Faux Affably Evil
aka: Evilly Affable

"I needed someone who acts like a friend but secretly delights in the misery of all people."

"I've adopted a strategy of pleasantness. It turns out that one can perpetrate all manner of heinous villainy under a cloak of courtesy and good cheer. It seems a man will forfeit all sensible self-interest if he finds you affable enough to share your company over a flagon of ale."
Edmund, Fool

A villain whose politeness is an act that only serves to enhance their evil. Unlike Affably Evil characters, whose niceness is genuine despite their malice, these villains adopt this pleasant persona. They lack a villainous demeanor, yet they are truly, wholly, and unrepentantly evil regardless. This kind of villain maintains a friendly, courteous mask even as they commit incredibly heinous acts. An Affably Evil villain will treat The Hero like a friend, genuinely regret having to fight them, and seriously try to win them over. A Faux Affably Evil villain will say, "You know, I always look forward to our little meetings" while gruesomely torturing them for fun.

At heart, they're utterly soulless, but they mask it with a pleasant, polite, "normal" attitude, perhaps because they have social standards to live up to or because their pleasantness reflects their sheer enjoyment of evil. Maybe it's a sign of their severely warped morality, or a form of deception or psychological warfare. Or maybe they're just unbearably full of themselves. It's anyone's guess what this kind of villain will do if they suffer a Villainous Breakdown; maybe they will drop all pretenses and find that they are Not So Above It All or maybe they will fall into a state of Dissonant Serenity, blabbering off-kilter pseudo-mannerisms as they lapse into their final and greatest puppy-murdering spree.

Do not confuse with Laughably Evil, which is a villain who is funny rather than polite. While many Faux Affably Evil villains are also Laughably Evil, many other villains are one but not the other. Compare and contrast Affably Evil (whose niceness is sincere) and this Trope's opposite, Noble Demon (whose demeanor is evil in contrast to their actions). For the Evulz is a common motivation, though using this trope as a form of Obfuscating Stupidity is also possible. Also see its (possibly) downplayed counterpart Bitch in Sheep's Clothing, where a Jerkass at the best of times, is hiding behind a Nice Guy facade in order to trick people and doesn't necessarily keep it after showing his real face, and Stepford Smiler, when a miserable and/or mentally unstable person is hiding behind a cheery and sweet facade. May also overlap with Soft-Spoken Sadist, Sugary Malice. Contrast with Good Is Not Nice, which is a good character that just isn't polite. Not to be confused with Wicked Cultured where a cultured façade hides unpleasant behavior.


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    Anime and Manga 
  • In Attack on Titan, the Beast Titan politely asks Mike about his equipment and removes it without harming him. He then proceeds to tell the other Titans that they may have their way with him, since he's finished with his business.
  • Chang from Black Lagoon, who is openly friendly with the Lagoon Company. During his Breaking Speech moment with Rock, he reveals that his friendliness doesn't mean a thing.
  • Bleach:
    • Big Bad Aizen. Sure, he pretends to be a charming, laid-back guy, but in reality, he's just being condescending; other people are insignificant insects to him and he doesn't hesitate to tell them this, when he doesn't need them anymore. When he realizes Urahara's smarter than he is and Ichigo's a lot stronger than he is, the Mr. Nice Guy -act goes right out the window.
    • Tsukishima, in contrast to his Card-Carrying Villain partner, Ginjo. He acts polite and serene almost all the time, even while he Mind Rapes people with Fake Memories. When someone suffers a mental breakdown due to conflicting memories, the facade drops, revealing a sadistic monster.
    • Quilge is a sadistic Quincy commander who, in the Japanese version, talks in polite speech when addressing his opponents and talking about the bad things he plans to do.
  • Blood+:
    • Diva kills lots of people, drinks others' blood, rapes and kills a boy to impregnate herself, all while singing, prancing around in a white dress, and laughing childishly.
    • Karl Fei-Ong can also be quite polite and cordial, particularly in his public persona as the Chairman of Le Lycee du Cinq Fleches, but beneath it all is an Ax-Crazy beast.
  • In Brave10, Hanzo is 100% evil, but he's sees no need for rudeness and is quite a polite speaker, even when describing how he likes to torture and kill people.
  • Code Geass:
    • Schneizel. He seems like a nice, charming man. Of course, he's a Britannian Prince, so not so much. He's introduced when authorizing the death of his sister's politically inconvenient, racial minority, Knight Of Honor, and proceeds to become the final villain, manipulating a mentally unstable genius into developing a nuclear weapon, then displays no particular concern as to how it is used, or who it kills, plans to destroy all the world capitals, and successfully destroys two Britannian cities. That's right. Britannian. As in, his own country. One of them was held by his self-declared enemy, and the other... well, just because his enemy was there.
    • Prince Clovis. Nice Guy, most of the time. Except when he's authorized illegal experimentation behind his father's back, and tries to kill a district of third class citizens to hide it. Not much screentime, though.
    • Depending on your interpretation, main character, Lelouch, might qualify. He's a good person and all, especially to Nunnally... but he's done some really vicious things.
  • Genma from the second season of Darker Than Black is a pretty laid back guy who initially seems to be Plucky Comic Relief and keeps that attitude even after it becomes clear that he is a vicious psychopath. The first indication of his Faux Affably Evil nature is a train hijacking he does, wherein to create a distraction, he runs down tons of people and shouts out something like (paraphrased) "All aboard" with the mangled corpse of the actual conductor beside him. Also fitting this trope is the fact that while he's clearly a Depraved Bisexual pedophile, he expresses this through behavior and commentary that is disturbingly similar to your typical Lovable Sex Maniac.
  • Light Yagami of Death Note remains consistently polite and well-mannered, even during his confrontations with L. In reality, however, he has nothing but contempt for those who oppose him (with the exception of his family) and is very much willing to even manipulate and possibly dispose of his own supporters for the sake of his master plan.
  • Descendants of Darkness: Dr. Kazutaka Muraki poses as a polite doctor to cover up the fact that he rapes, tortures, kills, and experiments on children. He may seem charming at first, but that's hardly the truth.
  • Picodevimon from Digimon Adventure presents himself as a friend to several of the heroes and proceeds to utterly deceive them, all with an oily polite demeanor. He drops this facade when his plans go awry, though.
  • Dragon Ball:
    • King Piccolo. He speaks politely to Goku and even praises his skills in their first fight after Goku lands a few blows and manages to knock him down... before beating Goku within an inch of his life. He also calmly offers one of the king's guards a position as one of his men. When he refused, Piccolo puts his hand through the guy's chest.
    • Frieza is fairly polite, when he's in a good mood... and an Omnicidal Maniac Evil Overlord, who will kill anyone who he feels is a threat to his power, in fear that someone will surpass him, going as far as driving entire species to extinction or blowing up planets just because he feels like it.
    • His father King Cold fits this trope even better. He calmly congratulates Trunks on destroying his son, offers to let him take his son's place, when told "no" asks to examine his sword... and then tries to kill him with it.
    • Perfect Cell is a rather good sport in battle and even gives his opponents sporting chances to beat him... Until he starts losing, then he becomes a sore loser who is willing to kill himself along with the planet out of spite.
    • Unlike Goku, Black Goku speaks in a soft, somewhat polite tone when addressing Future Trunks. His speaking pattern is actually quite formal. He also looks down on Saiyans, humans, or any mortal like they're filth, and sees death as a blessing to humanity. At the same time, he shows a great deal of respect towards Goku, who he calls the strongest of the proud warrior race. However, this sorta falls into faux too since he killed his version of Goku once he took his body.
  • Izaya Orihara of Durarara!! is a manipulative, arrogant prick who nevertheless manages to maintain a facade of politeness with almost everyone, even while discussing how best to screw over the maximum number of people possible for the maximum amount of enjoyment possible.
  • The Caster/master pair in Fate/Zero usually act like normal people, even while shredding little children to bits with Combat Tentacles because they were bored. Caster himself enjoys pretending to be nice before horribly murdering someone for the extra shock value; his master seems to be just completely desensitized. Oddly enough, they also have the best relationship of all the master/servant pairings, despite the master having no magic. The good relationship is justified in-universe: When a master summons a servant without a catalyst (for example Kiritsugu used Avalon to summon Saber), the grail picks the Heroic Spirit who's personality is most similar to the master's.
  • Fullmetal Alchemist:
    • Envy can sometimes be fairly amusing and seem like a Friendly Enemy, but it's all an act, and Envy is by far one of the most cruel and sadistic characters in the series. Father also might qualify. He can seem polite and reasonable and is even kind of goofy in his first meeting with the Elric brothers, but beneath it all, he's devoid of empathy and sees himself as so far above humans that he literally feels nothing, not even hate or contempt, towards them.
    • Solf J. Kimblee most certainly qualifies, too. He's shown many shades of Wicked Cultured and can be polite, charming, and an all-around charismatic fellow...when he's not making bombs out of women, children, and any other poor saps within arm's length.
    • Fuhrer King Bradley comes off at first as a charming family man and Reasonable Authority Figure. He's actually a ruthless homunculus, Wrath, who ordered the war in Ishval. Even worse in the 2003 Anime where he is revealed to be Pride, where he ordered that war gleefully, and remorselessly killed his own son
  • Gauron from Full Metal Panic! has a very quirky, highly amusing personality - while going around rampaging and killing people. Including his employers and co-workers. He has no redeeming qualities and has almost every vice and evil you can think of (being an Ax-Crazy, pedophilic rapist and necrophiliac that will kill anyone and everyone, just because, and gets jealous of and tries to kill a 16-year-old girl just because she's the girl Sousuke likes). But let's face it - it is very amusing to watch him mass murder while he cracks horrible jokes and acts all happy.
  • Yuno Gasai from Future Diary. She is seen by the school as a School Idol and is very nice to everyone around her. In actuality, however, she is a Sociopathic, manipulative, Ax-Crazy Yandere.
  • In the Girls und Panzer spinoff, "Little Army 2," Kilimanjaro, head of West Kureouji Grona, a school that copies St. Gloriana, is this. Like Darjeeling, she uses formal speech on her opponents, but does so in a highly condescending manner, particularly when showing up to taunt her school's longstanding rival Bellwall. It's perhaps exemplified, when, after hearing her little sister Nagisa tell her that she refuses to continue spying on Bellwall, in spite of being threatened with being forced out of tankery, Kilimanjaro smiles and slaps Nagisa across the face.
  • Gundam:
  • InuYasha: Naraku speaks politely, but it's obvious that it's merely a sign of mockery, somewhat justified as his current disguise was a noble who used royal dialect. After Mount Hakurei, he drops the act completely in favor of being a Smug Super.
  • JoJo's Bizarre Adventure:
    • Dio Brando. He's a smooth talker with legions of crazy-devoted followers, but at his core, he's completely self-centered and evil.
    • Kakyoin notes this in the case of Terence T. D'Arby: "You give the impression of a gentleman... but you are the worst kind of madman."
  • Kekkaishi:
    • Mudou. He's fun to watch!
    • From earlier on, there's Kaguro. He styles himself as a Magnificent Bastard and is conversational with Yoshimori when they fight. He's more towards the Ax-Crazy end of the Blood Knight spectrum. And he murdered Gen and is only an ayakashi because he was so completely insane as a human.
  • Nui Harime from Kill la Kill acts like she a particularly saccharine schoolgirl, keeps complementing people, and flirts with all the pretty girls around her. And yet, she is a huge bitch, and revels in it. Probably the most telling instance of this is Nui's reaction to when The Hero, Ryuko, tries to start a fight her without even activating her battle transformation:
    "But enough about me! Show me your Godrobe!
    Are you holding back because I'm dressed like this? Didn't you see what short work I made of that Goku Uniform back there? You shouldn't hold back with that Godrobe of yours.
    Still not convinced? Well, I'll show you something neat. Here we go! Ta-dah!
    Yup, it's the other half of your Sword Scissor! Fresh off your father's corpse!"
  • Nightmare from Kirby: Right Back at Ya! is an oddly laid-back sort of tyrant. He respects his employees and prefers to amuse himself with watching current events... and at the same time creates Demon Beasts/monsters, terrorizes planets, levels or enslaves civilizations, and tortures others by entering their sleep and giving them nightmares just for the fun of it. Oh, and not only did his army slaughter a La Résistance unit, he also sped up an asteroid's course to crash into Popstar. Whoa.
  • Quattro from Magical Girl Lyrical Nanoha StrikerS affects a cute, friendly persona most of the time, but she's actually an unrepentantly evil Smug Snake.
  • Dr. Hell from Mazinger Z has a good helping of It's All About Me, but always keeps an educated, polite behavior and mannerisms, even when he is going to dissect someone to turn him or her into his next enslaved Cyborg.
  • Johan, the title character of Monster, has this as his specialty. He charms, he smiles, he seems to care and he's such a beautiful and brilliant young man... as he uses you and kills you and if he takes enough of an interest in you, he will probably take the time to kill all your hopes and dreams, first.
  • Michio, the protagonist of MW, really has a friendly personality, but is really a criminal who commits atrocious crimes for fun.
  • Gargoyle from Nadia: The Secret of Blue Water. He's willing to kill anyone so that his plans could go accordingly, yet he is so polite and refined towards his foes. Especially with Nemo and Nadia (who he calls Princess).
  • Naruto
    • Tobi likes to play the trickster archetype, which is why it's so disconcerting every time he reaffirms how much of a horrible person he is.
    • Hidan from the Akatsuki, especially his anime rendition. Snarky, prone to weird faces, hammy, almost childish sometimes, and so fun to watch as he hammily pounces over the Moral Event Horizon. Too bad some fans took it in another way.
    • Deidara. Just as loud as Hidan and more flamboyant, yet he is stated by Pain to have joined Akatsuki only for shits and giggles. In fact, Deidara was forced to join Akatsuki after losing a bet against Itachi. It doesn't make him any less of an example of this trope, however - while really desperately trying to pass off as a "cool" villain he has to put up a humongous effort to hide his rampant insanity. That is, until the very end.
    • Gengo in Shikamaru's Story. He's initially appears Affably Evil and charismatic enough to convert anyone who hears him talk and get them to join his attempts to build a Shinobi empire. The first cracks in the facade show when So and Roku, Shikamaru's teammates from the Anbu, despite appearing to have bought into his ideology, appear to have been tortured. Once it's revealed that Gengo has been relying on a Compelling Voice to brainwash people to his side, and Shikamaru faces him in combat, Gengo loses his affability entirely.
    Gengo: I will kill you, you bastard. And I will pull all those in the hall together into the same mind, and we will proceed with my ambition.
  • One Piece has quite a few examples:
    • Arlong keeps a calm tone even as he slaughters humans out of sheer racist superiority, calmly lying to Nami for 8 years that if she gets enough money he'll let her go, then hires a corrupt marine to steal all the treasure she gathered just as she reached her goal, and calmly telling her to just start over as he just laughs at her! This is especially pronounced in the 4kids dub, when he cheerfully offers Luffy good conditions if he agrees to become a slave, and this line, after he sends Bellemere to the dungeon.
    4kids Arlong: If you can't pay the cash, then you're out with the trash... and feel free to quote me! YEAH!
    • Crocodile seems like a calm and reasonable enough guy, but the second he gets (or fails to get) what he wants or finds out you've failed him in ANY way he drops the politeness and orders your death in the same calm tone.
    • Blackbeard is this and a bit genuinely Affably Evil. He might at first come off as a friendly sort of guy with a big smile on his face, but could quickly turn to killing and mocking you, all while wearing the same exact smile. Though for all his unpleasantness he does seem to genuinely care about his crew, despite gaming all of his newer members by making them fight to the death and taking the survivors. Granted they were among the most evil and unrepentant criminals in all of Impel Down but still. Plus his friendly demeanor whenever it shows for the most part IS genuine, which makes him all the more evil.
    • Caesar Clown is even worse, He managed to successfully manipulate various prisoners and Brownbeard's Crew into becoming his underlings by coming off as a great scientific hero to them "curing" them of their afflictions (with Help from Trafalgar Law) when in fact He's the one who poisoned them. The guy also came off as a kind caring "Master" to many children who ended up on Punk Hazard for his treatment of their diseases, when in reality he's been lying to their faces, they were kidnapped to be his Guinea Pigs, he's been drugging them for well over a year with his Fantastic Drug candy turning them into giants, worst part is that many of them might not live for 5 more years because of all the drugs they've ingested Caesar has done all of this without so much as breaking his polite facade even once around them, he's basically a mix of Frieza and The Joker. Funny enough he's played by Ryusei Nakao.
  • Pretty Cure:
  • Keith White of Project ARMS has shades of this. He is very calm and polite towards the protagonists, before trying to kill them in the most violent, horrific way possible. In a flashback, it's shown that he spoke kindly to Alice when she asked him for a special present for her birthday and, upon hearing her request was to go outside with the other experimental children, he calmly hit her.
  • Kyubey in Puella Magi Madoka Magica. As the series progresses, we see him slowly morph from helpful (if you are lucky enough to get your questions right) Mentor Mascot to uncaring Manipulative Bastard. Worse, he stays polite and helpful (again, if you are lucky enough to get your questions right) the entire time. It's eventually stated that he's simply unable to understand why what he's doing is monstrous.
  • Ranma ˝: Nabiki Tendo is generally pleasant and easy to get along with, but she doesn't even try to hide her true colors: a completely amoral, ruthless, and greedy bitch with a complete Lack of Empathy and a Money Fetish that almost makes Mr. Krabs look tame by comparison.
  • Rosario + Vampire gives us Hokuto Kaneshiro. He makes friends with Tsukune, supports peace at Yokai Academy, is a strong, determined leader, and has a close friend... in the form of dancing-mad Kiriya Yoshi, and only because Kiriya is the one who gave him monstrel blood so he could fend for himself. Go on, Tsukune. Look away for a moment. You'll find everyone beaten to the ground, and Hokuto standing there with a stick in his hand, insisting that emotions are pointless. Oh, and don't expect him to be any better a year after you and Moka kick his ass - sure, he might have helped you stop his own plan, but he's still going to strangle you with his inconsistently-changing monstrel hand, gloating that you can't protect your girlfriend. Ouch.
  • Shaman King's Hao Asakura seems to go back and forth between this and being a genuinely goodhearted guy, who commits monstrous acts for the greater good. A complex character, to be sure, but no matter how you view him, he's undeniably entertaining to watch.
  • Sword Art Online:
    • Sugou from the ALO arc. He talks to both Kirito and Asuna as if they're friends, but both of them, as well as readers know right off the bat of just what an asshole he is. He threw it away sometime after.
    • Morte from Progressive. He uses polite speech and is fond of joking around and making bad puns, but Kirito's wary of him because of this, and for good reason. Morte threatens to alert the nearby enemies to Kirito's presence, thereby sabotaging his attempt at completing the quest, and it's soon revealed that he's been playing the DKB and ALS against each other for some unknown purpose. Kirito even notices this, along with acknowledging coming off as rude in comparison.
    Morte: (after accepting a duel, during which he plans to kill Kirito), Roger that, man. I'm getting so nervous thinking about a duel with the Kirito. Can we take a photo to commemorate after the fight? Oh, wait, we haven't gotten to the point where screenshot items show up yet. Aww, too bad...
  • Tokyo Ghoul:
    • Eto pretty much embodies this trope. She frequently puts on a sweet demeanor, chatting with people in a cheerful fashion and offering them advice about their problems..... but is utterly twisted by her hatred of the world and takes pleasure in destroying the lives of others. In particular, she seems to enjoy a nice game of Corrupt the Cutie or Cold-Blooded Torture, often taking special care to destroy families in the process.
    • Dr. Akihiro Kanou has cultivated a kind and paternal bedside manner, always speaking politely to people. He's a prolific Mad Scientist that believes he is Above Good and Evil, utterly lacking in compassion and willing to use or kill anyone for the sake of his experiments.
  • Trigun:
    • Legato Bluesummers does a bit of this, although he is as freaky-evil as possible in his first meeting with Vash, specifically.
    • The anime version of Knives does a bit of this whenever interacting with Vash. Notably, his cheerful "yo, Vash!" upon their reunion in July, while sitting on a desk next to the just-murdered corpse of its owner, whom Vash was coming to visit. A similar but more elegant friendly greeting appears when Vash arrives for the final battle. However, because this demeanor only applies to his brother, and because he would probably not do anything to said brother if Vash just got out of his way, this may be more of a single-target Affably Evil.
  • Yu-Gi-Oh!:
  • Dennis is like this in Yu-Gi-Oh! ARC-V; his polite and soft-spoken personality remains even after being revealed as a member of Duel Academy, but he's clearly as sadistic as any other member, vowing to destroy Shay slowly before his second Duel with him began, eventually dropping the act entirely when he calls it a "Hunting Game".
  • Lord Kuruku from Unico in the Island of Magic is polite enough when he's in a good mood, but he is a cruel being at heart and won't hesitate to make you a part of his castle. His mannerisms are very much like Freeza's.
  • Muska from the Studio Ghibli movie Castle in the Sky fits this trope to a T. He pretends to be an affable, trustworthy man in service of the government, until he reveals he intended to use Laputa as his personal battle ship to dominate the world. He turns downright scary when the protagonists appear to foil his plot.

