[[quoteright:350:[[WesternAnimation/DuckAmuck http://static.tvtropes.org/pmwiki/pub/images/duckamuck_theend_fake.png]]]]
[[caption-width-right:350:'''''[[BigNo "NO! NOOOOO!"]]''''']]

->''"You're like 'hey, [[Music/GunsNRoses November Rain]]'s over!' No, it's not. ''There's more''."''
-->-- '''John Mulaney''', ''[[https://www.youtube.com/watch?v=QnkrL42R7gk The Salt and Pepper Diner]]''

Commonly used at the end of an episode or a song, a Fake-Out Fade-Out is where the scene/music fades out as if it were the end, at a place where that could be realistic and believable, then a moment later jumps back in (YourPrincessIsInAnotherCastle!) with more stuff happening.

Not to be confused with FakeOutMakeOut. Compare StopAndGo, where the music just suddenly stops for a second or two without bothering to pretend that the song's ending.


* ''Manga/{{Bleach}}'': After Wonderweiss [[spoiler:shows up, one-shots Ukitake, and frees Halibel, Aizen, Gin and Tosen from their respective "prisons"]], all of the Shinigami in Karakura town are shown. Then we see [[spoiler:Aizen]]'s face and the screen slowly fades to black... only to quickly fade back in to show that the Vizard have just arrived to join the battle.

* ''[[Film/TheLordOfTheRings The Lord of the Rings: The Return of the King]]'' was ''[[EndingFatigue extremely]]'' [[EndingFatigue guilty of this]].
** Probably the best known example of this comes right after the Ring is destroyed. Sam and Frodo are stranded on an erupting Mount Doom, the screen fades out... [[spoiler: and then it fades back in to show the Eagles coming to pick them right off the cliff-face.]]
* ''Film/SevenPsychopaths'' starts to fade to credits as Marty finishes his screen play and happy music plays, only for the film to continue in a matter of seconds with Zachariah reminding Marty that he forgot his message to Maggie in the credits and he was going to kill him.
* The scene in ''Film/LooneyTunesBackInAction'' when the car is plummeting from the air and stops abruptly because it ran out of gas. After the screen fades out, Kate protests "That's not how it works!" The scene cuts back in and [[GravityIsAHarshMistress the car hits the ground]]. Then it fades out again.
* ''Film/BasicInstinct'' has a notorious example. The film "ends" with Nick and Catherine kissing passionately on the bed. Fade out. Then fade back in: [[spoiler: the camera pans down, revealing an icepick on the floor and leading the audience to believe Catherine was the killer all along--TheChessmaster and FemmeFatale rolled into one.]]
* ''Film/SinCity'' does a fake-out fade out before a HeroicSecondWind, to mirror a similar fake-out in the original graphic novel.
* ''Film/{{Spectre}}'': The movie ends with Bond and Madeleine walking away from the chaos. . .no, there's still one last scene of Bond visiting Q to retrieve his car, and ''then'' he and Madeleine depart.

[[folder:Live Action TV]]
* ''Series/TheComicStripPresents: Consuela''. Happy ending, credits roll, needle zip, more stuff, sad ending, credits roll.
* The ''Series/DoctorWho'' episode "Death in Heaven". After [[spoiler:the Doctor and Clara part ways for seemingly the last time]], the credits start to roll... only for it to abruptly cut to [[spoiler:a man knocking on the door of the TARDIS. Said man is then revealed to be Santa Claus, [[TheStinger setting up]] the series' Christmas special]].
* Series/CornerGas has an episode where at five minutes in a simple solution is put forward, "Why don't you carry a wallet like everyone else?" It cuts to Hank holding a wallet and saying "You're right this solves all my problems." The image freezes and the closing theme is cued up signaling the end of the episode. The show cuts back to the previous scene and Hank waves off the idea saying "I'm not really a wallet guy." The actual conclusion to this subplot is exactly the same, Hank is holding a wallet, says "You're right this solves all my problems.", the image freezes and the closing theme is played.
* Not the same scene, but ''Series/{{Lost}}''[='=]s second season finale seemingly ends with a fade out of Claire and Charlie...and then it fades back in somewhere in the Arctic, where two people [[spoiler:discover the Island]].
* ''Series/{{NCIS}}'' toys with this a bit: at the start of the episode and right after each commercial break, it shows the fade-to-gray that will come up before the next commercial or at the end of the episode. On a couple of occasions, however, the episode will get up to where the final gray-out is shown to be, and then continue on with another scene with a ''major'' plot point in it, making it hit you out of nowhere twice over.
* The ''Series/MontyPythonsFlyingCircus'' episode, "Michael Ellis", ends with Creator/EricIdle trying to decide what ending to use for the show. When offered a typical slow fade, [[http://www.youtube.com/watch?v=9iDiMXTx5wUthe screen slowly fades to black as Eric mulls it over, saying "Nnnnnnnnnnnnnnnnnnnnno."]] -- and springs back.
