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Georgette Heyer
One of the most successful romance novelists of the 20th century, Georgette Heyer's books were famous for her intelligent comedy, the genuine sweetness of her romances and her meticulous research on the Regency period. She also wrote a few detective novels here and there, but these aren't nearly as well-known, which is a shame.

Heyer's heroes and heroines (occasionally dubbed Heyeroes and Heyeroines) tended to come in two types each:

Hero #1: Tall, usually dark, and definitely handsome. Almost always has a past. While highly unlikely to actually mistreat the heroine, they're not above scaring her into submission (however, as they're often dealing with Heroine #1, it's unlikely to work).

Hero #2: This is the consummate gentleman, who invariably comes up with the perfect response to any situation. Their usual role is to provide the heroine with an escape from any difficulties, whereas Hero #1 is frequently the cause of those difficulties.

Heroine #1: A lively young woman. She naturally gets herself into many a social scrape, from which the hero must rescue her, and either bounces back or feels humiliated deep down inside that he saw her in such a state.

Heroine #2: Overlooked and ignored, she may seem quiet. However, once the hero talks to her, or needs help, Heroine #2 comes into her own and reveals Hidden Depths.

Heyer was not above mixing and matching types, as well as subverting the expectations of her readers. In Sylvester, for example, the eponymous hero appears to be a Hero #1, whereas he's actually a Hero #2 (he merely has an unfortunate pair of eyebrows).

Heyer used a lot of tropes in various ways, so listing them by novel seems the best way to go.

Present in Most Heyers
  • A Man Is Not a Virgin: The heroes very often have acknowledged mistresses and/or "bits of muslin" in their pasts. (Truth in Television to a degree, but sometimes the information is mentioned so pointedly that the main purpose seems to be to ensure that the reader knows the hero is sexually experienced.)
  • Asshole Victim: Always present in her whodunnits.
  • Author Appeal: Expect at least one kiss to be described as "crushing".
  • Deadpan Snarker: Hero #1 almost certainly; frequently Hero #2 as well. Less common but far from unknown among the heroines; it may come up as part of Heroine #2's Hidden Depths.
  • Historical-Domain Character: Her Regency and historical novels are peppered with cameo appearances by real people.

A Blunt Instrument

April Lady


Bath Tangle


Behold, Here's Poison (detective novel)

The Black Moth

Black Sheep

Charity Girl

A Civil Contract

The Conquerer

The Convenient Marriage

The Corinthian


Cousin Kate

Detection Unlimited (detective story, duh.)

Devil's Cub

False Colours

Faro's Daughter

The Foundling


Friday's Child
  • Alpha Bitch: Isabella could be, but most of her unpleasant moments are also her most sympathetic.
  • Beta Couple: George and Isabella.
  • The Bro Code: Essentially the reason why Sherry throws a fit at the idea of George and Hero having an affair - that, and he's in love with Hero, of course.
  • Byronic Hero: Invoked and parodied - George would love to be this.
  • Cloudcuckoolander: Hero, Ferdy.
  • Coming of Age Story: Sherry, Hero to an extent.
  • Defrosting Ice Queen: Isabella.
  • Duel to the Death: George is constantly spoiling for one. He gets his wish when Sherry catches him giving Hero a brotherly kiss, but neither of them dies.
  • Friendless Background: Hero seems to have only had two friends in her life prior to marrying Sherry, one of whom was him, the other being Isabella, and neither of them seem to have paid her much attention.
  • Kick the Dog: Revesby, first when he rejects his discarded mistress and illegitimate infant daughter and second when he arranges for Hero to get into debt.
  • Lovable Coward: Ferdy, whom Sherry can't even stay angry with when he finds out Ferdy hid his wife from him for weeks because Ferdy is so shamelessly trying to placate him.
  • Marry for Love: Isabella eventually cracks and admits that this is what she wants.
  • Masquerade Ball: Hero gets into trouble at one of these as a result of Sherry ditching her.
  • Meet Cute: While it is not their first-ever meeting, the first time Sherry and Hero meet in the book is when Sherry accidentally comes across Hero crying on a wall and proposes marriage.
  • Reformed Rakes: Part of Sherry's Character Development.
  • Relationship Upgrade: Sherry elopes with Hero in the first few chapters.
  • Shrinking Violet: Hero.
  • Tsundere: Isabella.
  • Victorious Childhood Friend: Hero.