    Comic Books 
  • Archie Comics' Sonic the Hedgehog has a few examples:
  • Batman:
    • The Joker, Depending on the Writer. Sometimes he's this, sometimes he's Laughably Evil, and sometimes he's just a Monster Clown. Sometimes, he's more than one at the same time.
    • The Penguin has been called a "gentleman of crime" before. (Also a bit of a case of Depending on the Writer.)
    • Hush is textbook definition. Thomas Elliot acts all affable on the outside, but he truly means none of it. He cuts out the brakes of his parents car at a disturbingly early age in order to inherit their money. He's a mass murdering psychopath who cares for no one but himself.
    • During his time as king of Gotham's criminal underworld, the Black Mask had some great lines. Considering he built his empire on a mountain of corpses, and his hobby is torture, a lot of it Crosses the Line Twice.
    • James Gordon Jr. is a very well-mannered and thought-to-be-rehabilitated psychopath. Is also a very recent villain.
  • Erik Killmonger from the Black Panther series. He presents himself as a Well-Intentioned Extremist who wants to conquer Wakanda because he genuinely thinks he'd be better for the country than T'Challa, but in reality, he's mostly motivated by revenge. He even boasts that he'd murder the entire population just so long as it meant that T'Challa would no longer be able to rule over them.
  • The Daredevil villain Bullseye. He may be a Psycho for Hire with few redeeming features, but he does love to quip. His MAX counterpart is even more friendly, seeming downright cheerful most of the time. But that's probably because he's a complete and utter maniac who makes mainstream-Bullseye look sane.
  • Yanno, I have always been Crazy Awesome, but I vary between being a Noble Demon and being Faux Affably Evil, depending on my current state of sanity/writer. When Nolan North voiced me, he played a Composite Character version, with the personality and dashing good looks of Deadpool in the main universe (in which my morality and sanity varies) and the motivation of Ultimate Marvel Deadpool (in which I am a Cape Buster and straight up villain).
  • In Fall Out Toy Works, Baron makes himself out to be perfectly civil in his business dealings and serves as a mall Santa for orphaned kids...but it's very much an act and only the most oblivious would be fooled.
  • Mongul in the Alan Moore Superman story For the Man Who Has Everything is very much this.
    Mongul: I understand that your society makes distinctions based on age and gender. Perhaps you can tell me which one of you it would be polite to kill first.
  • Judge Dredd: Judge Death, an undead executioner from another world, has a habit of happily greeting his victims before squeezing the life out of them.
  • The League of Extraordinary Gentlemen:
    • Mr. Hyde, whilst not evil, is a perfect example of this with his Blue and Orange Morality, frequent dog shooting, and his Poisonous Friend attitude. The most notable example of this is where he maintains a polite demeanor, observes the London cityscape, and discusses how lucky and chipper he feels whilst he pummels and rapes Griffin because he assaulted Mina. This is then further added to in a later scene, where he maintains a conversation even when he notices that he is covered in the gradually appearing invisible man's blood (due to his recent demise). He even deserves bonus points considering that, upon seeing the horrific aftermath of the above event, Captain Nemo tries to kill Hyde in disgust whilst Hyde continues eating his dinner.
    • In Volume 1, Professor Moriarty displays the honour and good manners of a Wicked Cultured villain dealing with a Worthy Opponent in the Great Game ... as long as he's winning. When the cracks start to show, he'll maintain the appearance, while dropping snide criticism at his foes. When he's really not winning, he shows he's Not So Above It All by screaming abuse at them. He does it in the Flash Back to Reichenbach, and he does it again at the climax.
  • Requiem Vampire Knight: Otto von Todt is so jovial and friendly at times (primarily around Heinrich) that you almost forget that in life he was a sadistic Nazi concentration camp guard. Notably, he gets a lot more openly nasty when Heinrich hooks up with his Jewish girlfriend Rebecca again in Résurrection.
  • Decepticon Justice Division leader Tarn quotes literature and plays fine music while he and his teammates torture you to death. His preferred method of killing isn't even violent—he's capable of modulating his voice in a way that lets him destroy your soul. Of course, that's only after his buddies have run out of ways to mangle you.
    • Pharma starts out being friendly and likeable. As it goes on, though, it turns out that he's come to see murder as a joke and torture as a fun little peccadillo.
    First Aid: You're smiling. Everything you did at Delphi—all those patients you killed—and you're smiling?
    Pharma: I know, I know—I'm incorrigible.
  • DC's Vandal Savage (who, having been alive since caveman days, is a little bit more than Really 700 Years Old) has often acted quite genteel towards Earth's heroes. He also had an unsatisfactory minion for dinner with some of his colleagues and other subordinates. Sorry, he had the minion as dinner. He's a sociopath who is surprisingly persuasive. Not actually likable, but still fairly persuasive, if only through the controversial "agree or I burn your parents alive" technique.
  • The Xenophage, an alien that preys on symbiotes like Venom, is a very eloquent brain-eating monster.
  • Most of The Trust and the veteran Minutemen in 100 Bullets, with the exception of Wylie Times who is Affably Evil and Jack Daw who doesn't even try.

    Fan Fiction 
  • Alex from an Adventure Time fanfic named after her is really on polite terms even when it comes to hurting both Marceline and Princess Bubblegum.
  • Pinkie Pie from Cupcakes. She maintains her trademark Genki Girl attitude even while torturing and killing other ponies.
  • Marble from Equestrylvania begins as a sweet, sensitive, stuttering mare. Later on, she still has a very pleasant and perky attitude, but has poisoned many foals with a deadly toxin that will kill them in a few hours, extorts Twilight Sparkle for the cure, and threatens and torments her friends. And she does it all with a smile! Then it turns out she was being possessed by Actrise, so this trope applies more to the latter.
  • Fallout: Equestria: Snowfall has King Sombra. While his current interactions with Sleet Gray and his friends makes him look like a polite and sociable pony, his true wickedness is revealed in the malevolent glee he takes in making the crystal pony among them nearly cross the Despair Event Horizon.
  • The Grand Highblood in Hivefled can be quite personable while answering reader questions and talking about art or spirituality. He's also a murderous, incestuous Monster Clown who likes to sexually abuse and murder teenagers and then collect their ghosts.
  • Voodoo King Damballa of Horseshoes and Hand Grenades, or rather the side story Month of Sundays, laughs and makes smart talk with the Cosmic Hunting Dogs and is such a jovial guy... who's currently under contract with Shotaro and revived him as a crazy marionette with nails for teeth and is currently doing that to Haruto Souma and Eiji Hino.
  • One of the leaders of the HCS, in Human Curiosity. When he finds that England has escaped confinement, he smiles, politely addresses him, and then beats the ever-loving tar out of him. He then has England dragged downstairs and forces him to look at the frozen corpse of Portugal and, when England tries to attack him, calmly says to not act out or else he'll be killed and frozen next.
  • Yuuka Kazami in the Touhou fanfiction Imperfect Metamorphosis takes great pride in being a gracious host and pleasant conversationalist, and is completely unapologetic about her passion for torture, rape, and mass murder. Indeed, part of the reason everyone finds her so terrifying is that no one knows how much of her pleasantry is an act, and she is just as likely to affectionately pat someone on the head as she is to casually crush their skull.
  • Radcliffe from Keepers of the Elements is this. He blows up a planet, kidnaps, tortures with spells just because, and enslaves someone with mind control, and certainly isn't above brutal murder, yet acts rather calm and charming most of the time.
  • Raiden, the Big Bad of Mortal Kombat Desperation. Polite, charming, composed — he appears as a Smug Snake to his ex-allies and generally speaks to them in a condescending and snobbish manner. But beneath that superficial charm, lies a power-hungry tyrant and unhinged brute who relishes in the suffering and despair of others, and his cruelty streak is far worse than that of Shao Kahn and Shinnok. In fact, part of the reason his ex-allies find him so terrifying is that his mood could swing at the drop of a hat - one minute, he could be calm and collected, but a minute later, he'll be cackling like a lunatic.
  • My Little Wesker sends Albert Wesker to Ponyville as a magical equine right after the events of Kijuju. He remains incredibly polite and verbose, even as he delivers threats and insults and plots to overthrow Equestria's leaders and ascend to Physical Godhood, with the Elements of Harmony as his first goal to either conquer or destroy.
  • Ceylon of Necessary to Win speaks very formally, even when insulting her own subordinates or her enemies. It's indicated that her refined manner of speech is yet another means of her acting superior to others.
  • Pokémon Reset Bloodlines has MissingNo, who almost always speaks to Ash in a genial tone, but it's very clear that it considers him to be little more than a plaything to torment.
  • The Pony POV Series:
    • Discord, of course, as per canon. However, the Dark World arc also adds in the Valeyard, who has all of the Doctor's personality quirks, but none of his morals.
    • The Shining Armor Arc has General-Admiral Makarov. He presents himself initially as an affable and charismatic person, but that turns out to be a result of his Charm Person abilities. It turns out that beneath the facade he's a narcissistic sociopath who will kill people for not knowing who he is and beneath that, he's a Equineoid Abomination who's willing to kill millions in his quest to conquer the world and make everything be about him.
  • The dark wizard Lung from the Jackie Chan Adventures fic Queen of All Oni starts out seemingly polite, if a bit condescending. Then he starts torturing Jade in order to try and break her to his will.
  • Rosario Vampire: Brightest Darkness: Jovian and Jacqueline Kikion often act polite and sweet, but are openly sadistic Psycho Lesbians and Blood Knights who thrive on causing people pain, doing such things as sexually abusing Felucia and Kyouko while holding them hostage and blowing up Tsukune's house right in front of him for shits and giggles.
  • The Land Before Time fanfiction The Seven Hunters introduces Calin, a fastbiter who puts on a smug, yet cordial demeanor. He even waves and talks in a conversational tone as he is discussing how his pack is going to kill the dinosaurs that he is conversing with.
  • Sonic X: Dark Chaos:
    • Tsali has shades of this in the rewrite. Despite his Ax-Crazy love for killing and bloodshed, he's quite sociable and sympathetic to Trinity, even after he realizes that Trinity is an Angel spy.
    • Maledict himself hides his megalomania and obsessive desire for power under a rather level-headed demeanor and a thin veneer of good intentions. On the other side, Jesus hides his own lust for revenge and callous dislike of non-Angels under a facade of concern and empathy, even though he was perfectly fine with slaughtering quadrillions of innocent people to invade the Milky Way.
  • Daymare Sun/Queen Celestia, the Big Bad of Sunshine And Fire. As the Evil Counterpart to Princess Celestia, she has the same kind tone when she talks to her underlings, but it is clear she is manipulating them, and toys with Daylight Sparkle's (Twilight's Evil Counterpart) emotions. And she calls multiversal conquest "making new friends."
  • In Zero no Tsukaima: Saito the Onmyoji, this describes Graf Johan von Leopold at his most composed. The politeness of his language does absolutely nothing to mask his condescending manner, and his brutality and self-centeredness speak for themselves.
  • Mr.Evil's:
    • Lord fits this to a T. He hardly goes a sentence without a ridiculous rant and crazy laugh, all whilst he is mind raping his victims, slaughtering over a billion people, and thinking of killing an innocent girl as a good way to pass the time.
    • His other Original Character Alexander Sovereign comes close, as he can talk about a grand war that would make the first two look like child's play, all while speaking in a polite tone. The only reason he bypasses this is because he has no emotions to begin with.
  • Dufayel, the Big Bad of Old West, is polite and prefers to approach problems in a civilized way, like trying to convince the heroes to leave with his reimbursements. However, if you resist his charms and continue foiling his plans, he's willing to show you how vindictive he truly is.

    Films — Animated 
  • Many Disney villains:
    • "I have given me word not to lay a finger or a hook on Peter Pan. And Captain Hook never breaks a promise..."
    • Cinderella: Lady Tremaine. She doesn't often raise her voice and can seem quite pleasant, but she loves the use of Exact Words, is a Manipulative Bastard when it comes to setting her daughters on Cinderella.
    • Maleficent of Sleeping Beauty is a horned fairy with pale green skin - and acts and talks just like the prim high-society lady she bitterly wishes she were treated as. Her worst moment is in Prince Philip's dungeon cell, where she "comforts" him by promising to let him out in 100 years to free Princess Aurora...at which point both he and his horse will be so old and frail they will barely be able to walk.
    • The Jungle Book:
      • Shere Khan has a mock gentleman personality, speaking politely with Kaa while not so subtly threatening him. When he meets Mowgli, he mockingly gives him a 10 second head start because "that makes the chase more interesting... for me."
      • Kaa himself, who promises to protect Mowgli just as he's preparing to crush the boy to death. This goes for Scarlett Johansson's portrayal as well.
    • The Sword in the Stone: The magnificent, marvelous Mad Madame Mim!
    • The Sheriff of Nottingham in Robin Hood is quite cheerful and polite on the surface, but it's just to toy with people. He'll take from the church's poor box, a blind beggar's cup, or a crying child's birthday present, and he'll enjoy every rotten moment of it—all the while asserting in his folksy Southern accent that Prince John sends his best regards.
    • The Rescuers: Percival C. McLeach...
    • The Great Mouse Detective: Ratigan. This is ultimately one of the things, as mentioned above, that makes his Villainous Breakdown all the more terrifying; he puts up a slick and suave exterior, but we occasionally see hints of his feral nature kept just under control...until the final showdown.
      Ratigan: My dear Bartholomew... I'm afraid that you've gone and upset me.
    • Gaston of Beauty and the Beast has few redeeming characteristics, but manages to be entertaining due to being a parody of over-the-top masculinity. Until Belle spurns him once and for all, that is.
    • Jafar from Aladdin is closer to this than to the Affably Evil he's sometimes listed as. Affably Evil might kill you, but it couldn't hurt to sing about humiliating you and make your girlfriend watch, right?
    • The Lion King: Scar acts like a kindly uncle towards Simba while secretly plotting his and Mufasa's deaths.
    • Shan-Yu from Mulan, depending on how you take his mild tone of voice. When the Huns catch two Imperial scouts, he kneels down and adjusts one of their scarves and compliments them for finding the Hun Army. He even lets them go, to tell the Emperor he's coming. And then has one of them shot In the Back. Also when he says that they should go through the village to 'return' a doll to a little girl.
      Shan Yu: Go! Tell your Emperor to send his strongest armies. I'm ready.
      [The two soldiers scurry off, one after the other.]
      Shan Yu: How many men does it take to deliver a message?
      Hun Archer: One.
    • The Hunchback of Notre Dame has Claude Frollo, who affects a caring demeanor towards Quasimodo, acting as though his exile in the belltower is a kindness, saving him from the cruelties of the outside world.
    • Hercules has Hades as its Faux Affably Evil Big Bad. He talks like a used car salesman and makes wisecracks while screwing over everyone as much as possible. That being said, outside of his source material, he acts more Affably Evil instead in comparison to the other Disney villains, particularly in Mickey's House of Mouse.
      Hades: Baboom. Name is Hades, lord of the dead. Hi, howya doin'?
    • Yzma from The Emperor's New Groove. Inverted when, after some of her henchmen are turned into animals, she calmly excuses one of them when he requests permission to leave and even asks if any of the others wish to depart.
    • The Princess and the Frog: "A tip of the hat from Dr. Facilier."
    • Tangled: Mother Gothel's domineering mother act and her general manipulative personality is this in spades.
    • Wreck-It Ralph: King Candy. Oh, King Candy. At first glance, this little Mad Hatter knockoff seems about as harmful as a cube of taffy. But it becomes slowly clear that he's infinitely more malicious than he lets on. It also helps that he's an excellent liar, and savvy enough to have everyone, up to and including the audience, eating out of his palm.
    • Frozen: Prince Hans, as part of his status as The Sociopath. Again, he's good enough to fool the audience.
    • Zootopia: Bellwether puts on a facade of friendliness as a politician and tries to win Judy Hoops over to her side. When Judy refuses to join the anti-predator conspiracy, Bellwether wastes no time trying to engineer her murder by turning Nick savage.
    • Moana: Tamatoa the crab monster. He acts goofy and happily starts singing a very upbeat Glam Rock Villain Song to Moana, then tries to eat her in the middle of it before delivering a savage beating to Maui.
  • Bradley Uppercrust III from An Extremely Goofy Movie. He's polite to team prospects (though passive-aggressive to non-prospects and others) but never means any of it. He's ruthless enough to deliberately endanger his opponents and leave his own right hand man to die.
  • Dreamworks Animation:
    • Fairy Godmother from Shrek 2.
    • Rumpelstiltskin in Shrek Forever After. Right up until his victims sign the Deal with the Devil, he is all politeness and sweet talk. Then he laughs manically at their doomed fate.
    • Lord Shen, from Kung Fu Panda 2, is very pleasant and polite to his enemies, but he doesn't even really attempt to fool anyone that he is a violent monster. When his foes don't heed any of his warnings, he stops the threatening formalities and quickly proceeds to blow anyone up who opposes him.
  • Lord Business, the main antagonist in The LEGO Movie, is a practical embodiment of this trope. It is truly creepy how he can be completely conversational one minute, before descending into pure twisted evil without having to change his mood due to his sheer enjoyment of people's suffering. Of course, seeing as there's always something behind that expression, you can't trust this guy at all as anything he says is either dripping with sick joy at his manipulation of others or crushing wrath if you ever disappoint him. So plenty of treading on an incredibly fine line around him. Just because he's a LEGO figure... The scene involving Good Cop Bad Cop's parents and the inevitable erasure of Good Cop is full-blooded evidence of Lord Business' basis in this trope. Just watch his expressions and behaviour - you will not be able to argue differently.
  • Scarlet Overkill in Minions initially seems to be Affably Evil like most of the other super villains, but after Bob becomes King of England, she quickly drops the act and shows just how affable she really is.
  • The Nightmare Before Christmas: "You'd better pay attention now, 'cause I'm the Boogie Man!"
  • Pixar:
    • Charles Muntz from Up. He's polite and friendly to any visitors he may find...as long as he doesn't think they're after the bird. At that point, he shows just how off his rocker he is.
    • Lotso, from Toy Story 3, anyone?
    • Hopper from A Bug's Life has moments when he acts polite while or after doing something horrendous. While preparing to feed Dot to Thumper, he politely asks her if she's afraid of grasshoppers. After three of his gang ask why they have to go back to Ant Island, he behaves as though he agrees with them - that it would be a better idea to stay home; then he kills them, explaining that they're not returning primarily for food, but to keep the ants in line.
    "Does anybody else wanna stay?"
  • Corpse Bride: Barkis attempts to make himself presentable and tries to put on a charmingly polite demeanor in order to wed Victoria. Even though it's clear to viewers that his intentions are no good.
  • Nigel, the sadistic Dragon-in-Chief in Rio. He rarely outright insults someone, and tends to talk in a calm, friendly manner...while relishing in his villainy and "convincing" someone to be his Mook by dropping them from several hundred feet.
  • The Grand Duke Of Owls in Rock-A-Doodle. As a grand duke, he tries to act sophisticated, but his Hair-Trigger Temper ruins it. Even when calm it's clear his politeness is a façade.
    "Hello, kitty? It's the duke. I'm afraid I have some bad news. Ahem, when the batteries on your friends' flashlights expire, so will they. Good luck with that, cheerio, bye".
  • Rock & Rule: Anyone want a beer?
  • Rothbart from The Swan Princess: He killed the king and kidnapped the titular princess in order to gain control of the kingdom—because he learned the first time around that stealing it was not the way to go, and constantly remains one step ahead of the heroes. If not for blind luck, the main characters would be dead. He's also a Deadpan Snarker of sorts and never loses his temper.
  • The Thief and the Cobbler: Zigzag, the Evil Chancellor. He gives the king a "bountiful maiden" and a massage, and speaks in rhyme—but his "friendly" actions are just for manipulation and to keep the king busy.