* The ''Series/{{Sherlock}}'' episode "A Scandal in Belgravia" ends with [[spoiler:Mycroft Holmes telling John Watson that Irene Adler and asking him to lie to Sherlock that she was, instead, accepted into the CIA Witness Protection program. John lies but asks if Irene sent Sherlock any more text messages after their last encounter. Sherlock tells him it was just one, a goodbye message. John leaves, and the scene switches to Karachi, Pakistan, where Irene, dressed in a burqa, is on her knees about to be beheaded. They let her send one last text to Sherlock. As the swordsman raises his sword, she closes her eyes, and the scene fades... only for her to hear the moaning text tone she put on Sherlock's phone. The swordsman (Sherlock) tells her to run and charges the other men]].
* ''Series/BuffyTheVampireSlayer''. At the end of "Faith, Hope and Trick" Buffy decides to get on with her life, placing the ring Angel gave her [[GraveMarkingScene at the spot where she was forced to kill him]] and saying goodbye to her TheLostLenore. FadeToBlack. Suddenly the ring is lit up, and a BackFromTheDead Angel falls through a blinding white hole in the blackness.
* ''Series/GameOfThrones'' "Kill the Boy" has Tyrion falling overboard and dragged underwater by a Stone Man, fading to black as he loses consciousness, which mirrors a chapter cliffhanger ending from the book. Then it cuts back in to show he was rescued by Jorah; the actual ending of the episode is Jorah inspecting a wound and learning he's infected with greyscale.

* Music/{{James}}' "Vervaceous".
* Music/FlorenceAndTheMachine's Dog Days Are Over fakes you out about a minute before it's ending.
* Music/TheCorrs' cover of "Old Town".
* Music/TheBeatles' didn't do this in their earlier career, when their recorded work tended to sound like their live playing, with clean endings. But as they branched out in the studio, they became big fans of this trope.
** "Helter Skelter" from ''Music/TheWhiteAlbum'' fades out and then fades in again twice. Averted in the mono version of ''Music/TheWhiteAlbum'', however, in which the song fades out completely when the first fade would occur in the stereo version.
** "Happiness Is a Warm Gun", from the same album, has a slight variation of this: in the end, it goes like:
--> ''Happiness... is a warm yes it i-i-is... ......................... GUN!!!'' (and resumes for a bit)
** "Strawberry Fields Forever" from ''Music/MagicalMysteryTour'' does this because the band went out of time before the final mellotron section, so George Martin added the fadeout and -in to cover up the bad bit. The result was a LastNoteNightmare.
** "I'm Only Sleeping" from ''Music/{{Revolver}}''.
** "Rain", compiled on ''Music/PastMasters'' sort of combines this with StopAndGo, after the line "Can you hear me?" Rather than a fadeout, everything comes to a crashing halt...then resumes for a proper fade after a {{beat}}.
** They even do this on "Free as a Bird" from ''Music/TheBeatlesAnthology'', the "new" single which the three surviving Beatles created in 1995 by fleshing out an old unreleased John Lennon recording.
** One of [[Music/PaulMcCartney Paul [=McCartney=]]]'s solo songs, "Let 'Em In", has a variation on this: the song seems like it's going to fade out, and suddenly the song ends normally at full volume.
* The song "Static" from ''Music/{{Mutations}}'' by Music/{{Beck}}.
* Music/BrooksAndDunn's song "Indian Summer" provides a jarring example. It's a slow, wistful song about a schoolgirl who was impressed by a football player's skillful performance at a hometown game, and ended up sleeping with him, only to have her life ruined when he bragged about it to his friends afterwards. This is, of course, fatal to one's reputation in a small town, and she ended up having to drop out and move across the country to start over. At the end, the singer regretfully admits that he was the JerkJock and now, looking back on it, he wonders if things might have been different had he acted differently. Fade out... a perfect place to end. And then it jumps back in with a strong guitar slide and one last exultant rehash of the chorus, about how cool the whole experience was.
* The ''[[WebAnimation/HomestarRunner Taranchula]]'' song "Moving Very Slowly", from ''Music/StrongBadSingsAndOtherTypeHits''.
* Music/BradPaisley's "Me Neither": A guy at a bar keeps trying to pick up this girl, and she keeps turning him down, so he [[OpinionFlipflop pretends that he didn't really want to either and he was just testing her]]. In the end, he's finally ready to give up.
-->"Do you think it's time for me to end this song?"\\
* dead stop* \\
* a couple moments of silence* \\
"Me neither!"\\
* big long instrumental to finish up*
* Music/QueensOfTheStoneAge loves this, as well as "false endings" in general.
** "God Is in the Radio" fades out to a nearly inaudible volume after two choruses and a bridge, but fades back in for the big ending.
** "Someone's in the Wolf" does basically the same thing, to a lesser extent.
* Music/TheStoneRoses song "I Am The Resurrection" comes to an end and then keeps going. That's probably more StopAndGo, but it still counts.
* "Are Everything" by Music/{{Buzzcocks}} starts to fade out and then abruptly leaps up in volume and fades out from there instead.
* Music/TheCure's cover of [[Music/JimiHendrix "Purple Haze"]] on the ''Join The Dots'' boxset begins to fade out, then quickly back in, then out again.
* DJ Jimi's "Where They At". The beat comes to a halt, there's a second of silence and then... "Sliiide and do the P[[spoiler:ussy]] Pop!"
* Music/JoyDivision "Isolation" from ''Music/{{Closer}}''.
* The Music/BloodhoundGang's cover of "Kids in America" (off of their first album) fades almost completely to silence, only to come back in for 8 or so seconds and then fade out for real.
