"... I leave it to be settled by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience."
Everyone knows the Stock Aesops
: Be yourself, appreciate what you have, people are more important than things, follow your dreams. Sometimes these morals contradict each other, but nobody is surprised to see any of them in a story.
But sometimes a story aims to teach a lesson well outside the pale of accepted wisdom. For example, "No Good Deed Goes Unpunished
," "Don't be charitable to the less fortunate because that just encourages them to be degenerate freeloaders
," "It's okay to Be a Whore to Get Your Man
," or "Sometimes Violence Really Is the Answer
." The lesson may be both true and well-supported in context, but it frequently jars the audience since they weren't expecting it. (After all, most shows, especially ones aimed at children, teach that viewers should be generous, act wholesome, and solve their problems without coming to blows).
When your work promotes a lesson that is seldom taught and/or contradicts general morality, you have a Family Unfriendly Aesop. Your audience may not be able to argue that you're "wrong," but they'll still walk away feeling a bit uncomfortable.
Note that being "jarring" is not necessarily the same as being pessimistic. Some more optimistic Family Unfriendly Aesops might be, for instance, "Peer pressure is good for you
because it convinces you to try new things," or "Having sex reduces stress and makes you happier
, so go have some." Note also that how the Aesop is conveyed may be what makes it family unfriendly: for instance, Good People Have Good Sex
almost always gets a far friendlier reception from Moral Guardians
than You Need to Get Laid
, though both promote sex as a good thing.
A Family Unfriendly Aesop is not the same as a Broken Aesop
, which is a moral (usually a family-friendly one) presented so ineffectively that the audience either misses the point or doesn't find it at all persuasive. When delivered straight and effectively, the Family Unfriendly Aesop jolts the audience precisely because
the message they heard is exactly the one the writers wanted them to hear.
Due to Values Dissonance
, a moral that is family unfriendly in one culture may be very family friendly in another, especially morals about social mores or civil rights. This list is for morals that were family unfriendly even for the culture that they were written in. A prime target for dropping anvils
A work may depict a character behaving in a certain way without promoting that behavior as good (let alone telling the audience that they should do the same). Before adding an example to this list, think about whether the example is actually preaching a moral, or if it is simply telling a story to entertain (i.e. a Downer Ending
does not mean it is trying to teach a lesson that life is pointless). If it's not the point of a story, it's not An Aesop
. An unusual moral also doesn't count if it's played for laughs (Spoof Aesop
). If it started out as a good moral, but was broken, that falls under Broken Aesop
. If most people would've considered it a good moral when the work was made, but Society Marches On
, it's Values Dissonance
or Fair for Its Day
. If you are drawing absurd conclusions from a story which doesn't have a moral
, take it to Warp That Aesop
on Darth Wiki
. All in all, try to keep presumptuousness to a minimum in interpreting what the story's message is.
Compare Clueless Aesop
and some cases of Unfortunate Implications
. See also The Complainer Is Always Wrong
Note: Understand that not everything needs or has an Aesop. A depiction is not an endorsement.
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Anime & Manga
- EC Comics story "Beauty and the Beach!" (Shock SuspenStories #7): Attractive young wives should stay home and look after their children. Those who instead prefer to pursue lucrative careers ("I'm making more money now than you'll ever make") and win public admiration deserve Karmic Deaths at their husbands' hands. Even for the 1950s, this seems rather mean-spirited.
- The moral of Birds of Prey: The Battle Within, the arc from issues 76 to 85, appears to be the fairly stock aesop of "You should accept your friends for who they are and not try to change them," except that what Oracle was trying to change about Huntress is her tendency to kill people. In the end, Oracle apologizes to Huntress, and, in the Dead of Winter story arc (issues 104-108), actually tells Huntress to use deadly force against the Secret Six if she thinks it appropriate, making the moral that sometimes killing people is a good idea.
- Oh, the Jack Chick tract, Lisa. A father frequently rapes his daughter, Lisa. He shares her with his neighbor. The mother knows and does nothing about it, and takes out her frustration by beating the girl. When the doctor diagnoses Lisa with herpes and discovers the secret, he ministers to the father, they pray, and the father is spiritually reborn. Dad goes home and ministers to his wife, who is also spiritually reborn. They then tell their daughter the good news that her parents are going to act like semi-decent human beings from now on. The Aesop? You get a free pass on child abuse if you accept Jesus. Bonus Aesop: if you're a pediatrician with proof that a patient has been abused, hold off on calling the cops; you might be able to convert her parents to your religion.
- Besides its basic premise that almost all adults are evil, or at least highly corruptible or gullible, Runaways had the rather unfortunate Aesop that one's sexuality or gender identity are subordinate to the greater good - mere minutes after coming out of the closet (and facing a painful rejection from her longtime crush), Karolina is emotionally blackmailed into accepting a marriage proposal from Xavin, a Skrull prince who believes that their marriage might end a war between the Skrulls and Majesdanians. In order for this to work, Karolina pretends to be straight in public, while Xavin takes a female form in private. During Joss Whedon's run, it was heavily implied that both found this arrangement to be demeaning. It was also somewhat more subtly implied that Karolina was starting to view Xavin as an abusive fiancée.
Fairy Tales — General
- In many old fairy tales and folk tales, the moral is "You have to lie, cheat, and steal to save either yourself or your family. The more you do it, the better you are." Modern versions often Bowdlerise this, eliminating the original moral.
- Russian fairy tales tend to be rather cynical. One story in a collection by 19th century folklorist Alexander Afanasyev has the moral "Old favors are soon forgotten."
Fairy Tales — Specific Stories
- While we're at it, "Cinderella" itself. Charles Perrault announced at the end that the moral was — good looks and all sort of other wonderful traits are useless without connections.
- While that first example is true to an extent... this one is a bit more damning — Wait around, be passive, and let yourself be a slave to others, and good things will come out of nowhere for you in the end.
- Perrault's Riquet with the Tuft provides an even more unfortunate one, as Riquet chooses the beautiful but dumb princess as his wife and flat-out ignores her ugly but intelligent sister. The basic message is that it's more important for a woman to be beautiful than intelligent.
- The standard fairy tale plot of a hero overcoming impossible quests to marry a princess gets subverted in Friedrich Schiller's ballad The Diver. A King throws a golden cup into some rough water and declares that whoever can retrieve it can keep it. After the hero manages this the king ups the ante by throwing a ring into the water and telling the hero that he will get the princess if he can do it again. The hero tries and drowns. The new moral here might be "she is probably not worth it" or simply "quit while you are ahead." Schiller also offers the "Idiotic challenges will win you the heart of a woman" subverting The glove in which a lady throws her glove into an arena full of lions and tigers and challenges (mockingly) her suitor to get it. He retrieves the glove, the lady immediately falls for him - and he throws the glove in her face, saying "Den Dank, Dame, begeher ich nicht" ("Such Gratitude, madame, is not desired by me") - the Aesop is probably not to mock your suitor or he'll run away. Plus that a woman demanding such ridiculous things is not worth it.
- Into the Woods added "It's probably not a good idea to marry someone you just met" Aesops to the Cinderella and Rapunzel stories. Cinderella's prince is a philanderer, whereas Rapunzel is somewhat crazy. The only original story Aesop it leaves intact is Little Red Riding Hood's Aesop of "Don't talk to strangers," who became a good deal creepier. At the end, we get an Aesop of "Listen to people who know what they're talking about, even if they're witches."
- "Puss in Boots" (a.k.a. "The Master Cat") is an outstanding example. The story's message may be more prudential than moral; specifically, "if you would be successful in life, learn the way of the cat: how to evade your predators, how to catch your prey, and how to curry favor with the powerful."