    Films — Live-Action 
  • The Butcher in Alex Cross is very polite in his phone conversations with Cross, even addressing him as Dr. Cross. He never raises his voice, and he expresses admiration for one of his victims' ability to withstand pain under the torture he inflicted on her.
  • Reno Smith is nice to Macreedy in the beginning of Bad Day at Black Rock.
  • Jack Nicholson's portrayal of The Joker in the Tim Burton Batman movie qualifies as this, like in his scene with Vicki at the museum and his scene with Bruce and Vicki at Vicki's apartment.
  • Christopher Walken again in Batman Returns. His Max Shreck is a master at balancing his dual roles of gentleman and thug, acting just menacing enough to be chilling while also being just charming enough to let you know that no one would ever believe you if you ratted on him. Like when he catches Selina Kyle looking over his secret - and illegal - plans to stockpile electrical power:
    Max: Who would you say this to?
    Selina: [nervously] Nobody.
    Max: What did... curiosity do... to the cat?
    Selina: I'm no cat. I'm just an assistant. A secretary.
    Max: And a very good one.
    Selina: Too good?
  • In Big Game, Hazar acts very friendly and professional when explaining to a hapless tour guide that he's about to shoot down a passenger plane, that he's going to kill the guide and that the man better start running. He retains the disposition thoughout the film.
  • Karl in Blackout 2008 film.
  • In Cabin by the Lake, Stanley is a reclusive but popular member of the community and acts like a good-humored horror fan at the local film club's movie screenings. It's a mask, as he's actually an emotionless psychopath who murders women for his own amusement.
  • In Chinatown, this is the facade that Noah Cross hides behind. Beneath, Cross is a living example of what a man is capable of doing if he had no moral scruples and no law to stop him.
    Cross: See, Mr. Gittes, most people never have to face the fact that, at the right time, and the right place, they're capable of ANYTHING.
  • Alex DeLarge in A Clockwork Orange.
  • Peter Stormare as Lucifer, in what's easily the best scene of Constantine. Lucifer manages to be hilarious and genuinely creepy at the same time.
  • Creepshow: Richard (played by Leslie Nielsen) from "Something to Tide You Over" puts on a friendly facade as he's extracting his revenge. He talks to Harry almost like he's meeting an old friend he hasn't seen in a while, while arranging to bury him alive and drown him and gloating about how he already murdered his wife.
  • Kathryn Merteuil of Cruel Intentions. She's like the Lady Macbeth of the Upper East Side. Makes smug little pronouncements that make you want to strangle her in the most demure, ladylike tones imaginable. Her act does break down occasionally when she's particularly angry, allowing the Psychopathic Womanchild in her to emerge.
  • A pretty blonde Southern woman in C.S.A.: The Confederate States of America (which is based on the premise that the South won the Civil War and slavery has survived into the 21st century) hosts a slave auction on the Internet and delightfully coos over some cute "pickaninnies"—black children being placed on the auction block. Probably intended to be Affably Evil—or, come to think of it, just plain affable—in-universe, but due to Values Dissonance, it's more this trope for us.
  • In Cube Zero, Jax behaves like a jolly enforcer of the sinister government and maintains a pleasant but scornful demeanor while he murders people and hunts down his human lab rats.
  • Bane, the villain in The Dark Knight Rises, is terrifyingly brutal and utterly merciless. But he sounds like Patrick Stewart after four martinis and a large dose of Ecstasy, calm, polite, and friendly... even when he's crushing your skull.
  • Death Proof. While stalking his victims, Stuntman Mike takes the guise of a cheesy but occasionally charming guy to hide being a murderous pervert. After getting run off the road, he tries to give his second batch of would-be victims a cheery salute for surviving, but they're not playing around.
  • Simon Phoenix from Demolition Man seems like a real fun guy to be around. Too bad he's a psychopath who'd probably maim you twice for shits and giggles. Think The Joker in the body of Ruby Rhod.
  • Die Hard: Hans Gruber puts on a friendly persona, but it's all an act. While he does get a couch for a pregnant lady giving birth, it's simply so he and his men do not have to deal with her screaming. He later forces the woman up to the rooftop with the other hostages to kill them, all for some money.
    Gruber: Mr. Takagi. I could talk about industrialization and men's fashions all day, but I'm afraid work must intrude, and my associate here has some questions for you.
  • Calvin Candie of Django Unchained. Charming, cheerful, and all-around Southern Gentleman...and his Establishing Character Moment has him gleefully watching a pair of slaves beat each other to death. He's also freaking horrifying when he loses his cool. Comparing Candie from when he is happy to when he isn't illustrates the difference between Affably Evil and Faux Affably Evil; the latter is possibly best exemplified when, after Steven exposes Django and Schultz's scheme he maintains his demeanour in a rather more sinister tone to put them on edge, before flipping into Chewing the Scenery-level anger and threat-making, and then alternating between the two states to scare everyone, during all of which he is never actually rude, and he never fails to use "mister" or "doctor" when addressing his fellow white men. His Evil Gloating after his victory also takes this form, as he offers Schultz dessert and cites Southern courtesy as the reason for his insisting that Schultz shake his hand, but here his courtesy is clearly for the purpose of rubbing Schultz' defeat in his face.
  • Jason Lee as Azrael in Dogma. "I'll have a...Holy Bartender."
  • Downfall depicts Adolf Hitler like this. Hitler is initially polite and affectionate to the people in his Fuhrerbunker as well as all the poor souls fighting and dying outside for his doomed philosophy. As the film progresses, and his situation gets progressively worse, the psychotic, petty and cruel mass-murdering monster becomes more apparent, as does the fact that his friendly persona is a calculated ruse designed to seduce his subordinates into joining him in death out of guilt or a tragically misplaced sense of loyalty. It did backfire somewhat as some Moral Guardians did criticize the film for depicting Hitler as "too sympathetic".
  • Agent Kruger from Elysium can act pretty playful and chatty while stalking and brutally maiming his prey. That and when he interrogates Frey, he tells her to cover the eyes of her daughter, because he doesn't like to commit violence in front the kids.
  • In Ex Machina, Nathan often affects false sympathy or concern to torment his robots, although he does it to Caleb too on a less frequent basis.
  • The Great White Hype: Sultan. But then he is a Don King Expy
  • Halloween III: Season of the Witch: Conal Cochran is the owner of a mask company, and seems nice at first, but it turns out he wants to kill millions of children. nHe leaves the hero in a Death Trap to die, telling him "Happy Halloween". When he's defeated, he slowly claps his hands, hinting at being a Graceful Loser, however, it's revealed he left a little present for the main character.
  • The Hobbit:
    • The Goblin King in The Hobbit: An Unexpected Journey, while thoroughly unpleasant and evil, is rather jolly and articulate. Gollum is another example because no matter how cheerful and enthusiastic and adorable he is, he still intends to eat Bilbo.
    • And of course, Smaug himself in The Hobbit: The Desolation of Smaug, true to his portrayal in the book: eloquent, intelligent, and actually a rather polite conversationalist. Though whatever you do, do not insult his vanity, because he is downright terrifying when angered.
  • Eddie Quist, werewolf serial killer of The Howling. "Go on, bright boy. Call it a gift."
  • Snow's previous interactions with Katniss were those of an extremely ruthless, but ultimately pragmatic man who really was trying to minimize bloodshed for everyone and had some level of respect for her. In The Hunger Games: Mockingjay Part 1, in his video conversation with Katniss, he drops the façade, gloating and mocking her motivations while sneering and grinning, yet remains polite and formal.
  • Inglourious Basterds has Col. Hans Landa who personifies this trope. "Oooh! That's a Bingo! Is that how you say it? That's a Bingo?"
    • In his first scene he actively does his best to be the perfect guest to Monsieur LaPadite asking for permission to smoke, sit, ask questions of LaPadite, speak in English and also compliments the flavor of the milk he's given. Hans even shows his viewpoint on the Jews saying he doesn't like the propaganda against them.
    "If the Jews were compared to an animal it would be the rat. I, however, don't see it as an insult. (brief pause) Consider the environment of a rat. It is undoubtedly dangerous and unfriendly yet they survive which I find rather inspiring."
    • In every situation where he showcases his (extremely exaggerated) politeness and cheerful disposition, both he and his counterpart are perfectly aware that Landa is a clear and present danger. Landa is a master interrogator, and his prime technique is to put his victim in a number of the most uncomfortable situations possible, all the while blocking their "escape" by behaving as if his companion is thoroughly enjoying the conversation. He pointedly ignores any non-verbal signs of distress from his victim, while forcing him or her to respond in kind - thus preventing any form of retreat, either polite or defiant. Should the victim try to break off the conversation, it would be the victim who transgressed - and that would sink him/her even deeper. Landa even pushes his method to the limits for his own enjoyment - such as when he laughs hysterically, mocking the explanation of von Hammersmark's broken leg (only to apologize a second later), or pours a round of wine, perfectly amiably and as a gesture of peace... to his handcuffed charges. In the latter case, he doesn't even have to savor the wine - quite the opposite, that would make him a petty villain; the fact he didn't even touch his glass makes the gesture even more disconcerting. Not only does his affable manner lets him drive the knife as deep as he wants - it allows him to utterly confuse his victim and make every new strike a complete surprise. In the end, the only characteristic of his that makes him seem Affably Evil is his very insincere Heel–Face Turn, wherein he is willing to help assassinate Hitler himself (and succeeds, too) in exchange for amnesty and a and American citizenship, including a nice house in New England.. He has a few Even Evil Has Standards qualities, however. While he does slowly put La Padite into a corner and force him to give up the Dreyfuses, he does offer him the opportunity to give them up even though he already knew that La Padite was hiding them, when he could have simply had both families killed instead. It's also implied that he keeps his end of the bargain and leaves the Padites alone after killing the Dreyfuses, and he is genuinely horrified and enraged when Raine callously kills Hermann the radio operator.
  • Mitch Leary (John Malkovich) in In the Line of Fire, who slyly pretends that Agent Frank Horrigan (Clint Eastwood) is his friend in their phone conversations, but is really sneering at him most of the time.
  • In the movie version of Into the Woods, The Wolf. It's even lampshaded by Little Red Riding Hood's song later: "Nice is not the same as good!"
  • Mr. Potter (no, not that Potter) from It's a Wonderful Life acts all friendly in a Smug Snake kind of a way, especially when he tries to get George arrested for fraud.
  • James Bond:
    • Max Zorin in A View to a Kill. He gives a knowing wink to his Femme Fatale when she's killed someone. Completely coldly gun down her associates later. Laughs when he realises he's about to die. Is played by Christopher Walken, with all the hamminess it brings. Might have been played by none other than David Bowie.
    • A lot of James Bond villains are this. They have an outwardly cheerful, friendly and/or suave personality, yet when things don't go their way, their true colors are revealed—be it Auric Goldfinger having Jill Matherson killed by painting her goldnote  after Bond catches him cheating at cards, Franz Sanchez beating his girlfriend and ruthlessly killing those he thinks have betrayed him and Le Chiffre becoming a desperate wreck and torturing Bond in order to get his money back.
  • John Wick: Chapter 2: Santino seems amiable at first and even admits to being reluctant to push John back into service. However any politeness is quickly proven to be false and delivered with a smarmy backhandedness after it's revealed that Santino wants John to kill his own sister. After the job's complete he takes a hit out on John jokingly saying: "What kind of man would I be if I didn't avenge my sister's murder?"
  • Jurassic Park:
    • Vic Hoskins, the human villain of Jurassic World. He acts as amiable and friendly as possible, but it's very obvious from his interactions with others that it's all just a means to an end. Even the people he works with realize it. Just as a testament to how rotten he is underneath this friendly exterior, he has the gall to fake sympathy after his Benevolent Boss (and several innocent people) suffer death by panicked pterosaurs and then use the incident to his advantage and further his plan to use raptors as war machines.
    • Predating Vic is Peter Ludlow, the human villain of The Lost World: Jurassic Park. While his deference to Ensemble Darkhorse Roland Tembo and his relatively light-handed treatment of the hired mercenaries in his employ may seem to qualify him for Affably Evil status, the first scene he appears in makes it clear he is a stock Corrupt Corporate Executive who has been plotting for years to usurp his uncle John Hammond. He also unapologetically admits to slandering Dr. Malcolm's reputation in the public eye to discredit his expose of the original Jurassic Park incident. Ludlow's priorities become clear in the final act, when he insists on capturing Rexy and her baby and bringing them back to the mainland which sets in motion the T-Rex rampage through San Diego.
  • The Villain Protagonist in The Killer Inside Me never loses his puppydog eyes, southern drawl and gentlemanly ways, even when he's beating someone to death.
  • Richie in Killshot. Unlike the more calm and reserved Blackbird, Richie is playful and generally puts on a humorously cheerful front. This is all because he's an utterly perverted sadist with no sense of nobility using killing as fun and game.
  • Timothy in The Long Kiss Goodnight.
    Mook: [over the radio] I'm hurt real bad, I think I'm dying...
    Timothy: [annoyed] Continue dying. Out.
  • Reynauld de Chatillion (the leader of the Templars) from Kingdom of Heaven is always polite, even with a bloody sword in his hand, which doesn't keep him from being both a Jerkass and The Fundamentalist.
  • In The Last King of Scotland, Ugandan dictator Idi Amin behaves like this after the protagonist impresses him. Over the course of the film he acts friendly to the man because he likes his Scottish ancestry (Amin is a bit of an Anglophobe) and generally seems like a visionary modernizer if also a boisterous fellow. However, his friendliness turns out to be a mask which gradually unravels, as he's slowly revealed to be a paranoid, psychopathic despot. Whatever affection he does show Garrigan is mixed with a godawful amount of emotional manipulation, and Garrigan eventually realizes that he's simply a pet to which Amin has momentarily taken a liking, not a friend. Amin tries to torture him to death when Garrigan betrays him for his atrocities.
  • Marathon Man: Dr Christian Szell is a greedy, sadistic Nazi who speaks like a grandfather telling his son stories about the war. He even maintains this tone while torturing Babe in the infamous "is it safe" scene.
  • Marvel Cinematic Universe:
  • X-Men Film Series:
    • Magneto with Xavier. They still play chess games together a good 40 years into their conflict with each other. Hell, if you are on his side, he is rather chatty and friendly to you. If you aren't on his side, he can be downright terrifying and still sound unfailingly polite. When Pyro expresses disappointment that he wasn't the one to kill Professor X, Magneto gives him a rather grandfatherly talking-to... with an unspoken, but very real assurance that the next ill words Pyro speaks of Charles Xavier would be his last.
    • X-Men: First Class:
      • Sebastian Shaw is impeccably polite even when he's going to kill your mom. When he murders people who have slighted him, it's based more on principle than any outright anger.
    • In X-Men Origins: Wolverine, Stryker is very polite and charming, often calling Wolverine "Old friend". This doesn't change the fact that he's unrepentantly homicidal and manipulative.
    • The Wolverine:
      • Viper talks in a polite and seductive tone when discussing her evil plans.
      • Ichirō Yashida continues to discuss philosophy and talk like a kindly grandfather even as he is literally sucking out the life of Wolverine. He also seems to genuinely want Logan to find peace in death.
    • X-Men: Apocalypse: En Sabah Nur recruits mutants he considers strong enough to be worthy, names them his "children" with affection, and promises them privileged positions in his new world. The moment they underperform, he brushes them off with a contemptuous "Useless." It's cold enough to break the pedestal that Storm put him on.
  • Iron Man: Most of the villains Tony Stark faces are deceptively charming.
    • Iron Man: Iron Monger/Obadiah Stane, especially in the scene where he's talking to Pepper Potts. He's as affable as always, but she doesn't know whether he's just making small talk or interrogating her.
    • Two in Iron Man 2: This continues with Ivan Vanko. In battle, Vanko lets his rage and vengeance run wild, but in the few brief conversations he has with his nemesis, Tony Stark, he is measured and almost friendly, bantering and taking technical advice from Tony, who he likely sees as a Worthy Opponent. One can't help but chuckle at the casual, almost friendly way he talks as he threatens Tony over the phone.
      Ivan: Hey, Tony! How you doin'? Heh heh. I double cycle.
      Tony: What?
      Ivan: You told me "double cycle, more power." Good advice.
      Tony: You sound pretty sprightly for a dead guy.
      Ivan: You too... Ha ha!
      • Justin Hammer will act like your best friend when it's clear he can't stand your guts.
    • In Iron Man 3, Aldritch Killian comes across as a classy guy, but all he cares about is getting back at Tony for standing him up 13 years ago.
  • Thor: Loki has a good sense of humor, and is calm, eloquent, and unreasonably charming in his saner moments, though when he actually loses his cool, he does it with a certain amount of grandeur.
    • Ultron is calm, eloquent and has a quick wit, but wants to wipe out the entire human race for the crime of not being perfect. He lied to his allies, showing that he views everyone as pawns for his master plan. He kidnaps one of the Avengers, casually converses with them and tries to freak them the hell out by ripping off his own head. In the end Ultron chats with Vision before deciding that he can't stand him and attempts one last attack.
  • Some of the best conversations in The Matrix trilogy are between Neo and Faux Affably Evil Agent Smith, who famously insists on calling Neo "Mr. Anderson" even in the thick of battle. One of the best, from Reloaded:
    Smith: Now here I stand because of you, Mr. Anderson; because of you I'm no longer an Agent of the system, because of you I've changed, I'm unplugged, a new man, so to speak; like you, apparently free.
    Neo: Congratulations.
    Smith: Thank you.
  • Imohtep from the first two Mummy films occasionally seems to be a fairly polite, friendly guy. However, he is really a monster to people he needs to drain and/or who get in his way. And he even lied about sparing Rick O'Connell and his friends when they're forced to turn in Evey to him, only for him to order some brainwashed followers to go ahead and kill them.
  • Freddy Krueger, the main monster of A Nightmare on Elm Street. He's good at making a sardonic joke every now and then, but he's scary, at least partially because of it. This is more apparent in the sequels — in the first film, he doesn't talk much.
  • Frank from Once Upon a Time in the West is a great example. He is a ruthless and sadistic murderer who behaves in a likeable and reasonable way when he's not angry or killing people.
  • Esther Coleman or better said, Leena Klammer from Orphan. She is a skilled actress, able to convince others she is a sweet, kind little girl. She's not.
  • In Paddington, Millicent maintains a soothing maternal tone, even when talking about how she is going to kill and stuff Paddington, who she is conversing with.
  • Xander Drax, the Diabolical Mastermind of The Phantom. He really does seem to be Affably Evil...right up until he puts out an innocent man's eyes to teach him a lesson about not talking to reporters, then snaps the guy's glasses in half and laughingly says, "Well, won't be needing these anymore!"
  • Manfred von Karma is edged towards this in the Phoenix Wright: Ace Attorney live action movie. The murder trial against Edgeworth even starts out with him introducing himself to Phoenix and basically saying "May the best man win". And as anyone who played the game would know, it turns out the entire thing was one long plan to get revenge on Edgeworth.
  • Prime Cut: Gene Hackman's Big Bad acts friendly and jovial at public events like the country fair, but in private he is vicious and psychopathic.
  • Jules in Pulp Fiction plays this trope to the hilt in the scene in which he acquires the briefcase. Jules acts chipper and polite toward a bunch of young men who are clearly terrified of him and know that he's there to do horrible things. He starts politely imposing himself, aware that they have to agree to his requests to continue his friendly facade. Even after shooting one of the men, he continues acting polite until he finally breaks into scenery-chewing villainy.
  • The gang leader from The Purge is this. He is extremely polite when speaking with the Sandins, and never swears. He's even listed in the credits as "Polite Leader". He also wants to kill an innocent man for fun.
  • Mr. Blonde from Reservoir Dogs happily chats along with the other members of the gang, cracks jokes, never raises his voice once or use many bad words in the same breath as he explains how he executed an unarmed 20-year old girl for touching the alarm of the jewelry store they were robbing, and sings and dances along to a song played while he's cutting someone's ears off for the hell of it. It underlines that he is The Sociopath and doesn't really care about his fellow robbers or any of the stuff he's doing.
  • The Sheriff of Nottingham, as played by Alan Rickman in Robin Hood: Prince of Thieves, embodies this trope to such an extent that he more or less uses the line as a skipping rope. He makes Attempted Rape look funny!
  • Detective Mark Hoffman in the Saw series. His affable demeanor is fooling until you've witnessed his true colors under the Jigsaw persona which will pretty much show that his entire affable side's pretty much an act to lower suspicion.
  • Se7en: John Doe is extremely polite for a Serial Killer, but this just highlights how creepy he is.
  • Sheriff Sabin, the third villain of Shark Night seems very nice before being revealed to have been Evil All Along. Even after he's revealed as a bad guy, he acts nice toward Nick, offering to play him his favorite song as he is fed to a tiger shark.
  • Sholay: Gabbar Singh will often toy with his victims for fun, all the while maintaining a grandiose veneer of affability. For instance, he'll loudly laugh along with the rest of his gang before spontaneously executing a group of them for messing up their mission.
  • Maxim Horvath from The Sorcerer's Apprentice. He's polite. He's charming. He's impeccably dressed and well-mannered. He's witty, intelligent, clever, well-read, culturally literate, and erudite. And he's perfectly willing to slaughter much of the planet's population as part of his plan.
  • The main villain of The Spirit, the Octopus, has shades of this. He talks to the hero like an old friend, even while having him tied up and detailing his plans to torture him. His reactions to his own bizarre Mad Science is pretty mundane, too.
    "Now that is just plain damn weird. Don't you think that's just plain damn weird?"
  • Nero from Star Trek has his share of killer lines, despite, for the most part, being a humourless Omnicidal Maniac. For example, his response after giving Starfleet a whooping:
    Pike: This is Captain Christopher Pike of the Federation Starship Enterprise.
    Nero: Hi, Christopher. I'm Nero.
  • Star Wars:
    • In Revenge of the Sith, Chancellor Palpatine, until, suddenly, he isn't.
      Palpatine: Good, Anakin, good. Kill him.
    • And when he's tempting Luke in Return of the Jedi:
      Palpatine: Oh, I'm afraid the deflector shield will be quite operational when your friends arrive...
    • Also, Grand Moff Tarkin in A New Hope:
      Tarkin: Charming to the last. You don't know how hard I found it, signing the order to terminate your life.
    • Tarkin's rival, Orson Krennic, is no slouch at this either. He puts on a show of politeness and has a surprisingly non-terrible sense of humour, but as soon as anything goes against him, his anger comes to the forefront and he starts having people killed brutally.
      Krennic: We were this close to providing peace and security for the galaxy.
      Galen Erso: You're confusing peace with terror.
      Krennic: Well, you have to start somewhere.
    • Count Dooku, at least in Attack of the Clones; he's clearly more respectful towards the Jedi than they are towards him.
    Dooku: It's a great pity that our paths have never crossed before, Obi-Wan. Qui-Gon always spoke very highly of you. I wish he were still alive; I could use his help right now.
    Obi-Wan: (With quiet fury) Qui-Gon Jinn would never join you.
    • He shows it by slyly delivering the right amount of hints to Obi-Wan in order to plant the seed of division among the Jedi while painting himself as the good guy. Notice how his behavior in the scene he shares with Obi-Wan is very different to the way he behaves in any other moment of the movie or Revenge of the Sith. (Indeed, in the Sith novelization an extended section taken from his point of view has him musing, though not in such terms, that he's a sociopath.)
  • M. Bison in the live action Street Fighter film. Raul Julia is just grand; the way he talks about World Domination makes it clear that he thinks it's the most natural thing in the world. He also wonders, in apparent seriousness, why people think he's a villain; he has a chandelier of human bones.
  • In Taken 2 the Big Bad Murad has a trope-defining conversation with Lenora, where he politely tells her that he knows she is completely innocent in his grudge against her husband and that he admires her bravery, for which he is going to send her home...in pieces.
  • The Shredder from Teenage Mutant Ninja Turtles (2014). He talks to Splinter and the turtles like old acquaintances he's happy to see again, though it's very clear he'd all the more delighted to kill them once he doesn't need them anymore.
  • Even Zorin might have been creeped out by one of Walken's lesser-known but still memorably malevolent characters: James Houston, the Manipulative Bastard of the direct-to-video low-budget film Vendetta. A filthy rich New Orleans plantation owner in the 1890s who desires to become even richer, Houston has no qualms—absolutely none—about (secretly) instigating two incidents of ethnically charged street violence (namely, the assassination of the city's police chief and a mass lynching of Italians) just so he can take over the profitable immigrant businesses down on Decatur Street. Completely shameless and with about as much emotional capacity as a mannequin—and gets a literal Kick the Dog moment as he watches a staged dog fight and takes an almost scientific interest in how the weaker dog realizes it is beaten and rolls onto its back to allow its throat to be torn out. The worst part? James Houston was a real person...and never got any sort of comeuppance for his part in one of the bloodiest race wars in U.S. history, as the movie's epilogue explains.
  • Virtuosity's Sid 6.7 is a better Joker than most portrayals of the Joker (and has a natty purple suit to match). At one point, he decides to make music from the assorted screams of his terrified hostages. Loves his work.
  • Pablo Chacon from We're the Millers, who tends to banter with the Millers at gunpoint, as if he might actually spare them, only to reveal he plans on killing them no matter what.
  • In most of the Wishmaster movies, the Djinn puts up a pleasant veneer towards his victims while preparing their agonizing deaths. He tends to drop the façade when he switches back into his true demonic form because then there's just no point in even pretending, especially towards the end, when he loses his patience with victory so close in his grasp.
  • Mick in Wolf Creek. Don't let his welcoming Crocodile Dundeeish mannerism fool you. It's a trap. He's a Serial Killer and has got more in common with Hannibal Lector than with Crocodile Dundee.
  • The Blank version of Oliver Chamberlain from The World's End.
  • Despite his massive ego, God king Xerxes of 300 fancies himself as "kind". To this end, he tries to be genuinely Affably Evil. Xerxes even congratulates king Leonidas for his efforts and offers to let him keep his rule over Greece as long as he works for him. However, his act starts to slip when he has half his generals executed for a minor failure. Xerxxes act is broken for good after his Villainous Breakdown when Leonidas manages to make him bleed.
  • TRON: Legacy: CLU is completely affable and polite with Sam from the beginning, and his personal moments of violence always appear to be casual afterthoughts, as in when he is blowing up the End of Line Club, or yelling and slamming his hands into the table at Kevin Flynn's home, making something of a mess, or de-rezzing Jarvis after a last-straw moment of incompetence after a long string of mild-to-major failures. The rest of the time, he is cool, calm and collected, and polite. After all, his most oddly polite line to Sam is "So, you like bikes." complete with a pleasant smile.

