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Humoresque Progression
A chord progression, made famous by Antonin Dvorak's piano solo piece "Humoresque", in which this features in the middle section.

The original progression is in a minor key, and runs as follows: i VI VII III. The effect is a temporary toniciziation of the relative major key—in other words, the music temporarily sounds like it's going to the relative major key. This is frequently followed a chord like v or VII, and even if not, repeated instances of this progression. This progression is used in ways similar to the use of the first four chords of the Circle Of Fifths in a minor key (i iv VII III).

However, that may be hard to distinguish from its relative major key, and would in fact count as vi IV V I if in major, making this a variant of The Four Chords of Pop. In this case, this functions as a derivative of the Authentic Cadence (V I). And again, it tends to be repeated a lot...often using the same transition chord, too (iii, which is the same as v in the relative minor).

Tends to show up a lot in Anime Theme Songs.

This list contains both relative minor (i VI VII III) and relative major (vi IV V I) examples.

Relative minor examples (i VI VII III)

Relative major examples (vi IV V I):


Falling BassChord ProgressionPachelbel's Canon Progression

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