Family-Unfriendly Aesop
aka: Warped Aesop

"... I leave it to be settled by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience."
Jane Austen, Northanger Abbey (final line)

Everyone knows the Stock Aesops: Be Yourself; appreciate what you have; people are more important than things; follow your dreams. Sometimes, these morals contradict each other, but nobody is surprised to see any of them in a story. However, sometimes a story aims to teach a lesson well outside the pale of accepted wisdom. For example, "No Good Deed Goes Unpunished", "It's okay to Be a Whore to Get Your Man," or "Sometimes Violence Really Is the Answer".

"Family-Unfriendly" does not necessarily mean "wrong": the lesson may be both true and well-supported in context, but it frequently jars the audience since they weren't expecting it. After all, most shows, especially ones aimed at children, teach viewers that they should help the less fortunate, be modest, and solve their problems without coming to blows.

When your work promotes a lesson that is seldom taught and/or contradicts general morality, you have a Family-Unfriendly Aesop. Your audience may not be able to argue that you're "wrong", but they'll still walk away feeling a bit uncomfortable.

Note that being "jarring" is not necessarily the same as being pessimistic. Some more optimistic Family-Unfriendly Aesops might be, for instance, "peer pressure is good for you because it convinces you to try new things" (or, conversely, "Rejecting the wisdom of the crowd could end badly,") or, "Having sex reduces stress and makes you happier, so go have some." Note also that how the Aesop is conveyed may be what makes it family-unfriendly: for instance, Good People Have Good Sex almost always gets a far friendlier reception from Moral Guardians than You Need to Get Laid, though both promote sex as a good thing.

A Family-Unfriendly Aesop is not the same as a Clueless Aesop, which is a moral (usually a family-friendly one) presented so ineffectively that the audience either misses the point or doesn't find it at all persuasive. When delivered straight and effectively, the Family-Unfriendly Aesop jolts the audience entirely because the message they figure out is exactly the one the writers wanted them to catch. Nor is it the same as Broken Aesop, wherein a show contradicts or otherwise undermines its own (again, usually family-friendly) moral.

Due to Values Dissonance, a moral that is family-unfriendly in one culture may be very family-friendly in another, especially morals about social mores or civil rights. This list is for morals that were family-unfriendly even for the culture for which they were written. A prime target for dropping anvils.

Note: A work may depict a character behaving in a certain way without promoting that behavior as good (let alone telling the audience that they should do the same). Before adding an example to this list, think about whether the example is actually preaching a moral, or if it is simply telling a story to entertain (i.e. a Downer Ending does not mean it is trying to teach a lesson that life is pointless). If it's not the point of a story, it's not An Aesop. An unusual moral also doesn't count if it's played for laughs (Spoof Aesop). If it started out as a good moral, but was broken, that falls under Broken Aesop. If most people would've considered it a good moral when the work was made, but Society Marches On, it's Values Dissonance or Fair for Its Day. If you are drawing absurd conclusions from a story which doesn't have a moral, take it to Warp That Aesop on Darth Wiki. All in all, try to keep presumptuousness to a minimum in interpreting what the story's message is.

Compare Clueless Aesop and some cases of Unfortunate Implications. See also The Complainer Is Always Wrong.

Note: Understand that not everything needs or has an Aesop. A depiction is not an endorsement.

Works with their own pages:


    open/close all folders 

  • The Truth anti-tobacco initiatives
    • "Left Swipe Dat" music video tries to get its anti-tobacco message across by having popular YouTubers and Vine-makers sing a song about instantly rejecting people on Tinder if they smoke cigarettes in their profile pics. It's basically two Family-Unfriendly Aesops at once: "If you enjoy a frowned-upon vice, make sure you don't advertise it to potential romantic partners!" and "Don't even consider speaking to someone — or even learning anything else about them — if they have a personal habit that you don't approve of!"
    • This ad mentions that smokers earn less money than non-smokers. Ignoring the accuracy or lack thereof, the ad doesn't portray this as a case of wage discrimination, but instead uses this fact to encourage smokers to quit, as if they deserve lower wages because of their habit.
  • Two PSAs for the Montana Meth Project has a voice over of two teenagers wishing that something had stopped them from going to their respective parties, trying meth for the first time and ruining their lives by becoming users, which, in theory, would have been great. The only problem there is that they wish that they had suffered horrific injuries instead (implied to become a paraplegic/quadriplegic and having a serious brain injury.) While obviously being addicted to drugs is not a desirable lifestyle for anyone, wishing to be injured shouldn't be considered a more acceptable (or as hinted at in the commercial, glamourized) fate, particularly if they could have just said no or at least have a less tragic fate happen instead. Furthermore, you must wonder how anyone who is suffering from such terrible injuries would react upon coming across these commercials...

    Anime & Manga 
  • A recurring theme in the Area 88 manga and OVA is that engaging in combat will transform you into a traumatized basketcase who can never integrate into normal society ever again.
  • Black Clover: When Juno and Asta ask the Sorcerer Emperor about what they must do to achieve his rank, he gives the answer that nothing is more important than producing results, and he came to be the current Sorcerer Emperor due to producing more and better results than any other of the captains. While the manga makes clear that effort and kindness are important, this is also a very pragmatic way to see the world.
  • Bokurano has a few, which is unsurprising given the nature of the show.
    • Kirie, having learned that every time you win, another universe is destroyed, has a talk with Tanaka, believing he cannot fight in light of that information. Tanaka essentially gives him two lessons. 1) People's lives are not equal, and when people are forced into a situation where they must choose one person's life or another's, they will choose the one they value more. 2) People exist because of sacrifice, from the plants and animals they eat every day to continue living, to the ones who died to ensure their standard of life, and even Jesus and the Buddha are no exception.
    • The ending of Chizu's arc has her family understandably appalled at her killing innocent people in her quest for vengeance against Hatagai. In response, they decide not to press charges against Hatagai, sending the message that it's better to let the guilty escape than cause innocents to suffer through revenge.
  • Daisuki! BuBu ChaCha: Prolonged exposure may result in creepiness when your preschooler somehow ends up believing that one of his toys is the reincarnation of or is possessed by the spirit of the recently deceased family pet.
  • At the end of Eden of the East, Akira (the hero) makes a comment to the effect that Japanese have great potential but need someone to rule them to unlock that potential. In the end, though, it actually subverts this Aesop by more or less stating that while it might achieve great results, it would be wrong to do so. Similarly, Akira/the series seems to take the viewpoint that since national tragedies/catastrophes bring a country together, causing one is a great idea so long as you can figure out a way of doing it without killing anyone.
  • Digimon Adventure 02 had an episode in which the digidestined are trapped in an underwater rig that is slowly running out of air, with only one escape pod: despite knowing that he's afraid of water, the kids coerce Cody into going, creating the Accidental Aesop of "it's okay to force your friends to have contact with their phobias - it'll help them!" (Note that this is dub-induced; the phobia is nonexistent in the original Japanese version.) Upon reaching the surface, he finds out that to get Joe's help, he would have to lie, something Cody is deeply uncomfortable with, to the point that he later feels that he doesn't deserve the digi-egg of Reliability. This leads to the episode's Aesop: that lying is sometimes perfectly okay, if you have a good reason for doing it. While this isn't necessarily a damaging message (as depending on the context, white lies can be beneficial), it is incredibly odd considering that most children's shows would advocate for honesty.
  • Fate/Zero has Kiritsigu Emiya always killing the few to save the many but realizing that even by killing people he deems evil, he'll never create a world free of evil, cruelty, suffering and conflict. So he consults a wish granting device, the Holy Grail, after a long bloody war to get the miracle of world peace. The Holy Grail decides the only way for the world to have peace is for all beings capable of conflict to be dead, so there will be an absence of conflict. Needless to say, Kiritsugu was bothered by the implications that humanity is not capable of ever lasting peace. It should be noted, however, that the Grail had been corrupted such that it would twist any wish it could into a wish for worldwide destruction.
  • Higurashi: When They Cry:
    • The moral of the Tsumihoroboshi-hen arc appears to be "friends help friends hide the bodies." But in a more directly stated example, it's okay to hide things from your friends if they don't need to know about it. Even though they're your friends, it doesn't require complete disclosure. While Higurashi certainly emphasizes the importance of trusting your friends, at this point it acknowledges that there are some things people just can't tell others and shouldn't have to.
    • Saikoroshi-hen (whether you accept it as All Just a Dream or not) seems to advocate a rather ruthless approach to pursuing one's own happiness at the expense of others.
  • The moral of Irresponsible Captain Tylor as a series can be taken 2 ways: 1) Being an individual in a conformist society will lead to extreme success, or 2) Rigid military discipline is actively bad for winning wars, and treating it like a joke will make everything better. The former is one for the Japanese, and the latter is one for Americans.
  • One of the themes at the end of Mobile Suit Zeta Gundam seems to be "Peace is a nice ideal, but you have to be willing to fight because the world is full of bad people who delight in tormenting others". Indeed, the Grand Finale basically has Kamille getting over his earlier "Why do we have to keep fighting?!" attitude and killing the Big Bad.
  • While the manga and anime itself has a Family-Friendly Aesop that teaches Forgiveness and uses A World Half Full, the creepy children's books in Monster were made like this purposefully by one of the characters to instill nihilism in children. They feature such lovely morals as "It doesn't matter whether you make a deal with the devil or not, because you're screwed either way."
  • Naruto: It's later revealed that Black Zetsu somehow manipulated the Uchiha into evil and they are later forgiven despite their atrocities. The moral here: Because the devil made you do it, your crimes should be ignored.
    • The Aesop here is in fact even worse than that, as characters like Naruto, Hashirama, and Minato are endlessly forgiving of the Uchiha clan long before this plot twist is revealed or even hinted at and have always viewed them as fallen friends, and in truth, this twist seemed to have been tacked on just to retroactively excuse their misdeeds. It actually ends up being "If you consider someone your friend, you should forgive anything wrong they do based solely on that."
    • Another big one in Naruto is Naruto's willingness to stick his neck out for Sasuke, advocating that he's really a nice guy deep down in a way reminiscent of a platonic version of I Can Change My Beloved, and asking world leaders (including one who believes Sasuke killed his brother, and Naruto has no reason or evidence to believe he hasn't) to put off their plans to kill him, all while Sasuke is merrily skipping around committing every crime he can. Again, this is based solely on the fact that Naruto considers Sasuke his friend, giving a message that reads like "You should place your friendship with someone above the greater good, even if your friend is the one directly threatening the greater good."
    • At the end, Sasuke has a child with Sakura, the same girl he mind raped and tried to kill at least once. And according to the Word of God, giving up on him would somehow make her a bad person. More specifically, Word of God stated that it would make her a horrible person if she gave up on him and "suddenly" just "switched over" to Naruto. More plainly put: giving up your feelings for someone, despite being hurt by them both physically and emotionally, makes you a bad person.
  • Pokémon: The debut episode of Duplica and her Ditto featured one. Her Ditto was unable to change its face when transforming, a shortcoming it couldn't get rid of, no matter how hard Ditto and its caring trainer worked on overcoming it. Then the Team Rocket trio kidnapped Ditto and finally got it to overcome its problem by threatening it. So apparently encouraging someone and helping them work on overcoming their shortcomings isn't enough; you have to intimidate and force them to do it. The moral here: The ends justify the means. It also counts as a Broken Aesop, as it's a rather odd moral to have in a franchise that highlights the close and friendly bond trainers can develop with their Pokémon.
  • Puella Magi Madoka Magica has two of them, which co-exists in universe despite being contradictory: 1. There's no such thing as selflessness; 2. If you somehow become capable of selflessness, you will cease to have a self.
  • Shiki basically has the moral that if things get bad enough, anyone can and will turn into a murderous monster regardless of his or her original personality because most people just care about themselves and their own more than anything else, and that it doesn't matter if you do decide to be selfless and nonviolent because you're screwed either way.
  • In-universe example: in Urusei Yatsura, Ataru tells a class of kindergartners a story about the legendary Kintaro, who through ceaseless effort, finally became the assistant to a great man.
    Ataru: The moral of the story is, "Even if you work like a dog... you can only rise so far in this lousy world!"
  • Yu-Gi-Oh! had, in its filler DOMA arc, an Aesop that Valon/Varon teaches Mai: The Power of Friendship won't win her battles for her, and she can't rely on her friends to help her.

    Comic Books 
  • EC Comics story "Beauty and the Beach!" (Shock SuspenStories #7): Attractive young wives should stay home and look after their children. Those who instead prefer to pursue lucrative careers ("I'm making more money now than you'll ever make") and win public admiration deserve Karmic Deaths at their husbands' hands. Even for the 1950s, this seems rather mean-spirited.
  • The moral of Birds of Prey: The Battle Within, the arc from issues 76 to 85, appears to be the fairly stock Aesop of "You should accept your friends for who they are and not try to change them," except that what Oracle was trying to change about Huntress is her tendency to kill people. In the end, Oracle apologizes to Huntress, and, in the Dead of Winter story arc (issues 104-108), actually tells Huntress to use deadly force against the Secret Six if she thinks it appropriate, making the moral that sometimes killing people is a good idea.
  • The Chick Tract "Lisa" was heavily freighted with Unfortunate Implications and several rather disturbing Accidental Aesops, which is probably why Jack Chick ceased publishing it long ago. Its intended Aesop by itself, however, remains as edgy and controversial as ever to this day: that while child molesters are indeed terrible sinners, they're just as human and need forgiveness and salvation just as much as any other kind of terrible sinners (e.g. rape merchants, mass murderers, terrorists, and despots). Also, as the doctor who saves the child molester in the comic points out, the Villain Protagonist was already headed to Hell for his "lesser" sins long before he took up raping his little daughter; by implication, we readers shouldn't think ourselves safe from damnation just because we haven't committed any sins as terrible as this guy. (Also, that means rape is not such a special kind of evil after all.)
  • One of the Mass Effect: Foundation comics, had Kaidan's father offer the advice that even the right decision has terrible consequences.
  • Lampshaded in the X-Men graphic novel "God Loves, Man Kills." A policeman incapacitates Rev. Stryker at a rally as Stryker was prepared to shoot and kill Kitty Pryde. Another policeman said "If that's the word of God, then it's been a long time since I've been to church."

    Comic Strips 
  • The trope picture comes from Calvin and Hobbes, and the mom ends up grudgingly giving him the pie. Calvin is clearly portrayed as a brat, though.
  • In Little Orphan Annie, one World War II strip has Annie seeing a man physically attack an obnoxious war-profiteer for declaring that he hopes the war will continue for another twenty years. When a policeman tries to intervene, Annie stops him because "it's better some times to let folks settle some questions by what you might call democratic processes."
  • Parodied with Rat's children's stories in Pearls Before Swine.
    Goat: You are not putting this in a children's book.
    Rat: "So remember, kids, luck and timing are more important than personal effort."

