[[quoteright:350:[[Franchise/MyLittlePony http://static.tvtropes.org/pmwiki/pub/images/rainbowcoolnes_2690.png]]]]
[[caption-width-right:350:[[WesternAnimation/MyLittlePonyG3 Same name]]. [[WesternAnimation/MyLittlePonyFriendshipIsMagic Different generation.]]]]

Some characters can have very long careers, and a few stretch all the way back to the silent era. Due to the simple passing of time and countless writers, older shorts can feature characters very different from their later incarnations. Sometimes it's a wardrobe or design difference, but occasionally it's their nature.

Fans will form camps as to which personality is canonical, but some companies (especially Creator/WarnerBros) are famous for treating their characters as actors playing a role. You'll still have fans commenting which incarnation they prefer best. In the case of ''WesternAnimation/LooneyTunes'' characters, this mainly affected those with prolific acting careers -- WesternAnimation/BugsBunny and WesternAnimation/DaffyDuck were originally the same kind of character, in practice. In that case, [[DependingOnTheWriter differing personalities were based on writers' choices]] that caught on.

The most obvious example of this idea is seen in 1930s character designs. With only a slight design change (and some WhiteGloves) Bosko, [[FelixTheCat Felix,]] Buddy, [[OswaldTheLuckyRabbit Oswald,]] and [[ClassicDisneyShorts Mickey]] look like relatives.

Anime seems to never do this; ArtShift gags usually refer to a completely different style, never an old one. An anime may tweak or simplify designs over the years, but you can guarantee an OsamuTezuka adaptation is going to loyally stick to the oldschool design.

See also CharacterizationMarchesOn, InterpretativeCharacter.
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!!Examples:

[[foldercontrol]]

[[folder:Anime and Manga]]
* Benkei from the GetterRobo franchise has had a different personality in every appearance. Original Manga: pretty much Murashi. 70s Anime: A pacifist coach with stout strength. Getter Robo Armageddon anime: TeamDad and while a bad ass something of the OnlySaneMan. New Getter Robo anime: a composite with Murashi, a reformed monk that's chaotic good.
[[/folder]]