  • In Across the Universe, this fits Luther. He hides the joy he takes in inciting unrest among the already unhappy population of Godspeed and love of rape with a pleasant public demeanor. One rather creepy scene has Amy (who Luther had been stalking and trying to rape) bump into him in public. She's in disguise and he doesn't recognize her, so he nicely asks her if she'd like to come see a protest being set up. The instant he figures out who she is, he begins to act terrifyingly predator-like around her.
  • Blood Meridian: Judge Holden is a pleasant and extremely learned man who never fails to entertain his comrades. His comrades are a mercenary army that does ethnic cleansing (specifically of Indians) for hire, and even among this band of murderous psychopaths, the judge's atrocities eclipse them all; he is a mass murderer and a pedophile motivated by nothing but the infliction of pain, and he's probably a Humanoid Abomination to boot.
  • BlueBeard: The title character seems like a charming young gentleman... than we discover he is a Serial Killer.
  • From the Chroniclesof Narnia: The White Witch, Jadis, demonstrates a personality like this in both The Lion, the Witch, and the Wardrobe and The Magician's Nephew. In the former, she ensnares Edmund with food and drink and promises of power. She is far subtler in the latter, however, with words so honeyed you could hardly believe so "fierce" a person had said them. Her affability and feigned concern for Digory's mother nearly succeeds in persuading him to disobey Aslan, but her genuine lack of concern for anyone that isn't useful to her trashes the whole thing.
  • Alex, the Villain Protagonist of A Clockwork Orange, is a Wicked Cultured young sociopath who'd gladly mug your grandfather or rape your wife but wouldn't dream of being impolite... that is, with the exception of certain situations. Regardless, he's more than happy to make pleasant conversation while he beats the elderly into near-death or rapes ten-year-olds, assuming the dog doesn't try to bite back.
    Alex: [rips the book out of mug victim's hands] Excellent, really first-class. But what is this here? What is this filthy slovo? I blush to look at this word. You disappoint me, brother, you do really.
    Victim: But— but— but...
  • Uriah Heep may well be literature's most triumphant example of this trope. Even as he openly hints his scheming to the main character, he constantly put on a fawning, "'umble" air.
  • In The Death Gate Cycle, Sang-drax treats Haplo like an old friend, and it's made clear he does it just to mess with him rather than out of any feelings of genuine affection. He's also shown to be capable of sounding positively cheery when describing the Fate Worse Than Death his people have planned for the whole universe. Genuinely thwart his plans, though, and he gets very nasty very quickly.
  • Jack the Ripper in Alex Grecian's The Devil's Workshop, who thinks that he's doing his victims a kind of favor, and sometimes expresses concerns about their comfort or state of mind.
  • Discworld:
    • In Carpe Jugulum, the vampire Count de Magpyr actually thinks he's being Affably Evil, or Above Good and Evil, or not evil at all. He's just being "reasonable" while dominating, destroying and enslaving others, and acts with apparent politeness. His mind-controlling powers can make people actually believe he is that nice, even when he's talking about blood-sucking arrangements. His family is similar, except for Lacrimosa, who's a sadistic teenager with no patience for being "nice".
    • Carcer in Night Watch is an unrepentant serial killer who will gleefully deny all responsibility for his crimes with a charismatic grin, and then casually stab you between the ribs before you can argue.
    • Mr. Teatime can be this way. Especially in the Sky1 Hogfather TV film.
  • In Bram's Stoker Dracula and most of its adaptions, the Count gives a polite and inviting first impression, if somewhat unsettling. The guest usually dismisses the last part under cultural/foreign differences.
    Dracula: Welcome to my house! Enter freely and of your own will. Go safely and leave something of the happiness you bring.
  • In Dragon Bones, high king Jakoven. Acts all nice while reminding people that he knows where their family lives, and how terrible it was if anything happened to them.
  • The Dresden Files
    • Nicodemus is a 2000 year-old human who made a pact with a Fallen Angel to essentially inflict as much misery and pain on the world as he could; in his own words, he believes in Armageddon as less of an event and more of a mindset, one that he wants to share with the world. He is also incredibly polite and friendly and civil, even while he's got you tied up and offering you a choice between recruiting you for his organization or getting your throat cut. The affable demeanor hides a genocidal monster and doesn't waver even when he's getting ready to unleash a deadly plague across a country or while his minions are kidnapping and torturing a twelve-year-old girl.
    • Even more so Duke Ortega of the Red Court. Nicodemus is polite whenever he has no reason not to be, generous when it costs him nothing, and appreciates the "artistry" of a classical painter and a serial killer on equal terms. Ortega is a pure barbarian who has spent his unlife carefully learning to pretend to have ethics, manners, and reasons for his actions beyond the basic infliction or avoidance of pain for those times the fiction proves useful.
    • Virtually everyone in the Winter Court who's not too savage to have a conversation with has this going on.
  • In Fool, a Perspective Flip retelling of King Lear, Edmund starts the play as a fairly open Jerk Ass, but partway through he has an offscreen epiphany that his attempts to be a Manipulative Bastard Chessmaster would probably be more successful if most people weren't repulsed by him and his company, leading to the page quote where he discusses this trope with the book's protagonist.
  • Harahpin gives us Korganest, who is pretty polite when he converses with his victims, which makes it all the more terrifying when he suddenly raises his weapon and strikes.
  • In Harry Potter:
    • Voldemort exhibits this trait a few times, mostly in Goblet of Fire when he makes some terrible "hand" puns to Wormtail during a related task. From what the reader sees of his younger days, he was even more of this trope before his sanity was completely gone.
    • Dolores Umbridge is worse than Voldemort, and possibly more hated to boot. She makes Hogwarts into a dictatorship, but her office is decorated with gambolling pictures of kittens, and she wears knitted sweaters and bows in her hair. This is magnified by the fact that while Voldemort does his terrible deeds towards an end with some sort of magnificence, and was prepared to embrace his pure-blood enemies as allies if they turned, Umbridge merely gets off on her ability to make people suffer.
    • Lucius Malfoy is also an example. His tone is almost always even and coolly polite, but his words tend to range from mildly to extremely insulting to whoever he's talking to.
  • In Exile's Duology (Heralds of Valdemar), Lord Orthallen straddles this, most vividly seen (or not, rather) when he was acting as Selenay's confidant.
  • President Snow of The Hunger Games. He speaks to Katniss in a polite manner while threatening to have her and her loved ones killed if she makes a mistake.
  • The In Death series: A number of the murderers in the series are very much this. Sure, they will act like they're so nice and polite, but that is just an act. A number of them are The Sociopath, which might explain it.
  • The Gentleman With the Thistledown Hair, from Jonathan Strange & Mr Norrell. The scene where he's so happily, enthusiastically telling Steven Black how many people he's had to kill in order to try and restore his true name to him makes him seem like a big, friendly, amoral murder-puppy.
  • Nicolae Carpathia, The Antichrist from Left Behind, initially seems to be the humblest, most empathetic Son of Satan you'd ever meet, and comes across as a Well-Intentioned Extremist at worst. However, this is all entirely an act; in truth he's a completely self-centered sociopath and a two-dimensional thug. The movie version of Nicolae actually appears to be more genuinely Affably Evil, although still a ruthless megalomaniac.
  • Legacy of the Dragokin: Man in Shadow is casual and affable at all times, even when threatening to rape the person he's talking to. By the way, said person was already a victim of rape and he might have known this.
  • Malazan Book of the Fallen:
    • Shadowthone can be rather friendly, when he's not yelling in exasperation or giving deadpan sarcastic commentary, though the patina is thin and he can go from calm and threatening to shrieking mad in seconds.
    • Clip tries for this during the events of Reaper's Gale while travelling with Silchas Ruin's group, chatting affably about non-consequential things, affecting politeness and pretending not to notice the stealth insults he throws around. At the same time, Clip does not even try to hide that he's an assassin and drops the act as soon as there's no one he can rile up with it anymore.
  • General Zaroff from The Most Dangerous Game actually starts off as genuinely Affably Evil, but he quickly slides into Faux Affably Evil. When the protagonist Rainsford arrives at his home, he lets him dine with him, complements him on his book, shows respect for a fellow big game hunter, and reveals he has turned to hunting humans. He forces Rainsford to be his next prey, and still acts polite the whole time.
  • The Phantom of the Opera: In the original book, Erik explains how he pulled the Practical Joke on Carlotta with his Ventriloquism and then he casually uses it to prank Raoul and the Daroga in the Torture Cellar.
  • In the Redwall series, Ferahgo the Assassin is this. As the narration puts it, he "smiles a lot, but he never jokes".
  • Roderick Whittle, aka Jack the Ripper, from Richard Laymon's Savage, has this as a Mask of Sanity.
  • Scary Stories to Tell in the Dark: Samuel Blunt of Wonderful Sausage is described as a "fat and jolly butcher". Said "fat and jolly butcher" kills people and grinds them into sausage to serve to his customers. There is nothing truly jolly about him.
  • The Supreme Custodian in Septimus Heap has mannerisms and charisma, but readily throws people he dislikes into jail and is otherwise a pretty nasty person.
  • The Sisterhood Series by Fern Michaels: Henry "Hank" Jellicoe, despite having elements of Affably Evil, might actually be this. Cross Roads reveals that he is at least a He-Man Woman Hater and at most a Straw Misogynist. He treated his wife Louise like she was just a servant and didn't care if she overheard his conversations on the illegal dealings he made. She managed to escape him, and he has never been able to find her. He very much wants to kill her for having the nerve to leave him years and years ago!
  • A Song of Ice and Fire:
    • Roose Bolton is always polite and soft-spoken, and has a rather amusingly dry sense of humor when in company — to the point that most nobles who don't know him that well assume he's the Affably Evil man he appears to be. Smallfolk learn better very quickly. He's a cold-blooded sadist who can casually threaten to cut off a child servant's tongue for talking too much, who can calmly discuss tortures or rapes he's performed, and who allows his son to rape and torture as much as he wants, as well. Just so long as it doesn't interfere with his plans.
    • Speaking of Ramsay Bolton... He can really turn the charm on when he wants to, in a rather folksy kind of way. However, unlike his dad, he can't sustain it for more than an evening, tops. His inner monster is all too easily brought to the surface for all to see at even a hint of potential fun.
    • Littlefinger sits uneasily between this and Affably Evil. He always has a joking, flippant attitude even around people he's about to backstab (which is everyone), and that does seem to be genuine to the extent that he acts the same way around those he (probably) isn't plotting against. What makes him more Faux Affably Evil is that he seems to lack genuine emotion and empathy toward others; even when he's helping somebody, it seems to be more for selfish reasons of wanting to have them around for his own sake, rather than genuine concern for their well-being.
  • Star Wars Legends:
    • During Galaxy of Fear the Big Bad, in his first appearance outside of Villain Opening Scenes, is condescending, looks at an infected girl like she's a piece of meat, and does some quite heartless things. But for the most part he also radiates mocking friendliness, praises the resourcefulness of the heroes—even though that admiration turns to rage whenever they thwart him—and exits the book with an "Excuse me once again."
    • In Star Wars: Kenobi, Jabba the Hutt and his thugs. Jabba himself is an unseen presence in the story, but he maintains a townhouse in Mos Eisley to give the impression of a benevolent interest in city affairs. His accountant Mosep Binneed meets Orrin there and puts on an air of paternal concern as they go over Orrin's swelling debt and he makes thinly veiled threats of torture and death if it's not paid off.
  • Tortall Universe
    • The Big Bad of the Song of the Lioness quartet, Duke Roger. He plays up the What's Up, King Dude? angle by telling the pages to be informal with him and acts like a Cool Uncle to Jon... while plotting to kill him so Roger is first in line for the throne again. George calls him Alanna and Jon's "smilin' friend" and Alanna is suspicious of him for being too friendly.
    • Ozorne in Emperor Mage plays nice for much of the book, being very civilized and sometimes personable around the delegation from Tortall. While this is genuine around Daine because she helped his treasured birds, but every other character, even her monkey friend Zek? His true colors are without any warmth at all. Hints of this trope show in the next book, but they stop by the end.
    • Dolsa from Provost's Dog series tops them all. She'll gladly and civilly explain that she murdered dozens of people, tortured others, and is intent on murdering the king and queen all because the Crown had the gall to tax and license mages. Oh, and she'll brainwash anyone in her vicinity to think she is the most wonderful person ever because she thinks she is.
  • Aro, head of the Volturi from Twilight puts forth a very charming persona to hide how power hungry and ruthless he is.
  • Berys in Tales of Kolmar clearly enjoys himself when doing various terrible things, and at those times is usually rather cheerful and upbeat.
  • Vanity Fair has this in Sir Pitt Crawley of whom the narrator comments "he was fond of drink, of swearing, of joking with the farmers' daughters: he was never known to give away a shilling or to do a good action, but was of a pleasant, sly, laughing mood, and would cut his joke and drink his glass with a tenant and sell him up the next day; or have his laugh with the poacher he was transporting with equal good humour." Notably, the narrator explicitly comments that if the character was slightly more honest, he would be a very successful scoundrel, but instead, is simply too crooked to prosper.
  • The witches in The Witches. Overlapped with Bitch in Sheep's Clothing, they present themselves in a very ladylike fashion and disguised themselves as presentable in order to lure children. Of course the majority of the specie is hideous from inside out, hates children, and are overall morally repulsive.
  • High-end villains in the Zones of Thought series tend to be this.
    • Tomas Nau in A Deepness in the Sky fooled everyone, including remnants of the faction which he backstabbed and almost wiped out in cold blood, for decades with his nice guy act.
    • The old Flenser in A Fire Upon the Deep, besides being a Consummate Liar, was the sort of guy who becomes more friendly when he's about to put you through the experiments that earned him his name.
  • O'Brien in Nineteen Eighty-Four. He talks to Winston in a calm tone while torturing him.
  • If they're not Affably Evil, most Dean Koontz antagonists will be this.
  • J. R. R. Tolkien:
    • Sauron, more in The Silmarillion than in The Lord of the Rings, where he's mostly offscreen. Over and over again; the charming snake in the ear of anyone who listens. This is one of his most defining traits and that's why he is known The Deceiver. That is, until he loses that power or shows his real nature...
    • Smaug, in The Hobbit. Intelligent, articulate, wickedly charismatic, and a polite conversationalist. He has a fondness for riddle-games, and actually enjoys himself during conversation with Bilbo (initially). He's charismatic to the point that Bilbo is sorely tempted to take off the Ring and reveal himself, and even manages to make Bilbo doubt the intentions of Thorin. However it's also a very bad idea to piss him off, as Smaug proves downright terrifying when angered.

