"Why is she always the one getting kidnapped? I'm the princess!"A character, usually female, is put into immediate danger in order to put the cast in motion. Her plight unites the cast, causing them to put aside their differences and work together to save her or provide the premise for The Quest. The nature of the distress varies. The classic damsel has been kidnapped or captured and is locked away, awaiting rescue and afraid for her life and virtue. She may also be lost or stranded in a hostile area, trapped, desperately ill, or suffering any number of terrible fates where she needs help to survive. This set-up is plausible if the damsel in distress is a beloved character, but can be very jarring if the audience fails to see what's so valuable about the damsel and why the rest of the cast should drop everything to go to her rescue. Some damsels are so annoying that the audience wouldn't mind seeing them dead; others end up in trouble in a way that just screams Character Derailment. This is particularly dangerous for the resident Action Girl who will seem suddenly weak and helpless if her stint as a damsel isn't properly justified — if the moment is bad enough, she can be demoted to Faux Action Girl. On the other hand, anyone can have a bad day; perhaps she just had a moment of Badass in Distress after being thrown a Distress Ball. A possible way to shake things up a bit is to give the damsel something to do besides stand around uselessly. The Damsel out of Distress will put up a fight, which can either help or make things worse. The Defiant Captive damsel will snarl and rage where her meeker sister would scream. There are even subversions in the line of Play-Along Prisoner: the Decoy Damsel puts on all the appearance of this trope, but her helplessness is all for show. Sometimes the character gets kidnapped for the sake of her good looks or royal blood, but in other works she's more likely doing something that is a threat to the party that kidnaps her (reporters are common), which allows her to look smart and independent before she needs to be saved. Alternatively, she can end up prisoner as a Heroic Sacrifice; situations where she puts herself in peril so that others can get away are popular, even if her plan ultimately fails. Generally expected to give The Hero a Smooch of Victory when he rescues her. Assuming he does, of course... This is a type of Living MacGuffin. Chained to a Rock is an ancient form; Girl in the Tower and Hypnotize the Princess came later. Damsels in distress are often Bound and Gagged, especially where Author Appeal is concerned. If the kidnapper in question is particularly nasty, expect an I Have You Now, My Pretty situation to occur. If the character does not become a Damsel Scrappy but still is constantly captured, they are a Designated Victim. Compare with Disposable Woman. For the Gender Flip, see Distressed Dude. See also Distress Ball, Standard Female Grab Area, Determined Widow, I Have Your Wife, Save the Princess, Hostage MacGuffin. If the girl is actually faking this for her own benefits, depending on her purposes she's either a Deliberately Distressed Damsel or a Decoy Damsel. A typical damsel that rescues herself is a Damsel out of Distress. If she has a strong spirit despite captivity then he/she is a Defiant Captive. If the hero leaves the damsel in distress, that's Delaying the Rescue. See also The Captivity Narrative for a plot based on this. Not to be confused with the 2012 comedy film Damsels In Distress. This item is available in the Trope Co. catalog.
— Amalia Sheran Sharm, Wakfu
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- Lola Bunny at the end of this UK advert for Walkers Crisps.
- Child Ballad King Estmere. The king goes wooing on the recommendation of his brother, and arrives to find the lady is being forced to marry. He rescues her.
- Child Ballad The Maid Freed from the Gallows has the heroine about to be hanged if she is not ransomed. Various relatives arrive and declare they are there to see her hanged. Finally, her true love arrives and ransoms her. (Most American versions of this ballad feature a Gender Flip version, of a man about to be hanged, but this is the older variant.)
- Ariana Black of The Ariana Black Series gets kidnapped or otherwise endangered by Voldemort at least once per fic.
- Nala is this at times in The Lion King Adventures, most notably when she's kidnapped by Scar and Hago in King's Ransom.
- Tales of the Emperasque has Isha, Eldar fertility and life goddess, kept in prison by Nurgle. Her rescue is the first Crowning Moment of Awesome of many.
- Randy Savage has twice seen his valet, Miss Elizabeth, kidnapped by George "The Animal" Steele and King Kong Bundy. Hulk Hogan in the nWo even forced her to say she no longer loved Savage on camera.
- Mountain Fiji was practically invincible, so her enemies in GLOW frequently resorted to attacking and or kidnapping her little sister, often resulting in Mt Fiji losing matches by forfeit or count out as she left the arena to go save her.
- Later in WCW, the nWo would try to send a message to David Flair by kidnapping his Loony Fan Daffney Unger. Scott Steiner actually acknowledged that it might not have been the best idea.
- Smackdown did an angle revolving around Kurt Angle admitting that he wanted to have sex with Booker T's wife Sharmell, leading to many scenes of her failing to fight off or out run Angle before Booker came to the rescue, although he usually got beaten up too, until the very end.
- Trish Stratus was once abducted by MNM on an episode of Monday Night Raw, causing Jerry Lawler to abandon his commentary duties to go find her.
- TNA would later revisit the assault someone else's wife I want to have sex with angle with Scott Steiner going after Kristal Lashley until her husband Bobby made the save.
- At SHINE 15, Valkyrie used a beaten up Solo Darling to lure Amazing Kong away from their leader, The Radiant Rain.