    Fairy Tales 
  • In many old fairy tales and folk tales (especially the ones featuring a young or powerless protagonist), the moral is "Lie, cheat, and steal to save yourself or your family. If you do it well enough, you could become royalty." Modern versions often Bowdlerise this, eliminating the original moral.
  • Russian fairy tales tend to be rather cynical. One story in a collection by 19th century folklorist Alexander Afanasyev has the moral "Old favors are soon forgotten."
  • While we're at it, "Cinderella" itself. Charles Perrault announced at the end that the moral was: Good looks and all sort of other wonderful traits are useless without connections.
  • The standard fairy tale plot of a hero overcoming impossible quests to marry a princess gets subverted in Friedrich Schiller's ballad The Diver. A King throws a golden cup into some rough water and declares that whoever can retrieve it can keep it. After the hero manages this the king ups the ante by throwing a ring into the water and telling the hero that he will get the princess if he can do it again. The hero tries and drowns. The new moral here might be "she is probably not worth it" or simply "quit while you are ahead."
  • Schiller also subverts the "Idiotic challenges will win you the heart of a woman" plot in The Glove in which a lady throws her glove into an arena full of lions and tigers and challenges (mockingly) her suitor to get it. He retrieves the glove, the lady immediately falls for him — and he throws the glove in her face, saying "Den Dank, Dame, begeher ich nicht" ("Such Gratitude, madame, is not desired by me") — the Aesop is probably "Women, don't mock your suitor if you want to keep him" or "Men, sometimes a woman is more trouble than she's worth."
  • Into the Woods added "It's probably not a good idea to marry someone you just met" Aesops to the Cinderella and Rapunzel stories. Cinderella's prince is a philanderer (probably both of them are, it's just that Cinderella's is the only one who explicitly does it on or rather just off stage), whereas Rapunzel is somewhat crazy. The only original story Aesop it leaves intact is Little Red Riding Hood's Aesop of "Don't talk to strangers," who became a good deal creepier (as a bonus, traditionally the wolf is played by the same actor who plays Cinderella's prince). Near the end, we get an Aesop of "Listen to people who know what they're talking about, even if they're witches." And the overarching moral is "don't tell your children stories that feature a Family Unfriendly Aesop, because it will mess them up." "Nice is different than good". And, even more damningly, neither "nice" nor "good" are necessarily the same as "right".
  • "Puss in Boots" (a.k.a. "The Master Cat") is an outstanding example. The story's message may be more prudential than moral; specifically, "if you would be successful in life, learn the way of the cat: how to evade your predators, how to catch your prey, and how to curry favor with the powerful."
  • The Scorpion and the Frog fable:
    • Taken by itself with no metaphor, the lesson is that a predatory animal (the scorpion) with enough sapience to communicate with a creature it naturally preys on (the frog) should not attempt to fight its natural instincts and pursue cooperative ventures ; Mother Nature made the scorpion to kill prey and trying to be something other than that to the frog will only result in one's predatory instincts rising to the surface at the worst possible time, dooming both to a watery grave. It is better to stick with the natural order of things than to try to evolve past one's Darwinian trappings.
    • As a metaphor for evil, it suggests evil is an overriding character trait that outweighs self-interest and survival and one should not trust in an evil person trying to pull a Heel–Face Turn.
    • It's also saying that some people are just plain rotten, and shouldn't be trusted, because of who and what they are.
    • The moral is "Talk does not change the nature of things", i.e. you can discuss something, debate it, argue about it, deconstruct it, reconstruct it, and agree on it. None of that will change its nature.
    • A more down to earth moral is that you should not trust wild animals because they can not be reasoned with, and they can and will attack you when you get too close to them.
  • One story involves a cat and a mouse living together and deciding to store a pot of cream for winter. They hide it in a church until they really need it. Over some time however, the cat is gradually tempted three times into drinking the cream, until it's all gone. When the mouse finds out, she starts yelling at the cat for eating their food supply for the winter. The cat responds by eating the mouse, and the story concludes with the lesson that, well, that's just how the world works (that cats and mice just can't co-exist).
    • It also can be interpreted as a just-so story, i.e. "...and that's why cats and mice are such bitter enemies to this day." From this we can also draw the rather jarring conclusion that some acts are truly unforgivable, such that the conflicts arising from them can never be peacefully settled.
  • The oldest version of Sleeping Beauty (Sun, Moon, and Talia) features the titular heroine getting raped by the king, which results in a pregnancy that ultimately results in her being awoken. When the king returns and finds her awake, he proceeds to sneak Talia and their twin children into his castle so that his current wife won't find out; but she does, and tries to kill all three but is foiled and executed for the attempted murders, leaving the king free to marry Talia. This is allegedly a happy ending.

    To summarize what we learn from this tale: cheating on your wife to rape somebody is fine so long as your victim isn't conscious to experience any of it and you marry her to legitimize her children; if someone who raped and impregnated you while you were in a coma is rich and powerful, his offer to marry you is a good deal and you should accept it; and if you go seeking revenge on your husband for cheating on you, your jealousy will turn you into an Ax-Crazy shrew who'll let Revenge Before Reason overtake her.
    • To make matters worse, the original moral is stated to be: "Lucky people, so ’tis said, Are blessed by Fortune whilst in bed." In other words, getting raped is allegedly fortunate as long as you're not conscious to experience your virginity being taken and your rapist is a rich and powerful ruler willing to remove any social stigmas his subjects might place on you and raise your public standing in his kingdom by marrying you. Values Dissonance much?
  • In the original version of "The Frog Prince," the princess doesn't change the frog back into a prince by learning how to be courteous to him and kissing him; she does it by getting so fed up with his requests that she throws him against a wall so hard that his frog skin splits open. Remember, kids: if you want to land a handsome prince, refuse to honor your promises, be as bratty as possible, and feel free to inflict violence upon someone who helped you when he didn't have to!
    • Turning things around, one odd aspect of this original story is that it mentions getting thrown against the wall like that was the only way to break the spell. In other words, the solution to his problems was to find a princess spoiled and petulant enough that he could provoke her into abusing him. Then, unlike the sanitized later versions in which he promptly gets married to her first, the original just has him hopping into the sack with her that night and then promptly marrying her the next day "so that the christening might not follow the wedding too closely." Early advocacy for masochism and Shotgun Weddings, anyone?

    Fan Works 

    Films — Animation 
  • The Angry Birds Movie
    • The explorer pigs come to the island, and most of the birds accept them, with the exception of the protagonist Red. It turns out that the pigs just want to steal the bird's eggs. This can easily be interpreted as, if someone who doesn't look like you comes to your country, chances are, they want to take advantage of you.
    • The film's Aesop has also been interpreted as "embrace your anger and use it to get revenge".
  • Beowulf (2007) diverges from the moral of its source material, essentially making the point that heroic stories are often lies told to cover up questionable or outright shitty behavior, and by the time you realize you shouldn't have told the story in the first place, you'll be too old and full of regret for it to make any difference.
  • How to Train Your Dragon 2: Hiccup learns the surprisingly dark Aesop that some people simply cannot be reasoned with and can only be brought down by violence. This drives his entire conflict with his father, as Hiccup believes he can talk sense into the Big Bad while The Good King Stoick knows better than to even try.
  • The Incredibles teaches against Tall Poppy Syndrome and false accomplishments - pretending that everyone is equally special is wrong, because some people really are better at certain things than others, and trying to bring them down to the level of everyone else will ultimately only make everyone worse off. While "be who you are, not who others want you to be" sounds like a fairly family-friendly Aesop, the rather cynical implication is that people in general will always tend to envy you for being better than they are unless your superiority is immediately beneficial to them. It also gets a bit muddy when the same Arc Words ("When everyone is special, no one is") are used by both the protagonists to complain about artificial praise devaluing praise for the genuinely extraordinary, and the antagonist to describe his plan to democratize superpowers through technology, implicitly equating the two (and framing the latter as villainous).
  • Inside Out teaches that living a life of happiness, wonder and simple pleasures is simply unrealistic beyond early childhood, and that everyone will have some bad experiences that shape them for better or worse. It also teaches that sadness is a necessary part of life and that growing up means losing some parts of childhood and dealing with complex emotions, which will make you a stronger and more rounded person. Even more family-unfriendly: it also teaches you that trying to always live up to your family's expectations of you can drive you crazy, or at any rate destroy your sense of yourself.
  • Monsters University:
    • Well, current-societal-attitudes unfriendly, at least. You can be successful without a university education if you work hard and make your way up through the ranks over time. Not really a negative one at all, since it's not as though it's telling people to slack off; Mike and Sulley's path is harder than that of the graduates, though they make it eventually.
    • The film also has a more brutally honest message: No matter how hard you try or how much you love and know about the material, there are just things in life you can't do, at least not in the traditional sense, much like the message of Wreck-It Ralph. Accept it, and find where your real talents lie at. This is notably balanced out in that it clarifies that you can still work for the thing you love, but with a different task as Mike never becomes an on-field Scarer, but an assistant and is treated like an equal to Scarers.
    • A rather broken message in that the Oozma Kappa monsters do ultimately become successful scarers through a combination of hard work and sheer creativity. Mike is the only member never to do this, sticking with the standard "jump out and say 'rawr' method" and giving up when it fails him miserably. A more accurate, albeit unintentional Aesop might go something like "be prepared to revise your approach multiple times."
    • The film often shows that, yes, cruel people have a point. Jerks like ROR are correct in pointing out Oozma Kappa lack traditional Scaring build (but are clearly wrong for belittling them). In a sense, this notion drives Oozma Kappa to look further to prove that traditional build is not all there is to it.
  • Considering how Zootopia is a commentary on modern-day prejudices using mammals in place of humans, it was kind of inevitable. The movie demonstrates that intentionally or not, anybody is capable of being a carrier of prejudice (up to and including the main characters themselves), even those who are open-minded and/or suffer the most from it. While it's harsh, and not really a thing anybody wants to admit, it's pretty much how prejudice works in the real world. Fortunately, the blow is softened in a couple of senses; 1), it shows that anybody can overcome their biases if one acknowledges and actively works on moving past them. 2) Some bigoted characters are able to become more open-minded and accepting of other groups when given the time and encouragement, such as Judy's parents and Chief Bogo.

    Films — Live-Action 
  • Early on in Batman v Superman: Dawn of Justice, Martha Kent gives Superman a rousing speech about being a hero, and a symbol, and then abruptly ends it by saying, "Or be none of it. You don't owe this world a thing. You never did." Although it's obvious from the context that what she's saying is "having super powers does not mean you are obligated to be a hero, especially to those who won't appreciate it" and "be a hero because that's what you feel is the right thing to do, not because people demand that you should"; people have had Comes Great Responsibility beaten into their head by superhero media for decades, so it elicits a very strong reaction.
  • Case 39. Sometimes, parents are totally justified in abusing their child. (The astonishing number of children in Real Life who suffer physical and mental abuse because their parents think they're possessed by demons may have a bone to pick with this movie. The ones who survive the abuse, anyway.) Some types of exorcisms kill people, and glorifying those ones for the sake of cheap scares isn't exactly socially responsible.
  • Crossing Delancey — some people might see either of the following:
    • From Izzy's perspective: if you try to be an independent-minded modern woman who can make her own decisions on life and love, maybe you shouldn't—your meddling elders are right after all and you really should be with the nice Jewish guy they pick out, even if he's a lowly, seemingly boring pickle-seller. Kind of like Fiddler on the Roof, but in reverse.
    • Or, from Sam's (the pickle seller) perspective: if you're a really nice guy who's genuinely interested in the woman you've been introduced to, be prepared to be dragged though the dirt and feel like a complete schmuck before you can finally end up with her. (Amongst the things Izzy does to him: invites him out on a date just to pawn him off on her best friend; when she finally invites him back to her apartment for some time together, letting in the married neighbour who keeps coming round when he falls out with his wife, and with whom Izzy is heavily implied to be sleeping; third, standing him up on a date because the author guy she's been after tries to woo her.)
  • The Dark Knight: Sometimes it's better to have people believe in a lie if it serves a greater good and prevents widespread despair. When your society's greatest hero turns evil and then dies, lying to everyone that he met a heroic death can be the lesser evil; in this case, giving Gotham hope and keeping dozens of guilty criminals off the streets. The sequel subverts it, however.
  • While the original Death Wish makes it clear that the main character, Paul Kersey, has become unbalanced due to his trials and vigilante actions, the sequels increasingly support vigilantism as a necessary means to clean up the streets. Well, some people think Paul Kersey is unbalanced, apparently on the theory that it's impossible for a sane person to believe that "Sometimes Violence Really Is the Answer." Others see Kersey as having woken up to reality.
  • The Devil's Advocate argues that lawyers should not competently defend guilty clients; that's literally the Devil's work. Lawyers should only defend the innocent.
  • The Devil Wears Prada begins by suggesting the very audacious Aesop that if you take a job you don't especially care for, occasionally prioritize it over events in your personal life, ignore your friends when they passive-aggressively criticize you about your job, start to sympathize with your coworkers whom you'd previously viewed with scorn, and, horrors, enjoy some of the perks associated with it, life might turn out okay. It even suggests that The Power of Love might not conquer all in the case of a casual relationship! However, it ends up reverting to the Broken Aesop that if you do any of those things, you are a bad bad person who is selling out on her deepest ideals.
  • In Ferris Bueller's Day Off, it's okay to lie, cheat and steal if you're living life to its fullest.
  • Grease: So the guy you like turns out to be a stupid jerk, who refuses to be with you in front of his "cool" friends? That totally means that you have to start smoking and change your whole appearance, so you can become a "cool girl" and be good enough for him! The message is supposed to be that Sandy needed to stop being so uptight, and that Danny did things for her as well. But seriously!
  • In the third Halloweentown movie, Dylan (a half-human warlock who Does Not Like Magic) bonds with a girl named Natalie, only to have a minor freak-out when he discovers that her real form is a furry pink-skinned troll. Naturally she's offended and points out that from her perspective, he's pretty weird-looking himself. They eventually make up and are going to kiss at the end of the movie...only to agree that they're Better as Friends, because they each find the other too gross. Despite the general theme against Fantastic Racism in these movies, the point seems to be that physical attraction is an important component in a romantic relationship.
  • Maid in Manhattan: In a movie geared toward the very impressionable preteen/young teen set (many of whom idolized star Jennifer Lopez at the time the movie came out), the titular character and her paramour sleep together despite barely knowing each other and believing (at the time) that they're never going to see each other again.
  • During the conclusion of 102 Dalmatians, a major character explicitly states, as an Aesop, "For people like Cruella, there are no second chances." Okay, sure she's obsessed with making a fur coat out of the pelts of adorable puppies, and she's nowhere near the first Disney villain to be irredeemably evil. But hearing it put so bluntly...
  • Paparazzi: The paparazzi are all puppy-kicking monsters who get their jollies out of destroying lives, so what's wrong with a little paparazzi murder spree?
  • Rambo IV: Sometimes Violence Really Is the Answer.
  • Rocket Science viciously deconstructs the popular "try your hardest and you can overcome anything" moral. Some obstacles just can't be surmounted no matter how hard you try. And sometimes you just Don't Get The Girl. Oh, and life isn't fair. All in all, it's fairly Anvilicious about the whole thing, but Some Anvils Need to Be Dropped.
  • The moral of The Screaming Skull, according to the folks of MST3K, is "Don't trust anyone. Ever."
  • In the Star Wars films there are a number of these, mostly involving relationships:
    • Owen Lars in the role of Fantasy-Forbidding Father to Luke in A New Hope. He really just wanted to keep Luke out of the galaxy-spanning conflict because Good Parents don't like sending their kids into danger, especially since Luke's father became the Big Bad Darth Vader. Their deaths are actually treated as having liberated Luke to pursue his destiny, and after a very brief period of sorrow he displays an Angst? What Angst? attitude, never mentioning Owen and Beru again, but deeply mourning Obi-Wan when he dies.
    • Use of motivational stories told from a certain point of view left a seriously blurry line between trying to spare somebody's feelings and being a Manipulative Bastard when it advanced your goals.
    • In the prequels, it is revealed that Jedi are not supposed to form long-term relationships, and especially not marry, as such emotional ties could lead to The Dark Side by way of Love Makes You Evil. When this caused a lot of upset in fans (and EU writers) with visions of the Jedi Knights as romantic heroes, George Lucas pulled a Flip-Flop of God to clarify that the Jedi didn't have to actually be Celibate Hero types — they could have casual sexual affairs. But obviously that one was an even harder Aesop to explain to the kids.
    • The revelation that the Republic era Jedi Order recruited Force Sensitive children at very young ages and required them to have no further contact with or knowledge of their families (because that would be an emotional attachment), made some fans view them as brainwashed Child Soldiers. This policy was unfortunately validated by the fact that Anakin, allowed into the Order as a special case, did actually go bad because of his emotional ties. Likewise, Kylo Ren, Han and Leia's son, turned to the Dark Side at least partly because of conflict with his parents and their subsequent decision to pawn him off on Luke Skywalker in the hopes of corrective discipline.
  • Soul Food: Ironically, it plays out more like Family-Friendly. Career-focused oldest sister Teri is on her second marriage, which is itself in serious trouble and she's such a bitch that when her husband cheats on her, our sympathies are clearly supposed to be with him. Meanwhile, second sister Maxine is a Happily Married housewife and mother of three kids. It's not hard to assume the writers are implying that career women are bad while stay-at-home moms are good.
    • Also, youngest sister Bird's (admittedly underhanded) efforts to help husband Lem find a job by asking her ex-boyfriend to give him one. Lem is furious when he finds out and the whole situation blows up. . .and everyone makes Bird out to be in the wrong and chews her for not letting Lem "be a man" and find his own job. The idea of a woman helping a man is made out to be something utterly abhorrent.
  • TRON: Legacy: Creating an open and free system that is accessible to everyone isn't always a good thing, because all entities are not created equal, and some entities, when given infinite rights and access, will use them to force their will upon others, and remove their infinite rights and access. Sometimes proprietary is the way to go.
  • You, Me and Dupree: It doesn't matter if you work your ass off to please everyone around you. Since you're a responsible adult and not fun anymore, your efforts will never be truly appreciated.