* "White Punks on Dope" by The Tubes.
* Creator/TerryJones's Creator/MontyPython song "I'm So Worried" from ''AudioPlay/MontyPythonsContractualObligationAlbum'' does this twice.
* Music/MichaelJackson notoriously abused this trope on ''Music/{{Invincible}}'', which, combined with the EpicRocking nature of most of the album's tracks, left listeners feeling somewhat worn out near the end of each song.
* Music/GreenDay's music video for "21 Guns" does this.
* Music/DreamTheater has "Misunderstood", which fades out...and then fades back in.
* Ditto "We Know Who Our Enemies Are" by mewithoutYou.
* "I Never" by Music/RiloKiley seems to end at an appropriate spot...but then just dives right back in.
* The Music/FlamingLips' "Scratching The Door" turns this into an OverlyLongGag, fading out then fading back in about 4 times over the course of it's final two minutes, before finally settling on sort of a LastNoteNightmare instead (Mark Coyne shrieking "LET ME IN!")
* "Thank You" by Music/LedZeppelin.
* "Do You Love Me" by The Contours fades out towards the end, only to crash back to full volume and go on for a little more. The trick was reused in the soundalike sequel "Shake Sherrie".
** The version on ''WesternAnimation/TinyToonAdventures'' plays with this by ''adding a second one'', followed by an abrupt end as Babs (who was plucking her eyelashes) yells, "Make it stop! MAKE IT STOP!!"
* Music/GunsNRoses is known for this at times; "November Rain" has a fake-out ending at about six minutes, and "Street of Dreams" has one with about a minute to go int he song.
* Lisa Ono's version of Saliane had this at the near-end. The song ends abruptly (not fading, though) and then continued again.
* Freaky Chakra's "Blacklight Fantasy", the final track on the titular album.
* "Heart" by the Music/PetShopBoys, to represent one's heart skipping a beat.
** The single version of "I Wouldn't Normally Do This Kind of Thing" also has one, in homage to the Beatles examples above.
* The original single mix of Music/ElvisPresley's "Suspicious Minds" (some album versions don't have it, though).
* "Listen to The Band" by Music/TheMonkees.
* On BT's ''Ima'' album, at the end of "Blue Skies(The Delphinium Days Mix)", the song starts to mix into "Embracing The Future", but fades out, then the "Sasha's Voyage of ''Ima'' " megamix starts with that same song.
* "Everything Fades to Gray" by Music/SonataArctica is an odd example. The song seems to be just the intro to the album it's on but now with vocals. It ends when the instrumental intro ends, then after a few seconds jumps back in and plays for about another minute.
* "My Stupid Mouth" by John Mayer has the lyrics go: "I'm never speaking up again...starting now." <fade out> "One more thing!" Quite apt.
* The full version of SigSig by Kors K.
** Keeping on the Bemani note, the full version of Kachoufuusetsu.
* Matti Laamanen - Flakes (Ferry Corsten Remix). In the middle of the song, to boot.
* Croove's ''OUTLAW'' from the DJMAX series has a complete stop in the middle that will ALWAYS throw off those new to the song, unless they're familiar with general rhythm game song lengths or have already heard and memorized the song's patterns.
* Music/LacunaCoil's "Our Truth" does this at the end. The song fades out over a repeating riff, only to fade back in and immediately end.
* Music/TheClash's song "Safe European Home" does this, it fades out until you can only hear the drums, then rushes back in to end very abruptly.
* "Vertigo" by Music/MonsterMagnet, the final track of ''Dopes to Infinity''. Think the record's over? Wait two more minutes.
* The original recording of Music/TheBeachBoys' "Help Me, Ronda" (from ''Music/TheBeachBoysToday'' album) features this, although the actual hit version recorded months later does not. The 2012 remix of the ''Today!'' version removed of the fade-outs.
** "Heroes and Villains" had ''so many'' false endings that one radio DJ at the time nicknamed it "the disc-jockeys' nightmare".
* Music/{{Cream}} have an arguable example from the live version of "Spoonful". The song kind of dies out at the end, short pause. Then out of the blue, Jack Bruce wails one last, extended "EVERYBOOODY'S CRYIN' ABOOOOOOOUT IIIIIIIIIIIIIIIIIIIIT" and the band launches into the patented chaotic ending.
* Music/TheSmiths' "That Joke Isn't Funny Anymore" fades out, then back in before carrying on for another minute and fading out again. Inverted, however, with "Some Girls Are Bigger Than Others" where the song fades out rapidly and then fades slowly back in at the ''start'' of the song.
* "Smooth" by Music/TheKentuckyHeadhunters does this. It starts to fade out during a solo but then fades back in.
* Music/NickelCreek's "Can't Complain" appears to be fading out with the same peaceful string dirge it faded in with, until Chris Thile startles the listener with a sudden, raspy shout of "NO, SHE CAN'T COMPLAIN!"
* Music/{{U2}} did this on their very first album ''Boy'', fading out near the end of "The Electric Co.", only for it to fade back in and then run seamlessly into the final track, "Shadows and Tall Trees".
* Music/{{Can}}'s "Bel Air" fades out, fades back in and continues for two more minutes before finally fading for good.
* Music/{{Supertramp}}’s “Lover Boy” fades out before coming in, at [[ScareChord full volume]], with one final verse.
