.
* ''Literature/SandmanSlim'' notes that by the third murder, killing becomes a routine.
* Lampshaded in the UsefulNotes/ColdWar thriller ''An H-Bomb for Alice'' by Ian Stewart. When TheMole takes several hostages, he warns them not to resist as he's already committed one murder and [[ImpliedDeathThreat they say the next one is a lot easier]].
* In ''Literature/TheMonk'', it takes a long time and a series of life-threatening events for Ambrosio to give into the temptation to have sex with [[FemmeFatale Matilda]] and the narrator even acknowledges that the amount of temptation he experienced would have been nigh-impossible for any other man to resist too. Once Ambrosio crosses that line, however, it becomes increasingly easier for Matilda to convince him to do more and more sinful acts until he's raping and killing innocent women entirely of his own volition.

[[folder:Live Action TV]]
* ''Series/{{Bones}}'': Brennan is greatly disturbed when she kills for the first time, yet later asks to be given a gun during another case because she's killed before, and in "The Wannabe in the Weeds" she is comfortable enough with killing to shoot a woman in the throat with no remorse evident. (The woman in question HAD just shot Brennan's partner -- aiming for Brennan -- so hyper-rational Brennan may not have felt it necessary to express or even acknowledge any feelings of remorse, though in the context of the story there's no actual time for this to occur on screen anyway).
* ''Series/BreakingBad'': The first time Walter White directly kills someone, he is left a sobbing mess. [[spoiler: As the series goes on, and as the bodies pile up, he doesn't seem to be as disturbed when he kills, and in season 5, starts to be able to even order the deaths of men with little concern.]]
* ''Series/BuffyTheVampireSlayer'': Buffy is smart enough that a substantial part of her later character arc is about trying to avert this trope.
-->I can beat up the demons until the cows come home. And then I can beat up the cows. But I'm not sure I like what it's doing to me. (...) To slay, to kill. It means being hard on the inside.
* ''Series/{{Cheers}}'': Invoked, of all places, in one episode. Woody, upset that he has told a lie, worries about the consequences.
-->I've never told a lie before! Wait, that's a lie. It's getting easier! What's next, '''murder'''?
* ''Series/{{Chuck}}'': The trope forms part of the rationale behind the "red test" in which an operative must perform his or her first kill before being promoted to agent. Disturbingly, the kills are of the cold-blooded variety: assassinations and murders, rather than kills in the heat of battle. Sarah and Casey's high body count (and both being willing to kill in cold blood when necessary) attest to the clear implication that it gets easier. The actual episode in which Chuck undertakes his test ("Chuck vs. the Final Test") is built around Sarah being reluctant to allow Chuck to cross the line ([[spoiler:ultimately, Casey secretly makes the kill instead of Chuck; Chuck's actual first kill occurs much later and is not cold-blooded in nature.]])
* By comparison, ''Series/CovertAffairs'', also set within the CIA, does not require its hero, Annie Walker, into a red test and in fact gives her missions despite her not completing firearm training ([[spoiler:she eventually does pull the trigger for the first time]]).
* ''Series/DoctorWho'': In the story ''The End of Time'', we get this exchange.
-->'''Wilf''': The Master is going to kill you.
-->'''The Doctor''': Yeah.
-->'''Wilf''': Then kill him first.
-->'''The Doctor''': That's how the Master started. It's not like I'm an innocent. I've taken lives. And I got worse, I got clever. Manipulated people into taking their own.
* ''Series/{{Farscape}}'': Alas, poor John Crichton learned to kill in order to survive the Uncharted Territories. He also went pretty crazy, though whether it was the killing, the utter weirdness, the many, many aliens who decided to stick things in his brain and swirl it around a bit, or some combination thereof is anyone's guess.
** Crichton almost certainly had military training, given that he was former space shuttle pilot and they're nearly always drawn from Air Force or Navy pilot ranks. But in the modern era, air-to-air combat is rare and thus few fighter pilots have actually killed anybody. Thus, this trope still holds true over the course of the series.
** Crichton went out of his way to avoid killing anyone for most of the first season; his first kill is in episode 18 and was caused by mind control, which caused him considerable distress. After that it was like a switch was flipped in his head, and he dispassionately finished off the surviving enemies at the end of the episode by himself. In later episodes he's just as quick to kill as the professional fighters in the crew.