  • Many of the original Aesop's Fables have this trope - in fact, family friendly modern selections of Aesop's Fables have to tactically omit many of the original ones. Some examples include:
    • The Fox and The Stork: it's fine and dandy to take payback on someone who pulled a fast one on you, because "One bad turn deserves another."
    • The Bat and the Weasels: it's sometimes wise to change or lie about your affiliation in order to save your own skin.
    • The Fox and the Goat: don't trust anyone who's in trouble, because they're likely to be using you to get out of it.
    • The Lion and the Dolphin: no matter how friendly someone is, don't bother allying with them if they're useless.
    • The Hawk and the Pigeons: any people who have elected or nominated a ruler have only themselves to blame if the ruler turns out to be a tyrant.
    • The Farmer and the Nightingale: never believe a captive's promise and never give up what you have.
    • The Ass and the Lap Dog (and The Eagle and the Crow): just because someone else achieves something good doesn't mean that you can.
    • The Eagle and the Fox has the well known moral "do unto others as you would have them do unto you", but the actual story (in which a fox threatens to burn down an eagle's tree in revenge for the eagle taking one of its cubs) gives the implication that this moral is read as a justification for revenge, not a moral code for oneself.
    • The Porcupine and the Snakes: be careful who you take as a guest, because they might be an asshole.
    • The Fox without a Tail: avoid miserable people because they'll try to make you miserable too.
    • The Lark and her Young Ones: if something is worth doing, the only one you can trust to do it is yourself.
    • The Wolf and the Lamb: arguing rationally with the powerful is useless, they'll just overwhelm you.
    • The Wolf and the Crane: the higher your hopes, the more likely you are to be disappointed.
    • The Two Pots: don't hang around powerful people, if there's any mutual trouble you'll get the worst of it.
    • The Man and the Lion: never believe what anyone says in their own defense.
    • The Lion's Share or The Lion and Other Beasts Go Hunting: just because someone wants you to co-operate with them in work does not mean they will give you a share of the reward.
    • The Farmer and the Snake: some people are just plain evil and no amount of building trust will change that.
    • The Ass and his Driver: if someone is determined to destroy themselves, step back and let them, or they'll destroy you too.
  • The final book of A Series of Unfortunate Events had the widely-disliked Aesop of "some mysteries will never be solved."
  • Objectivist novels such as Ayn Rand's Atlas Shrugged teach that altruism is evil. People need to learn to stand on their own two feet, so helping them up will only make them weaker and more dependent on you. It also teaches that the successful elite will be attacked by the untalented masses out of jealousy. Also, that nature is ugly and billboards improve it.
  • In The Berenstain Bears:
    • The Bully: Getting targeted by a bully at school? Don't bother to contact adults - Adults Are Useless. Instead, fight back! ONLY the bully will get in trouble... even though in real life, most schools have a "Zero tolerance" policy that would result in Sister being in just as much trouble as Tuffy. Oh, and all bullies have bad home lives, too. Some will argue that sometimes Adults are Useless, and physically self-defense can be necessary against a bully, but keep in mind that no other options were explored for dealing with said antagonist, and Violence Is the Only Option seems very out of place in a book aimed at preschoolers.
      • And similarly in Too Much Teasing how to deal with teasing? Easy - get a kid to humiliate them in public.
    • Bad Habit: Develop a bad habit and your parents will bribe you to break it.
    • Messy Room: Clean your room or your parents will throw all your toys away!
  • In book 2 of Beyond The Spiderwick Chronicles, Laurie explains that she lies because "lying works," and nothing in the story contradicts this claim. This, from a book aimed at 6-12 year olds.
  • One of the Stock Aesops is that cowardice doesn't pay. In extreme cases, the brave survives where the coward dies (sometimes Driven to Suicide), or alternatively they both survive/die, but the coward is marked forever. So it comes as a tragic surprise that in Bridge to Terabithia, Leslie, who had no fear from the creek, drowns, whereas Jess, who feared the water (and couldn't swim) survives—and while he does suffer, it's not because of cowardice. Although one could interpret Leslie's behavior not as courage but as recklessness. In the book, there is some indication of weather which is affecting the creek, making conditions more unfavorable for crossing. Moreover, Leslie attempted to swing across the creek despite being alone. Thus, she acted without proper awareness of or respect for her environment and circumstances. The real Aesop could be about having courage but tempering it with caution, as Jesse does by resuming the game, building a sturdy bridge so he can safely cross the creek.
  • The Chronicles of Narnia contain the lesson that the real world is a harsh and violent place that sometimes takes a fair amount of violence to survive in. C. S. Lewis was even quoted once as saying that pretending otherwise would do a great disservice to children. Once again, an example of a very true and important Aesop, but one that many parents would rather their children didn't know.
  • In the famous science fiction short story "The Cold Equations," the moral is "life is fundamentally unfair." This serves as a deconstruction of stories where the day is always saved somehow, all too often by Contrived Coincidences or Applied Phlebotinum. However, some people were not impressed, feeling that the writer created a very contrived situation riddled with logic holes to justify the Aesop. Enforced in that John Campbell sent the story back to Tom Godwin three times because Godwin kept saving the girl without resorting to either plot device.
  • Courtship Rite borders on Spoof Aesop territory. On a Lost Colony where cycles of famine have made cannibalism common and acceptable, he has a preacher teaching that cannibalism is wrong. At first, the reader may expect that cannibalism is being used as a metaphor, and that we're going to learn an ordinary Aesop about violence being wrong, but in the end, the preacher is forced to learn a valuable lesson: cannibalism isn't so bad, really.
  • Roald Dahl's Esio Trot teaches children that it's perfectly acceptable to deceive the people you love in order to get your way. The End Justifies the Means, after all.
  • Although Friedrich Nietzsche is not explicitly Social Darwinist, his revolt against conventional morality elaborated upon with Beyond Good and Evil, The Antichrist and others engender a rejection of egalitarian altruism and antipathy for the socially disadvantaged.
  • In Harriet the Spy, young writer Harriet learns that sometimes you have to lie to people to help them feel better about themselves so they won't hate you.
  • How It Was When The Past Went Away begins with a fellow giving Easy Amnesia to a city through a drug in the water supply. A religion forms around the mantra "drink and forget," and life becomes Utopian as people can erase their memories of all the bad deeds they've done.
  • Perelandra, the second book of the The Space Trilogy by C. S. Lewis. The plot of the book is that the planet Venus is in the "Adam and Eve" phase and the devil has sent his agent-a man named Professor Weston-to corrupt "Eve." The angels send a man named Elwin Ransom to make sure that Tinidril chooses wisely. In the end, good triumphs over evil, but in an unexpected way: Ransom kills Weston and drops his body into a volcano. This is actually lampshaded by the protagonist, who assumed that the fight would be purely intellectual, that he would win by the sheer force of his argument, and was initially horrified at the idea that he'd have to make the fight a physical one. It was very much a Take That! at the pacifists who opposed Great Britain's military opposition to the evils of Nazi Germany and promoted Neville Chamberlain's appeasement policy, and against the anti-confrontational passivity that was popular in much of the liberal Christian community.
  • The Princess Bride has one in-universe: the narrator notes how horrified as a kid he was, because some events of the story just didn't work out as as they did in traditional fairy tales and adventure stories, and found relief only when he realized that the Aesop was "life is not fair".
  • A particularly jaw-dropping one appears in a Ray Bradbury story. The narrator's sedate, tranquil, lazy (and Irish) chauffeur picks him up one night and drives like a bat out of hell before revealing that every other enjoyable night, he was driving completely drunk. The narrator forces money on him and demands he get blotto before picking him up next, browbeating him into breaking Lent in the process.
  • A character in Slaughterhouse-Five suggests that The Bible's Aesop is that you should make sure someone doesn't have connections before you kill them.
  • Squeakers, a leg-crossingly uncomfortable book about a little squirrel with alarmingly fluttery-lashed eyes, teaches little boys the admittedly important lesson that they have to tell their parents about being molested. The (male) squirrel goes through days on end of hiding the shameful and hideous bald patches on his tail where a neighbor is tearing out fistfuls of his fur on the way home from school every day in exchange for, yes, nuts. Ahem.
  • A lot of Hans Christian Andersen stories. Probably the best is The Steadfast Tin Soldier, the moral of which is essentially, "Life Isn't Fair, and sometimes just when you've worked your hardest to get something right, something will come out of nowhere and screw it up for no reason."
  • In the later Sword of Truth novels, the Aesops start to draw strongly on Objectivist themes. The anti-communist themes are pulled straight from Ayn Rand. People who try to give charity to others and "spread the wealth" ultimately turn poor people into lazy, greedy assholes and destroy the economy.
  • Third Year At Malory Towers has the subplot with Zerelda, a new student who is obsessed with acting and wants to become a famous actress. After getting the chance to play Juliet in class and completely blowing it, the teacher flat-out tells her that she just doesn't have the skill to become one of the greats, and Zerelda learns that when a teacher tells you that your dream will never come true, the best thing to do is give it up for good, instead of improving your skills and continuing to try to achieve your dream.
  • Another classical moral is that having imagination is good. So When The Windman Comes by Antonia Michaelis is a huge subversion, with the moral "imagination, when not strictly separated from reality, is potentially very dangerous—it can isolate you and make you live in fear of imaginary horrors—all the while making you more vulnerable to Real Life. Sometimes, being a skeptic is favorable, even for a child." This is particularly jarring since many other books by the same author actually promote imagination and/or openness to seemingly impossible things.
  • On the surface, the motivational book Who Moved My Cheese by Spencer Johnson encourages being adaptive to changing situations in both your job and every day life. In the process, it also encourages employees to fall in line with changes in company policy that might not be in their own best interest. The success of this Business Fable is partly due to managers distributing it on the eve of a large and unpopular decision by the top brass.
  • Redwall: The series has the repeated message that some people have no good in them. Anyone who thinks otherwise will only be harmed. It's most stark in Outcast of Redwall, where it is feared an infant is born bad... and they turn out to be right. To the point that it turns out they gave him a name which is an anagram for "evil" and "vile". Even after he dies saving someone, this attitude doesn't change. It's portrayed as the nature of certain species (with a few exceptions), an obvious case of severe unfortunate implications.
  • Harry Potter and the Goblet of Fire shows Hermione creating a society to protest the servitude of the House Elves, as they are essentially slaves. However, the end result is that the elves *like* to work and most view payment as an insult. This could also be a more traditional aesop of "Don't project your own values and morality on cultures that operate quite differently."

    Live-Action TV 
  • The 100 frequently has the moral that sometimes there isn't a moral choice. Sometimes the only options available all involve doing something terrible that you'll regret forever.
    Clarke: I tried. I tried to be the good guy.
    Abby: Maybe there are no good guys.
  • 24 and its liberal use of the Jack Bauer Interrogation Technique has been heavily criticised for seeming to give the message that Torture Always Works, government abuse of power is completely justified to fight terrorism, and civil rights get in the way of the good guys keeping us safe. So much so that a group of military and law enforcement leaders (including the Dean of West Point and the Director of the FBI) made a delegation to the producers and asked them to stop, since they were facing a generation of recruits raised on the show who were willing and sometimes frighteningly eager to use torture.
  • While Babylon 5 ended up more idealistic than cynical, it still had a few sprinkled here and there. Stated outright at the end of "Believers," for example:
    Sinclair: Sometimes doing the right thing doesn't change anything.
  • The plot of the Amazing Stories episode: "Gather Ye Acorns". A small elf tells a kid to forget about studying to be a doctor and that hard work is not a virtue. "There's doctors aplenty is this world," he says, "What we could truly do with is a few more dreamers." We switch from 1932 to 1938 and he winds up spending all his hard-earned money on a fancy car. His dad is a little peeved, to say the least, and boots him out of the house. Years go by and the boy is now old, broke, friendless, homeless and trying to beg for enough money to gas up his car to commit suicide with it. But a wealthy lady notices some collector's piece in his collection of junk and offers him $10,000 for it. Cut to him now wealthy from selling all his childhood collectables. It turns out that all his artifacts are worth millions. He's now Wealthy Ever After, but it has cost him most of his life and now has only a short amount of time to enjoy it. This is treated as a happy ending, with the message: Don't work, don't make plans, don't have relationships with friends or family, and most of all: hoard. Money is the most important thing in life, and someday you may become rich when you're extremely old which will make up for the poverty, loneliness and misery you have made for yourself up to that point. Maybe he would have lived a more fulfilling life as a doctor helping people? Or perhaps he could still have worked and maintained relationships and held onto his keepsakes?
  • Barney & Friends had the infamous episodes which gave the false impression that cheating is okay. In "A Splash Party, Please," when Barney and the kids are having a tug o' war, Min helps the other kids win by tickling Barney. Later, in "Falling For Autumn," Shawn participates in a relay race with a peanut stuck to his spoon with peanut butter. While fans of the show brush it off as just a joke, critics of the show state that children of the target demographic pick up from mimicking and may copy the action because they do not understand that it's supposed to be a joke.
  • Battlestar Galactica: Sometimes you have to Shoot the Dog, you can't always Take a Third Option, and you have to Know When to Fold 'Em. You can't get much more family-unfriendly than "suicide bombing is justified."
  • The Big Bang Theory:
    • The episode "The Table for Polarization" has Sheldon get grumpy over a new kitchen table; when he gets his own way at the end he smugly tells Leonard "Sometimes the baby wins."
    • Of course this is really nothing new when it comes to dealing with Sheldon: Season 2's "The Panty Pinata Polzarization" sees the gang always (in the words of Leonard) "knuckling under" to Sheldon's demands. When Penny gets banned from the apartment, their ever-increasing prank war only ends when Penny calls Sheldon's mother to tell on him.
  • Degrassi, despite its heavy-handedness, frequently has morals that are widely believed by teenagers but are unusual for adults. This may be a huge part of the show's appeal to teens.
    • Emma is still hurting after being dumped by her boyfriend Sean, so she starts purposely getting him in trouble — from ratting him and his friends out when they steal from a diner, to ratting to the principal that he stole her dad's laptop (an accusation later proved to be correct). While Emma learns that she should just move on and stop trying to make Sean hurt despite his misdeeds, it also has the lesson being that no badly somebody treats you, snitching is way worse.
    • Bitter Goth girl Ellie has to learn to trust people again after her boyfriend abandons her and sticks her with the rent. Specifically, she learns to trust both her new roommate — a recently reformed schoolyard bully who wants to gamble with their rent money — and her mother, a recovering alcoholic who once burned their house down in a drunken stupor. Both of them turn out to be completely trustworthy. This is on the extreme idealistic end of the Sliding Scale of Idealism vs. Cynicism, so idealistic that it can feel like "take candy from strangers."
    • Paige has a completely horrendous experience at Banting University. The next season, she's dropped out and despite working a high intensity fashion industry job, she's a lot happier. In season 9, Emma drops out of Smithdale due to the same issues Paige was facing. Spinner never goes to college and works a standard 9 to 5 restaurant job and couldn't be more content. The lesson of "College isn't for everyone/you can be successful and happy without going to college" flies in the face of almost every show aimed towards young audiences. This is likely due to the difference between American and Canadian attitudes towards college. In Canada, high school is more comprehensive and involves (optional) job training; it's much easier to be middle class in Canada with a high school diploma than in the US.
    • Alli is constantly being rebuked by her boyfriend Johnny for not respecting their relationship boundaries - he wants to keep his reputation as a tough guy. So in order to get him to open up and show affection, she starts "sexting" him nude pics. However, whenever she embarrasses him in front of the whole school by showing off a lovey-dovey cute photograph of him, he sends her nude pics to his friend. At the end of the episode, the lesson presented appears to be that Alli was in the wrong, and it didn't matter that he sent those nude pics because she broke her promise in regards to their relationship rules and that was worse. Wow.
    • Jane is being harassed by the new Degrassi football team since she's the only female player. The coach (who is also the principal) is turning a blind eye. She does the "right thing" - she tells another adult about the harassment but bullying worsens and she's actually assaulted in the hallway. It isn't until she makes a stand for herself (along with a handful of teammates behind her) that bullying goes away. This episode actually makes the case it's better to stand up against bullies yourself and that telling about an adult could make the bullying intensify.