* Music/{{Radiohead}}'s "I Might Be Wrong" from ''Music/{{Amnesiac}}'' fades out near the end before returning with a subdued instrumental section.
* "She Said" by Barclay James Harvest.
* "Sandblasted Skin" by Music/{{Pantera}} fades out completely at 3:25, playing nothing for a minute and a half before starting again with the same riff it ended on.
* "Animal" by Music/DefLeppard. Nice power-chord-laden chorus and then a sudden stop, right where you think it should end. There's a pause just ''barely'' long enough for the reverb to dissipate, and then...FULL-FLEDGED CHORUS REPRISE. Joe Elliot, the lead singer, chuckles slightly at the end, possibly [[LampshadedTrope lampshading]] this.
* "In the Summertime" by Mungo Jerry seems to end when the car noises come...and then the song starts up again, repeating the first three verses.
* Music/TheBangles' "Waiting for You" fades out, fades in for a 30 second instrumental, then fades out again.
* Music/LadyGaga's "Speechless".
** Her song "Again Again" inverts this; it ends extremely abruptly, leaving you asking, "That's it?"
* Music/MyChemicalRomance's "Kids From Yesterday" fades out completely, and then two secs later, it comes again with a similar, if not exactly, sound like on the beginning.
* Music/AliceInChains' "Rain When I Die."
* Music/MidnightOil's "Read About it" doesn't ''fade'' so much as it appears to end. Then, following a pause, returns with a reprise of the first verse.
* Music/FooFighters, "Next Year".
** "Rope" does it twice, one at 2:45, and the other at 4:00.
** "Come Back" is arguably the most notable instance in the Foo Fighters catalog. A seeming fade out that doesn't quite fade completely, followed by a long instrumental which THEN fades out... and kicks right back up.
** "In Your Honor" and "White Limo" each return with [[CarefulWithThatAxe a bloodcurling scream]].
* Music/HuskerDu's "Ice Cold Ice" fades out and after a couple seconds of silence, there's a final loud guitar chord.
* Buckner & Garcia's "Do The Donkey Kong" from their ''Music/PacManFever'' album where it fades out before jumping right back into the chorus.
* Music/{{MGMT}}'s "Kids" from ''Music/OracularSpectacular'' fades out almost completely before a sudden reprise of the chorus. Amusing when it fakes out people dancing in clubs.
* Music/BlindGuardian pulls one of these on "The Maiden and the Minstrel Knight."
* Music/{{KISS}}'s "I Love It Loud"
* Music/ArcticMonkeys' "Perhaps Vampires Is a Bit Strong But..."
* Les Baxter's hit '50s instrumental "The Poor People of Paris" has one of these.
* Music/{{Alabama}}'s "Jukebox in My Mind" comes to its natural conclusion...then a second later, we hear the sound of a coin inserted in a jukebox, then a needle on an LP, and then the song starts up again.
* Music/DragonForce ends many of their songs in this fashion- just when you think they're going to ring out on a big, final chord, oh no! Here comes another thirty seconds of sweep arpeggios, scales and kick rolls!
** Former lead singer ZP Theart used to do this live, holding the last note of "Heroes of Our Time" for absurd lengths of time.
* Most of Music/DeepPurple's songs have more or less a full repeat, not counting the coda but often including the intro.
* Brazilian band Skank had one in their SignatureSong, "É Uma Partida de Futebol". [[http://www.youtube.com/watch?v=ftVoTWgSaQk The music video]] tries disguising it as the supposed fade out (at about 4:04) occurs while an announcer is talking.
* The Music/ModestMouse song "Ocean Breathes Salty" stops for a second after a climactic noise at 2:40, and then restarts to finish about a minute later.
* Italian band I Nomadi (literally "The Nomads") did this with their song, ''"Là dove stanno gli dei"'' (literally, again, "There, where the gods are"): at a certain point (around the 4:00 mark) the music stops abruptly... only to start again with a quick fade-in. Not As Annoying As It Sounds.
* Music/{{Pavement}}'s "Elevate Me Later" goes into what sounds like a BigRockEnding, then jumps right back into the main riff again for another 30 seconds. "Trigger Cut / Wounded At :17" and "Shady Lane / J Vs. S" might count, although the titles suggest the instrumentals that fade in after their endings are separate interludes that just aren't on their own tracks. In fact "Wounded at :17" originally was the main riff of a full song called "Nothing Ever Happens".
* Music/TheRamones' "53rd & 3rd" from ''Music/{{Ramones}}'' does this, though without a literal fade-out.
* Music/{{Soundgarden}}'s "Somewhere", with a slow, non-complete fade-out, followed by a slow fade-in, still with the same BigRockEnding until the proper ending moments later.
* [[http://www.youtube.com/watch?v=hiHIyqgAteI "Rock is Sponge"]] by Joujouka, famously featured in the fourth stage of ''{{VideoGame/Rez}}'', does this during the mid-track breakbeat. The version heard in-game omits this section.
* Spacecorn's version of "Popcorn" combines this with LettingTheAirOutOfTheBand.
* The original extended mix of Binary Finary's "1998" does this at the point where the radio edit ends.
* "Pasadena" by The New Temperance Seven seems to end after a long instrumental break, then comes in again with a slightly shorter instrumental break, stops again and finally ends with a short riff.
