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Did Ophelia ask Hamlet to bed?
Was Gertrude incestuously wed?
Is anything certain?
By the fall of the curtain
Almost everyone's certainly dead.
A. Cinna, found in The Penguin Book of Limericks

Hamlet is probably Shakespeare's best-known play (although Romeo And Juliet gives it stiff competition for that), and certainly his most over-analyzed. It is very widely considered the most important work of literature in the English language.

Shakespeare did not invent the story of Hamlet's quest to bring the murderer of his father to justice. The earliest surviving "record" is in the twelfth-century Gesta Danorum ("Deeds of the Danes"), by Saxo Grammaticus, wherein Hamlet — or Amleth (Amlóði) as he's called in that version — is shown as a legendary character who succeeds in destroying his uncle and becoming king, only to die in a later battle. The story was abbreviated and amended numerous times and had been presented as a play in English more than once when Shakespeare decided to tackle the story. By that time it had been changed almost beyond recognition — Hamlet's mother, who had originally been forced to marry her brother-in-law, was now an accessory to his usurpation of the throne, while Hamlet had been turned into a Christian and aged a number of years.

Even more than is usual for Shakespeare, Hamlet is filled with expressions that have become clichés; examples include "Hoist By His Own Petard," "The lady doth protest too much," "Frailty, thy name is woman," and "The play's the thing." Oh, and something about whether or not to be that was really difficult to translate into Klingon.

Trope Namer for

Notable productions include

  • A 1948 film starring and directed by Laurence Olivier, which remains the only filmed Shakespeare to win the Academy Award for Best Picture. This is a heavily cut version (excluding such characters as Rosencrantz and Guildenstern entirely), with a murky Gothic aesthetic, and a prominent Freudian leaning (it carries Playing Gertrude to extremes—the actress playing Gertrude was eleven years younger than Olivier!)
  • A 1961 German made-for-TV production starring Maximillian Schell as Hamlet (with Ricardo Montalban dubbing Claudius into English). This version is most notable for being featured on Mystery Science Theater 3000.
  • A 1980 BBC production starring Derek Jacobi and directed by Rodney Bennett. This is an almost full-text production, made as part of the BBC's complete Shakespeare series. Also notable for featuring Patrick Stewart as Claudius.
  • A 1990 film starring Mel Gibson and directed by Franco Zefirelli. This is heavily cut and rearranged and probably even more Freudian than the Olivier version. However, Gibson was praised for playing a youthful, energetic Hamlet (despite being thirty-three years old...).
  • A 1996 film starring and directed by Kenneth Branagh. This is a highly lavish, cinematic full-text version, which includes BRIAN BLESSED (as the Ghost) and a Falling Chandelier Of Doom. Oh, and Robin Williams as Osric. Set in the 1800s.
  • A 2000 film directed by Michael Almereyda. Claudius is the CEO of Denmark Corp., and Hamlet is a disaffected film student.
  • The RSC's 2008 production had David Tennant as Hamlet and Patrick Stewart as Claudius. A film version will be released in January 2010.

Since Hamlet is almost always performed with cuts (performing every last line would take over four hours), arguably every production is an adaptation. Still, sometimes the basic idea is what's adapted, more or less faithfully, and little or none of the original language is used.

Some notable adaptations include:

Many of the aforementioned film versions of the play, plus several others (nine total), are compared and contrasted in this neat little article.


Tropes include:

  • Anachronism Stew: Hamlet attends a university that was not founded until 300 years after the play was set.
  • Agent Scully (Horatio)
  • Alas Poor Yorick (the Trope Namer)
  • Alternate Character Interpretation: has been raging for 400 years unabated.
    • Hamlet: insane, or faking it? Too Good For This Sinful Earth prince manipulated into evil (no, seriously, this was in vogue in the 19th century)? Deeply troubled youth wrestling with moral and honor codes? Spineless whiny git who killed in cold blood many times before hitting his actual mark? All of the above?
    • Ophelia: sweet but fragile girl who got caught in the political crossfire between her father and boyfriend? Pathetic and stupid doormat who got what was coming to her?
    • Horatio: motivated by friendship and loyalty? Something else entirely? Is he even Danish? Did he even know Hamlet very well beforehand? If not, what the hell is he doing in Denmark?
    • Fortinbras: noble, just man who acted the most logically and justly of the cast? Bloodthirsty barbarian prince who's willing to send hundreds to their deaths for a scrap of land? Deus Ex Machina on legs? Expy for King James?
    • Polonius: Magnificent Bastard or stupid, stupid, stupid bastard?
    • Gertrude: loving mother forced to marry her brother-in-law to save her son's life or deceitful accomplice in a palace coup? (Some believe that Hamlet's emphasis on revenge over capturing the throne for himself implies that Gertrude was the queen regnant, and both Hamlet's father and Claudius were only kings consort - which at the time would have made them the rulers, not her. If this is the case, the play may also have been in part Shakespeare's approval of Elizabeth I's unmarried status.)
    • King Hamlet: Ever read Macbeth The Scottish Play? There's this great line: "and oftentime, to win us to or harms, the instruments of darkness tell us truths." King Hamlet states he went to hell. Consider if the above quote applies to him, if he's actually an evil spirit. Mind you, some scholars would say that any good Elizabethan would consider any spirit as an evil one.
  • Anti Hero (You thought they were invented for 90's comics. Come on, admit it.)
  • Author Filibuster (Hamlet's famous lecture on properly acting a scene he'd written. Subtle!)
  • Beam Me Up Scotty ("Hoist By His Own Petard", "methinks the lady doth protest too much," "Alas, poor Yorick, I knew him well"...)
  • Black And Gray Morality (Almost none of the primary characters can really be called unarguably virtuous. Consequently, the only two you could argue that were the ones who lived...)
  • Bluffing The Murderer (Hamlet's reason for putting on The Murder of Gonzago.)
  • Butt Monkey (Ophelia, except it's not played for humor)
  • Captain Obvious (Polonius, upon dying, declares "O! I am slain!")
    • Throughout the play, Polonius is the master of this trope.
      • Several of the minor characters in the play find themselves playing this trope as Hamlet verbally spars with them; they revert to saying inanities because they're so vastly outmatched in wit — witty though they might be compared with almost anyone in almost any other play.
  • Comforting The Widow (Claudius "comforts" Gertrude.)
  • Dead Baby Comedy (Hamlet's roundabout way of explaining what happened to Polonius's body)
  • Dead Person Conversation (with the ghost of Hamlet's father)
  • Deconstruction (Of the "revenge play" in vogue at the time.)
  • Defeat Means Friendship (At least between Laertes and Hamlet. Even if said defeat results in death.)
  • Does Not Like Shoes: In many adaptations — theatrical productions, films, paintings, etc. — Ophelia is barefoot during the mad scene.
  • Double Entendre (don't make us go into detail. Let these guys do it instead. Scroll down to #2 .)
    "Do you think I mean country matters?"
  • Due To The Dead
  • Emo Teen (Hamlet, the original emo kid. He even dressed in all black and liked to talk about suicide.)
  • Evil Uncle (Claudius)
  • Fatal Flaw: It's widely agreed that Hamlet has one. There's rather less agreement on what, actually, it is.
  • Fridge Logic: Several issues...
  • Get Thee To A Nunnery (the Trope Namer)
  • Good Night Sweet Prince (the Trope Namer)
  • Gondor Calls For Aid (Fortinbras's last entrance is somewhere between this and Deus Ex Machina)
  • Hoist By His Own Petard (Trope Namer. Claudius and Laertes are killed by their own poison; Rosencrantz and Guildenstern deliver their own death warrant, thinking it's Hamlet's.)
  • Hurricane Of Aphorisms: Polonius.