- The Scorpion and the Frog fable:
- Taken by itself with no metaphor, the lesson is that a predatory animal (the scorpion) with enough sapience to communicate with a creature it naturally preys on (the frog) should not attempt to fight its natural instincts and pursue cooperative ventures; Mother Nature made the scorpion to kill prey and trying to be something other than that to the frog will only result in one's predatory instincts rising to the surface at the worst possible time, dooming both to a watery grave. It is better to stick with the natural order of things than to try to evolve past one's Darwinian trappings.
- As a metaphor for evil, it suggests evil is an overriding character trait that outweighs self-interest and survival and one should not trust in an evil person trying to pull a Heel-Face Turn.
- It's also saying that some people are just plain rotten, and shouldn't be trusted, because of who and what they are.
- The moral is "Talk does not change the nature of things", i.e. you can discuss something, debate it, argue about it, deconstruct it, reconstruct it, and agree on it. None of that will change its nature.
- One story involved a cat and a mouse living together and deciding to store a pot of cream for winter. They hide it in a church until they really need it. Over some time however, the cat is gradually tempted three times into drinking the cream, until it's all gone. When the mouse finds out, she starts yelling at the cat for eating their food supply for the winter. The cat responds by eating the mouse, and the story justifies this by saying that that's just how the world works (that cats and mice just can't co-exist).
- Avatar: The Abridged Series:
Aang: Aw, but Sokka, we could have learned a valuable life lesson!
Sokka: Here's a life lesson for you, Aang. You can't buy things with life lessons.
- My Little Unicorn:
- The Prayer Warriors seems to go out of its way to make its lessons as family-unfriendly as possible. For starters, anyone who has sex is immediately a whore and must be killed. Yes, this includes rape victims.
- Another frequently used one is how women should Stay in the Kitchen. Thankfully, this is also a Broken Aesop, since the women turn out to be critical to the Prayer Warriors' efforts, possibly more so than the author realizes.
- This occurs in-story in Solitude where as a child Light takes away one from his therapy session—that people don't really want others to be happy. They want everyone to appear "normal" at all costs.
- Sonic X: Dark Chaos claims that Muslims are all psychopathic pedophile fundamentalists who enjoy rape and torture because Islam says they should. Both Christianity and Judaism - and their followers - are depicted as stupid and naive at best or complete Religion of Evil at worst. Lampshaded in Episode 68:
Eric: Remember kids, Islam is bad and if you're a Muslim, you should feel bad!
Sonya: That's an... odd lesson.
Films — Animation
- The 2007 version of Beowulf diverges from the moral of its source material, essentially making the point that heroic stories are often lies told to cover up questionable or outright shitty behavior, and by the time you realize you shouldn't have told the story in the first place, you'll be too old and full of regret for it to make any difference.
- The Incredibles teaches against Tall Poppy Syndrome and false accomplishments - pretending that everyone is equally special is wrong, because some people really are better at certain things than others, and trying to bring them down to the level of everyone else will ultimately only make everyone worse off. While "be who you are, not who others want you to be" sounds like a fairly family friendly aesop, the rather cynical implication is that people in general will always tend to envy you for being better than they are unless your superiority is immediately beneficial to them. It also gets a bit muddy when the same Arc Words ("When everyone is special, no one is") are used by both the protagonists to complain about artificial praise devaluing praise for the genuinely extraordinary, and the antagonist to describe his plan to democratize superpowers through technology, implicitly equating to the two (and framing the latter as villainous).
- Monsters University:
- Well, current-societal-attitudes unfriendly, at least. You can be successful without a university education if you work hard and make your way up through the ranks over time. Not really a negative one at all, since it's not as though it's telling people to slack off; Mike and Sulley's path is harder than that of the graduates, though they make it eventually.
- The film also has a more brutally honest message: No matter how hard you try or how much you love and know about the material, there are just things in life you can't do, at least not in the traditional sense, much like the message of Wreck-It Ralph. Accept it, and find where your real talents lie at. This is notably balanced out that it clarifies that you can still work for the thing you love, but with a different task as Mike never becomes an on-field Scarer, but an assistant and is treated like an equal to Scarers
- A rather broken message in that the Oozma Kappa monsters do ultimately become successful scarers through a combination of hard work and sheer creativity. Mike is the only member never to do this, sticking with the standard "jump out and say 'rawr' method" and giving up when it fails him miserably. A more accurate, albeit unintentional aesop might go something like "be prepared to revise your approach multiple times."
- The film often shows that, yes, cruel people have a point. Jerks like ROR are correct in pointing out Oozma Kappa lack traditional Scaring build (but clearly wrong for belittling them). In a sense, this notion drives Oozma Kappa to look further to prove that traditional build is not all there is to it.
- How to Train Your Dragon 2: Hiccup learns the surprisingly dark aesop that some people simply cannot be reasoned with and can only be brought down by violence. This drives his entire conflict with his father, as Hiccup believes he can talk sense into the Big Bad while The Good King Stoick knows better than to even try.
Films — Live Action
- Back to School teaches the valuable lesson that generous and well-placed bribes will make everyone like you and allow you to get away with almost anything. Practically the poster-film for Screw the Rules, I Have Money! Although Thorton ultimately concludes there are some problems he can't buy his way out of, they are evidently very few in number.
- Crossing Delancey—some people might see either of the following:
- From Izzy's perspective: if you try to be an independent-minded modern woman who can make her own decisions on life and love, maybe you shouldn't—your meddling elders are right after all and you really should be with the nice Jewish guy they pick out, even if he's a lowly, seemingly boring pickle-seller. Kind of like Fiddler on the Roof, but in reverse.
- Or, from Sam's (the pickle seller) perspective: if you're a really nice guy who's genuinely interested in the woman you've been introduced to, be prepared to be dragged though the dirt and feel like a complete schmuck before you can finally end up with her. (Amongst the things Izzy does to him: invites him out on a date 'just'' to pawn him off on her best friend; when she finally invites him back to her apartment for some time together, letting in the married neighbour who keeps coming round when he falls out with his wife, and with whom Izzy is heavily implied to be sleeping; third, standing him up on a date because the author guy she's been after tries to woo her...)
- The Dark Knight: Sometimes it's better to have people believe in a lie if it serves a greater good and prevents widespread despair. When your society's greatest hero turns evil and then dies, lying to everyone that he met a heroic death can be the lesser evil; in this case, giving Gotham hope and keeping dozens of guilty criminals off the streets.
- The sequel tears that moral apart. Bane revealing the truth after almost a decade of Harvey Dent as a sainted martyr did more damage to Gotham than giving the truth then and there ever could.
- While the original Death Wish makes it clear that the main character has become unbalanced due to his trials and vigilante actions, the sequels increasingly support vigilantism as a necessary means to clean up the streets.
- The Devil Wears Prada begins by suggesting the very audacious Aesop that if you take a job you don't especially care for, occasionally prioritize it over events in your personal life, ignore your friends when they passive-aggressively criticize you about your job, start to sympathize with your coworkers whom you'd previously viewed with scorn, and, horrors, enjoy some of the perks associated with it, life might turn out okay. It even suggests that The Power of Love might not conquer all in the case of a casual relationship! However, it ends up reverting to the Broken Aesop that if you do any of those things, you are a bad bad person who is selling out on her deepest ideals.
- In Ferris Bueller's Day Off, it's okay to lie, cheat and steal if you're living life to its fullest.
- Grease: So the guy you like turns out to be a stupid jerk, who refuses to be with you in front of his "cool" friends? That totally means that you have to start smoking and change your whole appearance, so you can become a "cool girl" and be good enough for him! The message is supposed to be that Sandy needed to stop being so uptight, and that Danny did things for her as well. But seriously!