      This is unfortunately often true, as the response of school authorities is to try and stop the complaining student since it is easier to oppress a student until they stop reporting the problems than it is to deal with the issue of students bullying, which usually involves parents, ironically complaining that the complainer is "overly sensitive" or "has issues," which leads to intensified bullying because the bullies know that they will not be punished. This is just the general rule of thumb that it is easier to ignore a problem than deal with it.
    • In the episode "Eye of the Tiger", Spinner comes clean and finally confesses that he was responsible for driving Rick over the edge and shooting Jimmy. Jimmy then calls him cowardly and only saying this to make himself feel better, and never should have told anyone about it. Then he loses all his friends. Then he gets expelled. By contrast, Alex, who was also heavily involved in the paint and feather incident but never came clean, spending time happily around Jimmy who was left unaware. The explicit moral of that storyline was basically that sometimes doing the right thing doesn't come with consequence, not to mention the truth doesn't always set you free.
    • Some people might think episode 3 of season 10 had the message that rape isn't actually rape if the victim experiences physical pleasure: Declan is trying to reunite with Holly J (they're on a break after disagreement on money issues) and he pulls off all the stops trying to get her alone. They end up having sex—but Holly J at first verbally says "No" and "No, we shouldn't be doing this" but then later ends up kissing him and they initiate sex. At the end of the episode, Holly J clearly says to Declan (who is utterly disgusted with himself and nearly flees Toronto after finding out Holly J felt pressured to have sex) "I don't think you raped me." There is already a Broken Base on how the show handled this topic, some saying it excused rape and others sayings they accurately portrayed the blurred lines in between date rape and regretted sex. Degrassi always tried to look at controversial topics in a realistic way. Compare this with the Paige storyline, wherein she's date-raped at a party, presses charges, and the guy is acquitted due to "lack of evidence," despite the judge's commendation of Paige's bravery in taking the case to trial. It's supposed to be open for debate and dialogue.
  • Doctor Who:
    • "The Dominators". Pacificism, even if war-hungry ways have nearly wiped out the planet and left an island a whole island a nuclear wasteland full of corpses, is bad, because the first attacker will destroy you. Gun control is also bad. Arm the hippies.
      • And from the same story's B plot: If you are likely to face resistance, the best thing is to massacre everybody as soon as possible.
    • In "The Ark in Space", the Doctor manipulates Sarah Jane out of a situation in which she's panicking and screaming by giving her a very hurtful and rather sexist "The Reason You Suck" Speech until she pulls herself together out of pure rage. It's an awesome moment and one of both Sarah Jane's and the Doctor's best, but does give the impression that bullying your best friend and crushing her self-esteem is a good idea to do to someone in a panic.
    • The Doctor does the same thing to Ace in "The Curse of Fenric". He destroys her self-esteem in order to save both their lives. Learning to forgive the Doctor also helps her to forgive her mother, allowing her to let go of the resentment she's been holding onto all her life.
    • "Remembrance of the Daleks": War is a tragic waste — the trick is getting your enemies to wipe themselves out.
    • "Love & Monsters". Most of your friends are dead, and your girlfriend is immobilized and completely dependent on you for literally everything? No problem, as long as she can still give you blowjobs!
    • A lot of Steven Moffat stories (particularly in the Eleventh Doctor's tenure) have characters destroying themselves or causing huge amounts of destruction for love, which might not come off as so bad were his romances not overwhelmingly destructive and unhealthy fixations held by sociopaths that it's hard to imagine anyone wanting anyway, although he rarely writes a romantic relationship without at least a kernel of genuine goodness in it. His use of "charming psychopaths" as positive Escapist Characters leads some viewers to find his stories glorifying selfishness and brutality.
      • This gets particularly interesting with the show's treatment of Rose Tyler, a companion of the Russell T. Davies era, and River Song, Moffat's most famous "charming psychopath". Both make comments about how their love for the Doctor is so deep that losing him would be worse than destroying the universe (or in Rose's case two), which some critics say sends a message that if you love someone, they should be the center of your world and you should be completely selfish in pursuing them. But Rose is basically rewarded and always treated well for her selfish behavior while River is not; rather, she is called out on her actions in "The Husbands of River Song".
      • In "Dark Water", Clara is willing to stab the Doctor in the back, cut him off from the TARDIS forever and possibly condemn both himself and her to death in lava just because the Doctor won't break the laws of time to save her boyfriend, and while this isn't portrayed entirely sympathetically (and Clara breaks down into tears upon realizing what she's doing) the Doctor reveals he was testing her to see how far she would go and tells her "Do you think I care about you so little that your betrayal means anything?" Both sides of this are loaded with unfortunate readings as the Aesop seems to be that unconditional love even forgives really bad things — at least if the beloved is genuinely sorry.
      • Compare "Dark Water" to the next season's finale "Hell Bent". The Doctor, as a result of a vicious Trauma Conga Line culminating in Cold-Blooded Torture turning him into a Woobie, Destroyer of Worlds, breaks the laws of time — which threatens to destroy the universe — to save Clara from her fixed-point death. She's horrified by his actions and stands up to his selfishness but also implicitly forgives him. However he realizes their love is unhealthy for everyone and not only lets her go but also ends up being mind-wiped of memories of her, seeing his fate as a way of making amends for his selfish actions. So he is condemned up and down by other characters and in the end is willing to accept punishment...but he's also The Mentally Disturbed by that point, given that he let himself be tortured in hopes of saving her. Clara was sane-but-selfish when she tried to betray him, and yet was not held responsible for her actions the way the Doctor is, even though he has a far better defense. This could be compared to the Rose vs. River situation above, as River's psyche was also warped by villainous forces while Rose's was not, but it's only the character who has genuine mental heath issues who gets punished for acting up.
    • "The Eleventh Hour". Amy Pond gets a little messed up by The Doctor's intrusion into her life (and the crack in space-time in her room), letting him into her house and then waiting for him for decades, which sends her to see psychiatrists, trying to convince she made up The Doctor. While she was right to hold onto what she knew was true (rather than succumbing to what was unwitting gaslighting), and we know The Doctor is great with kids, it still might be an uncomfortable message for those with experience with adult on kid crime, or people who are genuinely hallucinating or delusional and refuse help.
    • "Amy's Choice". Amy believes she's in a dream because Rory has died, and attempts suicide to escape the dream. While she's correct, and there are people who believe life wouldn't be worth living without their true love, it can be uncomfortable for people to ponder.
    • "The Almost People". Gangers are people too — if the original is dead that is. If not then they should be used as suicide bombers to take out enemies even though the originals could do the same job with no risk to themselves.
    • ""In the Forest of the Night". It is okay to let a mental illness go un-medicated because the voices in your head are helpful.
    • The Twelfth Doctor's tenure as a whole (Series 8-10) seems to be running on the overarching Aesop "Always do the right thing no matter what trouble and harm befalls you and others for doing so" — AKA Being Good Sucks. Besides his forgiving Clara in "Dark Water" and accepting karmic punishment in "Hell Bent", in Series 10 he's mostly confined to The Slow Path guarding a Vault that contains Missy, one of the most dangerous criminals in the universe because his other option, executing her, was not as virtuous. Five episodes in he ends up permanently blinded when he saves Bill from asphyxiation by way of taking responsibility for rash, selfish actions. As "Extremis" puts it, a person can't be truly good unless they're good "Without hope, without witness, without reward."
  • In-universe example: Martin states one in the appropriately titled Frasier episode "Bully for Martin." He essentially says that "You should put up with any amount of unreasonable and even disrespectful crap from your supervisor because it's respectful to the chain of command." Naturally, Frasier disagrees.
  • Freaks and Geeks could deliver one on occasion:
    • In the episode "I'm With The Band", the underlying message is that sometimes your biggest dream in life is nothing more than a pie in the sky fantasy.
    • "Chokin' And Tokin'" has the underlying message that, sometimes, people bully you because they personally feel burned by a nasty thing you might have done to them previously. Granted, Alan's reason for bullying the geeks was pretty petty, but the point still remains.
    • The entire Nick/Lindsey arc has the underlying message that, sometimes, simply being "nice" doesn't cut it when you're interested in somebody.
  • Friends: "The One With The Cat" where Phoebe thinks a stray cat is her reincarnated mother. After learning the cat belongs to a little girl, Monica, Rachel, Chandler and Joey all wimp out at telling Phoebe, and Ross alone goes through with it. When Phoebe decides to keep the cat because she has to respect her mother's wish to be with her, her friends all wimp out again, and only Ross insists on putting an end to this. For this, Ross gets chewed out for being a bad friend, because he wasn't supportive of Phoebe, like the others were. The problem with that is that Ross was supportive of Phoebe, and only stopped humoring her when he found out about the little girl. The only real difference between Ross and the others was that he was unwilling to let Phoebe keep the cat at the little girl's expense. Apparently, being a good friend means you have to support somebody unconditionally, even when they're totally wrong, when they're being selfish, or when their actions would actually hurt an innocent child. Years later, it turns out that the reason why the episode turned out this way was because one of the writers, co-creator Marta Kauffman, lost her own mother at the time. The other writers mentioned in an interview years later that the episode being written to take Phoebe's inane side would NEVER had been green-lit had it not been for the circumstances surrounding it.
  • Growing Pains has one that comes as quite a surprise. Plenty of shows do episodes about not idolizing celebrities, so it comes as no surprise to see an episode in which Ben walks in on his favorite singer having an affair. However, most such episodes end on the note of the celebrity being a Broken Pedestal... instead, this episode continues with Jason explaining to Ben that the morality of a celebrity is not what causes us to enjoy their art, so it should not be a consideration in whether or not we continue to do so. They end up going to the singer's concert anyway.
  • House is rife with these. Common ones are "Everybody lies," "Nobody ever changes," and "You can't always get what you want." note 
  • The narrator from How I Met Your Mother sometimes gives these out, but usually for laughs, e.g. "I won't bother telling you not to fight, because that's pointless, but don't fight Uncle Marshall." "And that's how we learned to forget what we had learned five seconds earlier." "Don't try to make your wife/husband jealous or he/she might beat the snot out of someone." etc etc.
    • "Murtaugh" puts the "Winning and losing doesn't matter, it's about having fun" mindset against the "Play to win, winning is fun" mentality. However, it plays them in such a way it approaches parody. The "Play to win" mentality is portrayed with Marshall being a Drill Sergeant Nasty when coaching Lily's kindergarten class how to play Basketball, making them do nothing but drills and sucking out any enjoyment from the game. Lily's "It's about fun" mentality sees her not even teaching the kids how to play, just letting them run around aimlessly before giving them a reward for taking part. At the end of the episode, Marshall accepts that being rewarded for taking part isn't bad, but Lily still stands by her opinion that Marshall was completely wrong, which leaves us with the Aesop "Winning and losing isn't important, because you'll be rewarded if you didn't even try in the first place". The lunacy of this is even lampshaded within the episode, as Marshall points out that you don't get handed things in the real world and you need to put work in to achieve your goals.
    • In "Bad Crazy" it's said that if a woman is acting crazy, the fault lies with the man that she's dating. This is one of the show's only examples of The Unfair Sex. Specifically, Robin accuses Ted of being responsible for Jeannette's insane behavior because he's been sending mixed signals to her... despite the fact that Jeannette stalked Ted for over a year and even started a fire so that she could meet him. The woman was obviously crazy long before she and Ted ever started dating.
    • A recurring theme is that the perfect person is out there, and settling for anything less is a mistake. While seemingly benign at first, this quickly becomes family-unfriendly as Ted refuses to even give a relationship a try because relationships are easy, and you should love everything about your partner. The idea of having issues you need to work through is proof things will not work out... even though that's how real relationships work.
      • Balanced out somewhat as the most prominent couple of the group, Marshall and Lily, do have lots of issues they have to work out to stay a couple. In other word, their relationship worked like a real one.
  • Demetri Martin does this on a first season episode of Important Things with Demetri Martin. He mentions traditional "things your parents told you," like don't run with scissors, don't talk to strangers, or don't play with matches, then amends them (Don't run with scissors unless your house is being broken into while you are cutting something, in which case run and lunge with scissors, don't play with matches unless you actually want to have fun, and don't talk to strangers unless you want to meet anyone ever).
  • Malcolm in the Middle:
    • In "Malcolm's Job," Malcolm is written-up by his mother for not following a silly rule at his new job (the Lucky Aide grocery store where his mom Lois also works). He later discovers Lois smoking on a break (after supposedly quitting) and he's furious with her hypocrisy and yet promises to keep the secret from the family. Later, an accident (regarding the same silly rule) happens to Malcolm and Lois writes him up again, despite her asking him to keep her smoking a secret (the write-up is later revoked). He's again furious and confronts her and threatens to spill the smoking secret. Lois calmly tells him that he won't because she is his mother. She also tells him while the treatment is unfair, she is his mother and will always be no matter how old he gets and he doesn't get to ever challenge her authority. This also runs concurrent with the mindless Lucky Aide job and Lois and Malcolm's superiors plot so the moral is "No matter how right you are, no matter how unfair something is, if someone holds authority over you, you will not be able to do anything about it."
    • "Life is unfair" is the theme of the show, and it holds true to the finale. It is revealed that Lois and Hal have planned out Malcolm's life for him for him to become president of the United States and they never meant for him to be happy. The other kids knew about this and Lois even screws Malcolm out of a cushy job in order to make their plans come true. They in fact want him to become president so that he can make life better for all lower class people, not just his family. They chose him for this because they thought he was the only one smart enough and trust-worthy enough to get it done. This is an uncomfortable message, and yet it's one of the biggest heartwarming moments in the series' history because Malcolm in the end accepts their vision for him and goes off to Harvard getting through school as the janitor. It is ultimately a lesson about believing in yourself and your family who believes in you, but wrapped in enough Unfortunate Implications to encourage healthy debate.
    • Spoofed in the episode "Lois Strikes Back" where four girls play a mean prank on Reese and the school does nothing to punish them for it, so Lois takes matters into her own hands and gets revenge on the girls. Malcolm attempts to deliver the Aesop that two wrongs don't make a right and Lois seems to accept this, only for her to sneak out the window to get revenge on the last girl.
    • In "Lois vs. Evil" Dewey steals a $150 bottle of cognac from the store Lois works at. When she makes him return it, her boss fires her.
      Lois: You know, I hope you are at least learning something from all this.
      Dewey: Yeah. If you do something bad, don't tell!
  • The end of The Mentalist episode "Red Carpet Treatment" takes pains to show that revenge really is sweet and worth it, even if you have to invest years of your life, spend lots of money, and risk life in prison to get it.
  • In Mortal Kombat: Conquest, Kung Lao is the fated champion of the Earth Realm in the next tournament, and so must survive for our world to have any chance. In one episode, he sets off into an obvious trap to get the antidote his poisoned friends need to survive, despite their telling him not to do it. He succeeds and cures them, leading to the Family-Unfriendly Aesop that your close friends are more important than the entirety of humanity. And then Raiden shows up, in his full godly fury, to tell him quite emphatically that yes, his friends were right, and Kung Lao really is more important than them. Raiden's Aesop was that the safety of the entire world is more important than one person's circle of friends.
  • The Mr. Potato Head Show: Potato Bug had an episode where she increased her intelligence dramatically—her normal mode is an idiotic Cloud Cuckoo Lander. This goes badly because she felt like she was Surrounded by Idiots and began upgrading every appliance in the kitchen to the point where she was the only one who could use them. She and her friends became utterly miserable, and the Betty-the-Kitchen-Fairy-approved means of resolving this was to completely reverse the intelligence enhancement and leave her a Cloud Cuckoo Lander once again. Dumb Is Good? Really?!
  • A subplot throughout Murder One was associate Arnold Spivak's quest to first chair a major case. Arnold is a brilliant lawyer but has zero charisma and is incredibly socially awkward, so he cannot connect with juries or bring in clients. Eventually he decides to give up and focus on research and motions, the stuff he's actually good at. The message is that some people just aren't suited for certain things no matter how much they want it or how hard they try.
  • Once Upon a Time has frequently pushed the messages that "Being the good guy means you'll always lose," "Being a nasty bastard will get you everything you want" and "No Good Deed Goes Unpunished."
    • We have a town full of fairy tale characters stranded in small-town Maine because the evil stepmother queen successfully cursed the entire land. But even she was groomed since birth to be a mess because of her social-climbing bitch of a mother (who was a classic From Nobody to Nightmare wanting the entire universe bowing to her in a twisted form of revenge) and Magnificent Bastard Rumplestitskin wanting someone else to cast his curse for him. Regina has lied, cheated, raped, burned entire villages to the ground, sent dozens of children to their deaths, murdered a man to try and take his little boy for herself... and regrets absolutely none of it because she got what she wanted in the end.
    • Rumplestitskin was a poor sheep farmer and weaver branded as a coward and facing the prospect of having his teenage son die in a pointless war until he embraced evil magic and began running circles around everyone. He now owns the town everyone's stuck in, living in wealth and comfort while still effortlessly playing Xanatos Speed Chess with everyone that comes along.
    • When Regina's mother showed up and started a reign of terror, trying to negotiate or deal with her through honorable means failed. What did work? Snow White of all people manipulating Regina into killing her own mother with a spell!
    • In Season 3, we get the Wicked Witch of the West holding a much redeemed Rumple as her toy and captive, driving him into madness. She effortlessly manipulated Snow White, and killed off one of the most moral characters on the show, Rumple's son, just to tighten her grip on Rumple. Of course, when they did manage to defeat the Witch, the rest of the cast were willing to let her stay in jail and have a chance to repent. Rumple decided revenge was the better option, lied to his girlfriend about not going out to seek it, and stabbed the Witch to death after altering the security tapes so none would be the wiser. The morals being "If you're sneaky about it, you can get away with anything" and "some people are just too dangerous to live, even de-powered and imprisoned."
    • Some — but not all — of these Aesops are in the process of being reversed now that Rumplestiltskin has lost nearly everything he had because he refused to change. He and Regina even discuss the "if you're sneaky about it, you can get everything" Aesop shortly before Rumples point of view is proven wrong. Regina also suffers from a repeated failure to get permanent happiness which is implied to be the work of Laser-Guided Karma.
  • A major story arc in the final season of Outnumbered was youngest child Karen's adjustment to secondary school. Karen is a Precocious Child who spent most of her life questioning authority and offering unasked opinions to adults, which was tolerated in primary school. When she submits a list of suggestions to the office, the headmistress sits her down and informs her that challenging the administration like that won't be tolerated in the future, both in school and in most workplace settings, and Karen begins to act more maturely and respectful. The Aesop being "As you grow up, you need to learn to conform to society, or you're going to be crushed by it".
  • Penn & Teller are often prone to opposing mainstream Aesops in Bullshit! Perhaps an especially memorable case is Holier Than Thou, wherein they had some memorably harsh criticisms of such popularly revered figures as Mother Teresa, Mahatma Gandhi, and the Dalai Lama, but especially Mother Teresa. They've also argued that polyamorous couples can successfully raise children and that teen sex isn't that big a deal.
  • In Star Trek: Deep Space Nine, when compulsive liar Garak hears the tale of "The Boy Who Cried Wolf" he immediately interprets the moral to be "Never tell the same lie twice."
    • Deep Space Nine has a lot of rather family-unfriendly deconstructions of Gene Roddenberry's Mary Suetopia, in fact, often spotlighting cases where the Strawman Has a Point and even the Villain Has a Point. Quark, the conniving and greedy Ferengi bartender, often makes a good case for unbridled capitalism nevertheless. Odo, shining beacon of justice that he is, nevertheless has often learned the value of letting Quark get away with some of his shady deals in order to apprehend the truly dangerous criminals with whom he does business. For his part, Garak is basically the Token Evil Teammate, yet is most effective at Cutting the Knot right when everyone else needs some dirty business done and yet can't bring themselves to do it.
    • The one which Kira gives near the end of "The Darkness and the Light": it's perfectly okay to kill civilians to get Occupiers out of Our Country, as she thinks they're just as guilty and shouldn't have been there.
    • "In The Pale Moonlight" has probably the biggest example: Sometimes you need to lie, bribe, cut shady deals, and even commit murder for the sake of the greater good.
  • On one episode of Step by Step, college-age Dana moves into her own apartment and goes too wild with her first party, getting drunk and making a fool of herself. When she wakes up hung over the next morning, her mother comes to visit and they have a talk about Dana's behavior. You'd think this would be where Carol advised Dana to use better judgment and give her some tips on how to let loose without going overboard, but clearly the previous night meant the adult Dana wasn't ready to live on her own. So Dana happily agrees to move back home, having learned her lesson.
  • Taxi:
    • Latka's dreams of becoming a wealthy cookie baron like his hero Famous Amos are crushed when he learns that the secret ingredient in his grandmother's extremely popular recipe is coca leaves. While undergoing cookie withdraw, he hallucinates the real Wally Amos (playing himself) descending into his living room to give an unorthodox inspirational speech:
      Famous Amos: I came by because I wanted to say that success, fame, fortune... all that stuff. It's truly over-rated. I wanted to tell you that the really important things in life are the simple things: the sunset, the smelling of a flower. I'd like to tell you all of those things, Latka, but I can't. 'Cause it's a crock... Hey, man, success is wonderful. Cash is out of sight. Do whatever you can to be successful, because it's great. And if it happens overnight, it's even better! Hey, you're cookies went down the tubes? Big deal. Try cupcakes... jelly rolls... aluminum siding... What's the difference, man? Just get rich.
    • In the episode "Crime and Punishment": when Louie is caught stealing parts from the cab company to sell, he frames his assistant Jeff, convincing him to accept the blame with the promise that Louie will get him his job back. When Jeff is arrested for the crime, Louie is forced by Alex to tell the truth but his boss, Mr. Ratledge, doesn't believe his confession and thinks he's just covering for Jeff. Mr. Ratledge then agrees to rehire Jeff, dropping all charges against him and then also invites Louie to his golf game. At the end of the episode, Louie sits musing to Alex that he stole, lied and betrayed a friend but not only does he face no consequences, his boss now thinks more highly of him than ever. He can only come to the conclusion: "Let's face it, Rieger, crime pays."
  • 13 Reasons Why has several Family-Unfriendly Aesops, to the point that multiple suicide prevention groups have spoken out against it for how it glorifies and romanticizes suicide. The main lessons to learn from it seem to be "Committing suicide is a great way to get revenge on everyone who's wronged you" and "If someone close to you commits suicide, it's probably your fault somehow."
  • An in-universe example in The Thundermans. The show that Nora and Billy used to watch when they were younger was Hootie the Owl, which taught anti-social behaviors.
  • When most of the lessons on Ultraman Mebius rely on the power of friendship and teamwork, their execution is noticeably rather generic. However in an episode featuring Ultraman Leo as a special guest, the lesson teaches rather harshly that "unless you yourself possess the right skills to get a job done that could endanger your life, and the life of your friends, then you're not right for a job at all," as well as "Don't be a crybaby, and tough out your hardship." However at the same time, the lesson sort of gets lost when Leo decides to help Mebius after his friends are endangered again by the Alien that caused Mebius so much trouble in the first place.
  • Veronica Mars: The season one episode Drinking the Kool-Aid seemed to preach the moral that freaky cults are actually filled with nice people. It might be family-unfriendly to say so, but it's absolutely and without question Truth in Television, and an anvil that needs to be dropped on a regular basis. Too many young people think that niceness equals goodness or trustworthiness. But anyone can be nice; all niceness requires is outward inoffensiveness. What's more, cults go out of their way to recruit nice people (or to teach their members how to be nice) for the sole purpose of recruiting new members who are too innocent to see beyond the superficial inoffensiveness.
  • You Can't Do That on Television, the show that popularized the Adults Are Useless trope in children's television, was conceived when Roger Price realized that damn near every family-friendly show on at the time depicted situations where there were always kind, reliable adults for kids to fall back on for help and advice. He wanted to teach kids that adults can be unreliable or even downright cruel and you need to be able to get along on your own in the world - though the complete and total absence of any decent adults on the series might've been taking it too far.
  • Any time a police procedural uses wanting a lawyer as evidence of guilt. This message is prevalent enough to have earned a trope of its own, "Only Bad Guys Call Their Lawyers." This is subverted, surprisingly, by Dexter, where an innocent man is suspected of murder, and when he realizes that it looks like he's going to be arrested for it (there was some very compelling evidence that linked him to the murder scene), he asks to speak with his lawyer before answering any questions. Many of the other characters take this as a sign of guilt, but he ends up proving his innocence, and everyone else wrong. Kind of odd for a show with a serial killer as a protagonist.