* ''Series/{{Fringe}}'': In a second-season episode, after Peter is forced to kill someone for the first time, Olivia recalls her first kill and how it took time for her to get over it. But judging by the rather high body count she's amassed, "It Gets Easier" clearly applies.
* ''Series/{{Heroes}}'':
** In the episode "The Hard Part", Hiro describes his future self in terms of this trope:
-->"Future Hiro killed so much, he forgot it should be hard."
** Sylar goes down that road. After he kills for the first time, he tries to commit suicide (but is stopped by Elle and Noah). We all know how this story continues.
* ''Series/{{MASH}}'':
** Had Father Mulcahy getting used to the messy parts of surgery and noted that one thing that pushed him along was seeing the surgeons unconsciously warming their hands in the steam from the opened up torsos of their patients during really cold weather. As he said, "How can you see that and not be changed?"
** Most of the unit's staff went through this. One episode revolved around a nurse who was taking longer than usual to go through it. BJ commented on his own adaptation to the horrors of war, saying "when I first got here, I couldn't walk through post-op without being sick to my stomach, and now I can walk through without even ''looking'' at them!"
* ''Series/{{NCIS}}'': Has also established that in the service's earlier days as "NIS", agents underwent a similar "red test" scenario, carrying out assassinations as a rite of passage. Jenny Shepherd failed her initial assigned kill, though she goes on to commit numerous kills (both hot- and cold-blooded) before the one kill she did not complete years earlier [[spoiler: results in her death]].
** Ziva's somewhat blase attitude toward lethal force in her early appearances on the show, reflecting her Mossad career and the influence of her father, also attest to the trope.
* ''Series/{{Nikita}}'': The concept is referenced several times in the 2010 version, with the title character, a HitmanWithAHeart, driven to take down the organization called Division in part because they made her a cold-blooded killer. Like ''Chuck'', above, Division recruits are also required to complete a cold-blooded kill before being promoted to field agent status. Alex makes her first kill by accident (they were struggling for the gun and it went off), then executes her former pimp after he tortured her, and is soon getting into pitched gun battles with the best of them.
* ''Series/PersonOfInterest''. AvertedTrope in episode "Matsya Nyaya". A woman shoots her boyfriend InTheBack, then goes to shoot John Reese. He says the first time was easier because she's thought about it for a long time and psyched herself up to do it. Sure enough she can't kill a tied-up stranger in cold blood, and flees (only to promptly get shot by [[AlwaysABiggerFish someone more ruthless]]).
* ''Series/QuantumLeap'': Reversed the first time Sam Beckett killed a man. The man in question is a former French Resistance fighter who is said to have killed his own mother during the UsefulNotes/SecondWorldWar. After a scuffle, Sam backs away holding a bloodied knife as the man smiles up at him knowingly, whispers "The next time, it will be easier" and dies.
* ''Series/{{Revolution}}'':
** Both Charlie and Aaron have demonstrated this, from being hesitant to use deadly force in the episode "[[Recap/RevolutionS1E1Pilot Pilot]]" to both becoming efficient killers by [[Recap/RevolutionS1E5SoulTrain episode 5]] (with Charlie killing ''in cold blood' on at least one occasion ([[Recap/RevolutionS1E2ChainedHeat episode 2]]) and agreeing to do so, [[spoiler: though she ultimately doesn't go through with it]], on another ([[Recap/RevolutionS1E6SexAndDrugs episode 6]])).
** Neville seems to be the end result of the process, going from his pre-blackout life as a man who lacked the courage to confront his BadBoss and asshole neighbor to a man who not only is willing to slaughter an entire rebel encampment (including noncombatants) but is ''excited'' at the prospect of doing so in [[Recap/RevolutionS1E11TheStand episode 11]].
* ''Series/StargateSG1'': Jokingly referenced:
-->'''O'Neill''': Something wrong?
-->'''Carter''': No. I've just never... [[RememberWhenYouBlewUpASun blown up a star before]].
-->'''O'Neill''': Well, [[DoesThisRemindYouOfAnything they say the first one's always the hardest]].
* ''Series/TheUnit'' built an episode around the trope when a unit member begins to have second thoughts about the fact their job is to kill people. After soul searching and discussions with his commanding officer and a priest, the character not only agrees that it gets easier, but he acknowledges that he actually ''likes'' killing, which is described as being pretty much a requirement for the job. The message is delivered with a bit of irony given the mission that sparks the soul-searching - to protect someone from being assassinated by using a sniper rifle capable of killing someone in a crowd with little risk of collateral damage to innocents - doesn't actually fall into the category of cold-blooded murder.