- In the third Halloweentown movie, Dylan (a half-human warlock who Does Not Like Magic) bonds with a girl named Natalie, only to have a minor freak-out when he discovers that her real form is a furry pink-skinned troll. Naturally she's offended and points out that from her perspective, he's pretty weird-looking himself. They eventually make up and are going to kiss at the end of the movie...only to agree that they're Better as Friends, because they each find the other too gross. Despite the general theme against Fantastic Racism in these movies, the point seems to be that physical attraction is an important component in a romantic relationship.
- Paparazzi: The Paparazzi are all puppy-kicking monsters who get their jollies out of destroying lives, so what's wrong with a little paparazzi murder spree?
- The fourth Rambo film: Don't bother trying to change something if you know it won't change, and Violence Really Is the Answer.
- The movie Rocket Science viciously deconstructs the popular "try your hardest and you can overcome anything" moral. Some obstacles just can't be surmounted no matter how hard you try. And sometimes you just Don't Get The Girl. Oh, and life isn't fair. All in all, it's fairly Anvilicious about the whole thing, but Some Anvils Need to Be Dropped.
- The moral of The Screaming Skull, according to the folks of MST3K, is "Don't trust anyone. Ever."
- TRON: Legacy: Creating an open and free system that is accessible to everyone isn't always a good thing, because all entities are not created equal, and some entities, when given infinite rights and access, will use them to force their will upon others, and remove their infinite rights and access. Sometimes proprietary is the way to go.
- When a Man Loves A Woman: "You can be the most unlikeable alcoholic in the world, treat your two children like shit, ruin your marriage to a person who's almost a saint and wholeheartily tries to help you... and you'll get away with it, solely because you're a woman."
- You Me And Dupree: "It doesn't matter if you work your ass off to please everyone around you. Since you're a responsible adult and ~not fun anymore~, youre efforts will never be truly appreciated."
- During the conclusion of 102 Dalmatians, a major character explicitly states, as an Aesop, "For people like Cruella, there are no second chances." Okay, sure she's obsessed with making a fur coat out of the pelts of adorable puppies, and she's nowhere near the first Disney villain to be irredeemably evil. But hearing it put so bluntly...
- Aesops Fables sometimes encounter this trope. For example, The Fox and The Stork leads you to believe it's fine and dandy to do payback at someone who pulled a fast one on you, because "One bad turn deserves another." Interestingly, Game Theory says that that's a quite reasonable (and, indeed, quite effective) strategy for some types of situations (the 'Tit-For-Tat' strategy). There is research that indicates humans may even be hard wired to accept this practice.
- The final book of A Series of Unfortunate Events had the widely-disliked Aesop of "some mysteries will never be solved."
- Objectivist novels such as Ayn Rand's Atlas Shrugged teach that altruism is evil. People need to learn to stand on their own two feet, so helping them up will only make them weaker and more dependent on you. It also teaches that the successful elite will be attacked by the untalented masses out of jealousy.
- In book 2 of Beyond The Spiderwick Chronicles, Laurie explains that she lies because "lying works," and nothing in the story contradicts this claim. This, from a book aimed at 6-12 year olds.
- One of the Stock Aesops is that cowardice doesn't pay. In extreme cases, the brave survives where the coward dies (sometimes Driven to Suicide), or alternatively they both survive/die, but the coward is marked forever. So it comes as a tragic surprise that in Bridge to Terabithia, Leslie, who had no fear from the creek, drowns, whereas Jess, who feared the water (and couldn't swim) survives-and while he does suffer, it's not because of cowardice.
- The Chronicles of Narnia contain the lesson that the real world is a harsh and violent place that sometimes takes a fair amount of violence to survive in. C. S. Lewis was even quoted once as saying that pretending otherwise would do a great disservice to children. Once again, an example of a very true and important Aesop, but one that many parents would rather their children didn't know.
- In the famous science fiction short story The Cold Equations, the moral is "life is fundamentally unfair." This serves as a deconstruction of stories where the day is always saved somehow, all too often by Contrived Coincidences or Applied Phlebotinum. However, some people were not impressed, feeling that the writer created a very contrived situation riddled with logic holes to justify the Aesop. Subverted in that John Campbell sent the story back to Tom Godwin three times because Godwin kept saving the girl without resorting to either plot device.
- Courtship Rite borders on Spoof Aesop territory. On a Lost Colony where cycles of famine have made cannibalism common and acceptable, he has a preacher teaching that cannibalism is wrong. At first, the reader may expect that cannibalism is being used as a metaphor, and that we're going to learn an ordinary Aesop about violence being wrong, but in the end, the preacher is forced to learn a valuable lesson: cannibalism isn't so bad, really.
- Divergent: Smart people are a bunch of evil, enslaving, murdering tyrants who want to enslave and/or murder you because they're evil, and they consider anyone who isn't sufficiently predictable to be a threat of the highest degree.
- Roald Dahl's Esio Trot teaches children that it's perfectly acceptable to deceive the people you love in order to get your way. The End Justifies the Means, after all.
- Although Friedrich Nietzsche is not explicitly Social Darwinist, his revolt against conventional morality elaborated upon with Beyond Good and Evil, The Antichrist and others engender a rejection of egalitarian altruism and antipathy for the socially disadvantaged.
- In Harriet the Spy, young writer Harriet learns that sometimes you have to lie to people to help them feel better about themselves so they won't hate you.
- How It Was When The Past Went Away begins with a fellow giving Easy Amnesia to a city through a drug in the water supply. A religion forms around the mantra "drink and forget," and life becomes Utopian as people can erase their memories of all the bad deeds they've done.
- Perelandra, the second book of the The Space Trilogy by C. S. Lewis. The plot of the book is that the planet Venus is in the "Adam and Eve" phase and the devil has sent his agent-a man named Professor Weston-to corrupt "Eve." The angels send a man named Elwin Ransom to make sure that Tinidril chooses wisely. In the end, good triumphs over evil, but in an unexpected way: Ransom kills Weston and drops his body into a volcano. This is actually lampshaded by the protagonist, who assumed that the fight would be purely intellectual, that he would win by the sheer force of his argument, and was initially horrified at the idea that he'd have to make the fight a physical one. It was very much a Take That at the pacifists who opposed Great Britain's military opposition to the evils of Nazi Germany and promoted Neville Chamberlain's appeasement policy, and against the anti-confrontational passivity that was popular in much of the liberal Christian community.
- The Princess Bride has one in-universe: the narrator notes how horrified as a kid he was, because some events of the story just didn't worked out as in usual fairy tales and adventure stories and found relief only when he realized what the aesop was "life is not fair".
- A particularly jaw-dropping one appears in a Ray Bradbury story. The narrator's sedate, tranquil, lazy (and Irish) chauffeur picks him up one night and drives like a bat out of hell before revealing that every other enjoyable night, he was driving completely drunk. The narrator forces money on him and demands he get blotto before picking him up next, browbeating him into breaking Lent in the process.
- A character in Slaughterhouse-Five suggests that The Bible's aesop is that you should make sure someone doesn't have connections before you kill them.
- Squeakers, a leg-crossingly uncomfortable book about a little squirrel with alarmingly fluttery-lashed eyes, teaches little boys the admittedly important lesson that they have to tell their parents about being molested. The (male) squirrel goes through days on end of hiding the shameful and hideous bald patches on his tail where a neighbor is tearing out fistfuls of his fur on the way home from school every day in exchange for, yes, nuts. Ahem.
- A lot of Hans Christian Andersen stories. Probably the best is The Steadfast Tin Soldier, the moral of which is essentially, "Life Isn't Fair, and sometimes just when you've worked your hardest to get something right, something will come out of nowhere and screw it up for no reason."
- In the later Sword of Truth novels, the aesops start to draw strongly on Objectivist themes. The anti-communist themes are pulled straight from Ayn Rand. People who try to give charity to others and "spread the wealth" ultimately turn poor people into lazy, greedy assholes and destroy the economy.
