Genre Savvy
aka: Dangerously Genre Savvy

Angela Moore: This doesn't make any sense.
Shawn Hunter: It does if you've seen as many horror movies as I have. This is classic. The locked door, the scary janitor, the bloody warning and... our soon to be first victim.
[everyone looks at Kenny]
Kenny: Me? Why me?
Cory Matthews: Well Kenny, it's certainly not going to be any of us!

The exact opposite of Genre Blindness. A Genre Savvy character doesn't necessarily know they're in a story, but they do know of stories like their own and what worked in them and what didn't. More sophisticated versions will also know they can't tell which genre they are in (and are often in far more realistic or complicated genres than the stories they remember), or which characters they are.

They know every Simple Plan is doomed to failure from the start and instead of participating, sit back and wait to get in their "I told you so", or even a "We could have avoided this." They can spot someone being controlled by a Puppeteer Parasite from a mile away (usually). They're more likely to listen when they catch someone in a compromising position who sputters "It's Not What It Looks Like!".

They can tell fairly early that the strange old man who's offering free lollipops is probably best avoided. And they've seen enough Horror movies to know that when there's an Ax-Crazy murderer on the loose, the last thing you want to do is either split up, boink your significant other, or investigate strange noises in the Sinister Subway. They know how to avoid getting a bad rank on the Sorting Algorithm of Mortality. They'll take precautions and insurance policies to ensure that they're less at the risk of You Have Outlived Your Usefulness.

The Genre Savvy live to hang lampshades, give Aside Glances, and say, "You just had to say it, didn't you?" right after use of a Tempting Fate Stock Phrase. Their exasperation with the sheer stupidity of the entire universe usually makes them a Deadpan Snarker. They are likely to be told that This Is Reality or just ignored, and likely to be the one who always wanted to say that. A useful person to have around if you get Trapped in TV Land.

They will often try to take advantage of tropes, either to fail embarrassingly (often because they're actually Wrong Genre Savvy), or to achieve remarkable feats to everyone else's astonishment. The sophisticated savvy can realize that they do not know what characters they are playing, or whether they are exactly in the same genre as the books they read. If they are very good at taking advantage of tropes, they may evolve into Combat Pragmatist and fight by their own rules.

Genre savviness sometimes occurs when And You Thought It Was a Game shows up. This is a Justified Trope in situations where the character was initially recruited for their knowledge of the genre like in Galaxy Quest, The Last Starfighter, and ¡Three Amigos!!.

Like playing with the Fourth Wall, having one or more Genre Savvy characters is indicative of Post Modernism.

The most extreme, who know what Genre Blindness is and that they're supposed to be, remain Contractually Genre Blind. On the other hand, when they're incorrect in their assumptions on what they're supposed to be, they're of the Wrong Genre Savvy persuasion. Clever characters can be well aware of the possibility of Wrong Genre Savvy and additionally that they may not realize what roles they are cast in, and launch many a quip and discussion about whether a certain trope is or is not in play.

While Genre Savvy can be used to add spice to a tired old plot and create self-aware, intelligent characters, it's not always the right thing to do. A character who is too Genre Savvy can risk puncturing their story and turning it into a joke, which is a bit of a problem if it's supposed to be taken seriously. Furthermore, it can also ruin drama and suspense. Some genres require a certain amount of the Rule of Drama and Genre Blindness to effectively function, and in these cases the reader is always going to be asked to embrace the Anthropic Principle and Willing Suspension of Disbelief to some degree in order to accept the premise of the story. Otherwise, if a character knows exactly what type of story they're in and what to do to get out of their story in a quick, easy and painless fashion, they're going to do it, and consequently lead an easy, trouble-free life, and... why are we watching them again?

Furthermore, characters who are too Genre Savvy can be just as unrealistic and unbelievable as characters who are too Genre Blind, which can also damage the story. After all, in the real world, people don't often live their lives as if everything they do conforms to a series of overarching narrative conventions, so why would fictional characters? While the Incurable Cough of Death may spell doom in fiction, nine out of ten times in the real world it suggests nothing more than a harmless cold, so it's not entirely unreasonable that a fictional character might initially see nothing to worry about either. The more sophisticated works frequently balance a good sense of Genre Savvy with as many references to how this story differs from the ones the reader may have read, just to keep everyone on their toes.

When a person becomes too Genre Savvy for their own good and off themselves, see Death by Genre Savviness. When a person prepares for every unlikely trope before it happens, they are Crazy-Prepared. If a character uses his Genre Savviness just to make humorous observations, he's a Meta Guy. When characters are not consciously Genre Savvy but regularly act within the limitations of the genre they're in anyway, they are Functional Genre Savvy. Compare with Medium Awareness where the character knows what medium they are in.

For specific tips on surviving the world of fiction, see The Universal Genre Savvy Guide.


Alternative Title(s): Genre Aware, Genre Savviness