Humans Are Bastards
"Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve."In essence Humans Are Bastards is the reverse of Rousseau Was Right — the natural proclivity of humanity is towards selfishness, apathy and violence. Only a select few people manage to rise above their base nature to become something better, but the kernel of darkness is still inborn. When Humans Are Bastards is in effect, even your "heroes" don't have clean hands, so most conflict is gray against black, with some gray against gray or black against black on for variety. Humans being bastards doesn't preclude them being pragmatic about it, so if there isn't a profit to be made by making the world a hellhole, they might not, but if conditions are tolerable it certainly isn't due to any inborn altruism on the part of those in charge. Appeals to people's better nature will not work. Don't expect to see anyone shame the mob — idealism has no place here. Any successful do-gooders will be very, very cynical and paranoid, as the genuinely hopeful will inevitably become embittered if they're not killed outright. Very, very far down the cynical side of the Sliding Scale of Idealism Versus Cynicism, and all but guarantees a Crapsack World if this is true of the majority of the population. Comedies are black. Dramas are depressing. Beware of Darkness-Induced Audience Apathy. Compare Crapsack World, Black and Gray Morality. Hobbes Was Right often makes an appearance, proposing that if the bastardy of humanity is a constant, the most effective form of government is tyranny. On the other hand, the exact opposite stance may be taken as well: if humans are inherently bastards, then it's no use giving any of them power, because they will all inevitably abuse it. Contrast Rousseau Was Right and White and Gray Morality. See also Humans Are Flawed, which takes the middle road by acknowledging humanity's shortcomings while not underplaying their potential capacity for virtue. For settings where only humans are bastards, while other sapient species are morally superior, see Humans Are the Real Monsters.
— The Joker, The Dark Knight
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Anime and Manga
- This is the point of the Universal Century Gundam series, where there are more selfish and cruel people in the world than kind, noble and selfless ones.
Le Creuset: (about Lacus) It's such a shame. I really did enjoy her songs. But the real world is not so nice as the one that exists in music!
- It is used by Char Aznable as an excuse to drop Axis on Earth. It becomes a lot more visible right after the disappearance of Zeon.
- Rau Le Creuset from Gundam SEED believes that humans are selfish, greedy bastards who will do anything to get ahead... even if it means wiping themselves out in the process. He justifies this viewpoint with both Kira's existence (an attempt at a genetically perfect human being) and his own existence (a clone meant to be his original's legacy and successor, giving him severe identity issues); this belief is also drives him to want to wipe out humanity entirely, taking the "I'm Taking You with Me" ethos to its logical extreme. Fittingly, he's the worst of them all. The scary part? He's not entirely wrong. Considering all the racism and blind hatred fueling the wars (which both sides are aware of and DEFEND as virtuous, especially at their highest levels of authority), he has a very good claim for arguing his point. And it isn't even that he's blind to the capacity for good in humanity: he acknowledges virtue and idealism when he sees it, he just doesn't believe there's anywhere near enough of it to counteract the evils of humanity.
- In Gundam Seed Destiny, the Earth Alliance jumps straight to the Nuclear Option at the first opportunity. That opportunity was given them to ZAFT renegades dropping a colony on Earth. This is what motivates the antagonist from the sequel to enact The Plan to prevent such things from happening again, because he agreed humans became bastards as a result of their hatreds. The big difference between him and Le Creuset is that he believes he can fix humanity, rather than simply give up on it as a lost cause.
- End of Evangelion reveals that humanity itself is the final angel; and as evidenced by the JSSDF's ruthless and near-utter destruction of NERV, they are the one angel that cannot be defeated.
- Attack on Titan explores this, through discussions between characters and through how humanity deals with their grim circumstances. This is best exemplified by the attitude of Dark Action Girl Annie, who firmly states that people are by nature scum only concerned about themselves — those select few that go against the tide and have strong, unselfish convictions are greatly admired by her and considered "Special".
- 7 Seeds repeatedly shows us what jerks humans actually are, although some of them are presented as last-ditch efforts in case things go so bad that they don't think there's any way things could recover.
- The 7 Seeds Project involves cryogenically freezing the team members and have them awaken in the post-apocalyptic world without even telling them they were picked for it. They just suddenly saw black and wake up in what looks like hell to them. The exceptions being the guides for each team, who were chosen to explain things to them and guide them, as well as Team Summer A that consists of teenagers who knew this was coming and have been raised to actively prepare for this situation.