- Similarly, the villain in The Law of Nines is said to have garnered support by offering what was essentially medieval welfare to the "lazy."
- Third Year At Malory Towers has the subplot with Zerelda, a new student who is obsessed with acting and wants to become a famous actress. After getting the chance to play Juliet in class and completely blowing it, the teacher flat-out tells her that she just doesn't have the skill to become one of the greats, and Zerelda learns that when a teacher tells you that your dream will never come true, the best thing to do is give it up for good, instead of improving your skills and continuing to try to achieve your dream.
- Although it's never explicitly stated, it could be argued that To Kill a Mockingbird has the following uncomfortable Aesop: "Every human being, no matter how misunderstood, is capable of noble behavior...unless you're feckless white trash, in which case you're beyond help." It's true in the context of the story, admittedly, but...Jesus.
- More accurately the Aesop could be said to be don't judge people by heresay or prejudice but by what they DO.
- Another classical moral is that having imagination is good. So When The Windman Comes by Antonia Michaelis is a huge subversion, with the moral "imagination, when not strictly separated from reality, is potentially very dangerous-it can isolate you and make you live in fear of imaginary horrors-all the while making you more vulnerable to Real Life. Sometimes, being a skeptic is favorable, even for a child." This is particularly jarring since many other books by the same author actually promote imagination and/or openness to seemingly impossible things.
- On the surface, the motivational book Who Moved My Cheese by Spencer Johnson encourages being adaptive to changing situations in both your job and every day life. In the process, it also encourages employees to fall in line with changes in company policy that might not be in their own best interest. The success of this Business Fable is partly due to managers distributing it on the eve of a large and unpopular decision by the top brass.
- Deepak Malhotra wrote I Moved Your Cheese as a response to this implication that change is out of one's control. This business fable revolves around three mice who transcend the limits of the maze in their own ways.
- The lesson in The Wishing Maiden seems to be that magically granted wishes, if allowed to run rampant, will incite wars and create chaos.
Live Action TV
- The Cher Lloyd song "Want U Back" teaches us that it's a-okay to dump a boy for petty reasons, then demand that he break up with his new girlfriend and start dating you again because you can't stand to see him being happy with somebody else. After all, you "had [him] first!"
- "Black Tie White Noise" by David Bowie has one of these aesops, the result of it being written in the wake of the 1992 Rodney King riots in Los Angeles: Racial harmony is possible but don't imagine it's going to be easy to achieve, or that there won't be violence along the way ("There'll be some blood, no doubt about it"). Not a comfortable Aesop, but if history's taught us anything...
- The music video for Drake's Find Your Love. The song is a positive message about putting everything on the line for love which Drake does in the video to a woman...who's also connected to a gang leader. He crosses the line and attempts to woo her...and he's eventually caught by the gang, beaten and (presumably) shot in the back of the head by the same girl he was putting his heart on the line for. The video ends in a Bolivian Army Ending (the girl could have shot the gang leader) but there is a clear message about not even love is worth crossing a line over.
- Harry Chapin's song Mr. Tanner is about a man who runs a dry cleaner and loves to sing, and is an amateur performer in his spare time. His friends convince him to try to become a professional singer, so he throws all his money into a concert performance that... bombs. Critics are terse and dismissive with him, suggesting he'd be better off keeping his day job. Mr. Tanner returns to his home and his job and stops performing publicly. The moral here is "Sometimes chasing your dream fails". If you want to be more blunt, you could phrase it "Loving to do something doesn't make you good at it."
- Indica's song "In Passing" is about a the dead singer telling her sister that her pain will go away and everything passes. Not quite unfriendly until the last few lines where she tells her sister that she also will pass. Extremely true and not something most children are equipped with or taught.
- Nelly's "Ride Wit Me" starts off with the classic rap Aesop "Materialism is good" ("Oh why must I feel this good ... Hey, must be the money!"). Luckily though it sorts itself out and ends up with the rather more palatable, if still questionable, message "Materialism is perfectly fine, as long as you worked for your money" ("It feel strange now, makin' a livin' off my brain instead of 'caine now")
- The New Kingston Trio's "Jug Town" is surprisingly pro-alcohol: The moral amounts to "if you're a family man with a menial low-paying job, alcohol will provide a release from your miserable life".
- The punk rock band NOFX's song "Drug Free America" is actually promoting an America where drugs are free of cost. Their song "Don't drink and drive" warns about the danger of spilling your drink while driving, and argues that drunk people are better drivers (NOFX use a lot of satire and believe that it should be offensive).
- O.C. Smith's song "The Son of Hickory Holler's Tramp" has a very, very clear message that being a prostitute doesn't make a woman evil or contemptible.
- "Rudolf the Red-Nosed Reindeer" seems to be saying that freaks will only be accepted if someone in authority declares them to be useful.
- The trope picture comes from Calvin and Hobbes, and the mom ends up grudgingly giving him the pie. Calvin is clearly portrayed as a brat, though.
- In Little Orphan Annie, one World War II strip has Annie seeing a man physically attack an obnoxious war-profiteer for declaring that he hopes the war will continue for another twenty years. When a policeman tries to intervene, Annie stops him because "it's better some times to let folks settle some questions by what you might call democratic processes."
- Parodied with Rat's children's stories in Pearls Before Swine.
- Beyond: Two Souls Has a simmilar one to the Loneliness example below where one of the antagonists who's primary motivation is to just see his dead family again shoots himself... and instantly becomes a spirit reunited with his family who happily welcome him despite the years of unwitting torture. The extremely dark aesop being off yourself and you'll immediately be reunited with your loved ones with no consequences.
- The freeware RPG The Crooked Man follows the main character as he retraces the steps of the previous tenant of his apartment, which align creepily with his own. Each of the people he meets is facing the dilemma of struggling bravely forward, or giving up, on whatever conflict they're dealing with. Invariably, the answer is to accept one's own limitations. There are some things in life that, no matter how badly you want them and no matter how hard you try, you will never be able to achieve; if you don't fit a certain mold, there's no honor in ruining yourself to force it.
- Dragon Age: Origins is full of those and sometimes lampshades them.
- At the mage starting quest you get several of them, the most prominent being that guile and trickery are sometimes preferable to trust and altruism.
- The overarching story in Orzammar delivers the message that a progressive-minded individual who is personally a manipulative, sleazy jerk sometimes makes a better leader than a kindly, democratic individual bound by stagnant social traditions.
- This even applies to Paragon Aeducan, one of the most venerated individuals in Dwarven history. His decision to ignore the Assembly and lead the Warrior Caste in the defense of the city, prevented the Darkspawn from breaching Orzammar and saved their race from being wiped out. In other words, democracy is all good an well, but when you're too busy arguing to see the enemy about to kill you, a military coup is the only solution.
- The Elder Scrolls V: Skyrim. In order to join the Dark Brotherhood, you have to complete a quest from a little boy who wants you to kill the cruel headmistress at the orphanage he was being held in. If you do, he'll proudly proclaim that he now wants to be an assassin when he grows up and decides that you can solve a lot of problems by offing the right person.
- Fallout 3. There is a quest called Tenpenny Tower, about a luxurious hotel inhabited by prejudiced humans and a nearby gang of civilized ghouls (a form of monstrously mutated human) who want to live in it. There are three ways to solve this quest — Two of them involve killing either party and being rewarded by the other for it. The final option is, through a lot of tedious diplomacy, to convince the humans to let the ghouls live alongside them, and it ends with the two species coexisting peacefully and happy-happy. Except, a few days later, all the human inhabitants have been slaughtered by the ghouls. Sometimes the oppressed, when presented with the opportunity, can be just as inhuman as the oppressors.