* Comedic example: In ''Series/TheKidsInTheHall'', Dave Foley plays a character doing a monologue about being a mass murderer. He says the second kill is easy. "The third time you start to get cocky so you gotta be careful. Y'know, you gotta stay humble or you make dumb mistakes."
** And his somewhat similar "bad doctor" character winds up his monologue by saying he's got to go tell the family his patient didn't make it:
--->''[sadly]'' "It's the hardest part of being a doctor... ''[shrugs]'' I ''think''."
* ''Lady Blue'', an obscure 1980s series featuring a female Film/DirtyHarry-like policewoman character who has killed so many people she no longer bats an eyelash when she has to fire her gun. The original pilot TV movie calls this into question when she finds herself at an inquiry over her actions.
* ''Series/BoardwalkEmpire''. Jimmy Darmody tells Nuck Thompson this when the latter hesitates before executing him. It turns out to be true, as Nuck does become more ruthless.


* "Murder By Numbers" by Music/ThePolice touches on this idea:
-->Now if you have a taste for this experience
-->If you're flushed with your very first success
-->Then you must try a twosome or a threesome
-->You'll find your conscience bothers you much less

[[folder:Tabletop [=RPGs=]]]
* The [[KarmaMeter Morality]] systems in ''TabletopGame/TheWorldOfDarkness'' games are based on the notion that doing bad things to others gradually grows easier (although the specifics are different for each gameline).
** Of note, however, is in the God-Machine Chronicle and rules update for the ''TabletopGame/NewWorldOfDarkness'' is that normal playable humans should never get to the point that killing is simple and not a ding on the Morality gauge. Specific types of supernatural being, on the other hand, handle this differently.
* ''TabletopGame/{{GURPS}}'' suggests, as an optional rule for "realism", representing this by starting the characters out with the Reluctant Killer disadvantage and then letting them buy it off..
* Breaking the Laws of Magic with BlackMagic in ''TabletopGame/TheDresdenFiles'' [=RPG=] adaptation gives you a bonus to future violations of the same law ([[OffWithHisHead assuming you get to live long enough to use it]]).

* Downplayed with the title character of ''Theatre/{{Macbeth}}'', as indicated by the page quote. He's a soldier at the outset, true, but he quakes at the cold-blooded murder of his king. Come the later acts and he's sanctioning the murder of innocent children and men who are merely prophesied to do him harm.
* Parodied in ''Theatre/TheMikado''. The "Lord High Executioner", Ko-Ko, charmed his way into the position, and since no one's been sentenced to death so far, he's essentially just a figurehead. However, when the time comes for him to make his first kill, Ko-Ko protests, "Why, I never even killed a blue-bottle!"
--> ...I'm not ready yet. I don't know how it's done. I'm going to take lessons. I mean to begin with a guinea pig, and work my way through the animal kingdom till I come to a Second Trombone.
* Discussed in ''Theatre/{{Hamlet}}'', in Act V, Scene 1. Hamlet and Horatio come across a gravedigger and his helper, who are singing and cracking jokes as they prepare a new grave. Hamlet asks what kind of insensitive man could do such a thing, to which Horatio replies "Custom hath made it in him a property of easiness."

[[folder:Video Games]]
%%* ''VideoGame/MafiaTheCityOfLostHeaven'' uses this plotline extensively.
%%* As does ''VideoGame/MaxPayne''.
* ''Franchise/MetalGear'':
** Snake gives this speech to Meryl in the first ''VideoGame/MetalGearSolid''.
*** Snake's brother Liquid gives a more vitriolic version to Snake in the same game, accusing him of enjoying it. Inverted in ''Guns of the Patriots:'' if the player kills an exorbitant amount of enemy soldiers during any one chapter, Snake will have a flashback to the scene with Liquid, and he throws up. For Old Snake, killing gets harder, sort of; more precisely, he gets sick when he realises how easy it's gotten.