- How Team Summer A and its candidates were raised. All raised to prepare for being picked for the project, be great at everything and learn to focus and pay attention to this. If you are somehow not outstanding or have some defect like lacking stamina or having hereditary bad eye sight, the candidate drops out, meaning they end up killed and turned into sludge and fertilizer.
- The Final Test for the candidates was worse. Random accidents begin to happen, which could have been avoided had they done as they were taught and been observant and paid attention. The Final Test escalates into a huge Kill 'em All, where the situation mimics them being thrown into the future with no help from the teachers, no easily accessible gas or water source and a place to sleep. It's pure survival. You "fail" the test by dying. The last seven students, one from each class, that are alive are picked for the project.
- The Ryugu Shelter reveals that one of its plans, if things really started to go down the drain, was to cull half of its population to be grinded up to become animal feed, fertilizer and fuel so the rest can survive a bit longer.
- The Fuji Ship is a shelter and armoury, filled to the brim with all sorts of shooting weapons and has a built-in mechanic that, if they thought things were hopeless, would shoot dozens of missiles including a nuclear warhead all over Japan and self-destruct the ship, with the captain and crew being locked in so they can't escape. Regardless if people were actually still living in Japan.
- Elfen Lied is a shining example of both this trope and Humans Are the Real Monsters. The diclonii are treated horribly in this series, and humans who want to help them aren't really treated kindly either.
- This is the premise of Jigoku Shoujo. In the first season, almost every victim is an Asshole Victim and the clients are mostly woobies. However, the season also reveals Ai's backstory. She was meant to be a sacrifice to her village's god. She and her cousin Sentarou, whom she loved, broke one of the rules, resulting that Ai and her parents were buried alive by the villagers, including Sentarou who was forced to do so. In the second season, the theme has changed to Black and Grey Morality, where the viewers sometimes sympathize with the victims as well if the clients happen to be bastards. The final arc of the season takes the cake where almost everyone in that goddamn town is a dirty assholes; they banish each other to hell and use Takuma as the scapegoat because of his reputation as the "Devil Child". And in the third season, the humans are so fucked up in their mind that no client get a happy end like the ones from first season. The new main character in the third season, Yuzuki Mikage, is a victim of this trope: it's revealed that she's Dead All Along. But what killed her? Her father was a bus driver, who and many customers were killed in an accident. The bus company gave him the fault, leading that Yuzuki and her mother were isolated by the society and nobody helped them when the mother was sick and died and Yuzuki died a hunger death.
- In The Walking Dead, the worst threats to the survivors of the Zombie Apocalypse are other survivors. Sometimes it's more Humans Are Morons.
- In a lot of incarnations The Joker holds this opinion (most famously in The Killing Joke), maintaining that all it takes is "one bad day" to make anyone just as murderously insane as he is.
- Marvel Comics generally follows this trope given how much of a Crapsack World it tends to be. Most people who get powers or advanced tech are more than willing to abuse it. Many humans are usually shown as incredibly corrupt, stupid racists who turn on their own heroes for any reason, support programs like concentration camps and Sentinels, and are more than willing to sell mankind out to invaders, dark gods or whomever is threatening them at the moment. About the only thing holding the planet together are the heroes and a minority of other decent people. Most futures tend to end badly for humanity and most alien races hold this opinion of humans and would not miss humanity if it were to destroy itself. There are some exceptions and in the aliens case for some races it is a matter of Moral Myopia.
- In The Return this is humanity's hat and why they're still alive.
- Katiya of the Mermaid Melody Pichi Pichi Pitch fic The Warmth of a Sister's Love is a firm believer in this to the extent that she actually hates it when she has to assume her human form. However, Lucia and the others, having lived amongst humans for far longer than Katiya has, are quick to point out that not all humans are bad, and by the end, Katiya has started to accept this.
- The films of Todd Solondz. Everyone is apathetic, disaffected, hypocritical, selfish - it's telling one of the more sympathetic protagonists is a man who fantasizes about school shootings.
- The Movie version of Over the Hedge sums up everything that's wrong with humanity in one word: Suburbia.
- The comic strip it's based on is this way too. Whereas the movie compresses most of its cynicism into a single sequence (which comes off as good-natured ribbing) and one recurring nasty character, the strip has it as an underlying theme.