- Lost in Blue is about two people shipwrecked on an island and having to work together to survive, which ends up being sort of a gender-role/marriage simulator. The thing is, the AI isn't all that bright, and your "spouse" is likely to die of stupidity no matter who you're playing. It's set up as being very much the traditional idea of what a married couple will be to each other, but the complications caused by the faulty AI generally turn this message into "Partnership and teamwork is necessary, but it sucks to be married to a useless moron."
- While Red Dead Redemption has a few over-arching Aesops, the side quests mostly promote a philosophy of "Be careful doing nice things for people, because it may not end well for all involved". While there are some examples of a good deed having a genuinely good outcome, most do not follow this line of reasoning. Give an inventive aviator the means to create his flying machine? Congratulations, you just gave him the means to fly off of a cliff to his doom. Rescue a seemingly love-struck Chinese immigrant from cruel indentured servitude? Good job, you find out later his "love" is an addiction to heroin. Decide to rescue a mountaineer from rampaging Sasquatch? Nice work, you just single-handedly reduced a peaceful species to a single suicidal survivor. This even applies to minor side-activities, where stopping to help someone on the side of the road can get you either killed or left horseless. While mostly played for the sake of dark humor, the general message is the same; people will manipulate your sense of justice, honor or altruism to deceive you and sometimes the worst thing you can do for a person is giving them the help they seek.
- Star Ocean The Last Hope ends with everyone agreeing — and signing into law — that everyone should just stick with their own kind instead of cooperating with other races.
- One of the major aesops in Tales of Symphonia (besides the obvious "racism is bad" one) is about knowing when the quit, and that sticking to your beliefs isn't always a good thing. Lloyd and the Big Bad act as basically a Deconstruction of the Determinator trope, with Lloyd eventually learning that he needs to change his outlook on the world and becoming a better person as a result, while the Big Bad stubbornly refuses to change to the bitter end, even when his own sister, who he was enacting his schemes for to begin with tells him that what he's doing is wrong and he needs to stop.
- Some people believe that Tales of Vesperia glorifies vigilantism and murder. Summary Vigilante Execution of powerful government officials by Yuri Lowell is shown to save more lives in the here and now than the more methodical approach by Flynn Scifo who seeks to change the law from within the system. One of these government officials had been exposed as feeding innocent children to his pet monsters but he was simply too powerful for the law to touch. Another was pretty much the person in charge of law enforcement in the area and kept sending people off to die. The game seems to imply that Murder Is the Best Solution for dealing with people like that.
- Valkyria Chronicles: Being different is bad. It's better to completely cut yourself off from everything that makes you different or special than to stand out too much and risk attracting people's attention.
- Boy Meets Boy ends with the lesson that people change, friendships don't last, and you'll probably have to settle for second best, because the love of your life simply isn't interested.
- El Goonish Shive had one at the end of "Death Sentence": When confronted with a bad situation, one shouldn't simply decide that the worst outcome is inevitable and plan for that. People should, by all means, try to make better plans so that things might end peacefully and without anyone getting hurt. However, what they need to remember is that sometimes that isn't going to work at all, and in fact their plan might be doomed from the beginning, and so if their plan goes to hell, they should be prepared for the bad ending- but that doesn't mean that they should stop making plans where Everybody Lives. It's a pretty depressing message, though the rather idealistic character to whom it gets delivered does accept it (but not happily).
- Fans! had this strip involving Rikk, Aly and Rumi eating pot-laced brownies. "Don't do drugs, kids, or they might impair your ability to enjoy drugs later in life!"
- And while on the subject of Sandra K. Fuhr, one of the possible endings to Friendly Hostility teaches us that even with the best intentions, you can't force a relationship to last.
- Jack has a few overarching themes in its stories, mostly centering on the nature of sin, punishment, repentance and redemption, understandable for a comic about Heaven and Hell. One of these is that almost no one is good enough to get into Heaven, and almost everyone who goes Hell will never get out... not because of anything they do or don't do personally, but because Hell itself can screw them out of their chance at redemption.
- Misfile tried to give An Aesop about accepting responsibility when the old road was being taken over, but Ash repeatedly points out that his title grants him no obligation to help anyone else and the other racers freely admit that they aren't friends, they just need someone to fight their battles for them. It becomes less about responsibility and more about giving in to peer pressure.
- Saturday Morning Breakfast Cereal loves these. For example, the hare put in far less effort than the tortoise, but still got second place, which is, you know pretty freaking good.
- Sluggy Freelance ends the "Aylee" Story Arc with An Aesop that you should always stand by and trust your friends, even if there's a very real chance they might destroy all life on Earth.
- Penny Arcade has one that combines an Imaginary Friend with a Precision F-Strike.
- The viral video "Don't Hug Me, I'm Scared" has the characters enjoying themselves by using their imaginations...until their imaginations turn the video nightmarishly surreal. In the end, everyone decides, "Now let's all agree to never be creative again."
- Taken to very dark extremes with the flash story Loneliness, giving a message that if a loved one dies, you should kill yourself to be with that person in the afterlife.
- Yes & No: A Dyseducational Road Movie. The message is that obediently following rules of the road will screw you over (it's all comedically exaggerated).
- Discussed at length in The Nostalgia Critic's "Top 11 The Simpsons Episodes", where he names "Bart Gets an F" his favorite episode of the show, in large part, because it's the rare piece of pop culture that's brave enough to teach the Family Unfriendly Aesop "Failure is an unavoidable part of life—and we all fail sometimes, even when we try our very hardest." He argues that this is one of the most important lessons that anyone can learn, but admits that it's rarely used as An Aesop in pop culture because it's so much more uplifting to show a protagonist succeeding through hard work.
- In the same episode, Critic discusses this trope when naming "Homer's Enemy" one of the 11 best episodes of the show. He sums up the episode's moral as "Sometimes bad things happen to good people for no reason, and sometimes dumb people are rewarded more than smart people", but argues that the episode is brilliant because it faces such a grim message so unapologetically, and manages to make it surprisingly funny.
- Ultra Fast Pony has a few of these, as a satirical sendup of the unintentional messages that could be read into the source material.
- In "Fillin' Dem Plot Holes, Bro!":
They rely on friendship, but they only work with magic. Applejack: Well, that's a terrible lesson for the children.
What are we supposed to tell them, "No matter how big your problem is, you can only solve it with magic"? Twilight:
That is exactly right!
- In "Everybody Hates Gilda":
Celestia: What is this? Invisible ink? Is this what we're teaching our children these days? Yes, no, I see why they say this has great morals for all the children, oh, that's really great! I mean, what kind of idiotic writer tells children that it's okay to be continuously playing pranks on everyone? We're raising a generation of assholes, that's what we're doing.
- In "The Longest Episode:"
Twilight: We taught children all over the world that it's okay to crash parties, then run away.
- In the live recordings of What the Fuck Is Wrong with You?, whenever they cover a news story involving inept criminals, Tara has a habit of pointing out everything they did wrong and what they could've done better, to the point that Nash jokingly calls those segments "How To Be A Better Criminal."
- Cracked gives us 18 Adult Lessons You Missed in Famous Kids Shows.
- Aside from being YouTube Poop fodder, The Adventures of Sonic the Hedgehog has a couple of real winners when it comes to its attempt at giving kids helpful advice.
- One segment advises kids against running away from home by having Coconuts try it, and Sonic remind him of all the good things Robotnik does to take care of him, and how no one will be there to do those things if he runs away, to convince him to go back home. The thing is, Coconuts is The Unfavourite among Robotnik's creations, and spends most of his time taking abuse and doing chores to clean up after the rest of the "family", so basically the message comes down to "Even if your family is abusive, it's better than risking it going alone".