[[folder:Comic Books]]
* Throughout the first year-or-so of Franchise/{{Batman}}'s existence, he's a menacing outlaw who recklessly taunts criminals, often kills them, sometimes using a handgun, and then he adopts a young boy named Dick Grayson, who joins him in the butt-kicking of evildoers... and swiftly becomes an upstanding noble hero with a code against killing (possibly before Superman) who's fully deputized by the police. By the 1950s, this characterization has become the rule, though it lets up just a bit in the mid-'60s. In the '70s, he's still basically a noble hero, but becomes more cynical and fallible. Beginning in 1983, Batman is more of a maverick, but it's the 1986/1987 reboot/retcon of DC Comics as a whole wherein Batman becomes more introverted and violent and yet also even more fallible than in the '70s. The events of 1988 (Barbara being shot and paralyzed, Jason being killed) cement this notion, as does the 1993 injury at the hands of Bane, and yet, by the end of 1996, Grant Morrison portrays him as an infallible genius--at-least in JLA stories--though still introverted and often violent (though not like "darker" anti-heroes). This has essentially been Batman's mode in the comics since that period.
** One issue of ''Superman'' (''Superman: The Man of Steel #37''), during the 1994 CrisisCrossover ''Comicbook/ZeroHour'' had a barrelful of [[Franchise/{{Batman}} Batmen]] show up, each based on a particular artist's rendition (e.g., Frank Miller, Neal Adams, Carmine Infantino, Dick Sprang, Bob Kane).
** A ''{{Planetary}}'' crossover had them running into various versions of Batman as they shifted between Gotham realities. Batmen they encountered were, in order - modern Batman, Creator/AdamWest Series/{{Batman}}, [[ComicBook/BatmanTheDarkKnightReturns TDKR]] Batman, Denny O'Neil Batman, original Batman and future Batman.
** So it's no surprise that his most longtime recurring villain is the same. SelfDemonstrating/TheJoker was a gangster with a gimmick, then a HarmlessVillain, then the Clown Prince of Crime we all know and love in personality but different in motive. Will you finding him robbing banks? Planning to kill a whole bunch of people ForTheEvulz? Involved in a big TakeOverTheWorld conspiracy with a coalition of villains? ...''yes.'' How dangerous he was would vary with the darkness of the era; in a grittier story he's murder incarnate. In a lighter story he's shooting acid from his lapel flower until going down in one punch. Eventually, it was decided that ''all'' versions of the Joker are equally valid: with his madness, nothing is stable about him, including what sort of villain he is. Making smiley-faced fish today, ending a talk show appearance with "I released poison gas when I came in the studio just 'cause I felt like it and the thousand or so people in the audience will drop dead in 3-2-1...!" tomorrow - ''that'' is what it means to truly be ChaoticEvil.
** One issue of the ''Fanboy'' miniseries by MarkEvanier and SergioAragones has Finster taking the role of Robin in one of his [[FantasySequence imaginary adventures]]. Along the way, Batman gradually shifts through just about every major portrayal from his original GoldenAge depiction to the ''WesternAnimation/BatmanTheAnimatedSeries'' version.
* Franchise/{{Superman}}. Early Golden Age, he had no problem sending a carload of gangsters to their deaths and was seen as an outlaw. His Kryptonian heritage is rarely referenced. Late Golden Age/Silver Age, he had a no-killing rule that extended to even the most vile of supervillains, and was a symbol of the establishment. His Kryptonian heritage was paramount to almost everything he did. The 1986 reboot established Superman as closer to the later but more independent in his thinking. He also had a resentment toward his Kryptonian heritage. After about the turn of the century, the answers sort-of blew in the wind until the Comicbook/{{New 52}} reboot in 2011.
** Creator/GrantMorrison's [[Comicbook/GrantMorrisonsActionComics take on Superman's early years]] for the New 52 relaunch is based on the earliest GoldenAge character: an anti-establishment radical who appeared in stories like "Superman In The Slums". These stories took place in the past and his "present" character is somewhat more defined, except when written by Scott Lobdell.
** Morrison's ''Comicbook/AllStarSuperman'', by contrast, is an ode to the Silver Age and Superman acts almost exactly as one would expect him to if they grew up on those comics.
* In his earliest appearances, Comicbook/{{Wolverine}} was more of a wise-guy and gradually drifted toward the savage we know him as today. This peaked at some point, and by the time ''Wolverine & the X-Men'' (the comic book series) came around, he'd become much more tame and a more strict adherent to Xavier's dream than former noble leader Cyclops.
* Alan Moore's run on the ''Comicbook/{{Supreme}}'' comic starts this way, with Supreme encountering various iterations of himself stretching back to the 1930s, at least. His arch-nemesis Darius Dax has a similar experience, including an encounter with "edgy Eighties serial killer Dax."
* Comicbook/TheQuestion big time. First created for Charlton Comics by SteveDitko, he was more of a mouthpiece for his creator's Objectivism. When he joined DC and got his own series in the 80s the character become zen-like and tried to control his berserker urges. Then there's his famous expy from ''Watchmen'', Rorschach, who was intended to be Ditko's Question but had to be changed, dialed up closer to psychopath. The reason why Rorschach is here is because The Question's DCAU version is more like a toned down cloudcuckoolander conspiracy theorist Rorschach. Then of course there's the second Question.
[[/folder]]

[[folder:Film]]
* In the 1951 film ''Superman & the Mole Men'', Superman is a rough & tumble crusader. In the 1978 film ''Film/{{Superman}}: the Movie'' and its sequels, Superman is a noble figurehead of the establishment.
* In the 1966 film, ''Film/BatmanTheMovie'', Batman is a noble figurehead of the establishment. In the 1989 film ''Film/{{Batman}}'' and its [[Film/BatmanReturns immediate sequel]], he's a rough & tumble crusader.
* Film/JamesBond and the world around him change via decade, along with expectations of what a spy character should be like. Naturally, the Daniel Craig version's got a little [[Film/TheBourneSeries Jason Bourne]] in him.
* For his first decade on the screen, Franchise/{{Godzilla}} was a fearsome force of nature meant to be a physical incarnation of the atom bomb. The later Showa films of TheSixties and TheSeventies portrayed him as a protector of humanity who was grumpy at worst. With his reintroduction in ''Film/TheReturnOfGodzilla'' and through the subsequent Heisei era films in TheEighties and TheNineties, he was once again a fearsome creature hostile to humans, albeit one that often saved humanity by accident in his battles with other {{Kaiju}}. This portrayal continued into the TurnOfTheMillennium, with the exclusion of ''Film/GodzillaMothraKingGhidorahGiantMonstersAllOutAttack'', where he is a being of pure evil. ''Film/{{Godzilla 2014}}'' once again makes him the terrifying force of nature he was in his earliest films but also continues the Heisei/Millennium portrayal of him being an unintentional defender of humans from other monsters.
[[/folder]]