* "Long Agos and Worlds Apart" by The Small Faces.
* "Summergirl" by The Mayfield Four stops quite abruptly, then just as you're about to turn off the stereo it comes back in again, and after a brief instrumental interlude treats you to a SugarWiki/MomentOfAwesome from singer Myles Kennedy (later of Music/AlterBridge): a soaring wail so high and held so long (F#5 and 22 seconds, to be precise) it sounds positively superhuman.
* "Parade" by Music/{{Justice}}.
* Textbook example by Electric Six in "Waste of Time and Money", where it fades out at the end...only for another blast of music to come in afterwards, then it ends for real.
* Music/JoeWalsh, "Second Hand Store" from ''But Seriously, Folks''.
* "Anywhere Is" by Music/{{Enya}}.
* The title track to the Music/{{Rush}} album ''Music/ClockworkAngels''.
* "Keep On Dancing" by The Gentrys is an interesting version, as the "false" fade-out in the middle of the song actually ''was'' intended to be the end. The original recording, at 1:30, was deemed too short to be released as a single, so the song was artificially extended by repeating the first half. Thus, the "real" fade out is technically the same as the "fake" one.
* "Counting Backwards" by Throwing Muses gets to what sounds like a final chord about two and a half minutes into the song, and they let said chord ring out just long enough to make you think it's the ending - then a drum fill comes in and the song goes on for another 45 seconds or so. Because said drum fill is nearly identical to the one that started the song, the listener might be confused into thinking they've got the song on repeat.
* Music/ElectricLightOrchestra's "Mr. Blue Sky".
* Music/LivingColour's "Funny Vibe".
* Music/TalkingHeads' "No Compassion" from ''Music/TalkingHeads77''.
* In classical music, [[Music/LudwigVanBeethoven Beethoven]] does a variant of this - not so much a fade-out as what sounds like a plausible ending cadence, only for the work to keep going. This is particularly egregious in the first movement of the Fifth Symphony. Music/IgorStravinsky does a similar trick in the Sacrificial Dance from ''Theatre/TheRiteOfSpring''.
** The "Fifth" example is [[DiscussedTrope discussed]] in "The Timpanist of the Berlin Philharmonic, 1942" by SF writer Kim Stanley Robinson.
** Dudley Moore's "And The Same To You" from ''Theatre/BeyondTheFringe'' does the same thing; it's a Beethoven parody.
* The Art of Noise's "E.F.L." does this twice in its full length version, though on some appearances the second fake ending is treated as the real end.
* Music/TwoLiveCrew's "Pop That P-[=-=]-y".
* Music/{{Psychostick}}'s "#1 Radio $ingle", a DeconstructiveParody of [[StylisticSuck formulaic]] Corporate Rock music, ends with a chorus that is [[SelfDemonstratingSong "so freaking catchy it's stuck in your head for the rest of your life"]]. And then, after a brief silence, "once again repeat[s] the chorus for dramatic effect, to remind you that it will be stuck in your head. For the rest of your life."
* This happens several times throughout Music/TheMarsVolta's "The Bedlam in Goliath" album. Certain songs sound like they've totally used up their energy and gone silent, but no, there's even more more expression and riffing. It's convincing when you can't remember which tracks are 6 minutes and which are 10 minutes.
* Music/{{Nena}} "99 Luftballons".
* Turned into an OverlyLongGag in Status Quid's "Boring Song". Another end, another end...
* Music/BillyOcean's "I Can Help"
* Music/FountainsOfWayne's "Sick Day"
* "Anne's Song" by Music/FaithNoMore fades out completely, then fades back in after a few seconds of silence, [[NoEnding just abruptly cutting off]] once it's come back to full volume. To add to the abruptness, the very next song on ''Introduce Yourself'', the title track, has a LyricalColdOpen.
* Music/{{Motorhead}} did this with their song 'Overkill' by playing a BigRockEnding, only for the drums and bass to do the intro again and launch into the main riff. Twice.
* "Witch Hunt" by Music/{{Petra}} fades back in after it's nearly faded out, only to have the audio deliberately start to glitch, bending upward in pitch and then back down before ending on what's basically the digital equivalent of a RecordNeedleScratch.
* Music/{{The 1975}}'s "Is There Somebody Who Can Watch You?".
* At what sounds like the end of "Bold As Love" from ''Music/AxisBoldAsLove'' by the Music/JimiHendrix Experience, Hendrix plays the same phrase three times, with the third time slightly longer and more percussive than the other two and flowing into drumming that one would expect to end in a final crash of cymbals. However, the cymbal crash to end the song never comes, and instead the drums rev up again, followed by another minute or so of Hendrix on the guitar.
* When "This is How We Do" rather abruptly ends, Music/KatyPerry complains and says "Bring the beat back!", and the song does exactly that.
* Sophie B. Hawkins' "Damn I Wish I Was Your Lover" builds to a huge instrumental climax with an IncrediblyLongNote on top courtesy of Sophie, then begins to gradually fade out ... just kidding, there's a whole verse, chorus and coda left.
* Chromeo's "Sexy Socialite".
* "Left and Right in the Dark" by Julian Casablancas fades out properly before slamming the volume right back up for one second, ending the song.
* Music/{{KMFDM}}'s "Bargeld" begins to fade out on the final chorus, but before it fades out completely, the music comes back at full volume for a final guitar solo.