- Another starts with Sonic and Tails surrounded by enemies. Tails suggests calling 911, but Sonic says no because 911 is only for emergencies. So being attacked by people that mean to harm or even kill you isn't a real emergency.
- Despite its deranged flavor, Adventure Time still works in serious messages from time to time. The show being what it is, it occasionally leads to this.
- "Tree Trunks": Encouraging people to pursue their dreams if they don't have a talent for it will lead to disappointment at best and at worst get them killed.
- The episode "His Hero" applies. Finn and Jake are convinced to practice nonviolence by their hero Billy. After a while they realize that violence is necessary sometimes and use force to rescue an old lady that's in peril. They go back and explain that to Billy and we all learn a valuable lesson.
- "It Came From the Nightosphere": If somebody is estranged from their parent, it might be because the parent actually is a dangerous psychopath who you shouldn't well-intentionedly invite over without asking them.
- "Jake Suit" has Finn using Jake's body as armor in the beginning and being very rough him. When he acts callously to Jake saying that he hurt him, Jake takes over Finn's body to show him how it feels. The end result: Finn takes it no problem, and Jake comes to the conclusion that he was overreacting to Finn's violent behavior.
- American Dad!: S4 Ep 19 has Terry's dad coming to visit him, then discovering he's gay and disowning him. After the characters scramble to convince him to accept homosexuals, he says "I know it's not dangerous. I know it isn't something that can be changed. I just don't like it." The moral is, "Bigots will be bigots no matter what you say to them, and sometimes they're people you love" (which, sadly, is Truth in Television). It could also be a much more blunt version of “Be who you are and say what you feel because those who mind don't matter and those who matter don't mind". Maybe not very comforting or "family friendly" when it involves a loved one acting unreasonable or callous, but it's still arguably true.
- Avatar: The Last Airbender:
- Subverted in the case where the series as a whole, but the finale in particular, looked for awhile to be building up to a very Family-Unfriendly Aesop: that sometimes Violence Really Is the Answer. Aang spoke with all of his past lives and was told by Roku, indirectly, about how many lives they could have saved if they had "acted decisively," and by Kyoshi and Yangchen how they were willing to do "anything" to save the lives of millions of people, and that as Avatar his duty was to put the well-being of the people of the world over his own path to enlightenment. Kuruk was the only one who provided a clear opposition to the idea, advising Aang to "actively shape your own destiny." Ultimately Aang chose to go with Kuruk's advice and was given a way to stop Ozai for good without having to kill him.
- The Great Divide: Lying through your teeth is an acceptable and effective way to resolve deeply ingrained disputes.
- The Avengers: Earth's Mightiest Heroes episode "Ultron-5" begins with Ant-Man annoyed with his teammates' constantly fighting criminals in order to resolve conflicts. While he prepares for quitting the Avengers, he talks to his robot, Ultron, about how there must be "a better way" to reduce crime. What does Ultron do afterward? Since Ant-Man deemed humanity responsible for all the violence, Ultron decides to Kill All Humans to rid the world of fighting! Feeling responsible for nearly causing the extinction of everything, Ant-Man never seems to find a better way by the time the first season ends, which could leave some viewers wondering if violence really is the answer… For that matter, in the second season Hank has a complete personality shift and becomes almost a caricature of the kind of action-oriented hero the rest of the Avengers are. And he stays that way for the rest of the show, as if confirming that he was indeed just being unrealistically optimistic before.
- The Berenstain Bears series from the 1980s had one episode called "The Berenstain Bears and the Spooky Old Mansion" which was about a old woman that Mama Bear knew as a cub that just died (they never go out and say it because mentioning death on a kids' show was forbidden at the time) but lo and behold, she's leaving them an inheritance! The catch? They must trudge through her old, dilapidated mansion in the middle of the night to claim it (did I mention there are frogs and owls and bats and spiders that now live there?). So they do that, and what is the inheritance? Is it a pile of money? Keys to a new car? An all-expenses-paid vacation? Actually... it's a note that says by making them do this, she's granting them the gift of courage. A normal person would curse the old bag out and leave, and probably order the mansion demolished the next day. But not here; the family is very happy with all this moral goodness. It seems like the moral here is "It's okay if you make people waste time and energy, get scared, and risk getting hurt all for a hypocritical display of virtue (did she plant it there?), or worse: "It's okay if someone is treating you like crap."
- An episode of Bobby's World had a message that was mildly family-unfriendly, mainly because it portrayed respect for adult authority as something that should be limited. While other shows might portray being a tattle-tale as a somewhat annoying trait, this episode portrayed it as something that can be socially damaging as hell. The message, itself, however was fairly positive, if a bit unusual. "Don't be a tattle-tell. Assess the situation, determine if there's any potential real harm, and base your decision to go to an authority figure on that."
- Bucky O Hare #2: in an early episode, a guy named Al Negator tries to get a job on the Righteous Indignation. As he's a shifty-looking reptile, the crew is generally suspicious. But Captain Bucky O'Hare hires him on anyway, making a big point of mentioning how he trusted the gunner Deadeye Duck, despite him being a pirate with somewhat questionable morals. So it looks like a "beauty is on the inside" or "different doesn't mean bad" kind of Aesop... until Al betrays them, steals classified info, and sabotages the ship, and it becomes "if they look evil, they are evil." On the other hand, Deadeye never did a Face-Heel Turn, so Bucky was right about him... This could also be An Aesop for Bucky about trusting his crew and taking the advice of subordinates seriously, which may or may not qualify as a case of The Complainer Is Always Wrong.
- Parents frequently bash Caillou for teaching that whining to get your way is good.
- Captain Planet:
- In the episode "Numbers Game", Wheeler dreams he and Linka have 8 kids and another on the way, as the planet is being destroyed by overpopulation. Kwame and the others chew him out, explicitly telling him it's irresponsible to have more than 2 children. In the end, Wheeler indeed learns it's wrong to have more than two kids. Now, imagine watching that if you're the third child in your family...
- The "lesson" given in the episode "Wheeler's Ark" is even worse. The Planeteers have developed a habit of picking up injured and endangered animals on their missions and bringing them back to Hope Island. Gaia, naturally, tells them this is impractical and orders them to take them all back; however, they just pick up more at every location, all while Wheeler tries to tell them this is a bad idea. The other kids and the episode portray Wheeler as heartless and cruel for this and him bonding with the baby wolf that started the whole thing and being unable to part with it, either, as a good, admirable thing. The episode ends with Gaia simply smiling in amusement at the new load of critters they bring home and nonchalantly planning to return them herself, without bothering to remind her sidekicks that what they've done is wrong and can have devastating consequences for the environment. Instead of teaching what could have been a perfectly valid Green Aesop about how you shouldn't take exotic species out of their natural habitat, Wheeler just learns, "If you don't want to take a wild wolf pup home with you, you're a heartless jerk." This might be dismissed as unexplored implications on any other show, but one would expect a show that centers around protecting the environment not to portray its heroes doing something so environmentally unfriendly with no consequences.
- The Critic has a hot actress (with an upcoming movie) crushing on Jay which he and the rest of the cast see as blatant pandering for a good review...at first. She ignores Jeremy (a Mel Gibson Expy) and seems to genuinely endear herself to everyone, steering the episode to being "Don't Judge A Book By Its Cover" while Jay procrastinates about seeing her movie. He finally does, realizes she's god-awful and puts his integrity as a critic above romance...and she immediately turns nasty. Ironically, if she put that much effort into her movies, she'd have more Oscars than Tom Hanks.