  • In general, music, the lives of musicians, and the scene around music has a ton of these. A few of them are as follows, and unfortunately, almost all of them have multiple examples of where they've actually succeeded at least in some way.
    • Some of the very best music is made under the influence of various legal and illegal substances and about their effects, sometimes at the same time. Similarly, attaining a clean, sober, mentally healthy, and normal life has correlated with a drop in musical creativity and quality enough times that that is possibly its own trope.
    • The amount of musicians who live a true lifestyle of sexual ethics (asexuality/celibacy, marriage or long term relationship to one partner with no affairs or divorce, negotiated and mutually agreed upon polyamory, or promiscuity that is consensual, safe, sane, and with others who are accepting of it/aren't seeking more exclusive relationships) is fairly limited, and the amount of songs that promote safe, responsible sex are few and far between.
    • The Insufferable Genius and Cloud Cuckoolander and Bunny-Ears Lawyer populate music to the point that it can be argued mental illness is sometimes a Disability Superpower. In some corners, this exaltation of The Madness Place and There Are No Therapists producing something good reaches the point of people being proudly ill or untreated, or actively refusing therapy.
    • As music is one of the few places in the world that one can succeed self-taught or by imitating others or on talent or luck (or some combination of all of the above), many professional musicians have not gone on to formal graduate and postgraduate education, and some are/were even high school dropouts. This often conveys the idea that one can easily attain wealth or fame without a proper education and without a life specifically planned for a given career, and overlooks just how difficult it is for a failed musician who bypassed proper education and work experience in a specific field (and especially who has an altered appearance such as body modifications/altered behavior patterns such as the louder or damaged voice and body language of a once-vocalist, or who has a documented social media past) to ever be trusted with a job.
  • The Cher Lloyd song "Want U Back" teaches us that it's a-okay to dump a boy for petty reasons, then demand that he break up with his new girlfriend and start dating you again because you can't stand to see him being happy with somebody else. After all, you "had [him] first!"
  • "Black Tie White Noise" by David Bowie has one of these Aesops, the result of it being written in the wake of the 1992 Rodney King riots in Los Angeles: Racial harmony is possible but don't imagine it's going to be easy to achieve, or that there won't be violence along the way ("There'll be some blood, no doubt about it"). Not a comfortable Aesop, but if history's taught us anything...
  • The music video for Drake's Find Your Love. The song is a positive message about putting everything on the line for love which Drake does in the video to a woman...who's also connected to a gang leader. He crosses the line and attempts to woo her...and he's eventually caught by the gang, beaten and (presumably) shot in the back of the head by the same girl he was putting his heart on the line for. The video ends in a Bolivian Army Ending (the girl could have shot the gang leader) but there is a clear message about how not even love is worth crossing a line over.
  • Harry Chapin's song Mr. Tanner is about a man who runs a dry cleaner and loves to sing, and is an amateur performer in his spare time. His friends convince him to try to become a professional singer, so he throws all his money into a concert performance that... bombs. Critics are terse and dismissive with him, suggesting he'd be better off keeping his day job. Mr. Tanner returns to his home and his job and stops performing publicly. The moral here is "Sometimes chasing your dream fails". If you want to be more blunt, you could phrase it "Loving to do something doesn't make you good at it.
  • Carrie Underwood
    • The song "Church Bells" describes a girl marrying a physically abusive partner who repeatedly abused her. That is, until she reaches her breaking point and dishes out some, err, lethal justice. This self-enforced death sentence would prevent him from abusing any other woman and you could possibly call it self-defensive, yes, but she's legally a murderer, a lot worse then anything he did to her. The other message being taught here? Don't trust the police, if you want justice served then best do it yourself and in an unlawful fashion. Depending on the society which the listener is in, this could be quite possibly a painful reality, especially in difficult to prove cases including rape.
    • "Before He Cheats", meanwhile, has a woman trashing her soon-to-be-ex-boyfriend's truck because he's "probably" cheating on her. Even assuming she's right, at no point does she provide evidence to support her claim, just could-bes and what-ifs. The message here is "If you think your man is cheating on you, don't try to work things out; Immediately destroy his property". Incidentally, there's also the other message of "It's perfectly justified for a woman to commit violent acts against a man because he probably deserves it for some reason".
  • Rihanna's "Man Down", or at least the music video, which has the same message as Church Bells, but with a different genre and artist.
  • Indica's song "In Passing" is about a the dead singer telling her sister that her pain will go away and everything passes. Not quite unfriendly until the last few lines where she tells her sister that she also will pass. Extremely true and not something most children are equipped with or taught.
  • The Kenny Rogers song Coward of the County. The song's message implies that for some things, the only course of action is violence, and being a pacifist will only get the ones you love murdered or hurt. The song also implies that filial piety is futile, and you cannot obey your parents' wishes all the time.
  • Nelly's "Ride Wit Me" starts off with the classic rap Aesop "Materialism is good" ("Oh why must I feel this good ... Hey, must be the money!"). Luckily though it sorts itself out and ends up with the rather more palatable, if still questionable, message "Materialism is perfectly fine, as long as you worked for your money" ("It feel strange now, makin' a livin' off my brain instead of 'caine now")
  • The New Kingston Trio's "Jug Town" is surprisingly pro-alcohol: The moral amounts to "if you're a family man with a menial low-paying job, alcohol will provide a release from your miserable life".
  • The punk rock band NOFX's song "Drug Free America" is actually promoting an America where drugs are free of cost. Their song "Don't drink and drive" warns about the danger of spilling your drink while driving, and argues that drunk people are better drivers (NOFX use a lot of satire and believe that it should be offensive).
  • O.C. Smith's song "The Son of Hickory Holler's Tramp" has a very, very clear message that being a prostitute doesn't make a woman evil or contemptible.
  • "Rudolf the Red-Nosed Reindeer" seems to be saying that freaks will only be accepted if someone in authority finds that their difference can be exploited to the authority's benefit.
  • The Who's "Won't Get Fooled Again" is the namer for a trope of this nature which translates to "revolution is futile because the person in charge is always going to make it tough for everyone else". Occasionally, Pete Townshend has put a more positive twist on this as "Don't listen to the boss in the first place. Think for yourself."

  • Avenue Q contains many such unconventional Aesops, though some are tongue-in-cheek. Examples include "The Internet Is for Porn" and "Everyone's a Little Bit Racist." Another Aesop in the show is "there's nothing wrong with being gay," which on one occasion is humorously expanded to "it's perfectly fine if you're gay, unless you're a Republican." The biggest Aesop in the play can be summed up in Lucy the Slut's line: "Everyone only has one revelation in life: they find out they aren't special."
  • The musical Carousel and the play Liliom on which it is based contains one of these, personified in the immortal line: "It's possible for a man to hit you, hit you real hard, and have it feel like a kiss." Amanda Palmer did a cover of the song "What's the Use of Wondrin" as a creepy domestic abuse ballad...and didn't have to change a word.
  • Jack Bradley's drama Marital AIDS: Judi works as an adviser on the cases of HIV infected employees dealing with prejudice. One case of hers turns out to be Brian, long time friend of her husband Ryk. Hell breaks loose in their marriage when it turns out that Ryk had (and still has) a long-term romance with Brian, so Ryk himself and even Judi is threatened with HIV infection. Judi storms out of their home, but a while later we can see them back together, feeding ducks in the park. Ryk never shows repentance for his cheating, and argues that Judi should embrace that as part of the personality she fell in love with, while explaining that he, as a bisexual, feels the need for a male friendship and her to be fulfilled, and Judi accepts all of these in the end. The play therefore has the Aesop that we should condone our partners cheating on us because it's part of accepting our beloved as they are, with an underlying message that bisexuals are polyamorous by their very nature and cannot stay in a committed monogamous relationship (not to mention that it's acceptable to expose your partners to potentially deadly infections, and in general, keeping the partner in the dark about aspects greatly concerning their life, and thus trapping them into a deal with terms they couldn't consent).
  • RENT: "You can have a day job or be an artist. One or the other." Aside from Mimi, none of the characters have ostensibly paying jobs that they actually like (except for Benny and Joanne, and their jobs are more mainstream than the others'), and the play actively looks down on Mark for taking a paid job instead of working on his film without ever considering the option that he could do both at the same time.
    • Off the back of that first moral: "It's fine to avoid paying rent, mooch off local cafes, and even steal from ATMs, as long as you're an artist or bohemian."
    • "Driving a dog to commit suicide for money is an acceptable activity that should be Played for Laughs".
  • Parodied in Team StarKid's Twisted. The opening number "Dream A Little Harder" pokes fun at the family unfriendly morals offered up by some Disney animated fairy-tales: "If you're good and you're attractive, / No need to be proactive: / Good things will just happen to you!", and "If you're sure of your intention, / Some magic intervention / Will give you the edge that you need!"
  • Wicked: The message of "Popular", Glinda's "I Am" Song, is that being liked by others will get your farther than merely being a good person. You may think this is only to show what a shallow and pretentious character Glinda starts out as... Except she's ultimately proven right. Elphaba's actions, no matter how heroic and selfless, all fail to change anything as Madame Morrible launches a smear campaign against her and makes everyone too afraid of her to listen to the problems she's trying to fix. In the end it's Glinda who gets the power to dispose of the villains and change Oz for the better, but does she do it by speaking out against their crimes or trying to help their victims? No, she does it by sucking up to them and endearing herself to the dim-witted people of Oz until she has enough power and influence of her own to launch a non-violent coup d'état.
  • In The Wild Duck, the entire cast turns out to be one giant Dysfunction Junction that is only keeping itself together by repressing every one of their hidden sins and weaknesses through willful delusion. When the resident Wide-Eyed Idealist attempts to unravel some of these lies and bring about truth, the result is the suicide of the family's young daughter. As the man who attempted to keep all this under wraps at one point muses:
    Doctor Relling: Deprive the average human being of his life-lie, and you rob him of his happiness.

