Even Death can feel a little lonely. A rather infamous artistic motif that has lasted since the Renaissance and maybe before that, Death and the Maiden has been a popular motif in mediums ranging from visual art to plays, music and even film. The details are simple: feature the personification of Death with a beautiful, nubile human woman. Easy peasy. How this formula differs depending on the medium. Death is often presented as a skeleton with wings or a cloak and scythe or maybe just a wilting corpse. The woman is often nude or at least partially so. How their interactions vary as well, the maiden reacting with fear or arousal at Death's touch, while Death caresses, kills and/or whatever else the woman in question. It is Exactly What It Says on the Tin. This motif is commonly seen as an erotic one, two lovers making a connection in a way that even the viewer can only have limited comprehension of. Others can see it as a symbolic one, Death representing mortality and... well... you know, while the woman representing life and how the two dance in a delicate balance, being equal and opposites to one another. A common variant of the Beast and Beauty trope.
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Films - Live Action
- Death Takes a Holiday features Death who takes human form and falls in love with a young woman named Grazia. This very same plot would later be remade in the 1998 fantasy romance Meet Joe Black.
- Inspired the title of Tod und Mädchen, a biopic of Egon Schiele which concentrates on his unhappy relationships with women and the near-simultaneous deaths of himself and his wife in the 1918 influenza pandemic.
- In Buffy the Vampire Slayer, Buffy's relationship with Angel has overtones of this, especially given that being with 'death' isolates Buffy from her (human) friends and even her moral code. Both she and Angel note that their relationship is dangerous and hurtful to both of them.
Angel: This isn't some fairy tale. When I kiss you, you don't wake up from a deep sleep and live happily ever after.
Buffy: No. When you kiss me I want to die.
- In Final Fantasy XII, the Esper Zalera the Death Seraph is depicted as a horned Lich-like monster carrying a semi-naked woman in his right arm. According to the lore surrounding him, he was tasked with judging the souls of the damned but rebelled against the gods, and the woman is a shamaness who he abducted in a bid to increase his powers.
- In Grim Tales from Down Below, Grim haunts Mandy's life, having fallen in love with her and the evil she has accomplished into adulthood. He finally faces her and gives her a choice; marry him or finally face death. She agrees and becomes his wife, even having children with him even though they aren't actually ''his'' kids.
- The webcomic Death and the Maiden is about the Grim Reaper hunting down a woman who nearly died with an attempt to reap her soul. Belligerent Sexual Tension ensues.
- Deconstructed in Homestuck: Lord English, the monsterous skeletal being who is known as the apocalypse-bringer and lord of the angels of death, always has a beautiful woman as his dragon. It's made clear however, that both of the ones we see loath him and what he uses them for, and it's implied that the reason he chooses beautiful women to serve him in destroying reality is because an incestious complex stemming from his murder of his sister.
- In the The Grim Adventures of Billy & Mandy episode "Grim In Love", Grim falls in love with a Goth woman named Malaria. She shares his sadistic sense of humor and they both enjoy their company. By the end, he reveals to her that he is the real Grim Reaper and that all of his friends are actual monsters, leading her to run away in sheer terror.