- Daria has a lot of these. Notable is the fifth season episode "Prize Fighters," in which Daria has to be interviewed in order to gain a scholarship. However, she learns the company offering the prize has a rather sexist and racist history, so she feels uncertain about dealing with these people. Furthermore, she doesn't want to obtain the money by acting in a false manner: acting friendly, attentive, and interesting. When she is finally interviewed, she behaves as she always does: honest, sarcastic, and clipped. One might expect her to win the scholarship based on an Aesop of being true to oneself and not putting on false pretenses. But no, the interviewer is shocked by her crass behaviour and she is refused the money after all, but so are the two friends she was competing against: the intelligent but obnoxious, irritating butt-kisser, and the scripted-response-spouting black, female valedictorian. The real Aesop runs along the lines that in the real world, which is often unethical and imperfect, you cannot always expect to win out even if you stick to your principles... and sometimes, even if you don't. The entire show had a basic principle of "Everyone sucks in their own way, and adulthood is not a cure for immaturity." What's even more telling is that the interviewer already had his mind made up to give Daria the scholarship out of the three, but changed his mind after he saw her anti-social behavior.
- The Fairly OddParents
- Timmy wishes his dad wasn't as much of an idiot he was before, inadvertently turning him into a genius. Said genius dad is a near Sociopath who thinks nothing about taking his wife's contact lenses, turning all of his son's toys into a lab, and nearly experimenting on his 'fish' (when they're Fairy God Parents). So...idiot equals good and nice but smart equals sociopath? Since none of the scientists can comprehend thinking about others when Timmy's Dad tries to show off his new discovery and stops to not hurt his son?
- Even worse is the episode where Timmy is taught not to even want a 'thanks' from the good deeds he does when his bastard best friend, teacher, and parents all freak out and say or want the opposite without even telling him. And being showed that life for EVERYONE would in actuality be better for everyone without him.
- There's also "Vicky Gets Fired", in which Timmy's parents find out Vicky's secret, and Vicky precedes to take over the world, leaving viewers with the message of "If someone is bullying you, up to and including torture and attempted murder, don't tell anyone, especially not authority figures".
- An episode where AJ is getting all As and Timmy is getting all Fs has AJ gloating about it. Later he apologises to Timmy who says "You deserved to gloat" for getting high marks. So if you are doing better then someone rub it in their face?
- Family Guy:
- One that just happens to be rather "politically incorrect," occurs in the controversial "Down's Syndrome" episode, which is supposed to remind people that being disabled doesn't prevent you from being an arrogant sack of shit. While sadly true, it was probably too over the top and awkward to be effective. The constant "retards are funny" jokes also probably didn't help.
- The episode Brian Goes To College has Brian going (back) to college to get a degree he never had. Long story short, Brian has the option to get a cheat sheet from someone so he can ace the test or take the test without it and likely fail. Brian chooses to not cheat and happily tells the family that he failed! His message is that he stayed true to his morals and, when trying things on his own, "legitimately" failed so he has nothing to be ashamed of... the family says he should've just cheated.
- The episode "Holy Crap" has Peter continually try to make his hard-working and religious father, Francis, accept him, even going so far as to have the Pope vouch for him. The moral is that Francis will never accept how Peter lives, but that doesn't mean he doesn't love Peter. After a moment's reflection, Peter realizes that's the same way he feels about Francis too.
- "Prick Up Your Ears" endorses premarital sex, asserts that vaginal sex is "just tops," pushes for schools to teach about contraceptives, and, most controversially, says that abstinence (not abstinence-only education but actual abstinence) is "just wrong." They demonstrate this by having Lois rape Peter.
- "Seahorse Seashell Party" ends with the aesop that the definition of maturity is taking physical, verbal, and emotional abuse from everyone around you, no matter what kind of damage it does to you personally, because your abusers can't handle what horrible, horrible people they are. Or, as The Mysterious Mr. Enter said: "Abuse victims should stay in abusive relationships for the abuser's benefit".
- "Brian's Play" shows us that some people can't handle being outshined, and it's up to the young and talented to limit themselves and forsake their opportunities to protect those people's egos because, being older and mediocre, it's a lot harder for them to have any success at all before they die.
- Of course since Stewie is good at so many things (an infant who built his own time machine!), not outshining Brian in the one area Brian cares about could just as easy be seen as basic friendship.
- A Christmas special based on For Better or for Worse taught us that people will only appreciate what you do for them if they think you've died.
- Gravity Falls: Per the photo montage in "Legend of the Gobblewonker," Grunkle Stan's idea of spending quality time with his progeny includes stealing fish from small children and fleeing the authorities.
- Hey Arnold!
- Episodes featuring Helga's mom tend to teach that parents are sometimes idiots. This is not the kind of message that parents usually want their kids to be exposed to. Still...
- Another episode was about Helga performing a stand-up comedy act in which she made insulting jokes about her friends. This upset them, so she stopped, but then her act wasn't funny. Arnold encouraged her to go back to doing the insult routine, and the audience loved it. The moral: It's OK to insult people if you're funny enough. When going back to the insult routine, she added a bit of Self-Deprecation humor to warm her audience up to the idea. The moral could therefore be "it's okay to insult people as long as you insult yourself first."
- Spongebob Squarepants had a similar aesop in in the episode "Squirrel Jokes."
- The Inspector short "London Derierre" was written around the idea that British policemen are a bunch of idiotic fools for not carrying weapons and that real police officers carry guns at all times and use them whenever the opportunity presents itself. While you can make arguments for and against British police officers being unarmed, the way the cartoon depicts things rather undermines its own argument, because the Inspector opens fire at a burglar who has done nothing to directly threaten the Inspector himself, and does it in the middle of a crowded building. This has the effect of making the Inspector look like a trigger-happy maniac, even though he's the one we're supposed to sympathize with, while the obstructive British police officers come off like they're preventing the Inspector from hurting any innocent bystanders.
- Justice League:
- Though this probably wasn't intentional, the first episode can fairly easily be seen as having a pro-nuclear weapons slant.
- While some of this episode goes into Fantastic Aesop territory, the Justice League episode Fury has a pro-man not-so-feminist aesop, which could be summarized as "Despite the bad press, Good Men do step up, every day, and if they didn't, you'd know." When the world is infected with a virus that kills only men, society is shown falling to pieces. While women are shown working effectively to stop what chaos they can, and the damsel in distress trope isn't employed here, it's made clear that society is quickly going down the tubes. In the very end, after the very anvilicious display of treachery by the villain's accomplices to show that women too can be as coniving and treacherous as men, the villain's former mentor (Queen Hippolyta, It Makes Sense in Context) reveals that were it not for a man literally dying to protect her, the man-hating villain wouldn't even be there in the first place. (This itself goes into Unfortunate Implications, since the villain actually did have valid reasons, from her POV, to think that all men were terrible, however she wound up on Themiscaria, which isn't exactly pro-man for it's own valid reasons, and had no opportunity to go any place where there were a majority of good men to observe).
- Metalocalypse doesn't exactly go out of its way to teach anyone anything because it's a show about a death metal band comprised of monumentally stupid people, but some of the episodes have this trope at the core of their themes, often with a heavy dose of Take That aimed at various things. One story has the Tribunal wanting to stop Nathan from getting his GED because it would cause people to realize that a person's social class and education level don't define their intelligence; another had Pickles having to face the fact that nothing he does, no matter how rich or successful he is, will ever earn his mother's love and respect, and the only solution is to stop valuing her opinion of him (by telling her to go fuck herself).
- My Little Pony: Friendship Is Magic: While it doesn't necessarily make the intended moral of "Ponyville Confidential" about gossip being bad any less relevant, the scene where the Cutie Mark Crusaders get shunned by the entire town after word gets out about them being Gabby Gums seems to suggest "If you go far enough in humiliating others, you will be greatly hated where you live, even if you are just a kid."