    Live-Action TV 
  • 'Allo 'Allo!: Essentially, any Nazi character in a lighthearted series could be considered this way, therefore implicitly being given a Villainy Discretion Shot. For example, Herr Flick of this show is the kind of character who, in a serious work, would be the Torture Technician, but is a very funny and likable parody of the stock "Hollywood Nazi" Secret Police officer. "You do have a soft side, Herr Flick!" "Yes, I almost failed my Gestapo exam because of it."
  • "Arrowverse":
    • Arrow:
      • Edward Fyers initially appears to be benevolent, offering Oliver some much-needed refreshment after his traumatic crash. When it turns out that Oliver is lying as to Yao Fei's location, however, he hands him over to Deathstroke for a brutal interrogation.
      • Slade Wilson, by the time of his return in the present day. When he meets Oliver Queen's family, he acts incredibly polite and gentlemanly. Once he catches Oliver's sister Thea alone, the mask comes off and he reveals himself to be a psychopath who wants to ruin Oliver's life via his loved ones.
    • The Flash (2014): Eobard Thawne as Harrison Wells comes off as a genuinely kindly, almost fatherly sort of guy who cares about Barry and his friends. However, when his true identity is revealed, he shows that he is completely willing to murder the people he cares about in order to ensure his plans are successful. He never quite loses the friendly mannerisms, but his actions speak louder than his words.
  • Babylon 5:
    • Lyndysty. She is a charming, sweet, and beautiful little Centauri, delighted to be engaged to Vir Cotto, and she personally put to death hundreds of Narns.
    • Alfred Bester, the resident Magnificent Bastard, is almost always polite, though a lot of snarking is thrown in. He's still one of the most sinister and diabolical characters on the show.
  • Battlestar Galactica (2003):
    • The Brother Cavil model (the Ones) of Cylon display this sort of behaviour. Cavil, despite being depicted as the most out and out evil of the Cylons (perhaps the only one), is continually making snarky asides and hilarious observations about his fellow Cylons and humanity. This was even brought up by one of the others when he cracked a joke after having been shot on the orders of the speaker.
    Natalie (a Six): Is there anything that isn't fodder for a joke with you, or is that really how you see our very existence, as some sort of nihilistic punchline?
    Cavil: Nihilistic punchline, I like that. But quite honestly, I'm feeling very serious. Getting riddled with bullets affects me that way.
    • Also this exchange, which occurred before we found out:
    Chief Tyrol: How do you know I'm not a Cylon?
    Cavil: Well, because I'm a Cylon and I've never seen you at any of the meetings.
    • It gets even funnier when we find out Tyrol is a Cylon, but neither he nor the "regular" Cylons, aside from Cavil who wanted the Final Five to not know they were Cylons, knew it. Even better when you realise that there were Cylon meetings happening aboard Galactica. Yes. He just admitted to being a Cylon and meeting other Cylons and got away with it!
  • Being Human:
    • Herrick would seem to fit. In the first episode, he spends the first half his introductory scene making nice with the hospital staff, and the second half talking about world domination and the hypothetical idea of turning terminally ill children into vampires. This is highlighted in the season finale when we see that he turned that mousy cafeteria worker, who is apparently now his lover.
    • In a later season, he resurfaces with amnesia, and Nina takes the opportunity to take him in and try to teach him to live a better life. When he regains his memories, he threatens Nina with a knife, and then calms her down and says that he's very tempted to spare her for taking care of him and protecting him. Then, he stabs her anyway so people wouldn't think he went soft.
  • Boardwalk Empire:
    • The historical gangster Arnold Rothstein is a good example of this, as a contrast to the Affably Evil Villain Protagonist Nucky. Rothstein is cold, ruthless, and amoral, but has a polite and somewhat charming manner, and gets his fair share of good lines.
    • Jewish gangster - and kosher butcher - Manny Horvitz. Friendly and charming... until you screw him over and try to have him killed. He tends to go nuclear. Cue the Roaring Rampage of Revenge and fridging.
  • The Borgias:
    • Cesare Borgia starts out as The Dutiful Son, but with each episode, he becomes more sadistic. He justifies his actions pretty easily but certainly takes pleasure in killing. He remains the most charming male character on the show.
    • Rodrigo is somewhat Faux Affably Evil as well. He cares about his family, but with most other people he's figuring out how to manipulate and deceive them and is only polite as long as he has to be. (He also threatened to excommunicate a city.) However, particularly in season 2, Rodrigo's loyalty to the city and people of Rome is very sincere, and when he finds out that the cardinal responsible for charity has three palaces while the peasants starve, he is genuinely disgusted and tries to improve Rome for the benefit of the commoners rather than just himself. While it is true that he drops the mask of civility with people he needs to bully and manipulate, he is generally quite nice to people unless there is some real benefit to being nasty, and he never indulges in wanton cruelty with anyone who hasn't wronged him first. Rodrigo is a rare character who is both genuinely Affably Evil as well as Faux Affably Evil, depending on who he's dealing with at any given time.
  • Breaking Bad:
    • Gustavo "Gus" Fring. The owner of Los Pollos Hermanos will gladly refill your soda, wipe down your table, smiles with customer service, and makes generous donations to the police. What a great guy. Mess with his meth operation, though, and he "will kill your infant daughter."
    • Walter, by Season 5, has become this, especially around Skyler where even the lines meant to sound loving sound more like a kidnapper speaking to his hostage, and just about everything he says to other people, including his partner, Jesse, and even his own son, is nothing but manipulation to achieve his own ends.
  • Numerous villains in both Buffy the Vampire Slayer and Angel fit the bill:
    • Spike before getting chipped: Comparing him with The Mayor is a good object lesson in the differences between the Faux Affably Evil and the Affably Evil.
    • Warren Mears: "Remember how I couldn't stop crying?"
    • Angelus can occasionally be shown with a seemingly friendly and understanding approach (much like as Angel). The fact that most of it isn't really genuine at all, not to mention that later on it could also be a reminiscence of how he is when he has a soul which he might be deceptively using to his advantage makes it all the more terrifying.
    • Glory's a pretty good example of this too. She's actually rather funny, and acts affably toward the Scooby Gang...while she's torturing them and draining their sanity. She's even rather civil to Dawn, shortly before she attempts to ritually sacrifice her.
    • The First Evil is sometimes this, depending on who it happens to be at any given time.
    • Vampire Xander. It seems that even becoming a soulless monster will not deter Xander from being one of the biggest examples of Deadpan Snarker ever.
    • Sahjhan is a witty demon who spends a good amount of time making jokes. He also lives for chaos and feeds on violence.
      Sahjan: I flitted back and forth through time, changed a vision here, rewrote a prophecy there...flitted in a manly way.
    • Nathan Reed, Lindsey and Lilah's superior at Evil, Inc. Wolfram & Hart. Unlike Affably Evil Holland Manners, Nathan doesn't really care if Angel kills Lindsey or Lilah, because that would actually serve the firm's plan to make Angel evil.
    • Adam is another example. His voice rarely loses its calm tone even as he's plotting the murder of everyone around him. In one episode, he gets a nest of vampires on his side by calmly discussing what vampires fear: "Sunlight, stakes..." *casually rips off one of their heads* "It is my understanding that decapitation works as well. Death. Being immortal, you fear it more than those to whom it comes naturally".
  • Burn Notice:
    • Larry Sizemore is a truly charming guy. If you met him at a party, you'd probably find him quite entertaining. Right up until he knifed you or poisoned you because he was paid to, because you were in his way, or just because he felt like it.
    • There's also Vaughn, Michael's handler in season 4. He puts a lot of effort into the pretense of being a nice guy. He convinces Michael to work with him against worse people, tries to claim that other people from the Organization were just bad apples, he's always polite and doesn't seem to take offense to Michael going against him or even Michael kicking him out into a raging hurricane. But in the season 4 finale, he abruptly drops any pretense of being affable:
      You know what? I'm sick of this coy crap. I gave you a chance to be my friend. Time after time. But that's over now, mister. Now you're going to see what it's like having me for an enemy. And so are your friends, and so is your family. Note that 10 seconds before this, he was cheerfully inviting Michael out for drinks with a smile on his face.
    • Tyler Brennen is perhaps the show's best embodiment of this trope.
  • Chuck: Alexei Volkoff. He can seem like a pretty nice guy, and is able to convince Chuck that he was one of the good guys until he outlived his usefulness. He's also perfectly willing to kill his Right Hand Man and love interest, just to keep her from living without being at his side. After finding out she is Chuck and Ellie's mother after he was about to shoot Chuck, he insists they invite him to Thanksgiving at Ellie and Devon's apartment, so he can get to know Frost's family.
  • Dark Shadows: Barnabas Collins. Part of the fun with Barnabas was the Dramatic Irony between everyone believing him to be a perfect gentlemen while the audience knew that he was lying through his teeth.
  • Doctor Who:
    • While the Master varies Depending on the Writer and/or actor, one of the constant traits in his psychopathy is the ability to be charming and polite one moment, then ruthless and brutal the next, switching on a whim. Nowhere is this more evident than in his interactions with the Doctor, particularly the Roger Delgado incarnation, which would often be quite pleasant if one ignored how he would invariably be discussing his plans to cause widespread death and destruction.
    • House. A Genius Loci, who kills Time Lords, stitches them back together, and screws around with the companions. Despite this, he's oddly polite and fun to watch.
    • The Family of Blood would also count as this considering how proper and positive they always look, yet they have committed acts so terrible, they make the Doctor turn human by his own will, so they wouldn't detect him, and they were apparently so evil that the Doctor gave them fates worse than death.
    • Madame Kovarian puts on a pleasant facade, but isn't very good at it, so just comes off as smarmy, slimy and insincere.
  • Dollhouse: Joss Whedon seems to like this trope. Alpha is likewise highly entertaining despite being unquestionably monstrous.
  • The Escape Artist: Liam Foyle is a soft-spoken individual, who is mostly polite. However, he's not a pleasant person and he can easily drop the mask when he wants to. He shows he's fully aware of it during a few exchanges with Will.
  • Firefly:
  • The Following: Joe Carroll often acts like a doddering former literature professor/author who's affable, a loving father figure to his family, and enjoys tweaking main character Ryan Hardy with teasing barbs. The reason why he's no longer a literature professor is because he was revealed to be a serial killer, his "family" is a literal death-worshiping cult of fellow serial killers, and Ryan Hardy is a former FBI agent whose life he's trying to make a living hell. Every second he acts Affably Evil is all the creepier for how much the show emphasizes how bad he is.
  • Game of Thrones:
    • Jaime Lannister, who spends most of the time smiling, making self-deprecating jokes and retaining his dignity in bad situations, and the remainder of it ruthlessly killing anyone, from children to his own distant cousins, who 'was in my way'. As the series progresses (and particularly in the books), Jaime is given more Character Development and becomes more of an overgrown jock who has never really properly grown up, but who is slavishly loyal to those few people he does love, namely Cersei and Tyrion. As the series progresses, his affability seems more and more to do with his hurt ego, and his attempt to injure Bran was more of a last ditch attempt to protect his sister/lover, who would have been killed along with her children if their affair had been caught by the king. He's still not heroic, but he's not a card-carrying villain, either.
    • A much clearer example is Littlefinger. Soft-spoken, charming and polite and openly admits he's untrustworthy, a combination he uses to further his schemes and lull his targets. He has all that Snark-to-Snark Combat with Varys, and he gives Ros to Joffery to have fun with. He also quickly betrays those he offers to help, like Ned Stark.
    • Ramsay Snow is rather playful and jocular while torturing Theon Greyjoy, much like a cat playing with its prey.
  • Glee: Sue freaking Sylvester.
  • Green Wing: It's all but stated that, of all people, Dr. Angela Hunter is this. This Clip sums it up.
  • Hell on Wheels: The Swede. Sure he'll put on a good show and ham it up for audiences from time to time. But there hasn't been a character yet that he hasn't snitched about, knocked their tent down, tried to get hanged, or stabbed in the face with a fork.
  • Heroes: Sylar, the smirking, hero-slaying, brain-stealing supervillain. He really enjoys playing nice and polite before he straight up wreaks havoc on his victims.
  • Homicide: Life on the Street: Luther Mahoney, one of the few recurring villains. He's a drug lord who poses as a community activist, and at first, his affable demeanor is all part of his Villain with Good Publicity facade. After a while, though, he's clearly doing it just to mock and enrage the detectives, rubbing their noses in the fact that they can't prove he's a child-murderer, rather than the lovable local hero he says he is.
  • House of Anubis:
    • Vera plays up the act of being the perfect Housemother...but is ruthless in her efforts to get the Mask of Anubis for Rufus.
    • Miss Denby takes it to a higher level. She seems like the perfect teacher, but is a skilled Manipulative Bastard who keeps her stepsister locked up, makes subtle threats towards Sibuna, and will hurt anyone to get what she wants- and was a whole lot more successful than Vera.
  • Jekyll: Benjamin affects mannerisms more appropriate for a goofy used car salesman than the kind of guy who buys a zoo just so he can throw a child into the lion pit.
  • Kamen Rider Den-O: One of the things that makes Kai so frightening is his ability to keep a well meaning expression and tone of voice while being completely Ax-Crazy. When he finally snaps in the finale and sets loose a huge army of Imagin on the city while preparing to release a blast of temporal energy to erase it from time, he still keeps this personality, making him downright disturbing.
  • The League of Gentlemen: Has the charmingly creepy butcher Hilary Briss, as well as Tubbs and Edward, a Serial Killer couple who also happen to be brother and sister, and whose relationship is portrayed as sort of sweet. Awwwww....
  • Lost:
    • Anthony Cooper, Locke's father. He gives off the impression of being polite, charming, and very fatherly, giving Locke the relationship he always wanted. But beneath it he is a thoroughly unrepentant, sociopathic monster who couldn't care less about the innumerable lives he has destroyed. His crimes include scamming countless people out of their money including Sawyer's parents leading to their deaths, murdering a young man who correctly identified him as a con artist, taking John's kidney and severing all ties with him, and pushing John out of a building, resulting in his paralysis. And he does it all with a sadistic grin and a charming word.
    • Martin Keamy attempts to show to both Ben and Sayid on two different occasions that he's Affably Evil, but neither of them fall for it and see him for the completely unreasonable monster that he is.
  • Mad TV: Kim Jong Il. He hosts a talk show, where he seems like a charismatic, energetic host, if not for the fact that he jokes about his atrocities, and will kill people in his audience if they don't applaud his jokes.
  • Marvel Cinematic Universe:
    • Agents of S.H.I.E.L.D.:
      • Raina. She manipulates, kidnaps, and tortures while never saying a single harsh word. The most egregious example is when she purposefully leaves Debbie to her death and says "I wish you all the best" as the elevator doors close between them.
      • The Big Bad of the first season, The Clairvoyant, is eventually revealed to be this. He maintains the chummy attitude he'd previously been using in a civilian disguise, even after his true identity is revealed. Even when The Dragon is experiencing a Villainous B.S.O.D., he kept laughing and joking, not caring about what was happening. His charm and affability is only a charade though, and there's no one he won't sacrifice to further his goals.
      • Daniel Whitehall. While he's a high-ranking member of HYDRA (and a former SS officer, to boot), Whitehall comes across as well-spoken, polite, even charming at times. He's also an insane Torture Technician that even other members of HYDRA are terrified of.
    • Jessica Jones: David Tennant's natural charm and likability is used to great effect in his performance as the mind-controlling Kilgrave, who can be funny and put up a charming front when he wants to, yet he consistently remains arguably the single most disturbing villain in the entire Marvel Cinematic Universe.
  • Dale "The Whale" Biederbeck from Monk is a disgustingly fat financier and crime lord. Though confined to his bed due to his massive size, he acts polite, genial, and downright pleasant at times. However, all of his episodes reveal that this "kind" attitude is a front—he's actually a cold, ruthless monster who, if he doesn't get his way, breaks down and starts screaming threats.
  • Moses Jones: Matthias Mutukula from this BBC miniseries, whos is an African warlord-in-exile. Usually polite and well spoken, especially towards people he needs something from, but it only takes one wrong word for his pleasantries to become laced with threats. Threats he has no qualms in carrying out, such as having a restaurateur's teeth smashed in with a claw-hammer after the police speak with her. Then there's all the standard African Warlord atrocities he committed back when he was in power.
  • Mr. Robot: E-Corp CEO Phillip Price, due to his calm, confident and cheery manner, draws the audience into thinking he might be a harmless fool. However, the more that is shown of him, the more it is revealed that not only is he a ruthless and savvy businessman, but that he may as well be a sociopath. On the same day that one of his fellow executives shoots himself in the head on a live newscast, Price calmly explains himself to an employee:
    'Between you and me, I was glad he killed himself. He's not a very good person: he had a gambling problem, he drank too much - most notably, he was weak. His instincts left a lot to be desired - oh, I despise people like that! In fact, I felt that the world was a little better off, knowing he wasn't in it anymore. I believe even his family will benefit from this, in the long run.'
  • Neverwhere: Croup and Vandemar. Croup lampshades this trope moments before stalking and killing the Marquis de Carabas.
    Croup: You find us funny, Messire Marquis, do you not? A source of amusement. Is that not so? With our pretty clothes, and our convoluted circumlocutions—
    Vandemar: I haven't got a circumlo—
    Croup: —and our little silliness of manner and behavior. And perhaps we are funny. But you must never imagine that just because something is funny, Messire Marquis, it is not also dangerous.
  • Once Upon a Time:
    • Cora. She does everything she possibly can to corrupt her daughter and make her life miserable, all while claiming to do what she does out of love. Rumplestiltskin and Regina tend to this persona in their more calmly and sadistically evil moments, as well.
    • Also, Zelena in her Storybrooke persona. She absolutely oozes friendliness and good cheer. Made really creepy by the fact that while the audience knows who she is, the rest of the characters don't and are easily taken in. Well played, Zelena. Well played.
    • Hades comes across as a Man of Wealth and Taste who is never seen raising his voice above his normal calm tone. He also takes great pleasure in torturing Hook and depriving the souls of the Underworld of hope and the ability to move on. And that relationship he has with Zelena? All an act to be able to leave the Underworld and gain more power
  • "Orphan Black": Leader of Topside and self-aware clone Rachel Duncan is the definition of Faux Affably Evil. Although some may argue that she was attempting to be their friends, thus making her Affably Evil in her first few appearances, by Season Two, she shows little interest in their arguments. She holds the most power at DYAD by then and is able to pull strings wherever she needs – thus, she ends up kidnapping the protagonist's kid more than once. By Season Three, however, it seems she's on the verge of a Villainous Breakdown.
    "It's foolish to spare you, but you raised me. Nurture prevails."
    • Hank Johanssen, leader of the Proletheans, always maintains a friendly demeanor, even when committing Cold-Blooded Torture against his own daughter.
  • Person of Interest: Root, who likes to chat casually with people and torture them at the same time.
  • Reaper: Satan. He's evil, but he's just so cheerful about it that you have to love him. Until you disappoint him.
  • Revenge: Virtually every villain is this, along with protagonist Emily herself. After all, how else would esteemed Hamptons socialites war than with painted-on smiles on their faces? Perfectly encapsulating this is the show's long-running tradition of characters warmly hugging while giving icy, over-the-shoulder glares into the distance.
    Victoria Grayson: Understand something Lydia: Every time I smile at you across the room or we run into each other at a luncheon or I welcome you into my home? Let that smile be a reminder of just how much I despise you. And every time I hug you? The warmth you feel is my hatred burning through.
  • Revolution:
    • Every single militia member, except for Major Tom Neville, is this. Captain Jeremy Baker in "No Quarter" acts like he's your best pal...but he certainly doesn't hesitate to send loads of soldiers to get shot by a sniper rifle. Sergeant Will Strausser acts so polite, but this sociopath is a complete monster who has no qualms about rape, which is what he tried to do to Rachel Matheson in "Nobody's Fault But Mine". Sebastian "Bass" Monroe takes the cake in this trope though, like when in "Clue" he tried treating Nora Clayton to dinner...and when she tried to kill him, he sent her off to be tortured for 21 straight days, and actually says that she should remember that he tried asking her nicely.
    • Drexel in "Sex and Drugs" qualifies. The first thing he does is to put a gun to Miles Matheson's head, pull the trigger, and then laugh his head off and claim that it was just a joke when it turns out that the gun isn't loaded. He tries to act like he's such a gracious and polite host, but he's actually violent, sadistic, sociopathic, Ax-Crazy, and politically incorrect. He is also a drug lord who deals in heroin.
  • Robin Hood: The Sheriff of Nottingham in the BBC series kind of fits this, being a Smug Snake with an extremely cruel sense of humor, yet hard to loathe given the humorous way he goes about his crimes. Notably, his insults against Robin generally are accurate in identifying unpleasant aspects of his character, and similarly, the Sheriff is very effective in mocking his humorless and angsty Dragon, Guy of Guisbourne.
  • Cephelo in The Shannara Chronicles. Charming, friendly, cheerful... and will happily sell his own daughter into slavery if that's the best way to line his pocket. In some ways that makes him more disturbing than the Dagda Mor, who'll just cut the small talk and start killing or torturing you right away.
  • Sherlock: Jim Moriarty. His often cheerful and very campy behavior doesn't really detract from his terrifying presence in the show.
  • The Shield:
    • Played straight with Detective Vic Mackey. Much is made toward the fact that over the course of the series, all of the police officers in the Farmington District Precinct turn a blind eye towards Vic's evil, largely because of his charisma, leadership skills, and fratboy humor. Even the ones who know Vic is a monster who shot a fellow police officer often fall victim to the spell, to such an extent that Claudette Wyms (Vic's "arch enemy") fires her hand-picked, 100% non-dirty cop replacement because he was too squeaky clean.
    • Armadillo Quintero from season 2 seems friendly and laid-back at first, but in reality he's a ruthless killer and rapist.
    • Antwon Mitchell from season 4. The infamous scene where he kills a young girl to blackmail Shane Vendrell with the crime after Shane gets all uppity towards Antwon showcases actor Anthony Anderson's ability to mix unrelenting sadism with a sly sense of humor, as he humiliates Shane with his cruel actions.
  • Sons of Anarchy: Ethan Zobell, the charming, nattily dressed Neo-Nazi businessman. Politely attending a business meeting one day, ordering a woman raped the next.
  • Star Trek:
    • Star Trek: The Original Series: The episode "Plato's Stepchildren" has Parmen, leader of the Platonians. He passes himself off as an enlightened student of Plato, when he's really just a sadistic coward who delights in torturing his servant Alexander and mind raping his "guests".
    • Star Trek: The Next Generation: Gul Madred, Picard's Cardassian torturer from the two-part episode "Chain of Command". He tries to present himself as a noble man being forced to perform an ugly duty by torturing him; going into detail of how he was a young, starving boy living on the streets, once badly beaten up over food. Picard, however, doesn't buy into it, pointing out how in light of his past, he actually enjoys making others suffer in his position.
    • Star Trek: Deep Space Nine:
      • Garak is a rare example of a Faux Affably Evil character on the side of the heroes. However, his Strange Bedfellows eventually turn him into more of an Affably Evil character, and eventually into an outright Anti-Hero. He's more Affably Evil when we first meet him, his Faux Affably Evil days having occurred off-screen before the series starts.
      • Gul Dukat is a straight example. Because of their different values, most Cardassians are Affably Evil. However, Gul Dukat lacks the selflessness of most Cardassians. Whereas most Cardassians do what they do for the greater benefit of Cardassia, Dukat only cares about himself, taking his narcissism to hallucinatory and Ax-Crazy levels towards the end.
      • Gul Dukat may have become this by the end, but he was genuinely troubled by some of the terrible things he did to the Bajoran people and had to construct elaborate Well-Intentioned Extremist justifications for his actions to make himself okay with them. And he did have a great deal of fondness for both his half-Cardassian bastard daughter and main protagonist Benjamin Sisko. At least at first, much of his affability was probably genuine. Then "Waltz" happened...
      • The Female Changeling maintains a facade of civility, but it does a poor job of concealing her hatred of solids. When Garak asks her if there were any survivors of the Cardassian-Romulan attack on the Changeling homeworld, she flatly stated that they were all dead and she was planning on genociding the Cardassian people in revenge. She then politely asked if that answered his question.
    • Star Trek: Voyager: Kurros, the chipper dealmaker played by Jason Alexander in "Think Tank." He offers protection from a race of bounty hunters that are after Voyager, and a number of other services, asking in return only the chance to examine Seven of Nine's Borg implants. Except that he has no intention of returning Seven. And guess who took out the bounty in the first place?
  • Supernatural:
    • Alastair, aka "Picasso with a Razor", loves to smile and chat up his victims as he's carving them up. He also inverts the trope in the episode "On the Head of a Pin" (S04, E16), when he becomes Dean's torturee and spends the whole time dispensing advice, commenting on Dean's technique, or reminiscing about the good ol' days back in Hell, when he apprenticed Dean in the arts of mutilating people.
    • Lucifer is another prime example. Apparently, being locked in a cage in Hell for a few millennia works up an appetite for conversation. He treats Sam with affection, and never insults his victims or even raises his voice. But, despite his charm, he's squarely in the Faux Affably Evil camp because...well...he's the devil. In the season 5 finale, "Swan Song", Dean finally manages to annoy him too much. He drops the act and shows just how affable he really is.
    • Crowley is presented as an Affably Evil Noble Demon in series five, but season six reveals that he's more Faux Affably Evil, as he starts getting more and more into torture. He's obsessed with bargains and won't break a deal (as befits his "King of the Crossroads" status) but will take on any persona which will get the job done.
    • Dick Roman, the leader of the Leviathans. Having stolen the identity of a billionaire businessman, he likes to talk in a friendly, forward-thinking, businessmanlike fashion while planning the enslavement of mankind. Best exemplified by him talking to a subordinate about turning his failure into a "teachable moment" by making him eat himself.
    • The angel Metatron poses as an ally of Castiel, only reluctant to get involved because he's not a fighter by nature. At the end of season 8 he's revealed as a scheming megalomaniac willing to sacrifice any human or angel to rule. Even after that he's always politely joshing the Winchesters and Castiel.
    • Azazel, the show's first Big Bad and the former King of Hell, treats Sam and Dean like old friends and frequently compliments them. In the S1 finale, while possessing John, he chides Dean for killing some of his demon brethren: "How would you feel if I killed your family? Oh right, I did. Still, two wrongs don't make a right." In the S2 finale, he even thanks Dean for making a Deal with the Devil to bring Sam back because he much prefers getting Sam to start the Apocalypse than his backup plan.
    • Hell's Queen Bitch Lilith falls firmly into this. She's a Psychopathic Manchild who loves possessing little girls and gradually forcing them to kill everyone they care about, all the while still keeping the demeanour of a sweet little girl.
    • Zachariah, even after the Evil All Along reveal, puts on a pretense of being a Well-Intentioned Extremist who only wants to destroy half the world because it's God's will and what remains will be a paradise. In reality, though, he's a complete slime ball who doesn't give a crap about Earth, God, or anything besides himself. When Dean tries to get him to sacrifice himself for the cause, he immediately drops the act.
    • During Season 6, Sam was this as a consequence of not having a soul. He still tried most of the time to act the way he thought Sam would have, but every now and then he'd let out a clue that he was Not Himself, like deliberately allowing Dean to get bit by a vampire in "Live Free Or Twihard", or in "Clap Your Hands If You Believe" when he tells a woman at a convention that he's "had time to adjust" to his brother getting abducted by aliens.
    Unnamed: Did it happen when you were kids?
    Sam: No. Half an hour ago.
  • The Thick of It: Malcolm Tucker is perfectly capable of being very polite when it suits him. It usually suits him as the setup for a string of abuse so painful you may find it psychologically impossible to move for several minutes afterward.
  • The Tribe: The Techno leader Ram, while not really pleasant, maintains a humorous and playful demeanor while reveling in his own wickedness. For instance, he shoots one of his officers for a minor failure in front of the rest to set an example. When Siva walks in and screams in horror, Ram instantly changes tone and joyously asks her what her day was like.
  • The Twilight Zone: Gunter Luzte from Death's Head Revisited, was a vicious Nazi commander, who nevertheless acted with the joviality of a summer camp counselor toward his victims.
  • True Blood:
    • Russell Edgington. While more of a True Neutral in the book series, he starts out as very Affably Evil in the series...up until his lover is killed and he progresses into insanity. Combined with his 3000 years of age, his mental instability makes him the most dangerous thing in the entire series.
    • Marnie Stonebrook. At first, she hid in her shell of being shy and reclusive, then turned into Affably Evil territory...before she had her Villainous Breakdown.
    • Maryann Forrester applies.
  • Klaus of The Vampire Diaries is an Ax-Crazy megalomaniac who happens to be very soft-spoken, cultured and charming, and will smile politely (and probably call you "sweetheart") as he tortures, mind rapes, or brutally tears you to shreds.
  • The Walking Dead: Negan affects a laid-back, smiling and friendly persona even when he's enslaving people and killing their friends. He acts like he's doing people favors and demands to be thanked for the meager privileges he deigns to give.
  • The X-Files: The Cigarette Smoking Man is usually courteous when dealing with Mulder and/or Scully, speaking gently and making a show of concern over their problems. He drops the act and acts nasty toward Skinner, whom he basically considers hired help.