* Music/MatthewSweet's "Divine Intervention" pulls a "Helter Skelter" (fades out, beat, then fades back in).
* Flemish singer Louis Neefs’ “Ik heb zorgen” has a false ending that managed to fool both the audience at the 1967 Series/EurovisionSongContest (who began to applaud prematurely) ''and'' the Austrian commentator!
* "The Cat Crept in" by Music/{{Mud}}. End. [[IncrediblyLamePun And then the cat came back.]]
* "In Every Dream Home a Heartache" by Music/RoxyMusic fades out around four and half minutes into the song, then fades back in for another minute before ending for real. Amusingly, some early pressings of the song had the running time of the song being a minute shorter than it really is because of this.
* "The Sailor" by Bright Moments has an odd variant of this with no dead air, instead after the chorus the song slows and a chord plays which usually signals the end of a song, but while this is playing the vocalist starts singing another verse.
* Also pulling a "Helter Skelter": Music/{{Sebadoh}}'s "Flame."
* "Satisfy My Soul" from Music/BobMarley's ''[[Music/KayaBobMarleyAlbum Kaya]]'' fades out, then a LastNoteNightmare sound comes back in, before it is finally over.
* The third movement of Paul Hindemith's "Symphonia Serena" has a coda which returns to the bracing original tempo to give the contrapuntal theme one last go around, but the strings don't take their mutes off and there isn't much of a crescendo before the volume starts falling off again, with eventually the only instruments still playing even very faintly being the violas and occasionally the piccolo. Suddenly the loud brass fanfare that began the movement returns to end it.
* A little over two minutes into Music/{{Keane}}'s "Somewhere Only We Know" this happens.
* Music/MrBungle's "Ma Meeshka Mow Skwoz" ends in combination of electric organ and drums fading in silence. After a couple of seconds, the song [[LastNoteNightmare suddenly jumps back]] with vocalist's series of brisk shouts and finally ends in atonal clusters.
* [[Music/GlennMiller Glenn Miller and his Orchestra's]] "In the Mood" gets quieter and quieter towards the end, then jumps back to full volume for the finale. Recorded 1939, it might be the earliest example in popular music and possibly even predates fadeouts in general; what is believed to be the earliest example of a fadeout in a commercial recording, "Catfish Blues" by Robert Petway, was recorded in 1941.
* The Count Basie arrangement of the standard "April in Paris" uses it twice: after what seems to be the big ending, Basie instructs the band to play the last few bars "one more time". After the "ending" is played again, he asks for it "one more once". [[RuleOfThree The third time]], the song ends for real. Future performances of the song by other artists used that ending as well.
* "Chou Wasabi" by Julien Doré does this close to the end.
* Music/LudwigVanBeethoven's rondo finales often have codas that get quieter and quieter as the tempo slackens, only to come back in full ''fortissimo'' vigor in the last few bars. Examples of this include the Piano Concerto No. 1 in C Major, Op. 15; the Piano Concerto No. 2 in B-flat Major, Op. 19; the Symphony No. 4 in B-flat Major, Op. 60; the Piano Concerto No. 5 in E-flat Major, Op. 73; and the Piano Sonata No. 28 in A Major, Op. 101.
* "Zodiac Shit", "Satelllliiiiiiiteee", and "Mmmhmm" (all on the same album) by Flying Lotus both have natural endings and then outros that follow that sound like different songs entirely. "Mmmhmm" is a unique example since its outro is used to [[FadingIntoTheNextSong transition into]] the next song, "Do the Astral Plane".
* Music/TwentyOnePilots' "Lane Boy" does this by having the song seemingly end only to transition into a 30-second drum solo. Many fans believe that [[EndingFatigue the outro was unnecessary]], and likely confused listeners since the drum solo was not included in the song's music video.
* Stina Nordenstam's "So This is Goodbye".
* "Free To Be...You And Me" by The New Seekers, from the album of the same name, has a fade-out near the end of the song, and then the music picks up again for the next half minute before it fades out again.
* "Centerfold" by ''Music/TheJGeilsBand'' appears to end with the group singing the song's main melody, but it then continues for an additional 45 seconds with instruments playing the melody before ending for real with the song being whistled.
* "Murder Mitten" by I See Stars.
* "The Way" by Fastball.
* "Dirty World" by the Traveling Wilburys seems to end when the lyrics stop, then it picks up again for the last minute to close it out with the actual song ending.
* ''J.S. Bach - Toccata and Fugue in D minor, BWV 565''. Apporaching the end of the Toccata section, the music enters a state where it seems that it will end entirely (complete with a long chord). Instead, it starts with the Fugue, and the music continues for at least 6 more minutes.

[[folder:Professional Wrestling]]
* ''[[Wrestling/{{WWENXT}} NXT TakeOver: Chicago]]'' had as its main event a Tag Team Championship ladder match between #DIY and the Authors of Pain. Despite losing the match, #DIY members Tommaso Ciampa and Johnny Gargano play to the crowd who give a standing ovation to them. Cue WWE's typical closing copyright notice to end the show ... only then does Ciampa pull a FaceHeelTurn on Gargano by throwing him onto the set and putting him through a table.