** One of the major plot points in ''VideoGame/MetalGearSolid4GunsOfThePatriots'' is the PMC's trying to [[InvokedTrope invoke]] this trope by [[spoiler:using the Sons of the Patriots system to regulate soldiers' emotions.]] Everything is manipulated so that war literally feels like a video game to them. But when [[spoiler: SOP is hijacked,]] reality comes crashing down, and battle fatigue sets in. What's worse, SOP didn't actually get rid of the emotions: it bottled them up so that when the system was interfered with, they all came rushing to the surface at once. Watching the formerly calm soldiers writhe on the ground, bawling hysterically, or laughing uncontrollably as they beat each other to death with their bare hands, is a very disturbing scene to watch, potentially even ''more so'' when you know ''why''.
* Inverted in ''VideoGame/VampireTheMasqueradeBloodlines'' when Jack says, "It's never as sweet as the first time", referring to drinking blood. This is probably a dual reference to drug addiction and the fact that vampires are natural killers. It's also played straight, and used as a gameplay mechanic: killing innocent people causes the player character to lose Humanity points, which makes them more likely to Frenzy and gives them increasingly nasty dialogue options. Jack urges the player to avoid killing innocents whenever possible to avoid sinking too far into their monstrous nature.
* In ''VideoGame/VacantSky'', the main character Auria struggles to cope with the knowledge that she's just killed a human being after panicking and killing [[spoiler: the husband of their hostess]]. Though she shows remorse afterward, the subsequent journal entry combined with the fact that the event song is called "A Farewell to Innocence" implies that it only goes downhill from here.
* ''VideoGame/{{Iji}}'': The titular character starts the game as an ApologeticAttacker and cries things like "I'm sorry!" and "No..." the first few times she kills someone. If you decide to become an instrument of alien genocide, her quotes change to things like "Hah... YOU DIE!" and "AAAARGH!"
* In the 2nd chapter of ''VideoGame/TheSpiritEngine'', one of your team members stops just short of HeroicBSOD when you have to kill a team of thoroughly JerkAss bounty hunters. In the 3rd chapter, s/he's not too happy about having to kill an assassin. In the last one, they're casually slaughtering dozens of [[PunchclockVillain soldiers]] without so much as a sigh. It's similar in the sequel, although not as pronounced.
* Outside of the UnfortunateImplications of WhiteMansBurden, this is the trope the main characters development is based around in ''VideoGame/FarCry3''. He starts out as a privileged upper class post grad looking to exploit the jungle paradise with his friends, and ends up getting kidnapped and nearly sold into slavery. In the process of escaping he watches his brother die in his arms, and moments later makes his first kill in self-defense, which nearly causes him to break down were it not for the disastrous circumstances of his escape. As the game goes on though, and he ranks up a body count most military platoons would be jealous of, this trope ends up causing him to devolve into a all-out BloodKnight. [[spoiler: In the good ending, he fully recognizes that [[HeWhoFightsMonsters he has become a monster]] due to his kill count, while desperately hoping that there is a way for him to come back from the abyss he's fallen into.]]
-->'''Jason''': Hey, I got a crazy question. You won first place at that swimming championship this year, right?\\
'''Daisy''': Yeah, the 400 meter.\\
'''Jason''': What did it feel like, winning? Not afterward, on the podium. But in the water, when you hit the pad.\\
'''Daisy''': Like I was really...present. Like the whole world was me.\\
'''Jason''': You know...I never thought I'd be able to kill someone. The first time, it felt wrong. Which is good, right? But now... it feels like winning.
* Jak mentions something to this effect to [[spoiler: Mizo]] at the end of ''VideoGame/JakXCombatRacing''.
-->'''[[spoiler:Mizo]]:''' You have a habit of leaving people to die.\\
'''Jak:''' You get used to it.\\
* In ''VideoGame/ShadowComplex'', protagonist Jason Fleming was trained from a young age by his father to have an easier time when he enlists in the Army...except, much to his father's chagrin, he never enlists, saying that he doesn't want to kill anyone. During the game, he puts the skills his father taught him to good use, as [[spoiler: terrorists kidnapping his girlfriend]] have given him a good reason to kill. Early into the game, he comments that a giant spider-mech is something he can "shoot without feeling guilty," although [[MoralDissonance the driver pops out of the hatch soon after and becomes Jason's next kill.]] Shortly after ''that,'' Jason comments, "Killing's getting easier, not sure if that's a good thing or a bad thing...[[spoiler:it's a good thing]]."
* Surprisingly, [[RabidCop Carter Blake]] from ''VideoGame/HeavyRain'' pulls this trope to comfort Jayden if the player made him [[spoiler:shoot Nathaniel.]]