    Newspaper Comics 
  • In Dilbert, Catbert, Evil Director of Human Resources, was hired precisely because he possesses this quality. The caption of the page image is a quote from the strip in which he was hired.

  • In Wolf 359, the protagonists discover that their bosses are involved in some sort of evil conspiracy and are almost certainly plotting to kill them. When, we finally meet a member of Mission Command, Mr. Cutter is exceedingly polite, soft-spoken, and personable. In fact, he is all of these things to such an exaggerated degree that it comes across as a bit unnerving. It quickly becomes clear that his friendly demeanor is just a calculated façade he uses to better play his role as a chessmaster corporate executive. And he's very good at his job - by the time he makes his exit, he's played various mind games with the characters, sown seeds of doubt about everything they're doing, and manipulated them into considering killing a person... all while addressing them on a first-name basis, asking about their Christmas celebrations, and telling them how happy he is with the great work they're doing. Since both characters and audience are aware that he is an active and present threat, the fact that he's so overbearingly polite and friendly just makes him feel more unnerving and unpredictable.

    Professional Wrestling 
  • "Million Dollar Man" Ted DiBiase, who could sound folksy and charming even while deliberately cheating a little boy out of a chance to win some of his money.
  • Eric Bischoff, his genuine baby face runs are few and far between and he's never the face by default, so he has no real motivation to be nice to anyone other than perhaps to save his own skin. Otherwise he's just stringing you along, don't listen.
  • William Regal during his heel runs. He would often act like a dignified and well-mannered quintessential British gentleman, waving to the crowd, wiping his feet before entering the ring and scolding rudeness on-camera. Beneath that cultured exterior was a man who was quick to anger and not beneath breaking the rules when things weren't going his way during a match, up to and including, but not limited to: chair and title belt shots, grabbing the ropes for leverage during submission holds, and infamously, the use of brass knuckles. His antics outside of matches included insulting the fans, kissing Mr. McMahon's ass (figuratively AND literally), and even an instance of PEEING ON THE BIG SHOW'S LEG.
  • Chris Jericho was this trope while performing his "Anton Chigurh" tribute gimmick from 2008 to 2010.
  • John Bradshaw Layfield, especially during his final angle against Rey Mysterio. You have never heard the word amigo delivered with so much dripping sarcasm.
  • Silvie Silver spoke in a patronizing manner to Santana Garrett in Ring Warriors while explaining all the moves she learned in Mexico and how much they would hurt. She dropped the act after Garrett pinned her.
  • Michelle McCool, who was so good at this trope that she called to mind the Uncanny Valley.
  • Raisha Saeed spoke as if she was a reasonable, level headed stoic looking out for the best interests of her clients, such as Awesome Kong. Her actions repeatedly proved her to be a sadist who at times went too far for Awesome Kong.
  • After being defeated by Mr. 450 at the World Wrestling League's Insurrection event, Sensacional Carlitos wanted a rematch at Navidad Corporativa and insisted he would be healthy by then even though he had a broken jaw at the time. 450 urged him not to do it, saying if Carlitos had no concern for his own health he should think about friends and family.
  • At the first Women Of Honor event, Veda Scott snatched a microphone and called the crowd to give a respectful sendoff to Jenny Rose, who was scheduled to return to the Japan-based Diana promotion. Scott then ended Rose's ROH run on a low not by bludgeoning her with that mic.

  • Lord Darkness from BBC Radio's ElvenQuest almost borders on Well-Intentioned Extremist whenever he temporarily forgets that he's evil incarnate, but is always this trope.
  • Sir Gregory Pitkin in BBC's The Men from the Ministry can sometimes be rather friendly on Mr. Lamb and Lennox-Brown when things go well, but it's just a mask and he'll do a 180 degree turn once things go downhill.
  • Old Harry's Game:
    • Satan is a mix of this trope and Affably Evil. To most people, he's this, often utilizing Exact Words to make people think he's about to give them what they want right before torturing them. To other supernatural beings, and to the handful of humans he respects, he's Affably Evil; he'll still torture them if they become annoying, but when he's not doing so, he's quite friendly and can sometimes even act as a caring presence.
    • Thomas Crimp, a demented murder-rapist whose crimes sicken even Satan. He's nonetheless quite polite until things start going wrong.

    Religion and Mythology 
  • It has been said that Satan doesn't come to you as a scary and intimidating devil, but rather, he will appear to you in a seemingly nice and appealing way. He's known as the Prince of Lies for a reason.

    Tabletop Games 
  • Dungeons & Dragons:
    • Asmodeus. Despite being probably the most evil being in the setting and responsible for countless acts of torture even against his closest allies, he's always portrayed as urbane, unflappable, and chillingly reasonable.
    • Very common with Devils, who are Lawful Evil. In most cases, Devils usually want mortals to make agreements with them of their own free will, but they are an always Evil race for a reason.
    • Glasstaff in "The Lost Mine of Phandelver" is described as being this, referring to murders as "unpleasant little business" and being generally polite.
    • Also fairly common among Ravenloft darklords.
  • Warhammer 40,000:
    • The Dark Eldar are surprisingly cheerful and fun-loving for a society based around torturing people and eating their souls. Given that their own souls are involuntarily devoted to an Eldritch Abomination that feeds on sensations, it's probably part of the job.
    • In the Night Lords series, Abaddon the Despoiler is this during his conversation with Talos.
    • Depending on your opinion on the alignment in the setting, Amberley Veil, Inquisitor of Ordo Xenos, is a particular example that might fit with the trope. More generally, any leader of the designated good guysnote  who isn't too busy being an obvious jerk, a Large Ham or a genuine good guy (the later being very rare instance) fits the description as well. note 

  • Another Sondheim example would be most of the main characters from Into the Woods. Based on characters from classic fairytales, they're generally friendly, bright, and optimistic... and in acquiring what they most dearly wished for, they ruin (and end) many lives, often including their own. The Witch eventually calls them out on it: 'You're so nice. You're not good, you're not bad, you're just nice'. This is especially true of The Wolf. It's even lampshaded by Little Red Riding Hood's song later: "Nice is not the same as good!"
  • The Thenardiers in Les Misérables are more Laughably Evil to the audience, but in the context of the play, they use their politeness to do their evil - putting on a polite, friendly face while they snatch away your wallet when you aren't looking. The characters who are aware of their deeds seem to think this just makes them more sadistic, and they certainly come off this way to the audience (especially when their only concern during the June Rebellion is what they'll get from looting the corpses even when their daughter is among them) while their silliness still makes them among the most popular characters.
  • Sweeney Todd: The Demon Barber of Fleet Street: The eponymous character himself and Mrs. Lovett, especially in "Have a Little Priest" — they're very droll, even as they make people into meat pies. For context, their first order of business on deciding to murder everybody who comes into Sweeny's barber shop and then make them into meat pies is a Hurricane of Puns about what different people taste like.
    Mrs. Lovett: Here's the politician, so oily it's served with a doily. Have one!
    Sweeney Todd: Put it on a bun. Well, you never know if it's going to run!
  • In Tosca, Scarpia cultivates an image of respectability and even piety as a weak disguise for his essentially cruel and tyrannical nature. When he tries to woo Tosca with superficial politeness before presenting her with the Scarpia Ultimatum, she sees through him and contemptuously asks him what the price will be.
  • William Shakespeare was good at this, with Richard III and Shylock from The Merchant of Venice. And Iago from Othello, who manages to be everyone's favourite character.

