(renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Paramount
Pictures from 1942
. Famous was founded as a successor company to Fleischer Studios
, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the FleischersPopeye
the Sailor, Superman
, and Screen Songsas well as Little Lulu
, Casper the Friendly Ghost
, Herman And Katnip
, Baby Huey
, Little Audrey
, and the anthology Noveltoons
Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Harvey Comics
and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films, but he soon left after internal conflicts. Eventually, Ralph Bakshi
was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.
With that, Paramount's involvement in animation came to a close until they became the distributor of Dream Works Animation
in 2006 who soon hit its artistic stride
with great new animated feature films like Kung Fu Panda
and How to Train Your Dragon
. Then in 2011, Paramount distributed the Oscar winning hit, Rango
, with ILM
producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to The Sponge Bob Square Pants Movie
Theatrical short subjects series:
- Popeye the Sailor (inherited from Fleischer Studios, 1942 1957)
- Superman (inherited from Fleischer Studios, 1942 1943)
- Noveltoons (1943 1967)
- Little Lulu (1943 1948)
- Little Audrey (1947-1958)
- Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "The Enchanted Square" (1947).
- Screen Songs (1947 1951; originally produced by Fleischer Studios 1929 1938)
- Casper the Friendly Ghost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 1959)
- Baby Huey (1950-1959)
- Kartunes (1951 1953)
- Herman And Katnip (1952 1959)
- Modern Madcaps (1958 1967)
- Jeepers and Creepers (1960)
- The Cat (1961)
- Swifty and Shorty (1964 1965; originated in 1963 as Ralph and Percy)
- Honey Halfwitch (1965 1967)
- Merry Makers (1967)
- Go Go Toons (1967)
- Fractured Fables (1967)
- Segments of Popeye (1960 1962; outsourced from King Features)
- Segments of Felix the Cat (1958 1961; outsourced from King Features and Trans-Lux)
- The New Casper Cartoon Show (1962 1963, produced for Harvey Films)
- Segments of King Features Trilogy (1963 1965; outsourced from King Features)
- Twelve of the Paramount-produced shorts in this series were released theatrically in 1962 under the title Comic Kings
- The Mighty Thor segments of The Marvel Super Heroes (1966; outsourced from Grantray-Lawrence Animation)
- Bloodless Carnage / Family Unfriendly Violence: Arguably the most prominent aspect of the cartoons. Herman and Katnip and Baby Huey cartoons in particular have some of the most painful-looking violent gags in any cartoon ever.
- Catch Phrase: Katnip's "Dat sounds logical!"
- Fleeting Demographic Rule: With the Popeye shorts.
- Shot for Shot Remake: Many of their Popeye shorts were blatant remakes of earlier Fleischer ones.
- Something Else Also Rises: In "Sheep Shape", when the wolf sees the singing senorita, he does a Wild Take, and has two soda bottles he was holding erupt in a mountain of fizz.
- Strictly Formula: The studios cartoons are notorious for how formula-driven they were, although part of this was the result of Paramount's frugal budgets and explicit forbidding of the studio taking artistic risks—this was an attempt to prevent the studio from going through another financial meltdown like what had happened with the two Fleischer Studios features. Lee Mishkin, an inbetweener for the studio, even has a quote about it:
"I think the problem lay in the attitude of the management. The bosses would go to screenings with a list of all the gags in a film on a clipboard. They'd put a check after each gag that got a laugh and use it in the next picture. If a gag got a laugh in three pictures in a row, it became a standard and they'd use it in every picture after that. They had a real nuts-and-bolts approach to making films."
- Wholesome Crossdresser: Done in "Sheep Shape".