* X was supposed to come across this trope after ''VideoGame/MegaManX5'', and had it not been the ExecutiveMeddling causing the ContinuitySnarl, he would have become a KnightTemplar villain in ''VideoGame/MegaManZero''.
* [[PlayerCharacter Walker]] gets a heavy dose of this in ''Videogame/SpecOpsTheLine''. At the beginning, he is shocked when he has to kill [[spoiler: American soldiers]]. As the game goes on, he looses his reluctance and later becomes ''bloodthirsty''.
** It applies to his support team as well. Lugo goes from expressing shock and horror at the viciousness of Walker's actions to [[spoiler:casually shooting an unarmed man three times in the head without a second's hesitation,]] whereas after [[spoiler:Lugo]] gets lynched Adams positively ''begs'' Walker to let him fire upon the unarmed civilians who lynched him.
* In the first game of the ''VideoGame/SaintsRow'' series, Troy paraphrases this trope on very rare occasions: "It gets easier every time." [[spoiler:If you pay attention to what he's doing whenever he says this (killing a cop), you'll get a hint as to his [[TheMole true motivation]] for joining the Saints]]
* Implied in ''Franchise/TombRaider''. In ''Anniversary'', immediately after Lara kills [[spoiler:Larson]], she just stares down at her hands with a visibly horrified expression, trying to rub imaginary blood off them. [[spoiler:Larson]] was canonically Lara's first ever human kill, and [[FridgeHorror consider how many mercenaries she coldly slaughters in games set afterwards]]...
** It comes up again in the [[VideoGame/TombRaider2013 2013 reboot]]. Lara's first human kill leaves her a traumatized, bloody and sobbing mess. Afterwards Roth tells her it can't have been easy to have killed someone, but she responds that what terrifies her even more is how easy it actually was (granted, it was a life-or-death situation with a heavy subtext of attempted sexual assault or even rape, so...) In-story it eventually does get easier, so that by the time [[spoiler: of Roth's death]], Lara has come to accept death as part of the reality she's found herself in, and has made a conscious decision to fight back against the Solarii.
*** [[GameplayAndStorySegregation Of course, by that point the player has probably racked up a body count in the hundreds already, so that somewhat undermines the narrative...]]
*** Interestingly, Lara's first kill in the game is a deer she hunts for food. She actually ''apologizes'' to the animal for killing it afterwards.
* Hibiki of ''[[VideoGame/TheLastBlade The Last Blade 2]]'' is [[MyGodWhatHaveIDone visibly horrified]] the first five or so times she kills (strictly kills - non-lethal wins don't count) an enemy. After the sixth time (as progressively hinted at by her increasingly unhinged win quotes), her win pose changes to one implying she has [[BloodKnight come to enjoy the act]].
* ''VideoGame/DwarfFortress'' has a game mechanic for this: witnessing violent deaths causes a dwarf to grow jaded. Since jaded dwarfs are less likely to cause DisasterDominoes (a.k.a. "tantrum spirals") players actually ''try'' to expose their dwarfs to as many violent deaths as possible. [[CruelPlayerCharacterGod Like by having kittens plummet to their deaths in the middle of the dining hall, so the maximum number of dwarfs see them explode into chunky gore]].
* PlayedForLaughs and [[ExaggeratedTrope exaggerated]] in ''VideoGame/MassEffect3'''s Citadel DLC, where Wrex notes that [[CharacterDevelopment Liara seems to have grown up a lot]] as she's not showing any of the worry or emotional concerns before a fight. Liara notes that killing people becomes less troubling after the first few hundred. Wrex agrees.
* ''VideoGame/HotlineMiami'' shows this in the very first mission. Jacket will throw up after killing the homeless guy (this is probably his first kill, while in the game you have already killed other dudes, the timeline's a bit fuzzy.)
** The [[VideoGame/HotlineMiami2WrongNumber sequel]] muddies this even further by revealing that [[spoiler:Jacket was a former Spec-Ops soldier.]]
** It's possible that Jacket has this reaction because the hobo he kills was the first relatively innocent person he murdered.