    Video Games 
  • Monaca from Absolute Despair Girls: Danganronpa Another Episode at first glance seems to be a nice and cheerful girl. In reality, she's a manipulative psychopath, who deliberately triggers her friends' past traumas and plays mind games with people while maintaining a cutesy facade. It helps that she's the protege of series antagonist Junko Enoshima, who also falls into this herself and has similar dealings with her own followers.
  • Ace Attorney:
  • And then there are the main antagonists of the third and fourth games, Dahlia Hawthorne and Kristoph Gavin respectively. Both polite and seeming like genuinely nice people; both are also sociopaths.
  • The killer of the first case, Frank Sawhit acts nice and friendly during his testimony.
  • Quecus Alba may look old, and he's considered a codophian hero. Later on, you discover that he was playing silly when he throws his façade; also, he tries to escape Miles's prosecution of him with his extraterritorial rights. Ultimately, he's the head of the allebahstian smuggling ring, and has killed four people note  .
  • There's also Aristotle Means from Dual Destinies, who remains perfectly polite even when accused of the murder. That is, until Athena insults his "ends justifies the means" philosophy, upon which he completley drops the feigned niceness and becomes, well just plain mean. It's nicely foreshadowed earlier, when after Athena insists on defending Juniper in his place, he gives an outwardly polite but highly condescending dismissal of her ideals.
  • From Dual Destinies also comes the phantom. He's one evil motherfucker, but, in Blackquill's words, he "cannot talk without another man's face", many of which aren't nearly as bad. Thus, both the affability and quirks of whoever he's impersonating and his own ruthlessness and sociopathy mix and come off like this.
  • Waylon from Advance Wars: Days Of Ruin manages to avoid this despite the whole 'climbing his way to luxury on the back of everyone else' deal. Nothing says this trope like saying the army opposing him is "up in my business", while leaving his injured wingmen behind to keep from slowing him down in the same scene. (Luckily, the heroes took them in.)
  • Alpha Protocol has Konstantin Brayko, a brutal Russian mob boss who is a rather sadistic and brutal individual, but ends up more entertaining than disgusting due to a strange obsession with the 80s and just how plain loopy he is.
  • Baron Alexander from Amnesia: The Dark Descent is the portrait of courtesy when he hires Wilhelm to kidnap random people, all of whom Alexander tortures to death. He maintains his friendly veneer right until the moment he murders Wilhelm, mutilates his corpse, then brings him back to life as a mindless drone. Arguably, subverted in Alexander's relationship with Daniel, whom he appears to genuinely care for. He still betrays him, however.
  • The Joker acts this way in Batman: Arkham Asylum and again in Batman: Arkham City.
  • ''BlazBlue':
    • In BlazBlue: Continuum Shift, Hazama / Terumi is the Big Bad who set the plot in motion for an unclear reason, who takes delight in fucking with everybody for the sheer lulz of it all. At first, he is a straight example of Affably Evil, being polite and reasonable while clearly having something off about him, and then in the second game when his cover is blown, he drops the act and becomes this trope. See Carl's bad ending in CS. He starts by politely greeting Carl, but when Mu starts to act on his behalf without orders, he erupts into a rage, demands to know if the the "little prick" is a piece of Takamagahara's "godforsaken puzzle", orders the "little shit" Mu to stay out of his way, dismantles Nirvana before a prone Carl, and then insults Carl in the worst possible ways before fatally slamming him into the monolith.
    • The other villain in the series Big Bad Duumvirate, Relius Clover, also has shades of this in his interactions with the cast.
  • Castlevania: Aria of Sorrow has Graham Jones. He seems to be a polite character inside the titular castle, visiting as a missionary from a church. However, his niceness turns out to be a ruse. His true motives are revealed when Soma reaches the Clock Tower, where he grows more aware of Soma and his allies.
  • Danik from Dead Space 3 is a departure from the usual crazy, screaming psychopaths or undead alien horrors that are the usual enemies. He's still ruthless and remorseless, but he's soft-spoken and almost hilariously polite even in the worst of situations. For example, take his line after Isaac escapes from yet another attempt by Danik to have him killed: "Isaac? Is that you? You are unbelievably hard to kill. Are you aware of that?"
  • Reaver in Fable III is perhaps the best example for video games. As his voice actor stated in the third video diary:
    "Reaver is not as much immoral as amoral; he has no morality whatsoever — he doesn't even have a concept of morality."
  • Fallout 3:
    • Mr. Burke acts polite even as he tries to convince the Lone Wanderer to blow up Megaton.
    • Colin Moriarty is a better example, acting like he is your friend while charging an unfair amount of caps when you ask for information on your dad.
    Lucas Simms: Just be careful. Moriarty is NOT your friend, no matter what he may say, so don't fall for his lies. And for god's sake, don't trust the man.
  • In Fallout: New Vegas, Caesar is the emperor of a horde of bloodthirsty, slaving misogynists modeled only very loosely after the Roman Empire of old. At first, he seems a lot more civil than his Legion. He portrays himself as Necessarily Evil, discusses his political philosophy comfortably and at length with references to Hegel and Roman history, and never says a misogynistic word to a female Courier despite the beliefs he has instilled in his Legion. Until, that is, the player dares to defy him and discovers the Hair-Trigger Temper and callous sadism beneath the charming mask.
  • Far Cry:
    • Far Cry 3:
      • Hoyt Volker, who acts very friendly towards his men and enjoys a round of poker with them. He's also a ruthless slave trader who forces prisoners to run across a minefield, burns one of his men alive for disloyalty and generally kicks the dog at every opportunity he gets.
      • This seems to be a trait of the villains in the game. Vaas is simultaneously humorous and horrifying, acting very personable with his victims, joking and talking plainly with underlying menace just before committing some new atrocity. Buck, meanwhile is a highly intelligent, witty individual who never the less revels in the fact that he is a completely depraved sociopath, such as making jokes about how he's going to rape one of Jason's friends while speaking to him.
    • Far Cry 4:
      • De Pleur is by far the most sadistic character in the game but has the demeanor of a busy-body dad, only letting his sanity slip when he's unable to answer his daughter's phone call. Pleur's sole position in Min's administration is to torture people and chop them up afterward.
      • Pagan Min on the other hand is almost like a second lap of Troy Baker's turn as The Joker, right down to the flamboyant suit and Laughing Mad radio calls. He is ridiculously casual and polite to his subjects and enemies, only to spout his anger off in furious yet hilarious rants or bursts of extreme violence, depending on his mood. When a human rights organization criticized his rule, he invited the lead doctor and her family over, then kidnapped her family and forced her to run his blood sport arena as a twisted joke. he also had her family killed and has her in his control on the fake promise that one day she'll get them back. His manner when dealing with the main protagonist is noticeably familial, no matter how violent the subject of the conversation may be. In fact, the only person he isn't faking his affability to is literally the one person who can stop him. And you discover only at the very end that it was very much intentional.
  • FFX's Seymour Guado invites the heroes to his mansion, lays out food for them before seeing them, proposes to the heroine, and acts generally mild-mannered and soft-spoken. But when the heroes prove to be detrimental to his plan to kill everyone in the world, he holds no qualms about unleashing the terrors of hell against them. Even when preparing to engage your party members, he manages to sound affable:
    "Ah, of course. "Protect the summoner even at the cost of one's life." The Code of the Guardian. How admirable. Well, if you're offering your lives, I will have to take them."
  • The killer of the Five Nights at Freddy's series manages to be this without even speaking. Wherever he goes, he wears a smile, and death usually follows. A great example would be in the Foxy mini game in the second game. When Foxy comes out of Pirate Cove, he sees the killer smiling at him. The killer makes no attempt to harm Foxy, he just keeps smiling at him. When Foxy goes to see the children, he finds that the killer slaughtered them all.
  • Alex/Arcanus from Golden Sun is starting to appear this way.
  • The Big Bad of Impossible Mission, Dr. Elvin Atombender, tries his hand at this trope at the very beginning of the game:
  • Kid Icarus: Uprising's Hades loves making jokes and almost always has a smile on his face. However, it takes all of half a chapter from his introduction for him to reveal his cruel, calculating nature.
  • HK-47 of Knights of the Old Republic is inordinately popular not simply because he is a ruthless assassin droid well versed in the art of death, but because of how much pleasure he receives from the task.
    Statement: HK-47 is ready to serve, Master. Who would you like me to kill?
  • In L.A. Noire detective Roy Earle's smile never quite reaches his eyes; it's part of the thin veneer of friendliness that covers a hateful, corrupt person underneath.
  • David from The Last of Us, a personable, soft-spoken man who leads a gang of cannibals and and attempts to rape Ellie at the end of his boss battle.
  • Several The Legend of Zelda villains fit the bill:
  • King Boo in Luigi's Mansion: Dark Moon talks to Luigi like he's having a friendly chat. He does this while explaining his plans to conquer the Mario world and has already proven to be perfectly willing to put the entire universe at risk if it means getting revenge.
  • The Illusive Man in Mass Effect is incredibly polite, classy, and cultured. Even when he gets pissed, he barely raises his voice at all. He does this just to make it very difficult for someone to tell whether he's lying or not. He drifts very clearly into this trope in the tie-in novels; while preparing a treacherous subordinate for a Fate Worse Than Death, he speaks in a regretful tone about how there is nothing personal in this, how much he enjoyed working with him, and how sorry he is that he must make this necessary sacrifice. What separates him from true Affably Evil in this exchange is that it is personal (he was furious when the man betrayed Cerberus), he deliberately puts the man through more pain than is strictly necessary for the experiment, and he acknowledges to himself later on in the book that he had allowed his desire to see the hideous retribution in person cloud his judgement.
  • Skull Face from Metal Gear Solid: Ground Zeroes is one of the most polite and well-spoken villains in the series. He is also quite possibly the most horrific, having done such things as having Paz tortured and gang-raped while forcing Chico to watch him do it. And then forced Chico to rape Paz himself.
  • Surprisingly, there's only one truly good example from the No More Heroes series. Destroyman adores causing pain and killing people, with a nasty Evil Laugh when he succeeds and a lot of Evil Gloating. Amazingly, he is really good at selling himself as a normal mailman. When he came back in the second game, however, one half of him was like his past self but more convincing...while the other half was Ax-Crazy, obviously angry but also really loving doing what he did.
  • Okage has Evil King Stanley Hihat Trinidad the XIV, a Living Shadow that spends most of the game attached to Ari. Despite being a Harmless Villain (most of the time), making it no secret that he intends to take over the world, he provides a majority of the hilarious dialogue found in the story. Mostly found in his interactions with fellow party member, the Hero Rosalyn.
  • Yōko from Onmyōji who at first seems nice and polite enough to the heroes (hell, he even refers to himself as shōsei, a very humble and formal first-person pronoun) only to be later revealed as the one repeatedly abducting young yōkai girls.
    Yōko: (to Koi-no-sei, a cute mermaid he's holding captive) It's come down to this and you still don't understand? Well, I'll have you know: you have been tricked.
  • Dr. Richard Trager from Outlast takes this trope Up to Eleven, all the way to being a borderline Friendly Enemy. He speaks to you like a close friend, calling you "buddy" a lot. He always speaks to you like a friend, even while cutting two of your fingers off.
  • In Overwatch, Sombra plays the part of the adorkable Playful Hacker on the surface, but is actually a ruthless cracker who has no qualms working with the likes of Talon, threatening and blackmailing people, or even just doing her best to infuriate everyone, even the ostensible allies she regards as mere pawns to manipulate.
  • Adachi of Persona 4 is Ax-Crazy and committed the murders for the fun of it, mocked his victims while recounting his killings, and, when he reveals his true personality, is pretty funny.
  • Lovrina of Pokémon XD: Gale of Darkness projects a cutesy Valley Girl demeanor that belies a calculating, sadistic mindset that takes pride in torturing Pokémon and inflicting them with The Corruption. Best seen in her opening battle animation, which begins with her giving a cute wave with a winning smile that quickly morphs into a full-blown Psychotic Smirk.
  • GLaDOS of Portal, who continues to sound sarcastic and cheerful even as she tries to murder Chell.
    Gla DOS: Burning people! He says what we're all thinking!
  • Father Donald earl Mc Arthur from Rides With Strangers is a Pedophile Priest who has killed, raped, and tortured many, and wants to purge the world of those he considers "heretics". He speaks to the player in a very polite manner, which only highlights his creepiness, all while planning to kill them.
  • Charnel of Sacrifice, the amusingly bloodthirsty God of Death who also gets some great lines.
    Charnel: "I am Charnel. God of Strife, God of Slaughter, God of DEATH! Where there is pain, I'm there. Where there is suffering, I flourish. Where there is joy...Yes, well, one could hardly have joy without another's suffering, no?"
  • The Boss may seem reasonable and even jovial at times, but if you cross him, he will not hesitate to end you utterly, no matter what the cost and regardless of how many lives are lost in the process - especially if you harm one of his lieutenants.
  • Otani Yoshitsugu from Sengoku Basara, in the English dub (the Japanese version is Obviously Evil), is constantly affable and polite (provided you haven't pushed his Berserk Button) even as his overt misanthropy and ambitions to spread misery to every human on Earth makes it clear it's all just an act.
  • At a fairly early juncture in Shin Megami Tensei, you encounter Ambassador Thorman, who is deeply concerned about JSDF leader Gotou's attempts to use demons to prevent the Americans' peace efforts and wants your aid. He's actually the Norse god Thor himself, acting on orders from the most holy YHVH Himself, and intends to drop his Mighty Hammer (that is, several ICBMs) on Tokyo to annihilate everything in it, including the JSDF, the demons, innocent civilians, american troops, and the heroes. Yes, even if you decide to take his side.
  • Silent Hill:
    • Vincent from Silent Hill 3, who tends to flip-flop around in this area: yes, he's a jerk, subtly insults you, and is a member of The Order. But he also doesn't want to resurrect The Order's God, and sends you off on a quest to acquire an item to supposedly beat said God. Why does he help you? Because if God were to be resurrected, he wouldn't be able to make any more money.
    • Walter Sullivan from Silent Hill 4 is this full force, the first time you meet him he's simply a soft-spoken man who sits on a flight of stairs and talks to you, leaving behind an item afterwards for you to take. You then find out that he's the serial killer who had chained you inside your apartment after he tries to kill your neighbor. Also, the item he gives you is useless and possesses your inventory box should you put it in there.
  • Despite being relatively calm and collected, Dr. Eggman Nega, Eggman's alternate-dimension counterpartnote  in the Sonic Rush Series, is much more vicious than the Affably Evil doctor we all know and love.
  • Kerrigan becomes like this in Brood War. No longer just a bloodthirsty zealous slave to the Overmind, she develops a prepossessing, well-mannered, and regal demeanor to her guests and allies (that is, before she betrays them and lets them be devoured by the Swarm). At least, until she's de-infested at the end of StarCraft II: Wings of Liberty...and, thus far, even after her experience on Zerus, has not returned to her Queen Bitch of the Universe ways. Mengsk also qualifies, up until he gets completely obliterated by a vengeful Kerrigan.
  • In Star Wars: The Old Republic, most sith NPC's and many Imperial officials exhibit this trait. A few examples:
    • One of the first missions for the Sith Inquisitor has them join a sith lord in torturing an acolyte for information. The sith lord in question would seem like an amiable personality were it not for the fact that he's instructing you in torture.
    • Lord Drowl is very excited to try out a poison called quell.
    • Arguably Lord Zash in the Sith Inquisitor story, but she may be genuinely nice (in her own opinion, anyway), depending on how you see her personality. True, she will try to hijack your body to extend her own life but it could be that she really just doesn't see a reason for you to object and thinks she's doing a favour for you as well, since, after all, you get to host her.
    • And of course player characters can exhibit this behaviour as well; it would seem that the Imperial Agent and Sith Inquisitor have the most conversation options to that end, though it also depends on the player's own interpretation of the character, naturally. It works with all classes, though: due to the nature of the dialogue system, you can threaten the lives of innocent children one moment and make polite conversation the next.
  • In Super Mario RPG, when Mario and his entourage finally meet Smithy, he at first seems far more polite and civil than most villains in the game. This is a facade, however, as he quickly proves just as nasty as the rest of the Smithy Gang, AND have an uncontrollable temper as well.
  • About half the cast of Team Fortress 2 are either this or normal Affably Evil. The Scout is just an asshole, The Spy is coldly professional, and The Sniper and Engineer are nice people when not being paid to kill, but the rest would probably do this for free, whether it's because death is just a normal side-effect of their hobbies (Demoman, Medic), they're crazy (Pyro, Soldier), or they just plain like killing (Heavy, Scout).
  • Tomb Raider (2013): Mathias feigns politeness and reason in his meetings with Lara and Sam, even managing to earn Sam's trust by bandaging her injured foot. In reality, he was bordering on sociopathic by the time of his first journal entry, in which he documents how he routinely tortures other people who wash up on Yamatai until they agree to join the Solarii, and kills those who don't agree.
  • In Ultima 7: The Black Gate, we have Batlin. A kindly sage and former druid, who is the head of the Fellowship and always working hard to help the people of Britannia. On the other hand, the Fellowship is a cult intended to subvert Britannia, spread distrust in the Virtues and Lord British, and pave the way for the Guardian to take everything over. In a hard-to-find dialogue (you have to cast the all-destroying Armageddon spell to get it) you find out that Batlin is driven by pure nihilism, having learned that (supposedly) nothing exists beyond death. (In the sequel, he is attempting to gain immortality for this reason.)
  • Even after the player finds out he's a sadistic Social Darwinist, Flowey from Undertale keeps up his friendly and cheerful demeanor.
  • The Crooked Man in The Wolf Among Us at first appears to be a genuinely nice person who was only trying to use his power and resources to care for the Fables that the apathetic government had left in the dust. However, once confronted with evidence from Nerissa saying that he personally ordered the executions of women who wished to escape owing debt to him, he physically attacks Wolf and attempts to throw the both of them down the Witching Well. He also has no qualms having an Ax-Crazy demon woman be his personal bodyguard. Also, his codex entry says that he murdered his family to save on living costs. That says a lot.
  • Sho Minamimoto of The World Ends with You: sadistic, utterly unpredictable, and Crazy Awesome.
  • Professor Putricide from World of Warcraft is a funny, quirky old Mad Scientist who sewed his "children" together from a pile of corpses, and spends his time creating deadly plagues for the Scourge to use in their war against the living.
    Professor Putricide: Good news, everyone! The slime is flowing again!
  • Handsome Jack in Borderlands 2, best shown in some points in the Southern Shelf. If you're doing the main quest, he banters with the player in a way that's not entirely friendly but seems more jokey than anything else (for example, he tells you that he was thinking of naming his diamond horse "Piss-for-Brains" in your honour). If you're doing a sidequest to collect some audio recordings of him, however, he puts on a seemingly apologetic pose when Helena Pierce tells him the cause of her scarring, then casually guns her down and laughs about the noise her head made when he shot her in the face.

    Visual Novels 
  • Monokuma aka Junko Enoshima from the Danganronpa series is a combination of this trope and Laughably Evil. He acts like a cartoonish stuffed bear who's too funny too be taken seriously as a villain, but he's really an Ax-Crazy despair fetishist who psychologically torments students via a sick killing game and started a despair cult that destroyed most of human civilization.
  • Zouken Matou in Fate/stay night is rotten and evil to the core, but he seems to enjoy putting on false politeness when tormenting or manipulating his victims. This contrasts him with the actually Affably Evil Kotimine Kirei, who genuinely likes the protagonists but also would not hesitate to kill them.
  • Heath Oslo in Grisaia No Meikyuu and Grisaia no Rakuen is polite, well dressed and fairly charming, but he's also an internationally wanted terrorist, a pedophile and performs experiments on children that give them all cancer or cause them to commit suicide. He also has a nasty temper, but he keeps it bottled up at all times, so it's hard to tell when he's angry.
  • Bolt in SC2VN is capable of being respectful when he's on camera, but he's still a jerk.

  • Reiko and her sisters from Contemplating Reiko are Evilly Adorable.
  • Issac Jenner from Demonology 101, though gradually less so after meeting Madeline.
  • Dragon Ball Multiverse: U4 Buu. Even as he's absorbing the entire stadium, he doesn't fail to crack a few jokes, but it's clear from, well, the fact that he's absorbing the entire stadium shows that he has no remorse or desire to hold back.
  • Drowtales has Snadhya'rune Vel'Sharen, who presents herself as an enlightened peacemaker with the best interests of her kind at heart to mask her true nature, and once things start going wrong she has her Mask of Sanity slip to reveal her true sociopathy
  • The evil wizard Faden from Exiern, like Mister J, is in the evil game as much for the lulz as anything else.
  • Girl Genius:
    • Bangladesh Dupree, who derives much endless glee from torture, murder, and mass destruction. Her upbeat personality and casual attitude only make her more likeable — to the audience, at least. Most other characters rather fear her. Contrast to the Other who showers cutesy and "darlings" all the time, but tries too hard.
    • Also, Castle Heterodyne, which has an attitude rather like that of the aforementioned HK-47 and a fanatical devotion to the Heterodynes. Except it's the size of a vast, sprawling complex and a lot more creatively vicious.
  • Homestuck:
    • Doc Scratch pretends to be a pleasant old man with a soft spot for young ladies. In reality, he is a conniving, devious villain, who has imprisoned an innocent girl in his house who is now a Death Seeker because of it, is the cause of a previously peaceful planet becoming a Crapsack World, and in spite of never once lying, manages to convince every single one of the children that they are destroying the Green Sun, when in reality they were creating it. The kicker? His only reason for doing this was to prove that they are "S u c k e r s."
    • In late Act 6, Aranea has unexpectedly shown this trait. She's just trying to help, guys! And if a few people get permanently killed or mindscrewed along the way, well, it's all for the greater good, right?
  • Used liberally in The Last Days Of FOXHOUND, where at least half the jokes are mostly Mantis and Ocelot making each other's life a living hell.
  • Richard from Looking for Group slaughters entire villages on a regular basis and is very funny while doing it. Just watch "Slaughter The World", and find yourself laughing yourself sick as Richard drop-kicks puppies over the horizon.
    Richard: You got Dick-roll'd.
  • The main cast of Narbonic, except Artie and early Dave.
  • In The Order of the Stick:
    • The Big Bad Xykon is a sadistic monster with no redeeming qualities, not to mention kind of a dick, but he can be very funny and charming (even Redcloak, who loathes Xykon and has been subtly manipulating him for years, admits that Xykon can be good company but warns Jirix that this does not mean that Xykon can be trusted one iota.) Xykon's Breaking Speeches tend to be very conversational in tone if not subject matternote , and he "kindly" offers mercies when his enemies are plainly outmatched by him, like:
    Xykon: Bring the phylactery back, and I'll let you keep two internal organs of your choice. Act fast, this offer is for a limited time! (Fires a Meteor Swarm at the fleeing heroes)
  • Angelo, from Our Little Adventure. He's quite the little monster, but acts fairly polite and friendly most of the time. The main reasons he is so good to his minions are because they serve him on a pseudo-religious level and his husband Brian (whose kindess is quite a bit more genuine) advised him to.
  • Alaster Wight of Suppression treats everyone as his best buddy despite being a self proclaimed "sadistic badass bastard". He's got a smile that's equal parts Chesire and Slasher.
    Alaster: Hey, buddy, since we got that sorted out, how about you just drive your stupid little bomb someplace else? (Beat) Oh right, I killed you. Well, that doesn't mean you can't make yourself useful.
  • General Levaughn Matsui "Hugo" Xinchub from Schlock Mercenary can carry on polite conversations, but still has no problems with murder and other mayhem to serve his goals, smiling at the thoughts of death and destruction that serves his purpose.
  • Devil in Sinfest can be very funny when he's in a good mood. And sometimes throws loud but harmless prima donna hissy fits or long rants, which sometimes has comedic effects too. Depending on the subject, his clownade can be more than sinister — still hilarious though, isn't? And when he's in a bad mood, there may be barely enough time to say "Oh, Crap!".
  • In Slightly Damned, we have Moonshade, who speaks in a polite manner but works with demons that are trying to abandon hell and take Medius as their own. He is a Sadist, who likes to taunt his victims mid-fight. This is best exemplified when Buwaro and Kieri accidentally run afoul of Melli, the fire guardian: he warns them that she's dangerous, says he's seen that they're good kids, and offers to take care of her for them; when he speaks to her, he starts out calmly, then stabs her in the shoulder mid-sentence, then, after he kills her, makes a snide remark:
    Moonshade...Aaaannnd another Guardian bites the dussst! And with such a dramatic exit! So much for not setting the city on fire, though. Ha ha!
  • Sluggy Freelance: K'Z'K is almost always outwardly cheerful, as well as polite in a way that could be considered sarcastic, even though his actions are perfectly in line with his status as a demon bent on stealing souls and Taking Over The World to cause The End of the World as We Know It.
    "Howdy-ho neighbors! Could we borrow the Book of E-ville, and all of your souls? Don't get up, we'll help ourselves!"
  • Cal V1n of Weapon Brown is charismatic, enjoys jokes (especially his own), and is quite friendly. Up until he decides that you need to die. For any reason, including "because it would be funny", "because you're annoying", and "because I can". Even leaders of The Syndicate are terrified of him, for the simple fact that he's an unstoppable killing machine who only does what he's told due to some severe mental conditioning, and that is of questionable effectiveness. Part of this comes from the fact that he was transformed into a living weapon at the age of seven, and his first actions upon gaining his powers were to kill every other test subject. He was impossible to control without mental conditioning, and it's implied that the conditioning won't hold for very long.
  • Black Hat Man from XKCD, he has no qualms with killing and actively attempts to hurt and humiliate random strangers, but will calmly and politely explain why most of the time.
  • Yocchi from Yamara. There's hardly anything "redeeming" about her, as she happily plays villain, but...She manages to be so stylish and funny even in the To the Pain sequence that even her victim doesn't seem to hold too much of a grudge, and after all, she herself is known to be Too Kinky to Torture, cheerfully crazy, and The Chew Toy to boot, so it's somehow hard to blame her.
  • Zebra Girl: Mister Chalk in dealing with Zandra.