    Video Games 
  • Beyond: Two Souls Has a similar one to the Loneliness example below where one of the antagonists whose primary motivation is to just see his dead family again shoots himself... and instantly becomes a spirit reunited with his family who happily welcome him despite the years of unwitting torture. The extremely dark Aesop being off yourself and you'll immediately be reunited with your loved ones with no consequences.
  • Galloway's arc in Bully focuses on the issues between two teachers: Galloway is friendly and well-liked, but an alcoholic, and Hattrick is a Jerk Ass who abuses everyone around him and actively exploits students, but calls Galloway on drinking during school. The students, however, don't mind at all (and are shown not to follow his example), because Galloway is a decent guy whose belligerent co-worker makes his life difficult, and Jimmy ends up helping him get into recovery because he needs help, not because he needs to be punished. And all this is on top of the actual authority figures doing nothing to solve the real problems because they think it builds character. Overall, the message is that some adults are too corrupt or too ignorant to understand what is and isn't Harmful to Minors, and bullying isn't just a childhood problem.
  • The freeware RPG The Crooked Man follows the main character as he retraces the steps of the previous tenant of his apartment, which align creepily with his own. Each of the people he meets is facing the dilemma of struggling bravely forward, or giving up, on whatever conflict they're dealing with. Invariably, the answer is to accept one's own limitations. There are some things in life that, no matter how badly you want them and no matter how hard you try, you will never be able to achieve; if you don't fit a certain mold, there's no honor in ruining yourself to force it.
  • Dragon Age: Origins is full of those and sometimes lampshades them.
    • At the mage starting quest you get several of them, the most prominent being that guile and trickery are sometimes preferable to trust and altruism.
    • The overarching story in Orzammar delivers the message that a progressive-minded individual who is personally a manipulative, sleazy jerk sometimes makes a better leader than a kindly, democratic individual bound by stagnant social traditions.
    • This even applies to Paragon Aeducan, one of the most venerated individuals in Dwarven history. His decision to ignore the Assembly and lead the Warrior Caste in the defense of the city, prevented the Darkspawn from breaching Orzammar and saved their race from being wiped out. In other words, democracy is all good an well, but when you're too busy arguing to see the enemy about to kill you, a military coup is the only solution.
  • The Elder Scrolls V: Skyrim. In order to join the Dark Brotherhood, you have to complete a quest from a little boy who wants you to kill the cruel headmistress at the orphanage he was being held in. If you do, he'll proudly proclaim that he now wants to be an assassin when he grows up and decides that you can solve a lot of problems by offing the right person.
  • Fallout 3. There is a quest called Tenpenny Tower, about a luxurious hotel inhabited by prejudiced humans and a nearby gang of civilized ghouls (a form of monstrously mutated human) who want to live in it. There are three ways to solve this quest — Two of them involve killing either party and being rewarded by the other for it. The final option is, through a lot of tedious diplomacy, to convince the humans to let the ghouls live alongside them, and it ends with the two species coexisting peacefully and happy-happy. Except, a few days later, all the human inhabitants have been slaughtered by the ghouls. Sometimes the oppressed, when presented with the opportunity, can be just as inhuman as the oppressors.
  • Fallout 4: The best outcome involves obliterating your own son's legacy by inducing a full-scale war in the most isolated and peaceful community in Boston (albeit arrogant and ruthless), and forcing the surviving scientists to work for various extremist factions. Remember kids, isolationism is bad, because it leaves you oblivious to how your agents on the field torture and murder innocent people. But if you work for a group of extremists then they'll give you major funding for your wacky and dangerous science and hit you whenever you do something horribly wrong and everything will be okay!
  • Kingdom Hearts: Birth by Sleep: Forgiveness can backfire (just ask Eraqus note  and Ansem the Wise note ), The Power of Friendship can fail (the main trio get a Bittersweet Ending/Downer Ending despite giving it their all), and The Power of Hate can be your best friend (it's what lets Terra create the Lingering Will, the ultimate Spanner in the Works against Big Bad Xehanort).
  • Legend of Mana: In-Universe, the prevailing opinion is Be Yourself (even if said self is a Jerk Ass Omnicidal Maniac) and that the ends justify the means (even if your ultimate goal is The End of the World as We Know It). Reality Ensues—the world is a mess as a result and It's Up to You to solve everyone's problems.
  • Lost in Blue is about two people shipwrecked on an island and having to work together to survive, which ends up being sort of a gender-role/marriage simulator. The thing is, the AI isn't all that bright, and your "spouse" is likely to die of stupidity no matter who you're playing. It's set up as being very much the traditional idea of what a married couple will be to each other, but the complications caused by the faulty AI generally turn this message into "Partnership and teamwork is necessary, but it sucks to be married to a useless moron."
  • While Red Dead Redemption has a few over-arching Aesops, the side quests mostly promote a philosophy of "Be careful doing nice things for people, because it may not end well for all involved". While there are some examples of a good deed having a genuinely good outcome, most do not follow this line of reasoning. Give an inventive aviator the means to create his flying machine? Congratulations, you just gave him the means to fly off of a cliff to his doom. Rescue a seemingly love-struck Chinese immigrant from cruel indentured servitude? Good job, you find out later his "love" is an addiction to heroin. Decide to rescue a mountaineer from rampaging Sasquatch? Nice work, you just single-handedly reduced a peaceful species to a single suicidal survivor. This even applies to minor side-activities, where stopping to help someone on the side of the road can get you either killed or left horseless. While mostly played for the sake of dark humor, the general message is the same; people will manipulate your sense of justice, honor or altruism to deceive you and sometimes the worst thing you can do for a person is giving them the help they seek.
  • Remember Me tells us that painful memories, particularly painful, traumatic ones, are still valuable to us as people because they make us who we are. Memory remixes drastically change people's personalities and perceptions of their situation because of this. Of course, the actual events of the game contradict it pretty thoroughly, but that's the lesson it's trying to put forth anyway.
  • Zap Dramatic's anti-bullying game, Sir Basil Pike Public School, has... problems... with the lessons it tries to teach. One of the few that manages to stay more or less consistent (if you don't count the premise) is, "Adults Are Useless. You can try to talk to them if you want, but they don't have the time or the patience to put up with your bullshit. Handle it yourself."
  • In Sonic and the Black Knight, Sonic stops Merlina's plan because he doesn't like the idea of a world that won't end. It's this because of how unclear it is. Though he could actually mean he doesn't like the idea of a world unable to change, the dialog makes it murky.
  • Star Ocean: The Last Hope ends with everyone agreeing — and signing into law — that everyone should just stick with their own kind instead of cooperating with other races.
    • To be fair, there's a specifically designed clause that states one can simply become a member of another race by forsaking any technology that is an essential part of their culture, to prevent the Cargo Cult apocalypses that caused this law to become the Prime Directive.
  • One of the major Aesops in Tales of Symphonia (besides the obvious "racism is bad" one) is about knowing when the quit, and that sticking to your beliefs isn't always a good thing. Lloyd and the Big Bad act as basically a Deconstruction of the Determinator trope, with Lloyd eventually learning that he needs to change his outlook on the world and becoming a better person as a result, while the Big Bad stubbornly refuses to change to the bitter end, even when his own sister, who he was enacting his schemes for to begin with tells him that what he's doing is wrong and he needs to stop.
  • Some people believe that Tales of Vesperia glorifies vigilantism and murder. Summary Vigilante Execution of powerful government officials by Yuri Lowell is shown to save more lives in the here and now than the more methodical approach by Flynn Scifo who seeks to change the law from within the system. One of these government officials had been exposed as feeding innocent children to his pet monsters but he was simply too powerful for the law to touch. Another was pretty much the person in charge of law enforcement in the area and kept sending people off to die. The game seems to imply that Murder Is the Best Solution for dealing with people like that.
  • Valkyria Chronicles: Being different is bad. It's better to completely cut yourself off from everything that makes you different or special than to stand out too much and risk attracting people's attention.
  • Junpei's subplot in Zero Time Dilemma basically goes 'Trusting people might fatally backfire on you, but trusting nobody will definitely kill you'. Even when the group he's in starts to actually work together, they do so not out of trust (or even mutual respect) but because they'll die if they don't and nobody has the time to think up a better plan. Similarly, in the second game, Junpei raised the orphan Quark not because he wanted to be a father but because, post-apocalypse, all human lives are precious. This causes a lot of friction between the two.

    Web Comics 
  • Boy Meets Boy ends with the lesson that people change, friendships don't last, and you'll probably have to settle for second best, because the love of your life simply isn't interested.
  • El Goonish Shive had one at the end of "Death Sentence": When confronted with a bad situation, one shouldn't simply decide that the worst outcome is inevitable and plan for that. People should, by all means, try to make better plans so that things might end peacefully and without anyone getting hurt. However, what they need to remember is that sometimes that isn't going to work at all, and in fact their plan might be doomed from the beginning, and so if their plan goes to hell, they should be prepared for the bad ending- but that doesn't mean that they should stop making plans where Everybody Lives. It's a pretty depressing message, though the rather idealistic character to whom it gets delivered does accept it (but not happily).
  • Fans! had this strip involving Rikk, Aly and Rumi eating pot-laced brownies. "Don't do drugs, kids, or they might impair your ability to enjoy drugs later in life!"
  • And while on the subject of Sandra K. Fuhr, one of the possible endings to Friendly Hostility teaches us that even with the best intentions, you can't force a relationship to last.
  • Jack has a few overarching themes in its stories, mostly centering on the nature of sin, punishment, repentance and redemption, understandable for a comic about Heaven and Hell. One of these is that almost no one is good enough to get into Heaven, and almost everyone who goes Hell will never get out... not because of anything they do or don't do personally, but because Hell itself can screw them out of their chance at redemption.
  • Misfile tried to give An Aesop about accepting responsibility when the old road was being taken over, but Ash repeatedly points out that his title grants him no obligation to help anyone else and the other racers freely admit that they aren't friends, they just need someone to fight their battles for them. It becomes less about responsibility and more about giving in to peer pressure.
  • Saturday Morning Breakfast Cereal loves these. For example, the hare put in far less effort than the tortoise, but still got second place, which is, you know pretty freaking good.
  • Sluggy Freelance ends the "Aylee" Story Arc with An Aesop that you should always stand by and trust your friends, even if there's a very real chance they might destroy all life on Earth.
  • Penny Arcade has one that combines an Imaginary Friend with a Precision F-Strike.
  • Walkyverse has "Morals mean diddly squat without experiences to back them up... which is a license to screw around and do stupid things"

    Web Original 
  • Taken to very dark extremes with the flash story Loneliness, giving a message that if a loved one dies, you should kill yourself to be with that person in the afterlife.
  • Yes & No: A Dyseducational Road Movie. The message is that obediently following rules of the road will screw you over (it's all comedically exaggerated).
  • Honest Trailers discusses this trope whenever they make a video of a children's movie. Notably with The Little Mermaid, as mentioned above.
  • The aesop of "Why Lying is OK!" by Matthew Santoro is that some lies are necessary for society to function, and that always telling the truth is a bad thing.
  • Discussed at length in The Nostalgia Critic's "Top 11 The Simpsons Episodes", where he names "Bart Gets an F" his favorite episode of the show, in large part, because it's the rare piece of pop culture that's brave enough to teach the Family-Unfriendly Aesop "Failure is an unavoidable part of life—and we all fail sometimes, even when we try our very hardest." He argues that this is one of the most important lessons that anyone can learn, but admits that it's rarely used as An Aesop in pop culture because it's so much more uplifting to show a protagonist succeeding through hard work. In the same episode, Critic discusses this trope when naming "Homer's Enemy" one of the 11 best episodes of the show. He sums up the episode's moral as "Sometimes bad things happen to good people for no reason, and sometimes dumb people are rewarded more than smart people", but argues that the episode is brilliant because it faces such a grim message so unapologetically, and manages to make it surprisingly funny.
  • Ultra Fast Pony has a few of these, as a satirical sendup of the unintentional messages that could be read into the source material.
    • In "Fillin' Dem Plot Holes, Bro!":
      Twilight: They rely on friendship, but they only work with magic.
      Applejack: Well, that's a terrible lesson for the children. What are we supposed to tell them, "No matter how big your problem is, you can only solve it with magic"?
      Twilight: That is exactly right!
    • In "Everybody Hates Gilda":
      Celestia: What is this? Invisible ink? Is this what we're teaching our children these days? Yes, no, I see why they say this has great morals for all the children, oh, that's really great! I mean, what kind of idiotic writer tells children that it's okay to be continuously playing pranks on everyone? We're raising a generation of assholes, that's what we're doing.
    • In "The Longest Episode:"
      Twilight: We taught children all over the world that it's okay to crash parties, then run away.
  • In the live recordings of What the Fuck Is Wrong with You?, whenever they cover a news story involving inept criminals, Tara has a habit of pointing out everything they did wrong and what they could've done better, to the point that Nash jokingly calls those segments "How To Be A Better Criminal."
  • Cracked gives us 18 Adult Lessons You Missed in Famous Kids Shows.
  • The cyber-legend of Marine Todd. Summary: a Marine comes back from "the war", enrolls in a college course, and sits through a lecture where an atheist professor invites God to knock him down from the speaking platform. Marine Todd gets up and punches the professor, saying that God had sent him to do the task on His behalf(often adding that "[God] was too busy protecting the troops who are dying to protect your right to say stupid shit"). Take your pick of horrible lessons that this implies - that believers are justified in committing the criminal act of assault to justify their beliefs to non-believers; that civilians are a fair target for trained military personnel; that freedom of speech is only for people who agree with you; that might makes right...
    • Alternatively, flip perspectives for an equally unfriendly Aesop. Don't mock and belittle the beliefs of others or otherwise intentionally try to piss people off even if you don't care about them; societal expectation isn't always enough to prevent violent retaliation.
      • Another alternate Aesop that could be applied to this story is: if you fight or otherwise work for the freedom of others, you need to realize and accept that there will always be people who exercise that freedom in a way that you won't necessarily like or agree with, but to lash out at them in an abusive way would be the same as denying them their freedom, and that would be just as wrong.
  • The short Fallout fan video "Friendship!" parodies this, by teaching the viewers an important lesson about friendship is the wasteland: It doesn't exist, and those who naively believe in it make excellent Human Shields, that have plenty of free money on them.