* This is actually a plot point in ''{{Videogame/Undertale}}''. Specifically, [[spoiler:your [[ExperiencePoints EXP]] and [[CharacterLevel LV]], or [[FunWithAcronyms LOVE]], actually stands for "'''Ex'''ecution '''P'''oints" and "'''L'''evel '''o'''f '''V'''iolenc'''e'''" respectively. Your attack power gets stronger because, the more enemies you've already killed, the less morally conflicted you become about killing; the less conflicted you become, [[GainingTheWillToKill the more willing you become to go through with killing again]], and your HP gets higher because it becomes easier for your SOUL to bear the stress of resorting to uncompromising violence]].
* In ''VideoGame/BluePlanet'', protagonist Noemi Laporte is fearing the effects of this trope, as she was raised in a pacifist culture who are now fighting a war purely out of necessity. The trope is then played with: it ''doesn't'' get easier for her to kill other people... because it was never hard in the first place. All of the death and destruction she causes has none of the normal effects on her psyche others suffer. This is even more frightening to her, given what it implies about what kind of person she is...
* In ''VideoGame/BioShockInfinite'', after Elizabeth [[spoiler:gets her first kill and goes through a HeroicBSOD.]]
--> '''Elizabeth''': Do you ever get used to it? The killing?\\
'''Booker''': Faster than you can imagine.

[[folder:Web Comics]]
* In ''Webcomic/{{Drowtales}}'', Ariel's first kill is forced upon her, but her second is not. She is horrified by how easy it was and develops PTSD from the remorse.
* In ''Webcomic/CollegeRoomiesFromHell'', when Roger kills a number of Damascus's henchmen, and when Margaret kills [[spoiler:Mrs. Pepitone]], they're completely dumbstruck, and may or may not have had ill-advised sex. This is the ''only'' time any of the henchmen are given a second thought, even by ''their own side''.
* In [[http://iwd.fetchquest.com/archives.php?type=iwd&c=241 this strip]] of ''In Wily's Defense'', Megaman refutes this after killing [[spoiler: Skull Man.]]
* [[AntiVillain Orca]] from ''Webcomic/IDontWantThisKindOfHero'' realizes that this has happened to him over the years, as initially he couldn't even stomach anything after ''seeing'' a corpse, let alone causing one. Nowadays, while he still has a better moral compass than his comrades and prefers resolving things without murder, he's far more used to death and killing.

[[folder:Web Original]]
* In ''Roleplay/TheGamersAlliance'', the thief [[LoveableRogue Refan]] gradually stops worrying about the people he's killed as he turns more and more into HeWhoFightsMonsters who succumbs more and more to his [[SuperPoweredEvilSide demonic side]] in order to have revenge on those who have wronged him. At one point he comes to realize how far he's fallen but tries to justify it as being the only course of action to take in order to make sure the people who have hurt his loved ones won't hurt anyone ever again...even if it means abandoning his human side and siding with the demon hordes against humans to get the job done properly.

[[folder:Real Life]]
* There's a psychological condition in real life that ''is'' this trope; it's called "Rapid Habituation."
* Military experience causes this for many. Though it has been noted that some have no initial difficulty whatsoever while not exhibiting any behaviors indicative of mental illness.
* Snipers in the military have a saying "the hardest shot you will ever make is your first".
* US Police departments seem to [[ItNeverGetsAnyEasier think the opposite]], or at least encourage it. Lethal force is without question an absolute last resort and should an officer be forced into that option they are taken off duty for a brief period and receive counseling afterwards (almost) without exception. Most police forces agree that an officer should be able to quickly and efficiently deal with a violent criminal who refuses to be taken in, but that doesn't mean it should be something that's easily brushed off.
** Furthermore, in most jurisdictions officers also undergo investigation procedures to determine if a kill was righteous or justified, and face career termination or even imprisonment should it be found the killing was not justified. Although fictional, the treatment of a police sniper in the first episode of {{Series/Flashpoint}} reflects what officers often experience, even if they discharge their weapon without injury to anyone. Many police officers have over the years been tried for murder or manslaughter, which could be seen as further discouragement of using deadly force unless necessary. (By comparison, in real life a character such as CSI: Miami's Horatio Caine or Dirty Harry would likely be removed from active duty due to their penchant for lethal force.)
** Also, films and TV shows often give the impression that most veteran cops have killed at least once. In reality, if one takes the total number of police officers in the US or Canada one would find only a small percentage have ever had to use lethal force, and an even smaller number have had to do so more than once (unlike, say, Horatio).