** It also happened again at ''NXT [=TakeOver=]: Philadelphia'' when the show's closing copyright notice appears alongside a disappointed Gargano and his wife following his NXT Title match loss ... only for Ciampa to return from injury since Chicago and attack Gargano with a crutch right afterwards.

* "Bon Vivant" from the operetta ''Song of Norway'' has the chorus starting to exit during the fade, only to jump back in.
* "Those Magic Changes" from the 1994 Broadway revival of ''Theatre/{{Grease}}'' has a fake ending, followed by what would be considered a "reprise" in the mind of the character singing it.
* In ''Theatre/AnyoneCanWhistle'', Cora's accomplices shuffle offstage at the end of "I've Got You to Lean On," and Cora pretends to follow them, but she returns to take a final bow by herself as the orchestra suddenly resumes its former tempo.
* In ''Theatre/CloserThanEver'', the first verse of "One of the Good Guys" ends with a ''rallentando e poco diminuendo'' on a calm tonic chord that prompts the singer to get ready for his exit. However, a louder chord reminds him that he still has a second verse to sing:
-->"That's not the end, as you suspected..."
* The stage version of ''Film/Scrooge1970'' does this with Jacob Marley's ghost. After Marley shows Scrooge the phantoms, he disappears just long enough for Scrooge to think it was a dream before reappearing to talk some more.

[[folder:Video Games]]
* "Max 300" and "Maxx Unlimited" from Konami's ''VideoGame/DanceDanceRevolution'' series. Pretty obvious you're not done when there are still arrows to hit, but bystanders often don't know about that.
* In ''VideoGame/RayCrisis'', "Son Dessein" starts to fade out at one point, then [[LastNoteNightmare cuts to the next section]] with a ScareChord, at least on the OST.
* The credits start rolling in ''VideoGame/ResidentEvilOutbreak'' shortly before the TrueFinalBoss fight.
* During the ending of ''VideoGame/DeadSpace2'', Isaac calmly sits down with a tired look on his face as [[spoiler:the Marker]] is about to explode with him in it. Emotional music starts playing and the credits start to roll as a computerized voice urges all personnel to evacuate. The credits are abruptly interrupted with [[spoiler:a message from Ellie, who calls Isaac a bastard for trying to get himself killed and declares that she's punching a hole through the roof with a gunship in order to save him.]]
* The end of the single player campaign in VideoGame/ModernWarfare2, right before the credits.
* In ''VideoGame/CallOfDuty 3'', at the end of the first level, the battle seems to come to an end, the squad is in a house having a break, the screen starts fading out... [[spoiler:just before a tank shell bursts the wall of the house open]].
* In the reveal of ''[[VideoGame/SuperSmashBros Super Smash Bros. Brawl]]'', the trailer blacked out right after Wario's [[{{Fartillery}} mishap]]. Several seconds go by... then [[Franchise/MetalGear the Codec alert]] [[SugarWiki/MomentOfAwesome popped up]].
** They did something similar for the fourth game's reveal. The clip showed the Villager as a newcomer, the title was shown, and a 2014 release date was revealed as the image gradually fades out...then '''"NEW CHALLENGER APPROACHING!"''' pops up accompanied by a klaxon, cutting to [[Franchise/SuperMarioBros Mario]], [[Franchise/TheLegendOfZelda Link]], Franchise/DonkeyKong and Franchise/{{Kirby}} looking up at a [[VideoGame/MegaManClassic short blue robot]] standing on a cliff.
* ''VideoGame/RhythmHeaven''
** This happens at the end of [[spoiler:Remix 10]] in ''VideoGame/RhythmHeaven Fever'', [[spoiler:twice]]. Savvy players will catch that [[spoiler:in both previous games of ''Packing Pests'', which ends the remix, the game didn't end until the hands caught their paychecks...]]
** Inverted at the beginning of [[spoiler: Figure Fighter 2]], where gameplay begins before the visuals even fade ''in''.
* ''VideoGame/KidIcarusUprising'': [[spoiler:Just after defeating [[BigBad Med]][[DiskOneFinalBoss usa,]] the credits (of the original game) start to roll and Pit and Palutena are having a [[EverybodyLaughsEnding cheerful conversation.]] Out of nowhere a voice tells them to hold on, and [[BreakingTheFourthWall a hand tears through the credits roll,]] revealing the true [[BiggerBad Big]] [[ManBehindTheMan Bad]] of the game, Hades. Really the game is only a little over a third of the way completed at this point, though this fact was hidden rather well.]]
* Happens on occasion in ''Franchise/AceAttorney'', where sometimes it looks like the trial won't end in your favor and it cuts to black only for someone to [[CatchPhrase Object]].
* In the iOS game ''VideoGame/LaytonBrothersMysteryRoom'', sometimes when you think you have solved the case, the suspect may pull this on you.
* Happens after rescuing Leon in ''VideoGame/RuneFactory4''. The main character chooses to take his place and stay trapped in the Forest of Beginnings forever, credits start rolling...[[spoiler:And then Ventuswill stops the credits with a roar and breaks in to get you back to Selphia.]]
* In the ChristmasEpisode of ''VideoGame/TheDarksideDetective'', after the Krampus has been defeated and Santa rescued, the "Case Closed" caption appears and the usual outro music plays -- and then there's a shout for help from offscreen, and there turns out to be one more puzzle to solve.