- In The Fifth Element Leeloo despairs when she learns about the human race's tendency to inflict horrible things onto themselves (specifically World War 2) to the point of her seeing no point in helping them escape destruction, but then decides otherwise when Corben tells her that there are things that deserve to be saved and professes his love for her.
- Elves seem to take this attitude towards men in Lord of the Rings, only to be proven wrong by the riders of Rohan coming to the aid of Gondor. Though their dislike of men is justified, considering the last man who had the ring kept it for himself until it killed him.
- This is a recurring motif for George A. Romero's zombie films, all the way from the original Night of the Living Dead (1968). It's argued that, from at least Land of the Dead on, it's actually hurt Romero's story-telling, as he keeps rehashing/hammering in the same old message.
- Worth noting that a common complaint of Land of the Dead is that the human characters come across as such unsympathetic bastards that, incredibly, you could make a decent argument for the zombies being the good guys.
- The World's End: The Network certainly seems to think so.
- In The Dark Knight, a recurring theme is the question of whether Humans are evil or Rousseau Was Right. The Joker preaches the former, that all humans are cowardly, cruel, self-serving and will happily slaughter each other to get to the top of the pile. To this end, near the end of the film, he sets up a social experiment to determine which. He rigs two ships with explosives, one ferrying innocent refugees and the other carrying convicts, with each ship having access to the other ship's detonator. If one blows up the other, that ship is allowed to leave. The Joker gives them 10 minutes to decide, and if no action is taken, the Joker will detonate the bombs on BOTH ships. Not only do they both defy the Joker and refuse to condemn the other to death, it's the convicts who refuse to do it first.
- Believing humans will continue to grow and despise mutants, Magneto maintains this belief. Though it doesn't really help his case when he keeps doing things that make people fear him.
- Mutants are not well-treated in X-Men: First Class, to the point where Xavier's attempts to justify keeping the peace with normals basically boil down to "okay, they suck, but as the Superior Species, can't we set a good example?" Of course, it was the 60s, which was just plain bigoted in general.
- Subverted by the fact that the film's Big Bad (Sebastian Shaw) is a mutant, as are his followers, so humans don't hold a monopoly on being bastards here.
- Almost every main human from The Fearless Four. Examples being Buster's owner chuckling evilly when he plans to kill him rather than just wanting him off his hands and Gwendolyn's owners trying to kill her. Then there's also the main trio (unless you count that long-coated guy) of the Mix Max company/dictatorship.
- Surprisingly averted in Monsters. It seems the military may rain down the occasional heavy-handed airstrike to take down an alien but aren't seen doing their usual "It's the Only Way to Be Sure" approach, namely making a crater the size of Mexico. People just seem to be trying to survive or adapt to the situation rather than kill each other over it.
- Every single character in Cormac McCarthy's Blood Meridian, even the hero is a multiple murderer who later on carries a necklace of ears around his neck. The only possible exception is The Judge, as though he's the worst of the bunch, there's a suggestion he's not human.
- Lord of the Flies is the purest possible example of this trope. The characters' failure to govern themselves is merely a symptom of a deeper problem. Many of them come to fear an alien "beast" that threatens their society. However, when the pig-head of Simon's vision says the monster was within the boys all along and later when the survivors are "rescued" by a military ship, it becomes clear that the book is an allegory of the idea that the root of conflict between people is their own inherent corruption.
- In Stephen King's Cell one character described humans thusly "At the bottom, you see, we are not Homo sapiens at all. Our core is madness. The prime directive is murder. What Darwin was too polite to say, my friends, is that we came to rule the earth not because we were the smartest, or even the meanest, but because we have always been the craziest, most murderous motherfuckers in the jungle."
- The Warchild Series by Karin Lowachee has this in droves. For a sampling: There are pirates who engage in human trafficking, a pirate captain who is probably a pedophile, a war between humans and aliens started because humans tried to take the aliens' moon by force (and massacring a bunch of aliens in the process), a government more interested in bigotry and bureaucracy than peace, soldiers who willingly engage in torture, etc. Even the most sympathetic characters still end up slitting someone's throat, rebelling from the central government, and executing suspected terrorists without a trial. Humans are bastards indeed.
- Mark Twain's satirical essay The Lowest Animal takes the claim that humans are the "reasoning animal" and totally destroys it by showing mankind's hatred towards each other and everything else.