  • Hypocritical Humor (Polonius gives the well-known line "brevity is the soul of wit", but then follows it up by rambling on unnecessarily, while giving advice that he himself doesn't follow)
  • Ho Yay (More than one person has wondered if Hamlet/Horatio was supposed to be the Official Couple)
  • Ignored Epiphany (Claudius comes to realize what evil he's done, but keeps right on being evil.)
  • Karmic Death (Ophelia and Hamlet the Elder...didn't suffer this. Everyone else who died - i.e., almost everyone - did in some way.)
  • Kick The Dog (In the 1990 and 1996 versions, Laertes explicitly breaks the rules of duelling conduct to wound and poison Hamlet. In the lines of the play, Claudius lets Gertrude drink from a cup of wine he knowingly poisoned for Hamlet to drink, only telling her to not drink from it (which she does anyway) as opposed to rushing over to ensure she doesn't - despite earlier claiming that he really does love her.)
    • The second bit differs by production. Derek Jacobi in Branagh's film version is visibly shaken at not being able to stop her from drinking.
  • Kill Em All (Famous for it, despite it being a tragic standard at the time. Actually, Horatio and Fortinbras both live.)
  • Kill Him Already (major part of the premise)
  • Like A Weasel (the Trope Namer; Polonius, all the time)
  • Love Hurts (and kills)
  • Malicious Slander ("Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny.")
  • The Masochism Tango (Hamlet's terrible treatment of Ophelia)
  • Nietzsche Wannabe ("What a piece of work is man...and yet, to me, what is this quintessence of dust? Man delights not me.")
  • The Ophelia (Yep. Another Trope Namer)
  • Pet The Dog (Claudius prays and confesses his sins in a scene while unaware that Hamlet watches him. He knowingly also states that it will not be enough to absolve him as he still benefits from his sins.)
  • Rasputinian Death (Claudius, possibly a move on Hamlet's part to ensue he's Killed Off For Real)
  • Recursive Canon
  • Revenge (Hamlet was written in the tradition of the revenge tragedies that were popular in the Elizabethan and Jacobean eras.)
  • Rocks Fall Everyone Dies (The final scene sees most of the cast dead with almost farcical suddenness.)
  • Seinfeld Is Unfunny: the sheer number of lines in the play that have become established expressions in English can make it seem like all Shakespeare has done is just string a bunch of clichés together...
  • Show Within A Show (The Murder of Gonzago)
  • Spin Off (Rosencrantz and Guildenstern Are Dead)
  • Stealth Insult (Hamlet's weapon of choice.)
  • Surrogate Soliloquy (The Alas Poor Yorick moment)
  • Sword Fight (Hamlet vs. Laertes)
  • Those Two Guys (Rosencrantz and Guildenstern)
  • Tragic Hero
  • Upper Class Twit (Polonius and Osric)
  • Wangst (numerous references are made to Hamlet's depression)
  • What An Idiot (Pointer: If you have the perfect opportunity to kill the villain, even if he'll go to heaven for saying his prayers, take it! You could spare yourself a lot of tragedy.)
    • Especially since when Claudius is done praying he reveals that he didn't really mean anything he prayed for.
    • There's also the fact that Hamlet chose to pretend to be insane for no reason at all. Seriously, no one outside of Horatio and the guards (who were sworn to secrecy) had any idea that King Hamlet's ghost told them about the murder. Not only was Hamlet's act pointless but it led to making Claudius, Gertrude, and Polonius suspicious about his sanity and, as a result, made things worse for himself.
  • What Happened To The Mouse (Reynaldo is an agent of Polonius's sent to both spy on and ruin the reputation of Laertes when the latter leaves for France. Whatever actual impact Reynaldo has on anything is never touched on, and he hasn't returned to Denmark by the end of the play.)
  • The Woobie (Ophelia, so hard)
  • Writers Cannot Do Math: Hamlet is at least 27 if his memory of Yorick is to be believed, but he was studying at Wittenberg University when his father died (see Anachronism Stew above). In Shakespeare's time, students attended university in their teen years and graduated long before 20. This trope has popped up in Shakespeare before, yet people seem to forget this when insisting that Hamlet must be thirty years old!
    • There is a theory that Shakespeare originally wrote for Hamlet to been in his teens but somewhere towards the end decided to age him up so a specific actor could play the part.
  • You Killed My Father

The Play Within A Play contains examples of the following tropes

The Klingon version contains examples of the following tropes