    Web Original 
  • Most State characters in AJCO, but particularly A_J and Breyos. They mask their loathing and contempt for others (and each other) behind fake politeness, and then act offended if anyone calls them out on it as they were 'only being polite'. Their savvier enemies, such as S_K and Egg, are starting to act the same way whenever they have to deal with them (only without the 'Evil' part... maybe).
  • In Alice Isn't Dead, Humanoid Abomination the Thistle Man first approaches the Narrator by engaging in seemingly genial, folksy small-talk that leaves her very unnerved. She notes that "nothing about his tone matched [what] he was saying," and subsequently pegs him as having decided to bother her from the first. He keeps up the pretense when inviting her to "see sumthin' funny," which happens to be a private display of his ability to pacify and slowly kill a hapless victim of his choosing, by eating him alive.
  • Ask That Guy. A completely depraved, devil-worshiping murderer, he is nonetheless quite cheerful as he answers all your questions in the most disturbing ways imaginable.
  • Dragon Ball Abridged:
    • Mr. Popo is interpreted as this in.
    • Freeza was already this in the original, but in Abridged, this aspect is further magnified to make him even more terrifying. LittleKuriboh's magnificent performance helps.
    Goku: I'm gonna deck you in the schnoz!
    Freiza: I'm sorry, that's a new one.
  • Terrence in KateModern is this 60% of the time (he has a terrible temper, though).
  • Simon Talbot from The Descendants makes up terribly punny names for his various experiments. For example, he asks if 'Cadmus' is too cutesy for a project involving inflicting Body Horror on a captive to splice dragon genomes into her. He then names her after a Disney villain.
  • Don't Hug Me I'm Scared:
    • In the second installment, Tony the Talking Clock at first acts like a kind teacher who wants to show the puppets the importance of time. He drops the act quickly when Green Bird presses his Berserk Button by questioning the existence of time, at which point he yells at them literally until their ears bleed and then rots them alive.
    • Similarly, in the fourth installment, Collin the Computer claims to want to help the puppets and show them how to be clever like him. It quickly becomes clear that he has no intention of helping, and after Red Thing touches his keyboard, he fulfills the "evil" part of the trope by instead trapping the puppets in a digital world where they can't do anything except open doors for eternity.
    • The Food Band from the fifth episode pretend to be friendly, but they ignore everything the main characters say, and it’s heavily implied they tricked Yellow Guy into eating Duck Guy after harvesting the latter’s organs while he was still alive.
  • Epic Rap Battles of History:
    • Adolf Hitler makes a number of polite requests to Darth Vader, all of which are euphemisms for putting him in a concentration camp. He drops the act during his Villainous Breakdown in the third battle when he shoots Boba Fett because he's mad that Vader keeps beating him.
    • Hannibal Lecter deliberately remains completely calm throughout his battle as part of his attempt to break Jack the Ripper by talking. He almost drops the act when Jack points out he's a fictional character, but manages to compose himself before it's time for his verse.
    • At the end of his second verse, Julius Caesar's voice takes on an eerily calm tone as he tells Shaka Zulu that he's not going to kill Zulu or his tribe; they'll be much more useful as his slaves. The look on his face suggests that he's actually planning what to do after the battle and not just making empty threats as is common in the battles. Earlier, Caesar also responds to Zulu's boasts of having the strength of a lion and the speed of a cheetah with "Ooh, can I be a hyena? Because I'm going to laugh when I pave roads with the bones of your goat-herding ass."
    • Walt Disney ends his rap by gleefully commanding Jim Henson and Stan Lee to "GAZE UPON MY EMPIRE OF JOY!". Said empire being hundreds of oppressed artists being worked to the bone, with the implication that Henson and Lee are soon to join them. In fact, Disney maintains a smile on his face for his entire rap, only stopping to mock his artists for begging him to stop. In keeping with the Disney business model, he's also one of the only rappers in the series who doesn't swear at all.
    • HAL 9000 opens his verse with "I'm sorry, Bill. I can't let you do that." but clearly isn't actually apologetic in the slightest.
  • Hat Films, in their Minecraft series Hat Corp, tend to harass the other members of the Yogscast on their respective videos, but do so with a fake sense of politeness.
  • Dr. Heiter of Human Centipede: The Musical adopts this demeanor while, among other things, kidnapping, threatening, and murdering people. This is particularly noticeable during his Villain Song.
  • In If the Emperor Had a Text-to-Speech Device, Lucius talks like a high-pitched and slightly excited stereotype of a boy band fangirl. Once you start listening to what he's saying, though, he becomes one of the creepiest characters in the show.
  • The French blogger "l'Odieux Connard" (literally, the Heinous Asshole) picture himself as one in any of his articles.
    '''(After shooting a hipster from his house)"Well, he's still twitching a bit. Listen, Sir, I'm not willing to waste a second bullet for you, so please tune down your grumbling, I would like to sleep with my windows opened, we're in summer!"
  • Liruru Von Astaroth, in the MSF High IRC and MSF High forums (backstory only), is somewhere between this and Affably Evil. She, amongst other things, has genuine True Companions, is a kind, gentle ruler of a planet...and is willing to commit millions of murders for her goals, and has, thanks to A Million Is a Statistic.
  • Red vs. Blue:
    • Wyoming fits this to a T. He has a polite, cool-headed and consistent demeanour, though as befitting this trope it's very insincere. Whenever he kills an enemy or victim, he always gives an insincere "sorry".
    • His boss and the main antagonist for the Blood Gulch Chronicles, O'Malley fits this even better. He's a Large Ham that is always entertaining, with an equally fake polite demeanour. Unlike Wyoming, however, he's largely incompetent- until the last part of the fifth season when he almost gets given the opportunity to go all Omnicidal Maniac on everybody's asses.
    • Come Season 12, Felix turns out to be a case of this, with false compliments designed to twist the knife.
  • Turpster tends to behave this way as the murderer in Murder! or Trouble In Terrorist Town.
  • The Duke of Francis, in Twig, is superficially kind, polite, respectful of his subordinates (at the price of absolute loyalty) and yet is also a psychotic Blood Knight who in his spare time rearranges people's lives to de-stress.
  • Lauren Mallard from Welcome to Night Vale. On the surface she seems like a cheerful, friendly woman, but she takes a rather sinister interest in knowing the names of Cecil's loved ones.
  • Mimeo of the Whateley Universe. He cheerfully chats with another super, while really setting the guy up to be hunted forever by Mafia hitmen.
  • Worm:
    • Coil is polite, reasonable, and acts friendly, but employs child molesters and murderers, wants to take over a city for no real reason beyond his own egotism, and commits gruesome murders when he's absolutely sure there will be no evidence.
    • Jack Slash also counts. He's always polite and genial, despite having spent twenty years or more leading the Slaughterhouse Nine across North America on a rampage that has seen cities devastated and tens of thousands of men, women, and children tortured and murdered in the most horrible ways he and his companions can think of. He has no reason for this beyond his own enjoyment.
  • Marik, Melvin, Florence, and Gozaburo in Yu-Gi-Oh! The Abridged Series.

    Western Animation 
  • Marceline's dad in Adventure Time may be a soul-sucking Humanoid Abomination, but he's not above playing with his food.
  • In Aladdin: The Series there's Mozenrath, Disney's most charmingly diabolical teenager. "Okay, then. Everybody else expires at dawn, while I blow away Agrabah. Then, say, noon-ish, I return and devise some way to destroy you."
  • Despite being insane, Barry from Archer is actually friendly and polite, at least until things go wrong. The cheerfulness doesn't even go away while he kills Jakov, which makes him even creepier.
  • Princess Azula from Avatar: The Last Airbender is perfectly capable of acting polite as a manipulation tactic, with the keyword being "acting", giving a far more sinister edge to almost everything she says. This actually is shown off as both an advantage and a crippling flaw, as outside of situations where she needs to play her opponents like puppets, she is utterly clueless as to how to act.
  • The villains on Batman: The Animated Series run the gamut, from genuinely Affably Evil as long as you don't make them angry to flat-out nasty and no fun at all to be around. The ones who most obviously fall into this trope are the Joker (of course) and the animated series' version of Poison Ivy, who here is one of the most ladylike terrorists and murderesses you can imagine - and is an outright Bitch in Sheep's Clothing as her everyday self, Pamela Isley. Making it all the more satisfying when the tables are turned on her and this smug beauty becomes a shrieking harpy.
    • Most of the villains in The Batman qualify as well. Special mention goes to this version's Joker, who is even more affable and even more murderous than his TAS counterpart.
  • Lawrence Lactavius Limburger from Biker Mice from Mars acts polite and sophisticated most of the time, but he's still a greedy bastard who shows absolutely no remorse whatsoever for the planets he devastated and the lives he ruined by stealing resources for his home planet Plutark and frequently attempts to kill the titular Biker Mice whenever they show up to thwart his schemes.
  • In The Boondocks we have Ed Wuncler I and his son Ed Wuncler II. Both of of them are ruthless businessmen and con artists who are very superficially charming, but show their true colors soon after duping people with their predatory business schemes.
  • Codename: Kids Next Door: The Delightful Children are freaky insane children who, despite being well-behaved around adults, are incredibly cruel to other children. However, they end up providing some of the most hilarious lines on the show, and they are fan favorites.
  • Katz from Courage the Cowardly Dog. A serial killer with a British accent. He always speaks politely even while trying to kill Courage. Really, his catchphrase "Ready for a little sport before dying dear boy?" says it all.
  • In Danny Phantom, Vlad Masters/Plasmius has a polite facade, but underneath is a monster wanting world conquest and to bang the hero's mom.
  • Mom from Futurama is a ruthless corporate raider and abusive parent who puts on a sweet old lady routine and fat suit for her TV ads. In her first appearance in "A Fishful of Anchovies", she drops the act when she finishes cutting a TV ad, and again when Fry gets in her way.
  • Van Kleiss from Generator Rex.
  • God, the Devil and Bob: Despite being the source of all evil in the universe, The Devil can be very polite if he wants something from you, or if you outrank him in the cosmic hierarchy.
  • Gravity Falls:
    • Calling Dipper "friend" while trying to cut out his tongue and kill him definitely qualifies Gideon Gleeful for this trope.
    • Bill Cipher zig-zags this trope. He'll talk to you in the most cheerful tone possible, while mocking you and ripping a deer's teeth out. Then he puts the teeth back. When the Pines twins foil him he will snap. HARD. When the group defeats him in combat... He'll compliment you and let you off easy. He easily and gleefullly sways between this and Affably Evil, by virtue of being certifiably insane:
      Gideon: You're insane!!!
      Bill: Sure I am; what's your point?
  • Lucius Heinous VII from Jimmy Two-Shoes.
  • Kuvira from Last Airbender's Sequel Series The Legend of Korra is the quintessential Villain with Good Publicity and acts stern but infallibly polite in public, often to keep that good publicity. She even acts like A Mother to Her Men to her troops, telling them that she wouldn't put them through things she wouldn't go through herself. However, the facade only holds as long as things go her way or her subordinates do what she says. The moment something goes wrong or someone slights her, her temper disintegrates, the mask comes off, and out come the threats of a re-education camp. Bolin and Varrick learn this the hard way, as does her fiancé Baatar Jr.
  • Wile E. Coyote behaves like this when he goes after Bugs Bunny. A perfect example of this occurs in "Operation: Rabbit".
    Wile E.: Allow me to introduce myself. My name is Wile E. Coyote, genius. I'm not selling anything nor am I working my way through college. So let's get down to cases: you are a rabbit, and I'm going to eat you for supper. Now, don't try to get away. I'm more muscular, more cunning, faster and larger than you are, and I'm a genius, while you could hardly pass the entrance examinations to kindergarten. (Bugs looks bored and yawns) So, I'll give you the customary two minutes to say your prayers.
    Bugs: I'm sorry, mac, the lady of the house ain't home, and besides, we mailed you people a check last week. (goes down into his rabbit hole)
    Wile E.: (returning to his den) Why do they always want to do it the hard way?
  • My Little Pony: Friendship Is Magic:
    • Season 2 villain Discord, in. He keeps up the act even while he mind rapes the Mane cast! The first time it slips — and the only time in the first part of a two-part episode — is when Fluttershy proves too accepting of her own faults for this to work on her and he gets furious. And the sudden snap just made it all the more frightening. He lets it slip again twice in the second part, first by taking obvious sadistic glee in finally breaking Twilight — mind you, this isn't just being happy he won; he'd already won by that point, and is just delighted to see his last opponent emotionally devastated and utterly crushed on top of it. Later it slips in favor of fear rather than malice when he realizes that all his plans thus far have failed and he's about to be defeated by the Elements of Harmony. Taken a step further in "Keep Calm and Flutter On" when he's assigned to live with Fluttershy until he can prove he's been reformed. He makes nice, despite continuing to wreak havoc with the laws of reality because he claims he's more comfortable that way, and eventually pretends he's actually had a Heel–Face Turn. All the while trying to scheme his way out of being eventually turned back to stone when he drops the guise. Ironically, he ends up Becoming the Mask and becomes her genuine friend. Keep in mind, however, he's still a major trickster, is generally unhelpful and seems to play nice while wreaking some havoc on the side. It's just that he generally isn't as malicious while doing so.
    • To a lesser extent, the minor antagonists Flim and Flam from later in the series fit this trope.
  • Sylvester Sneekly puts on the facade of a kind and caring guardian to the titular heroine. Even as The Hooded Claw he never loses his cool and remains calm and composed even as he explains to Penelope in great detail how his perils work, using terms around her such as "my dear sweet Penelope" only breaking the calm when his perils fail or to take out his anger on his henchmen, and even then his snarky tone remains. Even as Sneekly he gives off very subtle hints to Penelope that HE IS The Hooded Claw and she still doesn't get it because she's a Wide-Eyed Idealist and would never think her guardian would be such a horrible man.
  • In Reboot, Megabyte's sophisticated mannerisms and pretense of wanting to conquer Mainframe/the entire Net to establish order all hide his true predatory nature. The few times he drops the act, he's a snarling monster.
  • Everyone in the Public Service Announcement The Return of Count Spirochete, especially The Grim Reaper.
  • Darth Vader in the Robot Chicken sketches, especially in the "Dinner with Vader" sketch.
  • The Simpsons:
  • Sonic the Hedgehog:
  • South Park:
    • Saddam Hussein.
    "Hey, buddy, relax, take a load off."
    • Eric Cartman, full stop: He's a spoiled 10-year-old sociopath, but he's willing to pretend to be nice to get what he wants. The gloves come off the second he doesn't get what he wants.
  • SpongeBob SquarePants has one with Mr. Krabs, thanks to the show's Flanderization and the reliance on Comedic Sociopathy in later seasons. While he occasionally is still nice to SpongeBob and acts as a mentor, like in the early seasons (when not swindling him), his greed went Up to Eleven. Such as serving his customers with spoiled or super-greasy food just to make an extra buck, torturing Plankton to the point where he is nearly Driven to Suicide, framing SpongeBob, and making SpongeBob's pet, Gary, into a money magnet even though it's painful to the snail. All this said, he would have been labeled as a monster if it wasn't for the show's Negative Continuity and the Played for Laughs nature of the portrayal of his villainy.
  • Marty, from Steven Universe.
    • In Story for Steven, Marty acts as Greg's manager. He shows very friendly behavior towards Greg and Vidalia (whom he had presumably impregnated during that time), but the things he says reveal him as a greedy, posessive, abusive womanizer, causing Greg to kick him to the curb.
      Greg: He's dead to me.
    • In Drop Beat Dad, Marty returns, supposedly to spend some time with his and Vidalia's now-teenage son, Sour Cream. Marty helps Sour Cream set up a concert on the beach to "make up for lost bonding time", but suddenly reveals that the concert was only about a sponsorship with a (gross) soda-brand, and that he was using Sour Cream as a way to make him more money.
  • M. Bison from Street Fighter. At least he tries to be polite when talking about how he murdered everyone's fathers.
  • In Street Sharks, Dr. Paradigm manages to hide his various acts of kidnapping, thievery, unethical experimentation, and attempted murder by using a public image as the only one to save the town from the evil shark mutants running around. There's also the first episode, where he has the four protagonists kidnapped and Strapped to an Operating Table and tries to have a lighthearted conversation about what he'll be doing to them.
  • Gibbs from Titan Maximum is irredeemably evil, but undeniably funny at the same time. Then again, the show comes from the creators of Robot Chicken, so it's practically a given.
  • Total Drama:
  • In the Transformers franchise:
  • The Venture Bros. has many examples, such as the Wicked Cultured Phantom Limb who will maintain a polite and gentle attitude while he murders you with a simple touch.
  • Due to their reliance on random humor and excessive Comedic Sociopathy, a lot of characters in Seth McFarlane's shows come off this way due to lacking consistant noble or redeeming qualities.
    • American Dad!:
      • Roger may be the king of this trope, however; he has an extreme Lack of Empathy that shows an indifference for his family and friends' well being, and frequently commits all sorts of callous or outright murderous acts for minor indulgences or offenses, and so it goes without saying that he is a fan favorite.
      • This trope was also played perfectly with Steve's friend Barry turning out to be conniving, cunning and British; this is thus extended when he forces others to perform trivial things (such as play board games) at gunpoint. He is a completely different person with his meds. Two points go to Santa Clause in Christmas episodes. Still thinking of the Jolly Ol' Saint Nick when we hear that name? This version of the character is not so jolly, at all.
    • Family Guy:
      • Carter Pewterschmidt, father of Lois. Proud to be an asshole, he uses his mass fortune to be a Jerkass to people - yes, that includes orphans. Yet, he's a fun guy and a kid at heart.
      • Let's not leave Peter Griffin out as well, he's a close second to Roger, with his mental disability as a poor excuse.
      • Prior to the mass Flanderization of the cast, Stewie was cast a psychotic mastermind vehement on taking over the world and killing anyone who gets in his way (particularly his mother), usually making for some of the show's earliest laugh-out-loud moments. Granted, as time passed in the show, Stewie's personality calmed and he gained redeeming aspects, ironically making him one of the few genuinely sympathetic characters in the show.

Alternative Title(s): Evilly Affable