[[folder:Web Animation]]
* Happens after a BigWhat in the ''WebAnimation/MattNDusty'' episode "Flipper's Revenge".
* Done twice in a row in the ''WebAnimation/HomestarRunner'' episode, "A Death-Defying Decemberween".
-->'''Strong Bad''': So, The Cheat's helping Homestar the cheat, eh? I wonder what would happen without that mattress there... Hmm...\\
(scene starts to fade out, but abruptly fades back in)\\
'''Strong Bad''': Oh, wait. Homestar would probably die! I gotta go move it!\\
(scene fades out again, before fading back in)\\
'''Strong Bad''': I was really wondering for a second there.

[[folder:Web Comics]]
* This happens in [[spoiler:chapter fifteen]] of ''Webcomic/OrangeMarmalade'' with what looks like an extremely dramatic turn of events, using the writer's usual ending for each chapter. Turns out the character in question was only joking.
* ''Webcomic/{{Homestuck}}''
** After a very silly animation in which the main character sings the song "How Do I Live" while reenacting the final scene from ''Film/ConAir'', curtains close with the text "END OF ACT 4" under them. In the next panel they reopen. PSYCHE.
** Also used in the song "Time On My Side", seeming to end before [[{{Pun}} cutting]] back in with an AudibleSharpness sound effect, and in "Unite Synchronization".
** Later [[ParodiedTrope parodied]]... and then [[RunningGag done again on the NEXT PAGE]].

[[folder:Web Original]]
* In ''Series/FlandersCompany'', the season 4 episode "Karma Tsunami" ends with the surprise return of Jean-Luc Shredder. The ending credits start, but Armand yells for this to stop, demanding an explanation.
* In ''WebVideo/TenLittleRoosters'', when Ryan is [[spoiler: trapped in a hole, quickly running out of oxygen,]] he lies down on the ground and appears to pass out. It fades to [[spoiler: [[OncePerEpisode his framed picture and plaque, indicating that he's died.]] Then the picture falls to the ground abruptly and shatters.]] And then we cut back to Ryan [[spoiler: [[MomentOfAwesome smashing the glass ceiling, and escaping from his prison.]]]]

[[folder:Western Animation]]
* Used in the WesternAnimation/LooneyTunes classic ''WesternAnimation/DuckAmuck''. Daffy wants to "get this picture started," only for the camera to IrisOut onto a "The End" card... which Daffy promptly pushes out of the way with a shout of [[BigNo "NO! NO!"]]
** Reused in the Nintendo DS game version, with Daffy wanting to "get this game started", and the camera irises out to a Game Over screen. He pushes that out of the way as well.
** WesternAnimation/FoghornLeghorn does this in at least one of his shorts, just to get in [[MotorMouth one last line]] of dialogue.
* The ''WesternAnimation/{{Futurama}}'' episode "Put My Head On Your Shoulders" ends with a heart-shaped IrisOut on Bender claiming that the events on the episode [[IMeantToDoThat were just as he planned]]. Suddenly, Leela calls him out and the scene irises in again. The episode then ends on another heart iris... on Bender's [[ItMakesSenseInContext exploding]] [[BrickJoke butt]].
* Done while WesternAnimation/BeavisAndButthead watched the Godley & Creme video "Cry".
-->'''Singing''': Cryyyyyyyy...\\
'''Beavis''': Well I'm glad that's over--\\
'''Singing''': CRYYYYYYYY!\\
'''Beavis''': AAAAAH!\\
'''Butt-head''': ''Now'' it's over--\\
'''Singing''': ''[[RuleofThree CRYYYYYYYY!!!]]''\\
'''Butt-head''': AUUUGH!\\
'''Beavis''': [[Funny/BeavisAndButthead AAAAH! STOP IT!]]
** Watch it [[http://www.youtube.com/watch?v=PM3s2k1BvQ4 here]].
* The end of the ''WesternAnimation/SouthPark'' episode "Scott Tenorman Must Die" involves an a IrisOut, followed by an Iris In of Eric Cartman [[ThatsAllFolks imitating the classic]] ''WesternAnimation/LooneyTunes'' [[ThatsAllFolks farewell dialogue]].
* Used towards the end of the ''WesternAnimation/BeastWars'' episode "A Better Mousetrap", as Sentinel shuts down outside the Maximal ship ''Axalon''. According to Rhinox, Sentinel would only shut down if an intruder had been neutralized, thus making the Maximals fear that Rattrap, who was trying to shut it down, is dead. Thus, as they mourn, starts to IrisOut when Rattrap exits the ''Axalon'', saying [[SarcasmMode "Boo-hoo, boo hoo!"]]
* A ''WesternAnimation/GoofTroop'' episode used this. A gang of bullies (The Pharaohs) forced Max and P.J. from visiting their favorite hangout ("No geeks on the Pharaohs' turf!"). With the intervention of Max's former babysitter, they turn the tables and win a contest against them claiming the hangout as their own. When the Pharaohs try to return, Max, P.J, and the babysitter tell them [[IronicEcho "No geeks on the Pharaohs' turf!"]] Cue fade out, then fade back in with Max telling them "Not. Come on in, you guys."
* The intro to ''WesternAnimation/{{Fillmore}}'' pauses as if it's going to end but the music starts up again and it lasts a few seconds more.