[[folder:Live Action TV]]
* ''Series/DoctorWho'':
** In the case of the Doctor, the show provides a notable justified version of this trope. Thanks to the regeneration plot device, Time Lords are in fact ''expected'' to change their personality [[TheNthDoctor whenever they're recast]].
** Some Doctors even change personality while still being the same Doctor thanks to different showrunners and fanbase preferences -
*** The First Doctor is totally different in his original comics line, and in his merchandising line again, shows up in two Dalek films played in a totally different way by Peter Cushing, shows up with a completely different appearance and personality in "The Five Doctors" and gets another totally different characterisation in a lot of his ExpandedUniverse stuff (especially the 50th Anniversary book ''A Big Hand For The Doctor'', which WordOfGod has said was intentionally written out-of-character to represent how he'd imagined the first Doctor as a child from reading Target novels). Even in the show itself, he gets a different characterisation starting from Innes Lloyd's tenure as showrunner, mostly making him more of a central character but more emotionally vulnerable and fallible.
*** The Fourth Doctor has three different personalities to go with his three different showrunners, between their conscious attempts to dictate the show's tone to the writers (first GothicHorror BlackComedy, then witty {{Camp}}y comedy, and finally very serious mystical science fiction) and the actor reinterpreting his performance to fit those. See also his characterisation in the ''Magazine/DoctorWhoMagazine'' comic strips compared to his personality on the show - he [[LighterAndSofter loses virtually all of his dark side]] and is more sugary, childish and crazy than he ever gets to be on-screen.
*** The Sixth, Seventh and Eighth Doctors were, and still are, drastically reinvented by the ExpandedUniverse by those RunningTheAsylum. The Eighth Doctor is probably the most extreme case, as due to the limited amount of television featuring him, his characterisation is flexible enough that he can be used as a sort of 'generic Doctor' with lots of DependingOnTheWriter scope, and so tens of different arms of the EU developed him in tens of wildly different ways. The Sixth Doctor is a milder example - he has a totally different personality in the 80s comics featuring him because they switched to using him before his on-screen characterisation was known, had to invent a personality for him out of educated guesswork, and decided to keep running with that personality even after it was {{Jossed}}.
** Even setting incarnations aside, the Doctor can be loosely split up into decades:
*** 60s: Short, twinkly, AmbiguouslyHuman, the source of his powers is a RiddleForTheAges, generally grandpaternalistic or avuncular, and often content to remain in the background coming up with answers while the companions or guest characters handle the bulk of the plot. Usually takes a small gaggle of companions, usually a mixed-gender team. Usually apolitical - he'll break out lectures and he'll protect humans but he won't stick around to fix their long-term social problems. The heavy implication is that he's on the run from something, and stopping, or drawing too much attention to himself, would mean his doom - he stops to help people who are suffering because that's just what a gentleman should do. Occasionally untrustworthy due to his mercurial nature and mysterious motives.
*** 70s: Tall, [[TheCharmer dazzling]] and [[{{Swashbuckler}} dramatic]], a bit HotterAndSexier and much more likely to be portrayed as a leading man or action hero. Tends to take just one attractive female ImpliedLoveInterest companion and tends towards VitriolicBestBuds towards the male ones. Explicitly an alien with BizarreAlienBiology (two hearts, telepathic powers, etcetera), a variety of NewPowersAsThePlotDemands, a home planet in the form of Gallifrey and a friendly EvilCounterpart in the form of the Master. Unlike his fallibility in the previous and succeeding decade he's so brilliant at everything he borders on TheAce or an InvincibleHero. Has a much more political bent and is greatly concerned with fairness, equality and freedom - but at the same time it's clear he does what he does because [[NightmareFetishist it's fun]] and [[AttentionWhore he loves showing off]]. Occasionally scary due to his lack of connection with Earth and his emotional inhumanity.