The Grand Sophy

The Great Roxhythe

An Infamous Army

Lady of Quality

The Masqueraders

My Lord John

The Nonesuch

No Wind of Blame


Pistols For Two
  • Accidental Marriage: In "Hazard", the hero is so drunk when he wins the card game that he and the heroine are halfway to Gretna Green when he wakes up the next morning.
  • Arranged Marriage: The hero of "Hazard" is about to go through with one of these; luckily for him, he has a Runaway Fiancé.
  • Lost Him in a Card Game: "Hazard".
  • Platonic Life Partners: Annabella and Tom from "Full Moon", who are very fond of each other and plan to elope only because Annabella is so horrified at the idea of marrying an old man.
  • Repetitive Name: Carlington Carlington in "Hazard".
    • Though that's probably a typo/omitted comma
  • Right in Front of Me: Annabella and Tom complain bitterly to a friendly stranger about the "horrid old friend" of Annabella's father whom she's expected to marry. Neither of them have ever met him, leading to predictable results.

Powder and Patch

The Quiet Gentleman

Regency Buck

The Reluctant Widow

Royal Escape

Simon the Coldheart

The Spanish Bride

Sprig Muslin


The Talisman Ring

The Toll-Gate

These Old Shades

The Unfinished Clue (detective story)

The Unknown Ajax

  • Annoying Younger Sibling: Aubrey to an extent, although Conway is far worse despite never actually appearing.
  • Beneath the Mask: Damerel has thrown himself into the lifestyle of a rake after ruining his own reputation through a youthful mistake, but Venetia gets to see a different side of him.
  • Brother-Sister Team: Aubrey and Venetia have elements of this.
  • Cool Big Sis: Venetia.
  • Dark and Troubled Past: Damerel.
  • Double Standard: Played with; Damerel arguably suffered more for running off with a married woman than she did.
  • Emo Teen: Oswald, who desperately wishes he was a Byronic Hero.
    "He is brooding over nameless crimes, I daresay, and only think how disheartening to have his dark thoughts mistaken for a fit of the sulks!"
  • Faking the Dead: Venetia's mother ran off with a lover and was divorced by her father; he told the children that she had died suddenly.
  • Forceful Kiss: Oswald tries this on Venetia.
  • It's Not You, It's My Enemies: Damerel sends Venetia away due to the irreparable damage that would be done to her reputation if they married.
  • Moment Killer: Every time Damerel tries to propose to Venetia, Aubrey pops up.
  • Nobody Thinks It Will Work: Everyone, with the exception of Aubrey and Venetia – and including Damerel – thinks Damerel and Venetia will be miserable together.
  • Obnoxious In-Laws: An inversion of sorts, as it is Conway's new mother-in-law who makes things miserable for Venetia when she moves in.
  • Pair the Spares: It's hinted that Edward Yardley and Clara Denny will probably marry after being rejected by Venetia and Conway, respectively.
  • Reformed Rakes: Played with more than used straight. Damerel won't seduce Venetia, but it's up to interpretation how much his way of life will change. He might just be joking about having his wife preside over an orgy...

Why Shoot A Butler? (detective story)
  • Amateur Sleuth: Frank Amberley - the person who solves the mystery - is a barrister, although it's noted in the story that he has some experience rounding up major criminals, having helped the police at least once.
  • Crazy-Prepared: When the Big Bad tries to get away via a motorboat, Frank just happens to have a motorboat of his own ready. Justified in that he'd done some research during the previous day, and figured that would happen.
  • Police Are Useless: Averted. the police are just at sea because there are no clues to go on, and Amberley has quite a few of them... not that he tells the police most of them.
  • Slap-Slap-Kiss: It doesn't help that Frank is something of a troll throughout the whole book, and not just to the girl.
  • Smug Snake: Frank Amberley is this, making him something of a Designated Hero.
  • Title Drop: In the second chapter, no less!

…Oh, and Happily Ever After usually comes in somewhere... unless it's Penhallow.
Georges SimenonAdministrivia/Creator Pages in MainGeorgina Leonidas

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