    Western Animation 
  • Aside from being YouTube Poop fodder, Adventures of Sonic the Hedgehog has a couple of real winners when it comes to its attempt at giving kids helpful advice (although the famous sexual harassment Aesop was done right).
    • One segment advises kids against running away from home by having Coconuts try it, and Sonic remind him of all the good things Robotnik does to take care of him, and how no one will be there to do those things if he runs away, to convince him to go back home. The thing is, Coconuts is The Unfavourite among Robotnik's creations, and spends most of his time taking abuse and doing chores to clean up after the rest of the "family", so basically the message comes down to "Even if your family is abusive, it's better than risking it going alone".
    • Another starts with Sonic and Tails surrounded by enemies. Tails suggests calling 911, but Sonic says no because 911 is only for emergencies. So being attacked by people that mean to harm or even kill you isn't a real emergency. Though, they were able to fix that in a later episode, by saying you should always go to a police officer if you're in danger.
  • Despite its deranged flavor, Adventure Time still works in serious messages from time to time. The show being what it is, it occasionally leads to this.
    • "Tree Trunks": Encouraging people to pursue their dreams, if they don't have a talent for it will lead to disappointment at best and at worst get them killed.
    • The episode "His Hero" applies. Finn and Jake are convinced to practice nonviolence by their hero Billy. After a while they realize that violence is necessary sometimes and use force to rescue an old lady that's in peril. They go back and explain that to Billy and we all learn a valuable lesson.
    • "It Came From the Nightosphere": If somebody is estranged from their parent, it might be because the parent actually is a dangerous psychopath who you shouldn't well-intentionedly invite over without asking them.
    • "Jake Suit" has Finn using Jake's body as armor in the beginning and being very rough him. When he acts callously to Jake saying that he hurt him, Jake takes over Finn's body to show him how it feels. The end result: Finn takes it no problem, and Jake comes to the conclusion that he was overreacting to Finn's violent behavior. (Or maybe Finn's just invulnerable)
    • "Ocarina" sees Jake deliver a rather cynical monologue that "the law ain't made to help earthy cats like us", and that the powerful make laws to protect themselves and keep "the little guys" down.
  • The Amazing World of Gumball:
    Nicole: Okay, kids. Sometimes when you're an adult, you have to lie. All of the time about absolutely everything and never show your feelings because it's impolite, sit on them when you die and bury them with you like the ancient egyptians did.
  • American Dad!: "Daddy Queerest" has Terry's dad coming to visit him, then discovering he's gay and disowning him. After the characters scramble to convince him to accept homosexuals, he says "I know it's not dangerous. I know it isn't something that can be changed. I just don't like it." The moral is, "Bigots will be bigots no matter what you say to them, and sometimes they're people you love" (which, sadly, is Truth in Television). It could also be a much more blunt version of “Be who you are and say what you feel because those who mind don't matter and those who matter don't mind". Maybe not very comforting or "family-friendly" when it involves a loved one acting unreasonable or callous, but it's still arguably true.
  • Avatar: The Last Airbender:
    • Subverted in the case where the series as a whole, but the finale in particular, looked for awhile to be building up to a very family unfriendly Aesop: that sometimes Violence Really Is the Answer. Aang spoke with all of his past lives and was told by Roku, indirectly, about how many lives they could have saved if they had "acted decisively," and by Kyoshi and Yangchen how they were willing to do "anything" to save the lives of millions of people, and that as Avatar his duty was to put the well-being of the people of the world over his own path to enlightenment. Kuruk was the only one who provided a clear opposition to the idea, advising Aang to "actively shape your own destiny." Ultimately Aang chose to go with Kuruk's advice and was given a way to stop Ozai for good without having to kill him.
    • Also there's Avatar Yangchen's conversation with Aang which says that while the desire to preserve all life is admirable, trying to spare the Fire Lord with no alternative solution is ultimately a selfish action to make himself feel better at the cost of everyone else. Interestingly, this also outright defies Aang and Yangchen's Air Nomad background: she argues that the duty of the Avatar is above personal spiritual fulfillment.
    • The Great Divide: Lying through your teeth is an acceptable and effective way to resolve deeply ingrained disputes. And plus, girls think it's hot. Amusingly, this is a contributing factor to that episode's general dislike both In-Universe and out of it; the characters within the Ember Island Players episode directly talk about skipping the canyon entirely.
  • The Avengers: Earth's Mightiest Heroes! episode "Ultron-5" begins with Ant-Man annoyed with his teammates' constantly fighting criminals in order to resolve conflicts. While he prepares for quitting the Avengers, he talks to his robot, Ultron, about how there must be "a better way" to reduce crime. What does Ultron do afterward? Since Ant-Man deemed humanity responsible for all the violence, Ultron decides to Kill All Humans to rid the world of fighting! Feeling responsible for nearly causing the extinction of everything, Ant-Man never seems to find a better way by the time the first season ends, which could leave some viewers wondering if violence really is the answer… For that matter, in the second season Hank has a complete personality shift and becomes almost a caricature of the kind of action-oriented hero the rest of the Avengers are. And he stays that way for the rest of the show, as if confirming that he was indeed just being unrealistically optimistic before.
  • The Berenstain Bears series from the 1980s had one episode called "The Berenstain Bears and the Spooky Old Mansion" which was about a old woman that Mama Bear knew as a cub that just died (they never go out and say it because mentioning death on a kids' show was forbidden at the time) but lo and behold, she's leaving them an inheritance! The catch? They must trudge through her old, dilapidated mansion in the middle of the night to claim it.So they do that, and what is the inheritance? Is it a pile of money? Keys to a new car? An all-expenses-paid vacation? Actually... it's a note that says by making them do this, she's granting them the gift of courage. A normal person would curse the old bag out and leave, and probably order the mansion demolished the next day. But not here; the family is very happy with all this moral goodness. It seems like the moral here is "It's okay if you make people waste time and energy, get scared, and risk getting hurt all for a hypocritical display of virtue (did she plant it there?), or worse: "It's okay if someone is treating you like crap."
  • An episode of Bobby's World had a message that was mildly family-unfriendly, mainly because it portrayed respect for adult authority as something that should be limited. While other shows might portray being a tattle-tale as a somewhat annoying trait, this episode portrayed it as something that can be socially damaging as hell. The message, itself, however was fairly positive, if a bit unusual. "Don't be a tattle-tell. Assess the situation, determine if there's any potential real harm, and base your decision to go to an authority figure on that."
  • Bojack Horseman:
    • The episode "The Telescope" has the message of "apologizing to someone does not automatically make everything better, especially when you're only apologizing to make yourself feel better". When BoJack visits Herb Kazazz, the former director of the show he starred in who he hasn't seen in twenty years, he tries to apologize to Herb for not threatening to quit the show after Herb was outed as gay and subsequently fired. Herb flat-out refuses to accept the apology, partially because BoJack essentially abandoned him when Herb needed him just so he could stay on the show, and partially because Herb knows that BoJack is mostly just trying to make himself feel better rather than being genuinely remorseful for his actions.
    • "Run, Diane Nguyen, Run" has "you don't own anything to your family that they don't deserve". Diane was raised by a family that emotionally and verbally abused her on a daily basis and she ran away as soon as she got the chance, however, being the only one with a steady income and sense of responsibility, she has to come back to take care of her father's funeral since everyone else is too incompetent to do it, after being harshly reminded of the reason why she ran away in the first place. Afterwards, BoJack convinces her that she did the right thing, her family is horrible and she is much better off without them.
    • Season 3's "It's You" throws a harsh reality on BoJack's face after a fallout with Todd that ends their friendship: no matter how much he wants to pin everything he does on his abusive parents, drinking problems, broken relationships, and traumas, ultimately he is the only one to blame for the bad things he has done. Having a Freudian Excuse does NOT make him unaccountable for when his actions hurt others or even himself.
  • Bucky O Hare #2: in an early episode, a guy named Al Negator tries to get a job on the Righteous Indignation. As he's a shifty-looking reptile, the crew is generally suspicious. But Captain Bucky O'Hare hires him on anyway, making a big point of mentioning how he trusted the gunner Deadeye Duck, despite him being a pirate with somewhat questionable morals. So it looks like a "beauty is on the inside" or "different doesn't mean bad" kind of Aesop... until Al betrays them, steals classified info, and sabotages the ship, and it becomes "if they look evil, they are evil." On the other hand, Deadeye never did a Face–Heel Turn, so Bucky was right about him... This could also be An Aesop for Bucky about trusting his crew and taking the advice of subordinates seriously, which may or may not qualify as a case of The Complainer Is Always Wrong.
  • Parents frequently bash Caillou for teaching that whining to get your way is good.
  • Captain Planet:
    • In the episode "Numbers Game", Wheeler dreams he and Linka have 8 kids and another on the way, as the planet is being destroyed by overpopulation. Kwame and the others chew him out, explicitly telling him it's irresponsible to have more than 2 children. In the end, Wheeler indeed learns it's wrong to have more than two kids. Now, imagine watching that if you're the third child in your family...
    • The "lesson" given in the episode "Wheeler's Ark" is even worse. The Planeteers have developed a habit of picking up injured and endangered animals on their missions and bringing them back to Hope Island. Gaia, naturally, tells them this is impractical and orders them to take them all back; however, they just pick up more at every location, all while Wheeler tries to tell them this is a bad idea. The other kids and the episode portray Wheeler as heartless and cruel for this and him bonding with the baby wolf that started the whole thing and being unable to part with it, either, as a good, admirable thing. The episode ends with Gaia simply smiling in amusement at the new load of critters they bring home and nonchalantly planning to return them herself, without bothering to remind her sidekicks that what they've done is wrong and can have devastating consequences for the environment. Instead of teaching what could have been a perfectly valid Green Aesop about how you shouldn't take exotic species out of their natural habitat, Wheeler just learns, "If you don't want to take a wild wolf pup home with you, you're a heartless jerk." This might be dismissed as unexplored implications on any other show, but one would expect a show that centers around protecting the environment not to portray its heroes doing something so environmentally unfriendly with no consequences.
  • The Critic has a hot actress (with an upcoming movie) crushing on Jay which he and the rest of the cast see as blatant pandering for a good first. She ignores Jeremy (a Mel Gibson Expy) and seems to genuinely endear herself to everyone, steering the episode to being "Don't Judge A Book By Its Cover" while Jay procrastinates about seeing her movie. He finally does, realizes she's god-awful and puts his integrity as a critic above romance...and she immediately turns nasty. Ironically, if she put that much effort into her movies, she'd have more Oscars than Tom Hanks.
  • Daria has a fair number of these.
    • For the show in general, the lesson one learns is "People are all flawed in their own way, and adulthood is not a panacea for mental and emotional immaturity."
    • While sticking to your personal morals and refusing to take part in a corrupt system is admirable, doing so will also usually make things in life much more difficult. Daria (and once, Jane) would tell several people with questionable ethics off, or quit a project that went against her morals only to have nothing to show for it afterwards (and sometimes, even be punished for it). At least twice they even lampshade this. When Jane quits the track team they point out while Jane refused to take part in a corrupt school athletic system, she also did nothing to try and change said system, and both Daria and Jane were punished by the gym teacher for it. In a later episode, after Daria says she had to quit the school yearbook for 'moral reasons' Helen just sighs and says "Again?"
    • Another notable example is the fifth season episode "Prize Fighters" in which Daria is formally interviewed as part of her competing for a scholarship. Along the way, she learns the company offering the prize has a rather sexist and racist history, so she's rather reluctant to deal with its people. Furthermore, she considers it dishonest to attempt to behave differently from her usual manner; which is to say, to act as if she were friendly, attentive, and interesting. At her actual interview, therefore, she generally behaves the same as ever: brutally honest, sarcastic, and clipped. One might expect her to win the scholarship based on the old Stock Aesop of being true to oneself and not putting on a masquerade, but that's not what happens: the interviewer finds her crass behavior rude and insulting and the company refuses her the scholarship. More to the point, the interviewer actually had already made up his mind that Daria was the most qualified of the three contestants. However, her anti-social personality convinced him not that one of the other contestants deserved the prize, but that no one did: the other two were an intelligent but obnoxious butt-kisser and a scripted-response-spouting black and female valedictorian (who seemed to presume she was entitled to the prize simply because she was black and female). The episode's real Aesop? "Complete honesty does not go well with diplomacy."
  • DuckTales gives us such gems as "Bubba's Big Brainstorm," where the Idiot Hero becomes a genius using a special "thinking cap". Unfortunately, Bubba's desire to please his surrogate father Scrooge leads him to become a money-grubbing sociopath and lose his brute strength. To sum the episode, the Aesop is "smart people are monsters, so stay stupid."
  • In Education for Death, the Nazi school teacher uses a story of a fox hunting and eating a rabbit to point out an Aesop. When Hans does what a reasonable human being would do and voices sympathy for the "poor rabbit", the teacher is horrified and punishes him, before pointing out the true moral of the story: that the rabbit should be despised for being too weak and stupid to stop the strong, cunning fox from killing him, and that the children should aspire to be like the fox. This is entirely intentional on the part of the film-makers, as Nazi ideology was very big on Virtue Is Weakness and Might Makes Right.
  • The Fairly OddParents!:
    • Timmy wishes his dad wasn't as much of an idiot he was before, inadvertently turning him into a genius. Said genius dad is a near Sociopath who thinks nothing about taking his wife's contact lenses, turning all of his son's toys into a lab, and nearly experimenting on his 'fish' (when they're Fairy God Parents). So...idiot equals good and nice but smart equals sociopath? Since none of the scientists can comprehend thinking about others when Timmy's Dad tries to show off his new discovery and stops to not hurt his son?
    • Even worse is the episode where Timmy is taught not to even want a 'thanks' from the good deeds he does when his bastard best friend, teacher, and parents all freak out and say or want the opposite without even telling him. And being showed that life for EVERYONE would in actuality be better for everyone without him.
    • There's also "Vicky Gets Fired", in which Timmy's parents find out Vicky's secret, and Vicky precedes to take over the world, leaving viewers with the message of "If someone is bullying you, up to and including torture and attempted murder, don't tell anyone, especially not authority figures".
    • An episode where AJ is getting all As and Timmy is getting all Fs has AJ gloating about it. Later he apologizes to Timmy who says "You deserved to gloat" for getting high marks. So if you are doing better than someone, rub it in their face? Though it helps a little that in the end, AJ is so busy gloating he accidentally breaks the trophy he won and decides he should stop gloating.
  • Family Guy in general isn't exactly the type of show you should look for Aesops in:
    • One that just happens to be rather "politically incorrect," occurs in the controversial "Down's Syndrome" episode, which is supposed to remind people that being disabled doesn't prevent you from being an arrogant sack of shit. While sadly true, it was probably too over the top and awkward to be effective. The constant "retards are funny" jokes also probably didn't help.
    • The episode "Brian Goes To College" has Brian going (back) to college to get a degree he never had. Long story short, Brian has the option to get a cheat sheet from someone so he can ace the test or take the test without it and likely fail. Brian chooses to not cheat and happily tells the family that he failed! His message is that he stayed true to his morals and, when trying things on his own, "legitimately" failed so he has nothing to be ashamed of... the family says he should've just cheated.
    • The episode "Holy Crap" has Peter continually try to make his hard-working and religious father, Francis, accept him, even going so far as to have the Pope vouch for him. The moral is that Francis will never accept how Peter lives, but that doesn't mean he doesn't love Peter. After a moment's reflection, Peter realizes that's the same way he feels about Francis too.
    • "Prick Up Your Ears" endorses premarital sex, asserts that vaginal sex is "just tops," pushes for schools to teach about contraceptives, and, most controversially, says that abstinence (not abstinence-only education but actual abstinence) is "just wrong." They demonstrate this by having Lois rape Peter.
    • "Seahorse Seashell Party" ends with the Aesop that the definition of maturity is taking physical, verbal, and emotional abuse from everyone around you, no matter what kind of damage it does to you personally, because your abusers can't handle what horrible, horrible people they are. Or, as The Mysterious Mr. Enter said: "Abuse victims should stay in abusive relationships for the abuser's benefit".
    • "Brian's Play" shows us that some people can't handle being outshined, and it's up to the young and talented to limit themselves and forsake their opportunities to protect those people's egos because, being older and mediocre, it's a lot harder for them to have any success at all before they die.
    • In another episode Peter, Quagmire, and Mort burn down Mort's pharmacy for the insurance money when Mort's having financial troubles. Joe finds out and arrests them. While in jail, they beg him to remember a time when the insurance companies cheated him. He flashes back to when he first became handicapped and the insurance company refused him a treatment that could save him and he lets them out of jail. Even though they'll probably never do something like that again and it was probably just an excuse to return to the status quo, the whole thing comes off more like "It's okay to cheat big insurance companies because they're rich." Having Joe make them promise never to do anything so stupid again before he lets them out of jail would've helped.
    • "Peter-assment" teaches that female-on-male sexual harassment is okay if the female hasn't had sex in a while.
      • Not just female-on-male sexual harassment, but also female-on-male rape.
      • In the same episode, Quagmire tells Peter that if the latter doesn't have sex with his harasser, he is gay, despite having a wife and 3 kids. No attempt is made to prove Quagmire wrong, so the episode also implies that men should cheat on their wives to prove that they aren't gay.
  • Futurama:
    • One episode seemingly semi-spoofs its own Aesop. Hermes loses his job as a professional bureaucrat and later him and the gang are forced to sneak into his old office to find Bender's hard drive. When they are caught, Hermes shows just how much information he can sort as he sings a showtune about how it's what he was born to do. As the jaunty Jamaican-sounding lyrics proclaim "When push comes to shove, you gotta do what you love, even if it's not a good idea!"
    • The episode "The Birdbot of Ice-Catraz" plays with this. It portrays hunting as a necessary part of conservation to prevent overpopulation and eventual famine among animals. But having fun doing so is apparently wrong and results in karmic death.
  • A Christmas special based on For Better or for Worse taught us that people will only appreciate what you do for them if they think you've died.
  • Gravity Falls: Per the photo montage in "Legend of the Gobblewonker," Grunkle Stan's idea of spending quality time with his progeny includes stealing fish from small children and fleeing the authorities.
    • Though given the show, this was likely Played for Laughs.
    • In "Irrational Treasure," after spending the whole episode tracking down the real founder of Gravity Falls in order to humble Pacifica (descendant of the fake founder), Mabel decides that she doesn't need to break someone else down to feel good about herself. Dipper on the other hand, shrugs that he's still upset, tosses the damning file to Pacifica, and announces that "Revenge feels good."note 
    • A lot of kids shows are willing to teach the message that it's sometimes okay to lie in order to spare people's feelings, the episode "Bottomless Pit" takes it farther and has Mabel learn it's okay to lie to get out of trouble.
  • Hey Arnold!:
    • Episodes featuring Helga's mom tend to teach that parents are sometimes idiots. This is not the kind of message that parents usually want their kids to be exposed to. Still...