*** Although it is becoming increasingly common for TV and film to lampshade this, mentioning that 95-97% of cops never fire their weapon outside of the shooting range, and that the specific officers we see are the exception. Given that most of these shows deal with one police unit out of cities with tens of thousands of cops, it only starts becoming unbelievable if you're under the impression that all of these shows exist in the same continuity.
* Despite the growing quality of simulated-dissection software, medical and nursing students are still expected to engage in human or animal dissections as part of their professional education. This isn't just for hands-on skill development; growing accustomed to grisly experiences and the reality of death is as much a part of these exercises as is building anatomical knowledge. Not a killing variant, but same concept: repeated exposure to death makes dealing with it easier in the future.
** The same deal goes for the equivalent animal-oriented professions. Fifty percent of qualified veterinary technicians in the United States wash out of the profession within five years of qualification due to this trope. Technician students are told up front at the start of their training that you either learn to cope, or you quit. There aren't exceptions.
* Serious training scenarios for emergency responders (military or civilian) will sometimes use professional makeup artists so the "victims" will have very realistic looking injuries. It's one thing to practice moving someone and pretend they have a broken leg; it's quite another when you see a realistic-looking bone sticking out of what looks like ripped-open flesh from a compound fracture and the victim making an ear-piercing scream if you accidentally touch the wound, combined with litres of realistic blood all over the place.
* Ernie Pyle describes this in his wartime column, ''Brave Men, Brave Men'':
-->The most vivid change is the casual and workshop manner in which they now talk about killing. They have made the psychological transition from the normal belief that taking human life is sinful, over to a new professional outlook where killing is a craft. To them now there is nothing morally wrong about killing. In fact it is an admirable thing.
* In a more calm sense, life in general. It seems like a lot of tragedies hit people in their teen years, like breakups, disappointments (not getting into your preferred college for example) and they tend to always be a crisis. In general, later in life, people mellow and develop a sense of "I've been through this once, I can do it again."
* Although the TV series Chuck features operatives of the CIA, which exists in real life, the "red test" requirement for becoming a full agent as featured in that series (committing a cold-blooded murder under orders) is unlikely to exist for real CIA agents (at least, as far as the public knows, although Lindsay Moran, in her memoir ''Blowing My Cover: My Life as a CIA Spy'', states that she was never required to kill as an agent). The same goes for the real-life Naval Criminal Investigative Service, which in ''Series/{{NCIS}}'' the TV series evolved from an earlier organization that used a red test-like scenario.)
* This trope, as well as variations of it, is often cited by critics for why [[NewMediaAreEvil video games are harmful]] MurderSimulators that cause violence behavior. Given how often modern games explore the moral issues of taking lives, [[WhatMeasureIsANonHuman human as well as non-human]], it really shouldn't come as a surprise that, so far, no science exists that backs the notion that video games cause any more or less violence than books, and video gamers are no more or less violent or sociopathic than anyone else; it just becomes more of an uproar in media when avid gamers kill people than when passionate quarterbacks do the same.
* Experiencing death in the family or losing a friend to death is extremely saddening and heartbreaking for everyone that were close with the person that passed on. If the same people lose yet another family member/friend, they may not be as upset as they were with the first death; more so if they can visibly tell that the person in question is going to die.
* If someone lasts longer than their first bad call, anyone who works as an emergency medical responder will eventually experience this, as they must in order to function. The same is true of emergency room personnel they deal with. This can sometimes cause a severe case of ValuesDissonance: family and friends of a deceased person can get outraged when, as they are grieving, they happen to see personnel joking and laughing or talking casually soon thereafter. For the family, the death of a loved one is a horrible event. For the personnel, [[ButForMeItWasTuesday it's not the first and won't be the last]].
* A variation of this trope that has nothing to do with death: actors, actresses and fashion models who undertake their first nude and or sexual scenes on camera or pose nude for the first time often report that after a very difficult first time, subsequent occasions become less stressful. A recent example of this is Creator/KimKardashian, who is on record as having become emotional over posing nude for several magazines back in 2011, most notably ''W'' and ''Playboy'' (her nervousness was chronicled in the episode of ''Series/KeepingUpWithTheKardashians'' that covered the ''Playboy'' shoot).[[note]]Those who remember that she was having sex on camera years before this might think that this was all put on for the sake of the TV show.[[/note]] Fast-forward to 2015 and she's doing nude spreads (albeit tasteful ones) left, right and centre without batting an eye.