- Twain also argued for the (continued) genocide of the Native Americans, on the basis that the white man had lied and betrayed and screwed them so many times, and so thoroughly, that they would (justifiably) never trust whites again. Therefore, the only course of action left was to give up any remaining illusions of not being utter bastards, and finish what they'd started.
- British statesman Lord Chesterfield in Letters to His Son: "In the mass of mankind, I fear, there is too great a majority of fools and, knaves; who, singly from their number, must to a certain degree be respected, though they are by no means respectable. And a man who will show every knave or fool that he thinks him such, will engage in a most ruinous war, against numbers much superior to those that he and his allies can bring into the field. Abhor a knave, and pity a fool in your heart; but let neither of them, unnecessarily, see that you do so." (letter 60)
- In Poul Anderson's After Doomsday, the destruction of Earth is unprecedented, making the evidence that humanity did it all the more painful. At the end, when the survivors are pondering whether humanity should go on in face of this, they learn they were framed.
- This trope shows up in spades in the Marquis de Sade's work. Anyone who isn't a complete bastard is either a hypocrite or a victim. Sade's worldview was a very, very cynical one.
- Kurt Vonnegut was fond of this trope (although, strangely, his works are also full of White and Grey Morality). Cats Cradle is an example.
- In Veniss Underground, Quin shows his genetically-engineered sentient meerkats video of humans committing atrocities against animals and against one another. It's meant to indoctrinate the meerkats with the belief that humans are bastards are meerkats are the superior race; and Nicola, after seeing the meerkats' hidden garden, doesn't entirely disagree.
- Dragons Lexicon Triumvirate:
"They are diadems of avarice, the heralds of doom to all intelligent species. It is the who intend to destroy all knowledge of the World and secure total control over time for the sake of fulfilling all their horrid desires."
- Rob J. Hayes' The Ties That Bind is a world where no one and I mean no one isn't one form of bastard or another. This includes the heroes. Then again, it is a Grim Dark Sword and Sorcery setting starring a bunch of thieves and sellswords.
- In "Artemis Fowl", the narrator as Holly never misses a chance to take a swing at the horrid and disgusting humans, or Mud Men as the fairies call them. The fairies in general have this attitude, and while they don't get called out on it, the author seems to be implicitly showing it's an irrational bias. The fairies think of humans as a vicious, homogenic group — whereas some of the various fairy races are genuinely Always Chaotic Evil, brutish unintelligent monsters, or terminally arrogant or flighty. They deplore humans for destroying the environment — which they don't have any need to do themselves because their technology eliminates the problem. And they are disgusted by humans having toilets indoors — which is just dumb cultural myopia.
- Malcolm in The Middle requires this to be a universal fact. Though it's usually Played for Laughs because everyone is either a jerkass or a moron.
- The Mirror Universe in Star Trek runs on this trope. A dark contrast to the standard Humans Are Special / Rousseau Was Right that powers the regular Trek Verse, humanity in that universe is a race of xenophobic, dictatorial imperialists out to conquer any and everything in their path. And they are just as brutal, if not more so, to each other; in that universe's Starfleet, killing your superior officer is an acceptable means of promotion. Note, there is a level of pragmatism in what they do. They generally would rather an alien world willingly submit to the Terran Empire's rules, but whereas the Federation will take a no, the Empire will commence orbital bombardment. And while casually killing fellow officers is a means of career advancement, it seems decorum dictates it be done only under excused circumstances (e.g. the superior screwed up).
- HG Wells in Warehouse 13 comes to this conclusion after her eight-year-old daughter was murdered.
'"Open your eyes, Myka! Have you seen the world in which you live? The divide between rich and poor! Hunger and famine! War and violence and hatred all flourishing beyond control! Indeed, men have found new ways to kill each other that were inconceivable in my day, even by fiction writers!"
- On Angel Angel goes on a Roaring Rampage of Revenge, determined to take down the evil law firm Wolfram & Hart once and for all. He finds an elevator he thinks will take him to W&H's "Home Office" and their senior partners. On the way down seemingly to Hell, the undead W&H lawyer Holland Manners appears telling him his fight against them and evil itself is pointless. The elevator doors open to reveal they are still on Earth and that Earth is the home office. It is because evil lives in the heart of every human being. This revelation completely demoralizes Angel.
- A common theme in Charlie Brooker's Black Mirror. Depending on your perspective either technology is creating a lack of empathy among people or it simply allows humanity to be bastards more easily.