*** 80s: Deconstruction of the Doctor's moral code, mental instability and bizarre lifestyle. The Doctor becomes much more emotional and vulnerable and is much more often shown [[DirtyBusiness making bad decisions]] or being physically helpless. Soap opera influenced relationships with companions begin, but [[NoHuggingNoKissing aggressively asexual]] ones; the Doctor also steps back from the in-your-face lead role of the 70s in order to allow companions to take focus more often. He dispenses with the spirituality of the 70s and his main moral concern is justice, to which he will go to some very dark extents to achieve. By now, he does what he does because he's a mystical, legendary force of justice, with a couple of incarnations (the 80s version of the Fourth and the Seventh) dipping heavily into WizardClassic symbolism.
*** 00s: A HurtingHero who destroyed his entire race in order to kill the Daleks. ''Much'' HotterAndSexier, most companions being explicit love interests to some degree. MessianicArchetype symbolism abounds but so does internal criticism of this. The Doctor is now a 'big' character who often goes on epic, blockbuster adventures (unlike his smaller-scale predecessors).
** The Daleks, like many popular monsters, reflect popular anxiety of the time.
*** In 1963, the height of the UsefulNotes/ColdWar, they were a NuclearNasty.
*** The nuclear radiation concept was soon dropped to focus on a string of SpaceOpera stories where they tended to be shouting, imperialist 'space-Nazi'-like characters - playing up the PuttingOnTheReich elements of the Daleks to put a transparent [[ANaziByAnyOtherName allegory for the Battle of Britain]] in "The Dalek Invasion of Earth", ThoseWackyNazis in "The Chase" and cunning political machinators using networks of spies and trying to complete an allegory for a nuke in "The Daleks' Master Plan".
*** "Power of the Daleks" switches to a RedScare allegory with an apparently harmless Dalek 'worker' that makes humans see things its way and subverts the political structure of the entire colony. "Evil of the Daleks" carries on in this vein - the Daleks discover how to 'Dalekise' humans and make them think like them.
*** The revival series saw them retooled as religious fanatics with a distinctly PostNineElevenTerrorismMovie vibe under RTD's tenure as showrunner.
*** Moffat made them more into shifty politicians exploiting recession fears - under him Daleks have a complicated parliamentary democracy, find hatred beautiful, and claim to care about their people but beg for personal mercy. Notably, the WWII allegory is subverted by having WWII-era Daleks fighting on the side of the ''British''.
** The Cybermen are TranshumanAliens whose lack of emotion has made them almost enlightened in "The Tenth Planet", RedScare BodyHorror from "The Moonbase" onwards through the rest of the 60s, killer robots with a gold allergy in the 70s, and rather emotional gun-toting baddies in the 80s so allergic to gold that they die if they get hit with gold coins. The 90s [[WhatCouldHaveBeen almost saw]] skeletal, ''Film/TheTerminator''-esque Cybers, and the New series rebooted them with a new origin story as TheVirus, with a marching, zombie-like vibe, so emotionless that they die if they feel emotion and are often defeated by the PowerOfLove.
* The evolution of ''Franchise/StarTrek''[='s=] Captain Kirk:
** [[Series/StarTrekTheOriginalSeries 1966 - 1979]]: Nearly infallible paragon, though he will break Starfleet orders if a ToBeLawfulOrGood conflict arises.
** [[Film/StarTrekIITheWrathOfKhan 1982]] - [[Film/StarTrekVITheUndiscoveredCountry 1994]]: More fallible and a bit of a MilitaryMaverick type.
** [[Film/StarTrek 2009 - present]]: Arrogant young hot shot.
[[/folder]]