- An earlier episode, "The Mysterious Mare-Do-Well", also came under a lot of fire because of its concept of humbling someone being interpreted as "If you're friend is being an obnoxious braggart, rather than talking to them, you should anonymously take them down a peg or twelve". It wasn't helped by the fact that the ponies who were involved proceeded to brag about themselves out of the costume.
- The New Adventures of Superman: A subverted regular Aesop from "Can a Luthor Change His Spots?". Luthor convinces Perry White that he's gone straight and is given a laboratory in the Daily Planet building. Jimmy Olsen (correctly) believes that Luthor is lying and tries to catch him committing a crime. So the Aesop is, "You shouldn't be suspicious and people can change...except for sometimes they don't and suspicion can be a good thing."
- The Proud Family had a fairly standard episode where Penny got bullied, right up to the last minute. She eventually got the bullies to leave her alone by becoming their money manager and ends the episode happily waving her cut of the stolen money. "If you can't beat them, join them" is a fairly standard Aesop, but usually isn't applied to criminal behavior.
- Redakai seems to be showing up on several of these lists. While flinging fire around in a forest is more of a Broken Aesop in context, there are family unfriendly ones, as well. In one episode, both the good guys and bad guys are betrayed by a Paleontologist who is trying to get his hands on a resurrected Pterodactyl. In the end, the heroes catch up to him, then attach him to a rope tied to the pterodactyl so he is dragged through the air like someone being dragged by a truck while the heroes laugh. So..."Lynching is an acceptable form of retribution to someone who betrays you?"
- Regular Show episode "Think Positive" gives us "sometimes yelling at people is the best way to solve your problems".
- "Family unfriendly" aesops on The Simpsons are usually just parodical, and the aesops they actually mean are typically more family-friendly than the show itself, but over the long span of the show various episodes have had some rather controversial messages. Many of these are connected to the reputed liberal tone of the show, which yields messages that from time to time offend viewers of more conservative persuasions.
- "Bart Gets an F" ends with the ultimate moral that failure is an inherent part of life, and that we can all fail sometimes, even when we try our very hardest (sure, by the end of the episode Bart has improved-but only marginally, and clearly not enough to deserve the pride and respect of his family). Some fans have actually praised the episode for not being afraid to broach this topic (see "Web Original" above), and for unapologetically breaking with the standard happy ending where perseverance and dedication always results in success.
- The episode Mr. Plow has one, Homer starts a plowing business (Removing snow with a snowplow), and he gets a lot of money for it, until Barney comes with a bigger snowplow and stops Homer's success, Homer even claims that Barney stole his idea, Barney is presented as an antagonist, but at the end, Homer and Barney decides to be partners instead, so, the moral is "Starting a competition business is being a jerk" or maybe "If you have a friend with a business, you can't be a real friend if you start competiting with him" and maybe also "Stealing ideas is wrong", but in real life, competition is a key factor in our free market and it's good for costumers, also, there are cases of people who are business competitors but still friends, like Bill Gates and Steve Jobs, also, law says you can't own ideas and many people agree, Barney was shown as clearly wrong on shooting the tires of Homer's plow and maybe by making a defaming commercial against Homer, but the aspect of competiting and/or competiting with a friend is debatable.
- Also, Homer by trying to get Barney away, Barney's life becomes in risk, Homer saves him and only then Barney agrees to stop the competition and be partners, but Homer conventiently doesn't tell Barney he was responsible for this, going further in the moral that two friends can't have both competiting business and stating that if you put someone's life in danger and then save him/her, it's not necessary to tell that you made the problem in the first place.
- South Park
- In the uncensored version of "201" the characters learn that the only true way to stop being mocked is through intimidation and violence.
- The episode "Gnomes" has one saying that large corporate monsters can be a good thing and that they do indeed sometimes create better products than small family-owned businesses.
- The 2009 Strawberry Shortcake has a lot of these. In particular, Plum Pudding is upset over losing a musical instrument that she's going to play in a talent show. Lemon Meringue not only doesn't help her find it, she invites Plum Pudding to be a hairstyle-model for her talent show act; the keyboard is never found and Plum doesn't enter the talent show at all. Remember kids, if you see a chance to eliminate your competition, take it.
- A lot of the lessons Berry Bitty Adventures teaches are typical Aesops, but the characters tend to apply them in the most misdirecting, dishonest, and outright manipulative ways possible, specifically to avoid hurting anyone's feelings in any way, even when they're being self-destructive. In general, most episodes revolve around the idea that if people don't do what you want when you tell them, it's better to trick them into doing it than give them an opportunity to cause strife by resisting.
- Master Splinter gets off several of these "unPC but true" aesops in the Teenage Mutant Ninja Turtles (2012) series. In the pilot, he makes Leonardo the leader, not because he is the most even tempered, wisest, or skilled fighter in the group (in this series, the latter would go to Raphael), but because he showed the initiative to ask for the position of leader before any of the other turtles. In one episode, he admonishes Leonardo for seeking a fair fight, and demonstrates that he should "seek victory, not fairness". In a later episode, Leonardo asks Splinter if at least getting some gratitude for his efforts as leader is too much to expect. Splinter's response is to tell him that yes, it is too much to expect, to stop whining, and to get back to work. Leadership is often a thankless job in real life, but it's still jarring to hear on a television show, especially when a character is in need of some sympathy. Splinter also provides this wonderful gem: "The first rule of ninjutsu is do no harm. Unless you mean to do harm. Then do LOTS of harm!"
- So, basically, Splinter's lessons were "Make your desires known instead of expecting people to intuit them," "Don't let sentimentality cloud your judgment when your life is on the line," "Don't do something good just because you might be rewarded for it," and "Don't be a hypocrite." All perfectly reasonable morals, even if Splinter didn't put them so tactfully.
- Ultimate Spider-Man had an episode where Spider-Man finds out that, since he joined SHIELD, Fury has been placing cameras all over his house for security measures. Understandably pissed off, he goes to complain to Nick Fury and leaves SHIELD. The episode portrays his whole attitude as immature (even his own teammates reveal they got cameras as well and agreed to it), he ends up being attacked by Octopus because of it, and to add insult to the injury, when he agrees to come back in exchange for a compromise, Fury decides to show the tape of all his humiliating moments to his teammates as a punishment for his immaturity. The way it appears, the episode seems to be about him accepting to have no personal space left for the sake of his security.
- In Winx Club, there's the Official Couple of Bloom and Sky. Sky has been courting Bloom for most of Season 1. But then, wait! Sky was already engaged to Princess Diaspro! Thus he would be cheating on both girls at the same time. But no one ever points this out as a bad thing. Kids, when you grow up and get a significant other, it's okay to cheat!
- Wow! Wow! Wubbzy! has the occasional moral that is a bit off. For example, the Aesop of The Grass is Always Plaider is supposed to be something akin to "there's no place like home," but plays out more like "places other than your hometown may seem interesting, but are actually boring once you get there."
- In the episode "A Tale of Tails," the moral appears to be the standard "it's okay to be different" moral, right up until the end, in which the title character uses his "kooky" tail to prove himself better at all the games the other kids play, at which point they all change their minds and love him. This seems to change the message to "it's okay to be different if that difference gives you an advantage" or "if you're different you have to prove yourself better than everyone else to be accepted." Then the closing song changes the moral yet again, this time implying that if you're not different in some way, you're not cool at all. "Don't conform ever" isn't necessarily a bad aesop, but it is a little unusual.
- In an episode of Yogi Bear Yogi and another bear begin fighting over Cindy, and she tells them that whoever brings her the best present gets to be with her. Yogi and the other bear proceed to steal not only food but TV's and radios, Yogi eventually wins by bringing her a freaking car. Ranger Smith finds out but sees he stole it for Cindy, and decides not to turn him in because "it's spring." So the moral? "Stealing is okay if it could get you laid." Also, material possessions buy love.