    • Another episode was about Helga performing a stand-up comedy act in which she made insulting jokes about her friends. This upset them, so she stopped, but then her act wasn't funny. Arnold encouraged her to go back to doing the insult routine, and the audience loved it. The moral: It's OK to insult people if you're funny enough. When going back to the insult routine, she added a bit of Self-Deprecation humor to warm her audience up to the idea and it was something they all expected to see. The moral could therefore be "insults can be funny as long as everyone gets a chance to laugh." SpongeBob SquarePants had a similar Aesop in the episode "Squirrel Jokes."
    • And how about the episode where Harold, Sid, and Stinky mooned the school principal, who gave Arnold a month of detention for not divulging the names of the three boys who mooned him? This episode is either teaching us that being a "rat" is wrong or that the people who committed the prank should confess themselves. Hmm...
  • Episode 63 of Kaeloo teaches kids that they should put up a fight if someone tries bullying them.
  • An in-universe example in The Life and Times of Juniper Lee. The comic book Boom-Fist gives messages like "use violence as a first resort," "put yourself before others," and "if you can't win, make sure the other guy loses."
  • The Inspector short "London Derierre" was written around the idea that British policemen are a bunch of idiotic fools for not carrying weapons and that real police officers carry guns at all times and use them whenever the opportunity presents itself. While you can make arguments for and against British police officers being unarmed, the way the cartoon depicts things rather undermines its own argument, because the Inspector opens fire at a burglar who has done nothing to directly threaten the Inspector himself, and does it in the middle of a crowded building. This has the effect of making the Inspector look like a trigger-happy maniac, even though he's the one we're supposed to sympathize with, while the obstructive British police officers come off like they're preventing the Inspector from hurting any innocent bystanders.
  • Metalocalypse doesn't exactly go out of its way to teach anyone anything because it's a show about a death metal band comprised of monumentally stupid people, but some of the episodes have this trope at the core of their themes, often with a heavy dose of Take That! aimed at various things. One story has the Tribunal wanting to stop Nathan from getting his GED because it would cause people to realize that a person's social class and education level don't define their intelligence; another had Pickles having to face the fact that nothing he does, no matter how rich or successful he is, will ever earn his mother's love and respect, and the only solution is to stop valuing her opinion of him (by telling her to go fuck herself).
  • In one episode of Mission Hill, Andy says "sometimes a little irresponsibility solves everything". Teaching that to kids would piss off a lot of parentsnote , but it's absolutely true: you can't always be honest and responsible, and sometimes doing the opposite is the best choice.
  • My Little Pony: Friendship Is Magic:
    • "The Mysterious Mare-Do-Well" came under a lot of fire because of its concept of humbling someone being interpreted as "If your friend is being an obnoxious braggart, rather than talking to them, you should anonymously take them down a peg or twelve". It wasn't helped by the fact that the ponies who were involved proceeded to brag about themselves out of the costume.
    • While it doesn't necessarily make the intended moral of "Ponyville Confidential" about gossip being bad any less relevant, the scene where the Cutie Mark Crusaders get shunned by the entire town after word gets out about them being Gabby Gums seems to suggest "If you go far enough in humiliating others, you will be greatly hated where you live, even if you are just a kid."
    • "One Bad Apple" has Babs Seed getting away with bullying the Cutie Mark Crusaders because she was also bullied in her hometown of Manehattan. When we find out why Babs has been picking on the CMC, we get An Aesop that "standing up to a bully will make you a bully as well". Needless to say, this came under a lot of fire from parents and fans (especially the ones who were bullying victims) for effectively teaching that it's wrong to stand up for or defend yourself, and that somebody has the right to be a bully if they've been bullied themselves.
    • "It ain't Easy Bein' Breezy" teaches us the lesson that sometimes you have to be cruel to be kind, or lazy people will take advantage of your kindness even unto the point of self-harm. (Though it does soften the lesson by also pointing out that there is a difference between necessary and unnecessary harshness.)
    • The Cutie Mark Crusader's cutie marks present one that possibly wasn't even intended. Sweetie Belle and Scootaloo's cutie marks also represent their talent and interest in singing and scooting, respectively, while Apple Bloom's has an apple instead of anything representing her apparent talent in potion making. However, Apple Bloom unlike her friends had no interest in potion making itself; she's only ever worked with them for other purposesnote . The genuinely good message of "Just because you're good at or could be good at something doesn't mean you need or have to actually pursue it" isn't a lesson a lot of kid's shows would teach as some could easily misinterpret it as "waste your talents".
  • The New Adventures of Superman: A subverted regular Aesop from "Can a Luthor Change His Spots?". Luthor convinces Perry White that he's gone straight and is given a laboratory in the Daily Planet building. Jimmy Olsen (correctly) believes that Luthor is lying and tries to catch him committing a crime. So the Aesop is, "You shouldn't be suspicious and people can change...except for sometimes they don't and suspicion can be a good thing."
  • An accidental case of this due to Values Dissonance caused the Peppa Pig episode "Mister Skinnylegs" to be stricken from Australian airwaves. The plot of the episode is that spiders shouldn't be considered scary and are okay to have in the house. While that works fine in the show's native Britain, it's unacceptable to teach this to young kids in Australia for a very good reason. Australia is loaded with venomous spiders, and actually includes some of the most dangerous spiders in the world. To put this in perspective, a short list of "dangerous Australian spiders" would include the ubiquitous Red-Back Spider (basically a Black Widow with anger management issues), the White-Tailed Spider (highly poisonous, and suspected of being the infamous "necrotizing spider", a spider whose bite causes your flesh to start rotting away whilst you're still alive) and the Sydney Funnelweb (a highly aggressive pseudo-tarantula known to have the most powerful venom in the world). Understandably, Australians don't particularly want small children to think it's okay to play with these things.
  • The Proud Family had a fairly standard episode where Penny got bullied, right up to the last minute. She eventually got the bullies to leave her alone by becoming their money manager and ends the episode happily waving her cut of the stolen money. "If you can't beat them, join them" is a fairly standard Aesop, but usually isn't applied to criminal behavior.
  • Redakai seems to be showing up on several of these lists. While flinging fire around in a forest is more of a Broken Aesop in context, there are family-unfriendly ones, as well. In one episode, both the good guys and bad guys are betrayed by a Paleontologist who is trying to get his hands on a resurrected Pterodactyl. In the end, the heroes catch up to him, then attach him to a rope tied to the pterodactyl so he is dragged through the air like someone being dragged by a truck while the heroes laugh. So..."Lynching is an acceptable form of retribution to someone who betrays you?"
  • Regular Show episode "Think Positive" gives us "sometimes yelling at people is the best way to solve your problems". The episode of King of the Hill where Hank is court-ordered to go to anger management after accidentally cutting off one of his best friend Dale's fingers with a buzzsaw seemingly teaches this exact same lesson at the end.
  • Rick and Morty:
    • "Mortynight Run" and "Auto-Erotic Assimilation" have "the universe doesn't function according to Black and White Morality, and if you don't know the full details of the situation, it's best to not get involved at all because you can make things a whole lot worse."
    • "Look Who's Purging Now" seems to teach "No matter how good a person you think you are, in the right set of circumstances, you will end up being just as bad as those you look down upon for being 'evil'." Also, "no matter what happens, people will always find reasons to be violent and not learn from their mistakes".
  • The pilot of Sagwa, the Chinese Siamese Cat teaches that doing the ethically right thing and providing for one's family are sometimes mutually exclusive. Which is true, but not exactly optimistic.
  • "Family-unfriendly" Aesops on The Simpsons are usually just parodical, and the Aesops they actually mean are typically more family-friendly than the show itself, but over the long span of the show various episodes have had some rather controversial messages. Many of these are connected to the reputed liberal tone of the show, which yields messages that from time to time offend viewers of more conservative persuasions.
    • "Bart Gets an F" ends with the ultimate moral that failure is an inherent part of life, and that we can all fail sometimes, even when we try our very hardest (sure, by the end of the episode Bart has improved—but only marginally, and clearly not enough to deserve the pride and respect of his family). Some fans have actually praised the episode for not being afraid to broach this topic (see "Web Original" above), and for unapologetically breaking it with the standard happy ending where perseverance and dedication always results in success.
    • "Bart the Lover," where Bart is virtually not punished for playing a cruel joke on his teacher (writing prank love letters from a non-existent person named Woodrow to Mrs. Krabappel), in retribution for damaging the classroom aquarium through his reckless behavior. Instead of making him man up and 1. Accept the consequences of his original punishment (detention and restitution); 2. After he admitted to his parents his ruse, never made to confess to Mrs. Krabappel, Principal Skinner and Superintendent Chalmers, and then accept surely far more severe consequences (which in the real world would likely include permanent expulsion, counseling and enrollment in an alternative school (if they would accept him)) ... he is merely assisted in writing a farewell letter from "Woodrow," Homer and Marge agreeing that letting down the lonely Mrs. Krabappel easy is better than making Bart tell the truth. Bart learns virtually nothing (actions have consequences) and does similar unforgivable stunts in the future.
    • The episode Mr. Plow has one. Homer starts a plowing business (removing snow with a snowplow), and he gets a lot of money for it, until Barney comes with a bigger snowplow and stops Homer's success. Homer even claims that Barney stole his idea. Barney is presented as an antagonist, but at the end, Homer and Barney decide to be partners instead, so the moral is "Starting a competing business is being a jerk" or maybe "If you have a friend with a business, you can't be a real friend if you start competing with him" and maybe also "Stealing ideas is wrong", but in real life, competition is a key factor in our free market and it's good for the customers (who Homer shows nothing but contempt for, incidentally). Also, there are cases of people who are business competitors but still friends, like Bill Gates and Steve Jobs. Plus the law says you can't own ideas and many people agree. Barney was shown as clearly wrong on shooting out the tires of Homer's plow and making a defaming commercial against Homer, but the aspect of competing with a friend is debatable.
      • Also, Homer, by trying to get Barney to stop, puts Barney's life in danger. Homer saves him and only then does Barney agree to stop the competition and be partners, but Homer conveniently doesn't tell Barney he was responsible for this, furthering the moral that two friends can't have both competing businesses and stating that if you put someone's life in danger and then save them, it's not necessary to tell that you made the problem in the first place.
    • "Moaning Lisa" drops a small one for kids and parents. Marge tells Lisa to shove down her sad feelings and fit in by always smiling no matter what because that's what her mother taught her even though it made her miserable, but she changes her tune once she sees Lisa smiling through the regular pains of her day within a few seconds of getting to school: bullying from other kids and derision from teachers who won't let her express herself in her music. Marge then tells her to just feel however she wants and her family will be there for her regardless, with the lesson ending up "Learn the difference between parenting and parroting, because parents can be wrong in ways that will destroy their children emotionally."
    • The most brazen lampshading of this trope occurs in the episode "Saddlesore Galactica." The sub-plot involves Lisa's bitterness over her school's band losing a competition against Ogdenville Elementary. She complains to anyone who will listen, even calling the White House. In the end, President Clinton stops by and announces he has decided to strip Ogdenville of their title. "Thank you, Lisa," he says, "for teaching kids everywhere a valuable lesson: If things don't go your way, just keep complaining until your dreams come true." Marge replies "that's a pretty lousy lesson," and Clinton shrugs. "Well, I'm a pretty lousy president."
  • The Sofia the First episode "The Enchanted Feast" has the moral "If a new person enters your life and is popular with your family but you have trouble accepting them, it probably means they're evil".
  • South Park:
    • In the uncensored version of "201" the characters learn that the only true way to stop being mocked is through intimidation and violence.
    • The episode "Gnomes" basically teaches that being a big corporation does not automatically make a company evil, and that being a small family-owned business does not automatically make it good. While the episode doesn't hesitate to portray the representative for the big corporation as being extremely obnoxious and the small coffee shop owner opposing them as being quite likable and persuasive, it's made clear at the end that big corporations tend to get big in the first place because they make superior products ("25 percent less raw sewage taste!"), while protectionist laws like the one the small coffee shop owner is lobbying South Park to pass are demonstrated to be a terrible idea and the coffee shop owner himself is revealed to be smarmy, manipulative, and self-serving.
    • "Breast Cancer Show Ever": Sometimes, fighting really could be the final solution.
    • Some episodes like "Whale Whores" and "Night of the Living Homeless" teaches that the best way to handle your problems is to pass it onto another target.
    • "Goobacks": Through the use of immigrants from the future coming to South Park to work for incredibly low wages and putting most of the town's citizens out of a job, the show argues that, although immigrants are regular people just trying to get by, unchecked immigration ultimately harms society rather than helps it.
  • Spongebob Squarepants: The infamous episode "Stuck In The Wringer" ends with SpongeBob, after going through an incredibly rough day while stuck in a wringer, breaking down crying...which gets him out of the wringer. SpongeBob then turns to the camera and says: "I guess crying can solve your problems after all!". Considering the delivery of the line, it likely wasn't intended to be taken seriously, but considering everything that had just happened...
  • Star vs. the Forces of Evil: The moral of "Heinous" seems to be that you can't always rely on authority figures to protect you from oppression and abuse.
  • Steven Universe:
    • From Steven vs Amethyst; despite the old saying "You can be anything you set your mind to", sometimes Reality Ensues and you just can't be something you are just not physically or mentally capable of doing. Amethyst has to accept that she will never be a huge Quartz soldier like Jasper, and only after accepting that does she start to accept the things she can do, which still makes her a pretty great fighter in her own right.
    • In a straighter example, we get "running away from the cops is cool", from Last One Out of Beach City.
    Rebecca Sugar: And then Pearl guns it through the red light.
    Deedee Magno Hall: Oh no! My kids are going to see this!
  • The 2009 Strawberry Shortcake has a lot of these. In particular, Plum Pudding is upset over losing a musical instrument that she's going to play in a talent show. Lemon Meringue not only doesn't help her find it, she invites Plum Pudding to be a hairstyle-model for her talent show act; the keyboard is never found and Plum doesn't enter the talent show at all. Remember kids, if you see a chance to eliminate your competition, take it.
    • A lot of the lessons Berry Bitty Adventures teaches are typical Aesops, but the characters tend to apply them in the most misdirecting, dishonest, and outright manipulative ways possible, specifically to avoid hurting anyone's feelings in any way, even when they're being self-destructive. In general, most episodes revolve around the idea that if people don't do what you want when you tell them, it's better to trick them into doing it than give them an opportunity to cause strife by resisting.
  • One has to wonder about the "morals" that Teen Titans Go! tries to teach. While there's always a chance that Poe's Law is in effect for the some of the more baffling ones, some others you'd hope that the target audience wouldn't take to heart:
    • "Hot Garbage"'s message seems to be that never taking out the trash and letting it pile up is an acceptable thing to do. Never mind that hoarding is a very real psychological issue that affects people.
    • "Artful Dodgers" seems to teach that cheating at games can actually help a person in the long run.
    • "Black Friday" is an entire episode dedicated to showing how wonderful Black Friday is. And considering how Black Friday usually is, the episode pretty much speaks for itself.
    • "Pyramid Scheme" encourages viewers to commit Ponzi schemes, which carry very serious legal consequences.
    • For several episodes, the moral of the story is "committing crimes to get what you want is okay and even cool".
  • Master Splinter gets off several of these "unPC but true" Aesops in the Teenage Mutant Ninja Turtles (2012) series. In the pilot, he makes Leonardo the leader, not because he is the most even tempered, wisest, or skilled fighter in the group (in this series, the latter would go to Raphael), but because he showed the initiative to ask for the position of leader before any of the other turtles. In one episode, he admonishes Leonardo for seeking a fair fight, and demonstrates that he should "seek victory, not fairness". In a later episode, Leonardo asks Splinter if at least getting some gratitude for his efforts as leader is too much to expect. Splinter's response is to tell him that yes, it is too much to expect, to stop whining, and to get back to work. Leadership is often a thankless job in real life, but it's still jarring to hear on a television show, especially when a character is in need of some sympathy. Splinter also provides this wonderful gem: "The first rule of ninjutsu is do no harm. Unless you mean to do harm. Then do LOTS of harm!"
    • So, basically, Splinter's lessons were "Make your desires known instead of expecting people to intuit them," "Don't let sentimentality cloud your judgment when your life is on the line," "Don't do something good just because you might be rewarded for it," and "Don't be a hypocrite." All perfectly reasonable morals, even if Splinter didn't put them so tactfully.
  • Ultimate Spider-Man had an episode where Spider-Man finds out that, since he joined SHIELD, Fury has been placing cameras all over his house for security measures. Understandably pissed off, he goes to complain to Nick Fury and leaves SHIELD. The episode portrays his whole attitude as immature (even his own teammates reveal they got cameras as well and agreed to it), he ends up being attacked by Octopus because of it, and to add insult to the injury, when he agrees to come back in exchange for a compromise, Fury decides to show the tape of all his humiliating moments to his teammates as a punishment for his immaturity. The way it appears, the episode seems to be about him accepting to have no personal space left for the sake of his security.
  • In Winx Club, there's the Official Couple of Bloom and Sky. Sky has been courting Bloom for most of Season 1. But then, wait! Sky was already engaged to Princess Diaspro! Thus he would be cheating on both girls at the same time. But no one ever points this out as a bad thing. Kids, when you grow up and get a significant other, it's okay to cheat!.
    • Not only that, but Bloom sneaks into Red Fountain and attacks Diaspro, believing her to be one of the Trix. While it's understandable that Bloom would be hurt, Diaspro didn't even have any idea that she existed. In other words it wasn't her fault that Sky cheated on Bloom.
      • After Bloom finds out the truth, she decides that she doesn't want to be a fairy anymore and leaves Alfea. Let's restate that: She decides to give up all her dreams just because she got her heart broken. And when her friends attempt to talk her out of it, she barely even considers what they're saying.
  • Wow! Wow! Wubbzy! has the occasional moral that is a bit off.
    • The Aesop of The Grass is Always Plaider is supposed to be something akin to "there's no place like home," but plays out more like "places other than your hometown may seem interesting, but are actually boring once you get there."
    • In the episode "A Tale of Tails," the moral appears to be the standard "it's okay to be different" moral, right up until the end, in which the title character uses his "kooky" tail to prove himself better at all the games the other kids play, at which point they all change their minds and love him. This seems to change the message to "it's okay to be different if that difference gives you an advantage" or "if you're different you have to prove yourself better than everyone else to be accepted." Then the closing song changes the moral yet again, this time implying that if you're not different in some way, you're not cool at all. "Don't conform ever" isn't necessarily a bad Aesop, but it is a little unusual.
  • A couple of episodes of Xiaolin Showdown had Master Fung encouraging the team to play mind games with their opponents.
  • In an episode of Yogi Bear Yogi and another bear begin fighting over Cindy, and she tells them that whoever brings her the best present gets to be with her. Yogi and the other bear proceed to steal not only food but TV's and radios. Yogi eventually wins by bringing her a freaking car. Ranger Smith finds out but sees he stole it for Cindy, and decides not to turn him in because "it's spring." So the moral? "Stealing is okay if it could get you laid." Also, material possessions buy love.

Alternative Title(s): Warped Aesop, Family Unfriendly Moral, Politically Incorrect Aesop, Warped Moral, Politically Incorrect Moral