[[folder:Multiple Media]]
* With its constant reboots and a need to always stay fresh, it's a given that this would ''heavily'' affect ''Franchise/{{Transformers}}''. Although most of the recurring characters are more akin to simple [[InNameOnly nameslaps]], even the "actual" returning characters can be radically different depending on the series, movie, video game, etc.
** Optimus Prime: [[WesternAnimation/TheTransformers an almost infallible, respected but friendly leader]], [[Franchise/TransformersFilmSeries a violent veteran who kills opponents without mercy and hesitation]], [[WesternAnimation/TransformersAnimated and up-and-coming but often disrespected leader in the making]], or [[WesternAnimation/TransformersPrime a legendary leader but a distant stoic]]?
** Starscream: [[WesternAnimation/TheTransformers a backstabbing coward who wants to claim Megatron's power]], [[Anime/TransformersArmada a more honorable fighter who only wants to earn Megatron's respect]], [[Franchise/TransformersFilmSeries a sniveling but snarky buffoon who nonetheless stays loyal to Megatron]], or [[WesternAnimation/TransformersPrime an incompetent dirty backstabber who gradually learns that his goals are totally misplaced]]?
** There are of course far more extreme examples. Is Wheeljack [[WesternAnimation/TheTransformers a crazy scientist whose gadgets always blow up in his face]] or [[WesternAnimation/TransformersPrime a tough-as-nails action hero]]? Bumblebee likes fun, but [[WesternAnimation/TheTransformers would he avoid danger and play things safe]] or [[WesternAnimation/TransformersAnimated jump headfirst into action and behave like a brat]]? [[Franchise/TransformersFilmSeries Maybe he's even an awesome but brutal fighter]], or [[WesternAnimation/TransformersPrime someone who patiently waits until it's time for him to become one]]. Red Alert -- [[WesternAnimation/TheTransformers crazily nervous and paranoid]] or [[Anime/TransformersArmada a stoic]]? Hound -- [[WesternAnimation/TheTransformers a mild-mannered pacifist]] or [[Franchise/TransformersFilmSeries a gun-toting loudmouth killing machine]]? Wheelie -- [[WesternAnimation/TheTransformers a rascally kid]] or [[Franchise/TransformersFilmSeries a foul-mouthed pervert]]? A comprehensive list would be as long as this entire page.
* Pohatu from ''Franchise/{{Bionicle}}'' was originally the friendliest and most social of the Toa, with a bright outlook on things and a jocular attitude. [[Franchise/{{Bionicle2015}} In the reboot]], he seems serious and distant instead, at least in the webisodes, and he's described as the one who's always first to take action.
[[/folder]]