- In The National Anthem the British public pressure the Prime Minister to have sex with a pig in order to save a princess.
- In White Bear a signal has transformed 9/10 of the population into "Observers" leaving the remaining 10th to do whatever they please, and the please to cause misery. Then it's revealed there was no signal and that these people are enjoying the torture of a criminal.
- Played for laughs by Community in "Debate 109," an episode involving a debate championship with the subject of "Is Man good or evil?" The main characters have to argue the latter position against a disabled man.
- On Scrubs, Dr. Kelso expresses the opinion that people are "bastard-coated bastards with bastard filling".
- Played for Laughs on Married... with Children. The main characters are all very comical and their misdeeds are humorously played out. Even authority figures, clergy, and random civilians have hypocrisy. Being a Sadist Show this is all a comedy.
- If a Death Metal band goes into more "philosophical" or "societal" territory, it'll usually manifest as this. Expect a lot of Misanthrope Supreme as a result.
- Pearl Jam's "Do the Evolution" is a sarcastic "Humanity Is Superior" chant, which received a music video that translates perfectly how Humans Advance Swiftly by being bastards to themselves and everything else on Earth.
I am ahead, I am advanced
I am the first mammal to make plans, yeah
I crawled the Earth, but now I'm higher
20:10, watch it go to fire
Mythology and Religion
- Hesiod from Greek Mythology introduced the Ages of Men with each age being worse than the last. The Silver Age war constantly till Zeus destroyed them for their impiety. The Bronze Age was worse till Zeus destroyed them. The current Iron Age is considered even worse with humans forsaking any form of righteousness and it is said Zeus would eventually destroy this age as well. Even Dike, goddess of mortal justice, left Earth unable to deal with humans.
- Hinduism has four different ages called Yugas that cycle continuously. The amount of virtue or vice among humans depends on the age. Currenlty, we are living in the worst age where vice reigns supreme.
- The basic idea of some forms of Christianity, but especially that of Calvinism. Due to Original Sin, humans are corrupt, evil bastards to the boot, and God hates the whole humankind. Basically everyone is destined to Hell after their death because of their inherent evilness except the few, lucky elect.
- The Apostles warn in their Epistles that during the last days the people will be evil, corrupt, violent, dishonest, lecherous and full of vice.
- Town Square in The Twilight Zone, where the citizens can be induced to panic and wreak havoc.
- In Big Finish Doctor Who's Jubilee, the Daleks invaded England during the early 1900's and were destroyed by the Doctor. Much of the technology was scavenged and used to form an English Empire, an utterly depraved version of the British Empire adscribing to the worst parts of the Dalek philosophy; paranoid, xenophobic, sadistic - to the point the last remaining Dalek considers humanity worthy successors of the Dalek legacy. The huge crowd chanting "EXTERMINATE" at the Last Dalek hammers down Humanity has been warped into nothing but the next Daleks.
- For such a lighthearted series, MOTHER 3 drives this point home when you least expect it. Really, even if the Big Bad is loathsome, despicable, and a sick monster in every way, shape and form, you can't help but agree with him just a little bit when he delivers his "The Reason You Suck" Speech. In a nutshell, the Tazmily Villagers erased their memories for a more Utopian society to prevent another Apocalypse from happening that nearly wiped out all the humans in the first place. It is mentioned in-game that humans have destroyed themselves in one way or another, but it is left ambiguous. War? Pollution? Overpopulation? Who knows, these are all guesses. But, instead of learning from their mistakes, they instead get corrupted by the Big Bad, who is, funnily enough, a symbol of humanity.
Porky: "You resorted to blanking your memories to create a new world where humanity's past failures would never be repeated... How stupid can you be?! No matter how much you change the rules, no matter how much you refuse to admit defeat, in the end, the creatures known as "people" will always sign their own death warrant by acting out of stupidity and evil. And then... mankind will be gone for good."
- The scariest part is that Porky's rant isn't entirely wrong. After all, how can you avoid repeating your past mistakes if you can't remember what they were?
- The Dead Space games do this all the freaking time. In a setting where the Universe is dark and cold and deserted, and the only alien life we've found are horrifically reanimated dead bodies trying to kill everyone, human beings still manage to hold the title of "biggest assholes in the Galaxy". Not one game goes by without some douchebag betraying you, fanatically worshiping the Necromorphs and Markers, trying to brutally suppress something or other by killing many innocent people, or all of the above.