[[folder:Music]]
* Music/MarilynManson's discography can be broken up into eras by album, with each album bringing a new look, sound and on-stage mannerisms.
[[/folder]]

[[folder:Professional Wrestling]]
* Wrestling/{{WCW}} once did this when Wrestling/{{Sting}}, a veteran wrestler who had drastically changed his look several times over the years, was attacked during a match by a series of assailants, each of whom wore a different-era Sting costume.
* Another wrestling example might be Wrestling/WrestlingSocietyX's [[Wrestling/ColtCabana Matt Classic]], a wrestler who was "in a coma for 40 years" and therefore uses moves, mannerisms, and phrases from 1960s pro wrestling.
* Wrestling/TheUndertaker has had several different "eras" with his persona, such as his original zombie gimmick, his Wrestling/MinistryOfDarkness persona, and his biker gimmick.
[[/folder]]

[[folder:Videogames]]
* In a later self-reference, the "Timeless River" subworld in ''VideoGame/KingdomHeartsII'' takes place in the past, where the Disney Castle counterparts are depicted in [[ClassicDisneyShorts their original incarnations]] (specifically, those of the 1928 short ''Steamboat Willie''). Sora specifically mentions Mickey and Black Pete looking and acting strange.
** And even the anime-influenced Sora himself is affected designwise, as he wears a simpler version of his first-game outfit and looks more akin to anime art done by OsamuTezuka in the Timeless River.
* In earlier plans for ''VideoGame/EpicMickey'', which way you went on the KarmaMeter would determine which incarnation of Mickey you played: the scrappy fighter of his [[ClassicDisneyShorts original appearances]], the straight man of the late 1930s, or the more modern 'hero' Mickey.
* Kusanagi, a clone of Kyo Kusanagi from ''VideoGame/TheKingOfFighters 2002'' and ''2003'' is essentially Kyo's older version from the previous games, as he has Kyo's old appearance, quotes, and movelist.
** Not entirely. If his demeanor and appearance are to be taken into account, Kusanagi is quite possibly an AxCrazy {{Pyromaniac}} BloodKnight who is even more HotBlooded than the real Kyo ever was. However, some of this was done to [[DivergentCharacterEvolution diversify]] him from not only Kyo, but also Kyo-1 and Kyo-2, the ''other'' clones of Kyo who appeared in ''KOF '99''. Kyo-1 is serious and somewhat mellow (like Kyo was in the later chapters of the Orochi Saga and beyond), whereas Kyo-2 is cocky and arrogant to the point of underestimating his opponents (much like how Kyo acted in ''[='94=]'' and ''[='95=]''). Ironically, Kyo-1 uses Kyo's ''[='94=]''-''[='95=]'' moveset, whereas Kyo-2 adopts Kyo's moves from ''[='96=]''-''[='98=]''.
* Lara Croft of ''Franchise/TombRaider'' has had six wildly different personalities.
* Franchise/SonicTheHedgehog has gotten fan backlash over the years for not quite having the attitude he had back in the 16-bit days, though this is mostly in America where he was marketed that way.
** ''VideoGame/SonicGenerations'' places the Genesis-era Sonic and (post-)Dreamcast-era Sonic side-by-side, freely inviting comparisons between the two.
*** "Modern" Sonic isn't exactly "Dreamcast" Sonic. ''VideoGame/SonicColors'' had already made a point of circling back to his sarcastic and [[DeadpanSnarker snarky]] MascotWithAttitude status from the Genesis games and ''Generations'' doesn't detract too much from that. The big contrasts are mostly visual changes and the fact that [[HeroicMime the younger Sonic can't speak]].
* [[Franchise/TheLegendOfZelda Ganon(dorf)]] existed as a [[EvilIsHammy hammy villain]] up through ''VideoGame/TheLegendOfZeldaOcarinaOfTime''. He has gotten more subtle nuances since then, but whether he is a TragicVillain or just an EvilOverlord sans ham seems to depend on [[VideoGame/TheLegendOfZeldaTheWindWaker which]] [[VideoGame/TheLegendOfZeldaTwilightPrincess timeline]] we see him in.
[[/folder]]

[[folder:Web Original]]
* The webcartoon ''WebAnimation/HomestarRunner'' has an "Old Timey" universe which mirrors 1930s cartoon character designs and personalities.
** Also, the Chapmans parody their own earlier style: the Strong Bad Email "flashback" parodies the style of the children's book that predates the website, and "lady-ing" parodies the very first Homestar Runner webcartoon.
* The trope is also used in the ''VideoGame/MegaMan'' centric sprite comic ''Webcomic/BobAndGeorge''. The time frame is measured by bittage: 8 bit is the past, 16 bit is the present, and 32 bit is the future.
* At one point in ''[[WebVideo/ImAMarvelAndImADC Marvel/DC After Hours]]'', Superman, Batman, and Spider-Man go back in time to shortly before MarvelComics was founded. Superman and Batman briefly revert to their [[TheSilverAgeOfComicBooks Silver Age]] personalities, which was signified by the use of older action figures. When they revert to their modern personalities, Superman remarks that he'd forgotten how nice Batman [[DarkerAndEdgier used to be]].
** Lampshaded again in the "movie tournament" series. Captain America faces off against ''50s'' Superman, who tells him to look up {{Superdickery}}.
[[/folder]]

[[folder:Western Animation]]
* Both DonaldDuck and MickeyMouse were much more mischievous and aggressive in their earlier appearances.
** Referenced in a ''WesternAnimation/QuackPack'' episode where DonaldDuck was being age-regressed. Instead of getting younger ''looking'', he started reverting to older character designs and became more of a troublemaker (at first; eventually, he actually ''did'' become younger-looking).
* The Warners from ''WesternAnimation/{{Animaniacs}}'' are deliberate throwbacks to 1920s- and 1930s-era designs, per their BackStory.
* The ''WesternAnimation/BatmanTheAnimatedSeries'' episode "Legends of the Dark Knight" featured children speculating about what Batman's really like; their interpretations are pretty much directly lifted from the '60s Batman series (and the '70s cartoons based on it, as well as Dick Sprang's work in the comics), Frank Miller's graphic novel ''ComicBook/BatmanTheDarkKnightReturns'', and Joel Schumacher's much-maligned "Batman in a tight rubber suit" movies. (The kids themselves are Classic Dick Grayson, Carrie Kelly and, er, a kid version of Joel Schumacher.)
* When WoodyWoodpecker was revived in the 1990s, they used the wilder, more irreverent 1940s version, rather than the softer 1950s version that had been used until then.
* In the WesternAnimation/LooneyTunes shorts, WesternAnimation/DaffyDuck went from being a wacky trickster to cowardly and non-too-bright to being rather serene and positive, and from there on became cunning and greedy, to be used as a {{foil}} to WesternAnimation/BugsBunny.
* Shaggy from ''Franchise/ScoobyDoo'' was stripped of all his hippie during the 80s, but got it back in the 90s.
** Velma's also gotten [[DeadpanSnarker snarkier]] as time went on.
** The 90s-and-later incarnations of the franchise are generally more self-aware and willing to play with the series tropes, where the originals played it all straight.
* When ''WesternAnimation/BettyBoop'' first appeared in the early 30's, she was portrayed as a teenage (sometimes young-adult) flapper-girl with an outgoing personality and loads of [[FetishFuel sexuality]]. After UsefulNotes/TheHaysCode of the mid-30's however, Betty was aged up to her mid-twenties, wore long, conservative dresses and became more passive and less wild. However, as she experienced a re-birth in popularity after the 50's, she reverted back to her sexy, Jazz Baby persona in most portrayals and is remembered by these images and behaviours mostly today.
* Parodied in ''WesternAnimation/TheFairlyOddParents'' episode "The Crimson Chin meets Mighty Mom and Dyno Dad"- The Crimson Chin has wildly different Era-specific personalities, from the [[UsefulNotes/TheGoldenAgeOfComicBooks 30s pulp-fiction Chin]], to the [[DarkerAndEdgier "super-edgy"]] [[UsefulNotes/TheDarkAgeOfComicBooks 1985]] [[DarkerAndEdgier Chin, who got cancelled for swearing.]]
* The ''Franchise/MyLittlePony'' franchise tends to do this with reoccurring ponies. Most of the characters in the current series ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' who were carried over from the earlier G3-series have personalities that are completely different from the ones they had in G3. This is because, while those ''Friendship is Magic''-characters do have the names and color-schemes of characters from G3, their personalities are actually based on characters from G1, the original ''My Little Pony'' version from the 1980's. A curious special case is the character of Applejack, a ''Friendship is Magic''-character who has the name and color scheme of a G1 pony, but whose personality is completely different from that Pony.
** The page image is Rainbow Dash. In G3, she was a fashionista and spoke with a British accent. G4 Rainbow Dash is a TomboyWithAGirlyStreak ([[HiddenDepths among other things]])
** The MLP franchise is hit with this hard. In, say, ''Franchise/{{Transformers}},'' Hasbro's foremost ''boys''' franchise, the different series have their own styles but Optimus is a paragon of good, either Ratchet or Red Alert is TheMedic and often has a RedOniBlueOni relationship with the KidAppealCharacter, Megatron is the BigBad, Starscream isn't [[TheStarscream known for his loyalty]], etc. In ''My Little Pony,'' characters may share nothing but the names with past incarnations. Even the association with G1 characters is less than many who haven't actually seen G1 think: Twilight Sparkle is a magic prodigy, {{Adorkable}}, and has more than a touch of OCD, and has teleportation among her many spells. G1 Twilight… teleported a couple of times. Most characters are less "same character, updated for the new decade" and more "new character entirely, with a name we already had trademarked."
* ''WesternAnimation/ThomasTheTankEngine'' went through various changes throughout the evolution of the original ''Literature/TheRailwaySeries'' novels and the TV series. In the earliest of Rev W Awdry's books, Thomas was established as a "cheeky" BrattyHalfPint, then as more engines were introduced he developed into a more mature but highly arrogant hard worker. Both Christopher Awdry's books and early stages of the show referted to both interpretations when fitting, though as the series became more iconic, Thomas was mellowed into a more altrustic and gentle protagonist. Hit Entertainment's LighterAndSofter tenure makes something of a compromise of the former and latter, turning Thomas into a well intentioned {{Keet}}.
[[/folder]]

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