- And in a few situations, it's even shown that much of that is necessary, or at least justifiable. Humans have reached a peak, and civilization is quickly circling the drain. The betrayals and coverups are part of an Government effort to revitalize humanity with alien technology, and even the fanatical Unitologists are led by a misguided belief that, though humanity has failed to survive, some kind of evolution could save everyone. Even though it doesn't and they're completely wrong.
- The third game reveals that humanity is merely following the same pattern every other race in the galaxy that preceded it followed. Every race became victims of entropy, limited resources, and the temptation of the Brethren Moons' Markers and destroyed themselves.
- At the end of Phantasy Star II, all the disasters turn out to be caused by earthlings, who, having stripped Earth of all its resources, have arrived to purge all life from Algo and take it for themselves. The Bolivian Army Ending doesn't leave much hope they can be stopped, either.
- Shows up as graffiti in the "Dead Air" campaign of Left 4 Dead ("WE ARE THE REAL MONSTERS!"). Also mocked right after ("Have you been outside JACKASS!!"). They really miss the internet.
- Shows up again in "The Passing", as a piece of commentary on bathroom graffiti. "I flushed it 50 times and now it DOESN'T WORK!","You IDIOT! YOU ARE THE REAL MONSTER"
- Breath of Fire IV has a particularly nasty example in the Fou Empire, which not only has been launching wars against the rest of humanity (fueled by Fantastic Nukes fueled by people from those areas that have been tortured to the point of insanity first) but goes into a full-scale war against their own founding emperor and King in the Mountain God Emperor—who just happens to be an immortal draconic Physical God that their ancestors summoned and buggered up the summoning so badly that it literally split the god across time and space.
- This was the whole reason B.B. Hood, an adorable, cute-looking little girl who looks like Little Red Riding Hood was introduced into Darkstalkers 3, to prove that humans can be more evil than any actual monster. She's completely human with no superhuman powers at all (well, other than the fact that the basket she has is probably a Bag of Holding), but is the cruelest and most psychotic character in the game.
- This seems to be a recurring theme in the Fire Emblem series in general, both played straight and subverted:
- Fire Emblem Akeneia has the Doluna Empire formed explicitly to oppress the human race for wronging the Manaketes in the past. Gotoh had lost all faith in humanity because of this until he met Marth.
- Digging a little deeper in Fire Emblem Akaneia and Jugral's backstories had Dragons ruling the world before weakening while the humans became stronger, eventually resulting in dragons being overran by humans courtesy of Naga.
- This shows up a couple of ways in Fire Emblem Elibe. In Sword of Seals, dragons and manaketes were driven out a millenium ago in a brutal war known as "The Scouring" and ally with the game's human Big Bad, who decided that humanity should be wiped out because his dad kept trying to kill him. The second (prequel) game, Blazing Sword, reveals in its prologue that humans were the ones who began The Scouring and does not take an approving tone; Eliwood remarks on and acknowledges at the end of the game that it was wrong for the humans to try to take the continent for themselves.
- Fire Emblem Sacred Stones had the Five Heroes of Magvel take all of the credit for sealing away Fomortiis and omit Morva from their exploits of saving the world, and the Manaketes of Darkling Woods are rightfully pissed. The heroes apologize for their short-sightedness and promise to change this.
- Fire Emblem Tellius has a lot of racism and outright violence towards the Laguz, including but not limited to the Serenes Massacre. Even some of the hero's companions are initially racist and distrusting of the Laguz, and some of the Laguz are just as distrusting of the Beorc. It takes two whole games for the tensions to truly begin to heal between Laguz and Beorc, and many support conversations and acts of heroism to soften the initial racists.
- Lastly, Fire Emblem Awakening being a direct sequel to Fire Emblem Akaneia had the Taguel genocide. Panne calls Emmeryn out on this, but softens when Emmeryn apologizes for the behavior of her ancestors.
- Yet the heroes of the series are always the opposite of this trope, proving to their cynical Half-Human Hybrid companions that despite the atrocities committed by their ancestors, someone is always willing to change things for the better so that all races can live in peace.
- Discussed by two fae in Gungnir. Appears a lot in the Dept Heaven series as a whole, though some may have reasons for being bastards. Some may end up not even being human at all!
- Like any good Zombie Apocalypse story, the crew of the Sevastapol in Alien: Isolation descend into the ruthless "kill or be killed" survivalist mentality the moment things start going wrong and civil authority falls apart. A good number of them are so utterly paranoid, they're happy to kill Amanda on principle.
- A common theme in Mass Effect is whether or not humans are evil in their pursuit to prove themselves in the universe. The Illusive Man and his unethical corporation Cerberus carry this characteristic despite trying to prove the goodness in humanity. They don't exactly make humanity look good in the eyes of the alien council. In fact, Cerberus is trying to make humanity the dominant power in the galaxy by any means necessary and they look down upon the extraterrestrials opposing them.
- Downplayed in Terra. The upper brass of the UEC are definitely bastards, responsible for a number of atrocities, and human terrorists were originally responsible for the comic's Forever War. However individual humans are no more inherently good or evil than anyone else, and the Asurian Empire can be just as bastardy as the UEC.
- Subverted for laughs in Freefall. After being tricked into helping the police locate Florence, Sam exclaims that humans are devious sneaks... but since Sam's own kind are a race of scavenger-thieves, he sees this as praiseworthy.
- On Jay Thomplinson's Best Of The Left podcast, after having to do multiple episodes on the issue, he entitled the final 2013 episode on rape culture 'Humans are just terrible'.
- The eponymous Dr. Horrible laments that most humans are sheep and can't think for themselves. Obviously, only a complete overhaul of the system can fix this problem. Captain Hammer really only exemplifies this trope.
- Whenever The Nostalgia Critic runs into this trope in a film (almost always with a helping of Green Aesop), the review cuts to a newsreel-style condemnation of man's evil, complete with clips from the movie and an old-timey voiceover. It's finally subverted in the previously mentioned Once Upon a Forest, where the voiceover finally gets sick of the trope, announces most humans are alright, and showcases how much more dangerous animals are.
And then the movie subverts this by showing the humans not as bastards who caused the problem in the movie on purpose, but having simply made a mistake that they're more than willing to fix. The Nostalgia Critic was shocked when the enviromental film took this stance instead of the standard "humans are complete bastards wanting nothing more than to destroy the planet" than most Green Aesop films do.
- If Balloons Could Talk, then apparently humans would do all sorts of things that hurt and terrorize them just for the sick pleasure of hearing them cry out in horror and agony.
A pair of human hands hooks a balloon up to wires that conduct electricityThe hands insert the plug into the outlet and the balloon cries out in pain
- SCP Foundation: There's various examples of SCP objects who certainly think this is true, and the amount of SCP objects that were man-made certainly helps. However, one SCP object in particular plays around with this in an odd, and certainly impressive way: SCP-2000, the Reset Button cloning facility & cold data storage they have to "reset" human civilization in case of catastrophe. Where does this come into effect? They can edit the output, and the logs say no more attempts to tone down humanity's violent and sociopathic tendencies will be made. Why? They're already made two successful ones, and any more would just kill humanity's drive to fight for their right to live.
- In He-Man and the Masters of the Universe (1983) episode "The Dragon's Gift", this sentiment is truly believed by Granamyr, an ancient and wise dragon who has been around for millennia and lived during a time when humans and dragons fought terrible wars against each other. When He-Man and Teela come asking him for help, he decides to give them a Secret Test of Character (basically, he tells them to murder the one being on Eternia who is older than he is, claiming he is simply jealous of it). When the two of them pass the test by refusing to do so, Granamyr admits that there may yet be hope for humans after all. (In the Spin-Off series She-Ra: Princess of Power, the origins of the war that he mentioned are revealed when the heroine is thrown into Eternia's past. As it turns out. It was started by a wizard seeking to set the humans and dragons against each other. To that end he carried out an attack on a human food supply, and then blamed it on the dragons, provoking them in to declaring war against the dragons. Thus, while Granamyr's claim was not unjustified - maybe one bastard who happened to be human was to blame - his anger against all of humanity was likely Disproportionate Retribution.)
- MAN: A Must-See Animation Short by Steve Cutts is basically the animated film of this trope. It starts with man figuring out he can smash a bug just for fun, then killing more than he could possibly eat without sharing, and goes all the way to industrialized factory farming and dumping toxic waste in the ocean, coupling this trope with a Green Aesop. Then it veers off into Space Whale Aesop as a pair of aliens discover the man being king of the earth and decide to do to him what he did to the planet, flattening him into a welcome mat to toss on top of his garbage.